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Accordéon
676
Piano, Voix et Guitare
376
Piano, Voix
333
Piano Facile
330
Instruments en Do
258
Orgue
103
Piano grosses notes
33
1 Piano, 4 mains
25
Clavecin
21
Accompagnement Piano
16
Piano Trio: piano, violon, violoncelle
10
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano (partie séparée)
6
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 4 mains
3
1 Piano, 6 mains
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Instrument seul et Orgue
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Guitare
1462
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1338
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459
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124
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101
Paroles et Accords
58
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12
Dulcimer
7
Banjo
5
Ensemble de Ukulélés
5
Mandoline
4
4 Guitares (Quatuor)
4
Guitare, Flûte, Clarinette
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2
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1
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Voix seule
1353
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482
Chorale 3 parties
146
Chorale 2 parties
115
Chorale TTBB
63
Chorale Unison
46
Voix duo, Piano
38
Chorale SSAA
31
Chorale
16
Voix duo
7
Voix Soprano, Piano
5
Chorale SSAATTBB
5
Voix basse, Piano
4
Voix haute
3
Voix Alto, Piano
2
Chorale SSATB
2
Voix Tenor
1
Chorale SSATTB
1
Voix moyenne, Piano
1
Voix Mezzo-Soprano, Piano
1
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Saxophone
4794
Flûte traversière
2138
Clarinette
2127
Saxophone Alto
414
Flûte à Bec
386
Saxophone Tenor
379
Hautbois
193
2 Saxophones (duo)
188
Saxophone Soprano
129
2 Clarinettes (duo)
106
2 Flûtes traversières (duo)
92
Saxophone (partie séparée)
75
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
67
Flûte, Hautbois, Clarinette, Basson
65
Flûte traversière et Piano
59
Quatuor de Saxophones: 4 saxophones
58
Clarinette, Violon (duo)
56
Saxophone, Clarinette (duo)
55
Saxophone Alto et Piano
53
Clarinette, Trompette (duo)
51
Clarinette et Piano
51
Hautbois, Piano (duo)
51
2 Flûte à bec (duo)
45
Quatuor de Clarinettes: 4 clarinettes
44
Flûte, Clarinette (duo)
41
Saxophone Tenor et Piano
36
Flûte, Violon
34
2 Hautbois (duo)
33
Hautbois, Basson (duo)
31
Hautbois, Clarinette (duo)
30
Flûte, Alto (duo)
30
Clarinette et Alto
29
Flûte, Saxophone (duo)
28
Quintette de Saxophone: 5 saxophones
23
Hautbois (partie séparée)
23
Saxophone Soprano et Piano
23
Flûte, Trompette (duo)
21
Flûte, Hautbois (duo)
19
Saxophone Baryton, Piano
16
Hautbois, violon (duo)
15
Hautbois, Flûte
13
Ensemble de Flûtes
13
Clarinette (partie séparée)
11
Quatuor de Flûtes : 4 flûtes
10
Clarinette Basse, Piano
9
Clarinette, Trombone (duo)
9
Ensemble de Clarinettes
8
Clarinette, Guitare (duo)
8
Flûte et Guitare
8
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7
3 Clarinettes (trio)
6
Cor anglais, Piano
6
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6
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5
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4
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2
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1
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Trompette
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Cor
176
Euphonium
144
Tuba
119
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51
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35
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33
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32
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32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Cor et Piano
30
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22
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15
2 Cors (duo)
11
2 Euphoniums (duo)
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Quatuor de Cuivres
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Euphonium, Piano (duo)
8
Cor (partie séparée)
7
Cor anglais, Piano
6
Tuba (partie séparée)
6
2 Euphoniums et 2 Tubas
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4
Quatuor de cuivres: 4 cors
3
Cor Anglais
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Quatuor de cuivres: 2 trompettes, 2 trombones
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2 Tubas (duo)
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Quatuor de cuivres: 4 trompettes
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Trio de Cuivres
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4 Tubas
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2 Trompettes, Clavier (piano ou orgue)
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Cor anglais et Harpe (duo)
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Tuba et Orgue
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Bass Clef Instruments
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Alto seul
815
Violoncelle
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227
Harpe
104
Violon et Piano
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68
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54
Violoncelle, Piano
51
Alto, Piano
50
2 Violoncelles (duo)
50
Contre Basse
50
Violon, Alto (duo)
49
2 Altos (duo)
41
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Violon (partie séparée)
18
Trio à Cordes: violon, alto, violoncelle
18
Contrebasse (partie séparée)
16
Trio à Cordes: 2 violons, violoncelle
10
Alto (partie séparée)
10
Alto, Violoncelle (duo)
10
Violoncelle, Contrebasse (duo)
9
Contrebasse, Piano (duo)
9
2 Harpes (duo)
6
Harpe, Flûte (duo)
6
Harpe, Voix
6
2 Contrebasses (duo)
5
Violoncelle (partie séparée)
5
Violon, Basson (duo)
4
Trio à cordes: 3 violins
4
4 Violoncelles
3
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 3 violoncelles
3
Harpe, Violon (duo)
2
Quatuor à cordes: 4 violons
2
Violon, Tuba (duo)
2
Violon, Clarinette, Piano (trio)
2
Violoncelle , Guitare (duo)
2
Flûte, Contrebasse (duo)
2
2 Violons, Piano
2
4 Harpes
2
Harpe, Violoncelle (duo)
2
Alto et Basson
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 altos
1
4 Contrebasses
1
Violoncelle, Orgue
1
2 Violoncelles, Piano
1
Harpe et Piano
1
Violon, Orgue
1
Trio à cordes
1
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PERCUSSIONS & ORCHESTRES
Batterie
1800
Orchestre d'harmonie
404
Orchestre
242
Orchestre à Cordes
91
Percussion
49
Ensemble de cuivres
38
Cloches
36
Ensemble Jazz
34
Orchestre de chambre
23
Fanfare
12
Jazz combo
12
Percussion (partie séparée)
7
Batterie (partie séparée)
6
Ensemble de Percussions
4
Piano et Orchestre
1
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AUTRES
Formation musicale - Solfège
39
Vous avez sélectionné:
The Days
Ensemble de Percussions
Partitions à imprimer
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The Days - Score Only
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1305683 By Avicii. By Aloe…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1305683 By Avicii. By Aloe Blacc, Avicii, and Michael Einziger. Arranged by Josh Ball. 21st Century,Pop. 2 pages. The BeatCave #895138. Published by The BeatCave (A0.1305683). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
4.54 €
#
Ensemble de Percussions
#
Avicii
#
Josh Ball
#
The Days - Score Only
#
The BeatCave
#
SheetMusicPlus
Celebrations for Percussion Ensemble Octet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1075547 Composed by Brian …
(+)
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1075547 Composed by Brian Monroe. 20th Century,Instructional. Score and parts. 48 pages. BLM Music Publications (https://brianmonroemusic.com) #679741. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1075547). Celebrations is a mixed percussion ensemble octet utilizing both keyboard and non keyboard percussion instruments. It was written in memory of Ohio Band Director, Dan Meeks. In life we celebrate many occasions: birthdays, holidays, vacations, winning seasons, winning the lottery, anniversaries, marriages and births, just to name a few. But at times of loss we can also celebrate those who have left an indelible mark on us. Parents, mentors and teachers fit into this category. This piece is written to celebrate learning and though who guided us on our path. Specifically this piece is dedicated in memory of Dan Meeks, a teacher, band director, percussionist, husband and dad who touched so many lives teaching and guiding his family, friends and students through part of their lives. We are forever in debt to people like Dan and celebrate them. Dan would often say, Just Have Fun! This piece is written with that joy and love of life in mind. Thanks Dan, you always made it fun. Parts: Part 1: Bells (w/hard plastic mallets) Part 2: Xylophone & Crotales (or Bells) (w/medium plastic mallets) Part 3: Vibraphone (w/medium cord mallets) Part 4: Marimba 1: (w/medium yard mallets) Part 5: Marimba 2: if possible 4.5 or 5 octave play lower notes. (w/medium yard mallets) Part 6: Percussion 1: Snare Drum & Sleighbells Part 7: Bass Drum, Gong, Suspended Cymbal & Triangle Part 8: Timpani.
$15.00
13.64 €
#
Ensemble de Percussions
#
Brian Monroe
#
Celebrations for Percussion Ensemble Octet
#
BLM Music Publications
#
SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
272.88 €
#
Ensemble de Percussions
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
136.44 €
#
Ensemble de Percussions
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
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