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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Firs
Sheetmusicplus
Non classifié
6 985
Piano & claviers
Piano, Voix
4 108
Piano seul
4 040
Piano Facile
1 371
Piano, Voix et Guitare
615
Instruments en Do
488
Orgue
378
1 Piano, 4 mains
182
Accompagnement Piano
126
Piano Trio: piano, violon, violoncelle
125
Accordéon
59
2 Pianos, 4 mains
46
Piano Quatuor: piano, violon, alto, violoncelle
20
Orgue, Trompette (duo)
20
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Piano grosses notes
16
Piano (partie séparée)
16
Clavecin
14
Piano Quatuor: piano, 2 violons, violoncelle
11
Orgue, Piano (duo)
9
Clavier
3
2 Pianos, 8 mains
2
2 Accordéons
1
+ 17 instrumentations
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Guitares
Guitare
478
Guitare notes et tablatures
378
Ligne De Mélodie, (Paroles) et Accords
145
Ukulele
138
2 Guitares (duo)
56
Guitare (partie séparée)
29
Basse electrique
28
Paroles et Accords
25
4 Guitares (Quatuor)
23
Mandoline
19
Piano, Guitare (duo)
19
Dulcimer
19
Banjo
15
3 Guitares (trio)
8
Ensemble de guitares
7
Mandoline, Guitare (duo)
4
2 Ukuleles
3
Guitare Pedal Steel
3
Mandoline, Piano (duo)
2
Guitare, Quatuor à cordes
2
Ukulele Baryton
2
2 Dulcimers (duo)
1
Orchestre à Plectres
1
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
2 549
Chorale Unison
691
Chorale 3 parties
502
Chorale 2 parties
313
Chorale TTBB
263
Chorale SSAA
206
Voix duo, Piano
75
Voix Soprano, Piano
75
Voix duo
45
Voix haute
45
Voix Tenor, Piano
45
Voix Alto, Piano
39
Pack Instrumental pour Chorale
32
Voix seule
25
Voix Baryton, Piano
23
Voix moyenne, Piano
15
Chorale
12
Voix basse, Piano
8
Chorale SSAATTBB
7
Voix Mezzo-Soprano, Piano
5
Voix Soprano
5
Chorale SSATB
5
Voix Tenor
4
Voix basse
3
Soli, choeur mixte et accompagnement
3
Voix, Guitare
3
Chorale SSAB a cappella
2
Chorale SATBB
2
Voix Soprano, Orchestre
1
Chorale SSATTB
1
Chorale SSAB, Piano
1
+ 26 instrumentations
Retracter
Vents
Flûte traversière et Piano
557
Quatuor de Saxophones: 4 saxophones
500
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
486
Hautbois, Piano (duo)
409
Clarinette et Piano
377
2 Saxophones (duo)
374
Flûte, Hautbois, Clarinette, Basson
346
Saxophone Alto et Piano
332
Quatuor de Clarinettes: 4 clarinettes
308
Clarinette
287
2 Flûtes traversières (duo)
251
Flûte traversière
244
2 Clarinettes (duo)
237
Quintette de Saxophone: 5 saxophones
209
Saxophone Tenor et Piano
199
Saxophone (partie séparée)
186
Saxophone Alto
185
Saxophone Soprano et Piano
160
Saxophone Tenor
135
3 Saxophones (trio)
132
Quatuor de Flûtes : 4 flûtes
129
Ensemble de saxophones
126
Saxophone, Clarinette (duo)
122
Ensemble de Clarinettes
111
Hautbois (partie séparée)
103
Cor anglais, Piano
102
Flûte, Clarinette (duo)
101
Saxophone Baryton, Piano
99
Clarinette, Violon (duo)
96
3 Clarinettes (trio)
87
Ensemble de Flûtes
82
Quintette de Clarinettes: 5 clarinettes
72
Clarinette, Trompette (duo)
72
2 Hautbois (duo)
72
Trio de Flûtes: 3 flûtes
69
Clarinette Basse, Piano
64
Flûte et Guitare
63
Hautbois, Basson (duo)
62
Flûte, Violon, Piano
60
Flûte, Violon
60
Clarinette (partie séparée)
51
Hautbois, Clarinette (duo)
50
Clarinette et Alto
47
Flûte, Hautbois, Clarinette (trio)
46
Flûte, Saxophone (duo)
43
Hautbois, Flûte
42
2 Flûte à bec (duo)
40
Flûte, Trompette (duo)
38
Quintette de Flûte : 5 flûtes
37
Flûte, Clarinette et Basson
35
Flûte, Alto (duo)
35
2 Flûtes traversières, Piano
33
Saxophone Soprano
31
Flûte, Violon et Violoncelle
30
Flute (partie séparée)
30
Flûte à bec Soprano
29
Flûte, Hautbois, Basson
28
Quatuor de Flûtes à bec
27
Flûte, Violoncelle
25
Hautbois, Clarinette, Basson (trio d'anches)
23
Clarinette, Basson (duo)
22
Clarinette, Guitare (duo)
20
Flûte à bec Soprano, Piano
20
Clarinette, Violoncelle (duo)
18
Flûte à Bec
16
Flûte à bec Alto
16
Flûte à bec Alto, Piano
16
Flûte, Hautbois (duo)
12
Harmonica
12
2 Clarinettes, Basson
12
Flûte, Clarinette, Piano (trio)
11
Ocarina
11
Piccolo, Piano
10
2 Saxophones, Piano
10
Hautbois
9
3 Flûtes à bec (trio)
9
Clarinette, Harpe (duo)
9
Cor Anglais
9
3 Hautbois
7
Hautbois, Violoncelle
7
Flûte à Bec, Piano
7
Hautbois, violon (duo)
7
Flûte, Harpe et Violoncelle
7
2 Clarinettes, Piano
7
Flûte, Hautbois, Piano (trio)
6
Flûte, Violoncelle, Piano (trio)
6
Saxophone, Basson (duo)
6
Ensemble De Flûte à bec
6
Flûte à bec Tenor
6
Saxophone et Guitare
6
Piccolo
5
Flûte, Basson et Piano
5
Flûte irlandaise
5
Hautbois, Guitare (duo)
5
Cor anglais, Guitare (duo)
5
Clarinette, Trombone (duo)
4
Flûte, Trombone (duo)
4
2 Cors Anglais Et Pianoforte
4
Cornemuse
4
Hautbois, Harpe
4
5 Flûtes à bec
4
Ensemble à vent
3
Flûte, Violon, Violoncelle et Piano
3
Flûte traversière, Basse continue
3
Flûte, alto et harpe
3
Flute, harpe et violon
3
Clarinette, Violoncelle, Piano (trio)
3
2 Hautbois et Basson
3
Flûte à bec Alto, Basse continue
3
Flûte traversière, Orgue (duo)
3
Hautbois et alto (duo)
3
Saxophone et Orgue
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Saxophone
2
Hautbois, Clarinette et Piano (Trio)
2
Saxophone et Harpe
2
Saxophone Baryton
2
Flûte, Hautbois, Violon
2
2 Flûtes à bec, Guitare
1
Clarinette Basse
1
Saxophone, Violon (duo)
1
Clarinette, Basson, Piano (trio)
1
Ensemble de Hautbois
1
Clarinette, Alto et Piano (trio)
1
4 Hautbois
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone et violoncelle
1
Flûte de Pan
1
2 Flûtes à bec, Piano
1
Instruments en Mib
1
Clarinette, Contrebasse (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flute, Cor (duo)
1
Flûte, Clarinette, Violon (trio)
1
Melodica
1
Flûte à bec, Guitare (duo)
1
Clarinette, Orgue
1
Saxophone et Piano
1
Flûte, Alto et Piano
1
Hautbois, Basson et Piano
1
Flûte et Trio à cordes
1
+ 136 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
671
Quatuor de Cuivres : 2 trompettes, trombone, tuba
420
Trombone et Piano
275
Trompette
261
Trompette, Piano
237
Cor et Piano
181
Trombone
144
Euphonium, Piano (duo)
122
2 Trombones (duo)
114
Trompette (partie séparée)
112
2 Trompettes (duo)
112
Ensemble de Trompettes
106
Cor anglais, Piano
102
Trombone (partie séparée)
99
Trompette, Saxophone (duo)
90
Quatuor de Cuivres
86
Quatuor de cuivres: 4 trombones
82
Tuba et Piano
79
Cor
75
Ensemble de Trombones
73
Quatuor de Cuivres: 2 trompettes, Cor, trombone
73
Trompette, Trombone (duo)
69
2 Cors (duo)
60
Tuba
50
Quatuor de cuivres: 4 cors
36
Cor (partie séparée)
30
3 Trombones (trio)
28
Tuba (partie séparée)
23
2 Tubas (duo)
18
3 Trompettes (trio)
17
Trompette, Cor (duo)
16
2 Euphoniums et 2 Tubas
15
Ensemble de Cors
15
Trio de Cuivres
15
Quatuor de cuivres: 4 trompettes
13
Euphonium
11
Tuba et Orgue
10
Cor Anglais
9
Euphonium, Tuba (duo)
9
Cor et Harpe
7
4 Tubas
7
Trompette, violon (duo)
6
3 Tubas (trio)
6
Trombone, Orgue
6
3 Cors (trio)
5
Cor anglais, Guitare (duo)
5
Trompette, Harpe
4
Trombone basse et Piano
4
2 Euphoniums (duo)
4
Trombone, Violon (duo)
4
2 Trompettes, Clavier (piano ou orgue)
4
2 Cors Anglais Et Pianoforte
4
Cor, Violoncelle (duo)
4
Bass Clef Instruments
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Cor (duo)
3
Trombone, Tuba (duo)
3
Trompette, Basson (duo)
3
Clarinette, Cor (duo)
3
Trombone basse
3
Trompette, Violoncelle et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Trombones, Piano
2
Trombone, violoncelle (duo)
2
Cornet A Pistons
2
Trompette, Tuba (duo)
2
Trompette, Trombone, Piano
2
Cor, Tuba (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
2 Cors, Piano
1
Cor et Orgue
1
Trompette, Violoncelle (duo)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Instruments en Sib
1
+ 70 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 413
Violon et Piano
855
Violoncelle, Piano
471
Violon
460
Alto, Piano
341
Violon, Violoncelle (duo)
303
Violoncelle
293
2 Violons (duo)
270
Harpe
235
Trio à Cordes: violon, alto, violoncelle
228
2 Violoncelles (duo)
186
Violon, Alto (duo)
135
Violon (partie séparée)
131
Trio à Cordes: 2 violons, violoncelle
117
Alto seul
115
2 Altos (duo)
113
Quintette à cordes: 2 violons, alto, violoncelle, basse
100
Alto (partie séparée)
80
2 Harpes (duo)
74
Contrebasse, Piano (duo)
65
Alto, Violoncelle (duo)
55
Contrebasse (partie séparée)
54
Contre Basse
53
4 Violoncelles
53
Trio à cordes: 3 violins
47
Violon, Guitare (duo)
34
Trio à Cordes: 3 violoncelles
34
Violoncelle (partie séparée)
31
Violoncelle, Contrebasse (duo)
22
Quatuor à cordes: 4 violons
20
Harpe, Flûte (duo)
19
Ensemble de Violons
19
Ensemble d'Altos
18
Violoncelle , Guitare (duo)
18
Piano Trio: Violon, Alto, Piano
18
Trio à Cordes: 2 violons, alto
15
Alto, Guitare (duo)
13
Trio à cordes: 3 altos
13
Harpe, Violon (duo)
11
2 Violons, Piano
11
2 Contrebasses (duo)
10
Violon, Basson (duo)
10
Quatuor à cordes : 4 altos
9
Harpe, Violoncelle (duo)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Alto et Basson
6
Harpe, Voix
5
4 Contrebasses
5
Violon, Basse continue
4
Alto et Harpe
4
Flûte, Contrebasse (duo)
4
Trio à cordes
3
Violon, Orgue
3
Violon, Clarinette, Piano (trio)
2
Violoncelle, Orchestre
2
Harpe, Trombone (duo)
2
Harpe et Piano
2
Ensemble de Violoncelles
2
3 Contrebasses
2
Harpe et mandoline
2
Autoharp
2
3 Harpes
1
Violoncelle, Orgue
1
Violon, Violoncelle, Clarinette
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Harpes
1
Harpe, Violon, Violoncelle
1
Violoncelle, Basse continue
1
+ 63 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
3 423
Orchestre à Cordes
975
Orchestre
666
Ensemble de cuivres
391
Ensemble Jazz
242
Orchestre de chambre
235
Cloches
186
Jazz combo
70
Fanfare
51
Ensemble de Percussions
43
Percussion (partie séparée)
36
Batterie
24
Batterie (partie séparée)
18
Marimba
14
Xylophone, Piano
10
Vibraphone
10
Percussion
5
2 Xylophones
4
Xylophone
3
Orchestre, Violon
3
Caisse Claire
2
Piano et Orchestre
2
Cajon
2
Bongos
2
Quintette de Cuivres: autres combinaisons
2
Instrumentation Flexible
1
Marimba, Piano (duo)
1
Conga
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone et Marimba
1
Ensemble d'École
1
2 Marimbas
1
+ 27 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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26
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
(+)
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
#
Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathani...
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Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
The Wheels On The Bus - For Orff Ensemble
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Ensemble de Percussions
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DÉBUTANT
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Traditional
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Yvonne Johnson
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The Wheels On The Bus - For Or
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Yvonne Johnson
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1043133 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Instructional,Traditional. Score and ...
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Percussion Ensemble - Level 1 - SKU: A0.1043133 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Instructional,Traditional. Score and parts. 11 pages. Yvonne Johnson #647843. Published by Yvonne Johnson (A0.1043133). Score and Full Set of 7 Parts This well known tune has been arranged in 7 parts for the younger Orff performers. The tune is played twice through with Sop Glock and Alto Met both playing the melody and Alto Glock providing the harmony. The Bass Xylo provides a simple bass line for the first verse with the variation for the second verse giving the arrangement a sense of motion. Marimba or Bass Met could be substituted for the Bass Xylo. Sop Xylo and Alto Xylo parts both have glissandi, with Alto Xylo playing the glissandi in the first verse and Sop Xylo playing the glissandi in the second verse. The simple rhythmic beat of the Tambourine part helps convey the motion of the bus wheels. Tempo and dynamic markings are suggested ones only.
$3.95
The Coffee Suite
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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J
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The Coffee Suite
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J.S. Gebbie
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1031575 Composed by J.S. Gebbie. Contemporary. Score and parts. 11 pages. J.S. Gebbie #3471415. Published by J.S...
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Percussion Ensemble - Level 3 - SKU: A0.1031575 Composed by J.S. Gebbie. Contemporary. Score and parts. 11 pages. J.S. Gebbie #3471415. Published by J.S. Gebbie (A0.1031575). 2018 Chamber Music Contest Entry. The Coffee Suite is three movement work based on the different levels of caffeine in different types of coffee. The first movement, caffeinated, is bright and upbeat; the second movement, half-calf; is disjointed; while the final movement, decaf, is quite mellow. Though the first marimba part requires four mallets, the patterns are simple, making this piece perfect for early intermediate percussion groups. Duration: approx. 5 min.
$10.99
The Ballad of Reading Gaol, an Accompanied Reading
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Paul Burnell
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The Ballad of Reading Gaol, an
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Paul Burnell
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.835743 Composed by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #511043. Published by Pau...
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Percussion Ensemble - Level 3 - SKU: A0.835743 Composed by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #511043. Published by Paul Burnell (A0.835743). Composed 2010, revised 2014. One of a series of fourteen accompaniments to texts published between 1886-1899. Text: ‘The Ballad of Reading Gaol’, Oscar Wilde (1854-1900). For narrator (amplified if necessary), flutes (and/or tenor/bass recorders), clarinets, muted strings, percussion. Programme note: ‘The Ballad of Reading Gaol’ was written by Oscar Wilde in France on release from Reading Gaol in 1897 after being sentenced to two years hard labour. During his imprisonment Charles Thomas Wooldridge, who had been convicted of murdering his wife, was hanged. The poem was published in 1898 under the name C.3.3., which stood for cell block C, landing 3, cell 3. The text is a mixture of the first and second versions of Wilde’s poem.
$1.99
The Sailors Hornpipe - Xylophone Solo
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Ensemble de Percussions
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Traditional
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Ben Garraway
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The Sailors Hornpipe - Xylopho
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Music Lesson Downloads
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SheetMusicPlus
Percussion Ensemble - SKU: A0.892603 Composed by Traditional. Arranged by Ben Garraway. Children,Concert,Film/TV,Folk,Instructional. Score and parts. 1 ...
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Percussion Ensemble - SKU: A0.892603 Composed by Traditional. Arranged by Ben Garraway. Children,Concert,Film/TV,Folk,Instructional. Score and parts. 1 pages. Music Lesson Downloads #6217049. Published by Music Lesson Downloads (A0.892603). A single page version of this classic jolly folk tune. The first half is slow and the second half is as fast as you can play it. Approx. grade 5 standard. Could be played on any tuned percussion instrument. .
$3.99
Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)
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Ensemble de Percussions
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Franz von Suppe
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Flávio Régis Cunha
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Einmal möcht' Ich so verl
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score a...
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Percussion Ensemble - SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schöne Galathée (The Beautiful Galatea) is an operetta in two acts by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal möcht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schöne Galathée was Franz von Suppé's first critical success. The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.
$20.00
Ghosts in the Cave
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jerod Nunley
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Ghosts in the Cave
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Jerod Nunley
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1011451 Composed by Jerod Nunley. 20th Century,Standards. Score and parts. 2 pages. Jerod Nunley #3377699. Publi...
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Percussion Ensemble - Level 3 - SKU: A0.1011451 Composed by Jerod Nunley. 20th Century,Standards. Score and parts. 2 pages. Jerod Nunley #3377699. Published by Jerod Nunley (A0.1011451). Written for Glockenspiel duet, the spooky nature of this piece is represented through a tone row built off of Prime: D-Flat, F, E-Flat, A-Flat, G-Flat, E, A, D, B-Flat, C, G, B. The piece is strictly serial in nature, following the existing permutations of a tone row first experimented with by Arnold Schoenberg.The piece gives off a mysterious and spooky feel. Good for any small chamber ensemble.
$3.99
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
What Universe Lies Within
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Publ...
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Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
The First Noel for 8 Notes Diatonic Boomwhackers
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Ensemble de Percussions
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FACILE
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Noël
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Roxana Belibou
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The First Noel for 8 Notes Dia
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Roxana E Belibou
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.527063 Arranged by Roxana Belibou. Christmas. Score and parts. 3 pages. Roxana E Belibou #4844611. Published by ...
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Percussion Ensemble - Level 2 - SKU: A0.527063 Arranged by Roxana Belibou. Christmas. Score and parts. 3 pages. Roxana E Belibou #4844611. Published by Roxana E Belibou (A0.527063).
$5.99
Calypso Noel (The First Noel)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Noël
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Traditional
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Doug Edwards
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Calypso Noel
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Doug Edwards
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SheetMusicPlus
Composed by Traditional. Arranged by Doug Edwards. Children, Christmas, Instructional, Latin. Score and parts. 10 pages. Doug Edwards #6535063. Publis...
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Composed by Traditional. Arranged by Doug Edwards. Children, Christmas, Instructional, Latin. Score and parts. 10 pages. Doug Edwards #6535063. Published by Doug Edwards
$12.99
A Swingin' Safari
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Ensemble de Percussions
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Contemporain
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Billy Vaughn
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JohnBeale
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A Swingin' Safari
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John Beale
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SheetMusicPlus
Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #644...
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Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #6442233. Published by John Beale (A0.984904). For over 40 years I have arranged music for my school's musicians to come together and perform in school concerts. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. Not a difficult piece and very repetitive and catchy. I have arranged this piece for a school orchestra made up of pupils of grades 1-3. I suggest a solo for the first 4 bars (I did with a recorder). At F there is a ‘jazz’ style solo. Choose your instrument. Once I did with a recorder. A second time with a trumpet. Beware you won’t get the tune out of your head!!
$49.99
Nuevo Nueve ( New Nine )
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Ensemble de Percussions
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FACILE
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Frank Pugh
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Nuevo Nueve
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Frank Pugh
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.942726 Composed by Frank Pugh. Standards. Score and parts. 24 pages. Frank Pugh #6018905. Published by Frank Pug...
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Percussion Ensemble - Level 2 - SKU: A0.942726 Composed by Frank Pugh. Standards. Score and parts. 24 pages. Frank Pugh #6018905. Published by Frank Pugh (A0.942726). I wrote Nuevo-Nueve for an ensemble of nine new first-time percussion students. Nuevo meaning new or different, and Nueve meaning nine, seemed to be a good title for the piece. Going along with the concept of nine, the song is written in nine bar phrases and has a total of 99 measures as well. It uses simple and repetitive patterns to introduce students to the instruments that are utilized in the piece. Out of the nine students that I originally wrote it for, six were wind players and the other three had never read music. They had great success with it (and a lot of fun, too!). The first four parts are all listed as generic mallet parts, and all work pretty well with whatever mallet instruments that you have available. Part 3 and 4 double each other, but part 4 is in bass clef. They are written on the same sheet. If you have the equipment for it, I recommend the following instrumentation: Part 1: bells or marimba Part 2: vibraphone Part 3: marimba Part 4: (optional, bass clef, doubles part 3): bass guitar, keyboard, or mallet controller Part 5: hi-hat cymbal, suspended cymbal, mounted tambourine Part 6: guiro, castanets, maracas, two pitched toms Part 7: drum set Part 8: suspended cymbal, china cymbal, splash cymbal, triangle Part 9: concert bass drum, cabasaBe sure to check out my other small ensemble arrangements here on Sheet Music Plus, and thanks for taking a look!
$11.99
Happy Birthday To You - For Orff Ensemble
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Ensemble de Percussions
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DÉBUTANT
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Mildred Hill
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Yvonne Johnson
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Happy Birthday To You - For Or
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Yvonne Johnson
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.837747 Composed by Mildred Hill. Arranged by Yvonne Johnson. Children,Folk,Traditional. Score and parts. 8 pages...
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Percussion Ensemble - Level 1 - SKU: A0.837747 Composed by Mildred Hill. Arranged by Yvonne Johnson. Children,Folk,Traditional. Score and parts. 8 pages. Yvonne Johnson #444166. Published by Yvonne Johnson (A0.837747). Scored for Sop Glock, Alto Glock, Alto Met, Bass Xylo and Tambourine This very well known and popular tune has been arranged for the melodic Orff instruments and Tambourine. The tune is played twice through, the first time is easier and could be played on its own by the younger Orff performers. Sop Glock and Alto Met both play the melody throughout, with Alto Glock providing harmonies and the Glissandi. Bass Xylo provides the variation in the repeat. Marimba could be substituted for the Bass Xylo. The tempo marking and dynamics are suggested ones only. Arranged in the key of F Major, the Bb has been written as accidentals rather than as a key signature to make it an easier read for less advanced performers.
$3.95
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Titanium
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Ensemble de Percussions
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Pop musique
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David Guetta Featuring Sia
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Blake P
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Titanium
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Blake P. McCabe
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1023357 By David Guetta Featuring Sia. By David Guetta, Giorgio Tuinfort, Nick Van De Wall, and Sia. Arranged by Blake P. ...
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Percussion Ensemble - SKU: A0.1023357 By David Guetta Featuring Sia. By David Guetta, Giorgio Tuinfort, Nick Van De Wall, and Sia. Arranged by Blake P. McCabe. Pop. Score and parts. 25 pages. Blake P. McCabe #6491375. Published by Blake P. McCabe (A0.1023357). This is an arrangement for 7 player handbells. Note that the song is played one octave above written. By writing it this way, it removes the need to read a lot of ledger lines of the top parts. The first measure is the notes for the bells. They should choose bells one octave above those. The rhythms are simplified to make it possible to play on handbells. The parts with 3 and 4 bells can be split between 2 players each if needed. Tempo should be Electro Pop, which is around 126.
$7.99
Gang city - Petro Melnyk
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Ensemble de Percussions
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INTERMÉDIAIRE
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Petro Melnyk
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Gang city - Petro Melnyk
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PetroMelnyk
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1014673 Composed by Petro Melnyk. 20th Century,Contemporary,Instructional,Ragtime,Video Game. Score and parts. 1...
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Percussion Ensemble - Level 3 - SKU: A0.1014673 Composed by Petro Melnyk. 20th Century,Contemporary,Instructional,Ragtime,Video Game. Score and parts. 11 pages. PetroMelnyk #5720873. Published by PetroMelnyk (A0.1014673). This is the first work which have written and composed completely by me. I wrote this nostalgic music about one of my favorite series of video game called Grand Theft Auto.
$2.99
Four Minutes - Four Daydreams
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Ensemble de Percussions
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FACILE
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Contemporain
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Paul Burnell
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Four Minutes - Four Daydreams
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Paul Burnell
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.835744 Composed by Paul Burnell. 20th Century,Contemporary. Score and parts. 3 pages. Paul Burnell #548979. Publ...
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Percussion Ensemble - Level 2 - SKU: A0.835744 Composed by Paul Burnell. 20th Century,Contemporary. Score and parts. 3 pages. Paul Burnell #548979. Published by Paul Burnell (A0.835744). Composed 2000. Duration: 4:00. For ensemble with instruments in C, Bb, F Eb, voices and percussion as directed in the score. The music is presented as a performing score. Where no clef is given, play with as if with a clef as directed in the score text (see Minute two). Transposing instruments play as written and do not transpose. It is allowed, however, for special transposed parts to be created in order to ensure an even distribution of the intended chordal harmony where this would otherwise be missing. There should be a few seconds silence between each of the four sections. During Minute one players other than the soloist strum their fingers rapidly on the body of their instruments, chairs etc., very quietly - producing an almost imperceptible dull sound (not 'tinny' or 'bright'). Programme Note: 'Four Minutes - Four Daydreams' was composed by Paul Burnell in 2000. It was first performed by the London CoMA Ensemble, conductor Simon Foxley, at Morley College, London on the 29th October 2000. The piece has four distinct sections, each 1 minute long. Like an extended daydream each section is progressively more developed. The piece was included on the 2013 album 'Cabbage Heads'.
$1.99
Rhythm Of Life
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Ensemble de Percussions
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INTERMÉDIAIRE
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Minni K
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Rhythm Of Life
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Dr Minni Ang
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Publish...
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Percussion Ensemble - Level 3 - SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Published by Dr Minni Ang (A0.793348). Rhythm of Life is built over a five beat pulse, representing the heartbeat of life on planet earth. The two basic pulses are played by different groups of instruments and passed from one group to another, but never ceasing, even as our heartbeats never cease as long as there is life in us. Over these fundamental patterns are built little phrases or solos for the various instruments, including conversations between pairs of instruments - first the timpani and tubular bells, later the marimba and xylophone, and finally the conga drums and the snare drum – these conversations represent various interactions among different groups of life on planet earth. The piece is constructed in theme and variations form.The OrchestrationPlayer One: MarimbaPlayer Two: XylophonePlayer Three: TimpaniPlayer Four: Tubular BellsPlayer Five: Snare Drum & CymbalsPlayer Six: Congas, Bass Drum & Tam-Tam
$8.99
Lujon
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joe Chindamo
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Paul Burnell
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Lujon
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Paul Burnell
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.835880 By Joe Chindamo. By Henry Mancini. Arranged by Paul Burnell. Contemporary. Score and parts. 11 pages. Pau...
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Percussion Ensemble - Level 4 - SKU: A0.835880 By Joe Chindamo. By Henry Mancini. Arranged by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #6487209. Published by Paul Burnell (A0.835880). Lujon, by Henry Mancini, arranged by Paul Burnell for percussion quartet.Duration 2:30Download comprises both score and parts.VibraphoneMarimba*GuiroCabasa, Bongos* If a Lujon, or electronic equivalent, is available it may optionally be used to play the pattern from the beginning in the marimba part, with the marimba taking over between rehearsal letters A-B and C-E.This arrangement retains the key of the original composition.Programme note:'Lujon' (also known as 'Slow Hot Wind') is a composition by US composer Henry Mancini (1924 - 1994). A recording of the piece was included on Mancini's 1961 album 'Mr. Lucky Goes Latin'. The title comes from the lujon percussion instrument invented by William Loughborough and which is played on the album recording. The lujon derived its name from 'John Lewis' - the American jazz pianist who bought the first instrument from Loughborough.
$12.99
Mimi`s Dream
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Ensemble de Percussions
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INTERMÉDIAIRE
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Luis Anjos Teixeira
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Mimi`s Dream
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Luis Anjos Teixeira
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.889421 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 37 pages. Luis Anjos Te...
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Percussion Ensemble - Level 3 - SKU: A0.889421 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 37 pages. Luis Anjos Teixeira #3516025. Published by Luis Anjos Teixeira (A0.889421). „Mimi`s Dream is a piece for a mixed group of about 18 musicians. Pan flute, soprano recorder 1, soprano recorder 2, alto flute, tenor recorder, bass recorder, bass flute, Bells, tubular bells, chimes, percussion, drumset, Harp, celesta, double bass, BW tubes, It is a flexible piece and very easy for some of the performers, so it can be played by a mixed group of beginners, middle and advanced musicians altogether. Entirely dedicated to Mimi the Stray Queen Cat, that adopted me and my Wife for her Family. The score was written on Finale. The sound file was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina, and to Stray Queen Mimi plus all my Feline Family. Thank you for all the Love and Compassion. Love Forever. Luis Anjos Teixeira
$22.22
Frère Jacques - For Orff Ensemble
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Ensemble de Percussions
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DÉBUTANT
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Traditional
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Yvonne Johnson
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Frère Jacques - For Orf
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Yvonne Johnson
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1094079 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Traditional. Score and parts. 9 pages...
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Percussion Ensemble - Level 1 - SKU: A0.1094079 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Traditional. Score and parts. 9 pages. Yvonne Johnson #698182. Published by Yvonne Johnson (A0.1094079). Full Score and Set of 4 Parts An easy arrangement of this traditional French children's song for the younger Orff performers. Sop Glock and Alto Met both play the melody with Alto Glock providing some harmony. Bass Xylo plays a simple bass line for the first half of the arrangement with a variation outlining the melody for the second half. Marimba would make a nice alternative to the Bass Xylo. Tempo and dynamic markings are suggested ones only. Multirest passages have been written out in full to make it easier for the beginning performer.
$3.95
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