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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Non classifié
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PIANO & CLAVIERS
Piano seul
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Piano, Voix
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Piano, Voix et Guitare
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Piano grosses notes
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Piano Facile
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Orgue
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Accompagnement Piano
31
Instruments en Do
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Piano (partie séparée)
6
2 Pianos, 4 mains
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Accordéon
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2
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Ensemble d'Accordéons
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2 Pianos, 8 mains
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GUITARES
Guitare
40
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32
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5
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3
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2
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1
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VOIX
Chorale SATB
138
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38
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25
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VENTS
2 Saxophones (duo)
67
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20
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18
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18
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17
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13
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13
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12
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Quintette de Saxophone: 5 saxophones
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Flûte à bec Soprano
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Ensemble de Clarinettes
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Saxophone Tenor
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Quintette de Clarinettes: 5 clarinettes
4
Quatuor de Clarinettes: 4 clarinettes
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Clarinette Basse, Piano
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Flûte à bec Soprano, Piano
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Clarinette, Violoncelle (duo)
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3 Clarinettes (trio)
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Flûte traversière, Orgue (duo)
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Quatuor de Flûtes à bec
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Hautbois
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2 Flûtes traversières, Piano
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Trio de Flûtes: 3 flûtes
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Clarinette, Trombone (duo)
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2 Clarinettes, Piano
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Trombone (partie séparée)
35
Trompette (partie séparée)
28
Trompette, Saxophone (duo)
27
Trombone
19
Trompette
18
Trombone et Piano
17
2 Trompettes (duo)
15
2 Trombones (duo)
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trompette, Trombone (duo)
14
Trompette, Piano
13
Cor et Piano
11
Cor
10
Tuba
9
Cor anglais, Piano
7
Tuba et Piano
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Cor (partie séparée)
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Tuba (partie séparée)
6
Euphonium, Piano (duo)
6
Quatuor de Cuivres
3
2 Cors (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Euphonium
1
Ensemble de Tubas
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2 Euphoniums (duo)
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4 Tubas
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Trio de Cuivres
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Trompette, Euphonium (duo)
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2 Cors, Piano
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Trombone basse et Piano
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
68
Violon et Piano
28
Violoncelle (partie séparée)
26
Violon, Violoncelle (duo)
22
Violon
18
2 Violons (duo)
18
Alto, Piano
17
Violoncelle, Piano
16
Violon, Alto (duo)
16
Harpe
15
2 Violoncelles (duo)
14
2 Altos (duo)
12
Contrebasse (partie séparée)
12
Violon (partie séparée)
11
Alto seul
10
Trio à Cordes: 2 violons, violoncelle
9
Alto (partie séparée)
8
Trio à Cordes: violon, alto, violoncelle
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violoncelle
5
Contre Basse
4
Contrebasse, Piano (duo)
4
4 Violoncelles
3
2 Altos, Piano
2
2 Harpes (duo)
2
Harpe, Flûte (duo)
2
Harpe, Voix
2
Alto et Basson
1
Violoncelle, Orgue
1
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
171
Ensemble de cuivres
42
Ensemble Jazz
42
Orchestre
41
Orchestre à Cordes
28
Batterie
17
Cloches
15
Jazz combo
11
Orchestre de chambre
11
Batterie (partie séparée)
8
Ensemble de Percussions
7
Fanfare
6
Percussion (partie séparée)
6
Ensemble d'École
3
Quintette de Cuivres: autres combinaisons
2
2 Marimbas
1
Piano et Orchestre
1
Bodhran
1
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AUTRES
Vous avez sélectionné:
Time's Up
Ensemble de Percussions
Partitions à imprimer
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Asian Symmetries
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
4.59 €
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Ensemble de Percussions
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
The Escape (medium/big percussion ensemble)
Ensemble de Percussions
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspend…
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00
73.66 €
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Ensemble de Percussions
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Frits Renting
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The Escape
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Frits_Renting
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SheetMusicPlus
Don't Worry, Be Happy
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
13.8 €
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Ensemble de Percussions
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
A Swingin' Safari
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.984904 By Billy Vaughn. By Bert Kaem…
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Percussion Ensemble - Digital Download SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #6442233. Published by John Beale (A0.984904). For over 40 years I have arranged music for my school's musicians to come together and perform in school concerts. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. Not a difficult piece and very repetitive and catchy. I have arranged this piece for a school orchestra made up of pupils of grades 1-3. I suggest a solo for the first 4 bars (I did with a recorder). At F there is a ‘jazz’ style solo. Choose your instrument. Once I did with a recorder. A second time with a trumpet. Beware you won’t get the tune out of your head!!
$49.99
46.03 €
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Ensemble de Percussions
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Billy Vaughn
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JohnBeale
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A Swingin' Safari
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John Beale
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
46.04 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Tap-Accent-Tap // [DRUMLINE EXERCISE]
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1013128 Composed by Justin…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1013128 Composed by Justin Bowe. Instructional. Score and parts. 3 pages. Bowe Percussion #5997605. Published by Bowe Percussion (A0.1013128). What better way to get your drumline students on the same page than with a jammin' two-heights exercise? This warm-up will work your drumline's accent-tap skills while also helping them tap into the groove that will tune them in for rehearsal, and more importantly, to their inner musicianship.INCLUDED:pdf score (portrait)FREE AUDIO RESOURCES:master audio files of the exercise at 100, 115, and 130 bpm, looped 3 times for personal practice.e-mail bowe.justin@gmail.com for audio files.Listen to the entire piece here:soundcloud.com/justin-bowe/tap-accent-tapWant this piece for FREE? Visit the following site:https://www.teacherspayteachers.com/Product/Tap-Accent-Tap-DRUMLINE-WARM-UP-Easy-5687304
$1.99
1.83 €
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Ensemble de Percussions
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Justin Bowe
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Tap-Accent-Tap // [DRUMLINE EXERCISE]
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Bowe Percussion
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SheetMusicPlus
Orinoco Flow
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1014474 By Enya. By Enya. …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1014474 By Enya. By Enya. Arranged by Kevin McChesney. Celtic,Irish,New Age. Score and parts. 12 pages. Kevin McChesney #4763319. Published by Kevin McChesney (A0.1014474). An exciting arrangement of one of the most popular songs of all time! 3-7 octaves. Level 3. Includes permission to make up to 15 copies for use in purchaser's program only.For a live performance by The Pikes Peak Ringers, go to https://www.facebook.com/watch/?extid=NS-UNK-UNK-UNK-IOS_GK0T-GK1C&v=809242522462821
$25.00
23.02 €
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Ensemble de Percussions
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Enya
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Kevin McChesney
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Orinoco Flow
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Kevin McChesney
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SheetMusicPlus
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