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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two to one
Sheetmusicplus
Non classifié
3 305
Piano & claviers
Piano seul
805
Piano Facile
310
Piano, Voix
213
Piano, Voix et Guitare
154
Accompagnement Piano
132
Instruments en Do
131
Orgue
104
1 Piano, 4 mains
75
2 Pianos, 4 mains
69
Piano (partie séparée)
15
Piano Trio: piano, violon, violoncelle
14
Accordéon
8
Orgue, Trompette (duo)
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Clavecin
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
3
2 Pianos, 8 mains
2
1 Piano, 6 mains
2
Piano grosses notes
1
2 Accordéons
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
208
Guitare
113
2 Guitares (duo)
41
Guitare (partie séparée)
31
Ukulele
31
Dulcimer
15
Ligne De Mélodie, (Paroles) et Accords
15
Basse electrique
13
Mandoline
11
4 Guitares (Quatuor)
9
3 Guitares (trio)
6
Piano, Guitare (duo)
5
Banjo
4
2 Dulcimers (duo)
3
Ensemble de guitares
3
Paroles et Accords
2
2 Mandolines (duo)
1
Ukulele Baryton
1
2 Ukuleles
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
472
Chorale 2 parties
224
Chorale 3 parties
157
Chorale Unison
100
Chorale TTBB
68
Chorale SSAA
31
Voix duo
27
Voix duo, Piano
25
Voix Soprano, Piano
21
Voix Tenor, Piano
20
Voix Baryton, Piano
11
Voix haute
10
Voix Alto, Piano
10
Voix moyenne, Piano
6
Voix Tenor
6
Voix Soprano
3
Chorale SSAATTBB
2
Soli, choeur mixte et accompagnement
1
Voix Soprano, Orchestre
1
Voix basse
1
Voix basse, Piano
1
Chorale SSATTB
1
Chorale
1
Chorale SSAB a cappella
1
+ 19 instrumentations
Retracter
Vents
2 Saxophones (duo)
902
Flûte traversière et Piano
302
2 Flûtes traversières (duo)
273
Saxophone Alto et Piano
264
Saxophone Tenor et Piano
236
2 Clarinettes (duo)
230
Saxophone (partie séparée)
219
Quatuor de Saxophones: 4 saxophones
177
Saxophone, Clarinette (duo)
157
2 Hautbois (duo)
135
Clarinette, Violon (duo)
107
Flûte, Clarinette (duo)
91
Saxophone Soprano et Piano
89
Clarinette et Piano
86
Quintette de Saxophone: 5 saxophones
85
Hautbois, Piano (duo)
83
Clarinette, Trompette (duo)
81
Saxophone Alto
74
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
74
Hautbois, Basson (duo)
74
Hautbois, Clarinette (duo)
70
3 Saxophones (trio)
68
Flûte, Hautbois, Clarinette, Basson
66
Ensemble de saxophones
66
2 Flûte à bec (duo)
61
Quatuor de Clarinettes: 4 clarinettes
57
Saxophone Tenor
55
Clarinette et Alto
55
Flûte, Violon
52
Flûte, Saxophone (duo)
50
Flûte traversière
47
Hautbois, Flûte
47
Clarinette
46
Flûte, Trompette (duo)
40
Flûte, Violon, Piano
37
Ensemble de Clarinettes
36
Flûte, Alto (duo)
35
Saxophone Baryton, Piano
33
Ensemble de Flûtes
32
Quatuor de Flûtes : 4 flûtes
32
2 Flûtes traversières, Piano
30
Hautbois (partie séparée)
27
3 Clarinettes (trio)
24
Flute (partie séparée)
22
Cor anglais, Piano
20
Trio de Flûtes: 3 flûtes
20
Clarinette (partie séparée)
17
Flûte et Guitare
16
Clarinette, Violoncelle (duo)
13
Quintette de Flûte : 5 flûtes
12
Clarinette Basse, Piano
12
Quintette de Clarinettes: 5 clarinettes
11
Quatuor de Flûtes à bec
10
Clarinette, Basson (duo)
10
Saxophone Soprano
9
Hautbois, Violoncelle
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte à bec Soprano
8
Flûte, Violoncelle
7
Flûte, Hautbois (duo)
7
Clarinette, Trombone (duo)
6
Ensemble De Flûte à bec
6
Cor Anglais
5
Flûte à bec Soprano, Piano
5
Clarinette, Guitare (duo)
5
Flûte à Bec
5
Flûte, Hautbois, Clarinette (trio)
4
3 Flûtes à bec (trio)
4
2 Saxophones, Piano
4
Flûte, Clarinette et Basson
4
Saxophone et Harpe
4
Flûte à bec Tenor
4
Ensemble à vent
3
Hautbois, trombone (duo)
3
Saxophone et Guitare
3
Flûte, Trombone (duo)
3
5 Flûtes à bec
3
Hautbois, violon (duo)
3
Flûte, Clarinette, Piano (trio)
3
Saxophone et Orgue
2
Flûte, Hautbois, Basson
2
Clarinette Basse
2
Flute, harpe et violon
2
2 Cors Anglais Et Pianoforte
2
Harmonica
2
Piccolo, Piano
2
Flûte, Basson et Piano
2
Saxophone
2
Flûte à bec Alto
2
Hautbois et alto (duo)
2
2 Hautbois et Cor anglais
1
3 Hautbois
1
Clarinette, Harpe (duo)
1
Ensemble de Hautbois
1
Flûte, trombone et piano
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Basson et Piano
1
4 Hautbois
1
Piccolo
1
Flûte, Violon et Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Harpe
1
Flûte, Violoncelle, Piano (trio)
1
Flûte irlandaise
1
2 Clarinettes, Piano
1
Hautbois, Guitare (duo)
1
Saxophone et Piano
1
+ 102 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
486
Trombone et Piano
298
2 Trombones (duo)
261
Trombone (partie séparée)
189
Quatuor de Cuivres : 2 trompettes, trombone, tuba
167
2 Trompettes (duo)
141
Trompette, Saxophone (duo)
109
Trompette, Trombone (duo)
106
Quatuor de Cuivres: 2 trompettes, Cor, trombone
66
Trompette (partie séparée)
64
Trombone
58
Trompette, Piano
48
Quatuor de Cuivres
48
Trompette
47
Ensemble de Trombones
45
Quatuor de cuivres: 4 trombones
36
Euphonium, Piano (duo)
26
Cor et Piano
26
Ensemble de Trompettes
25
2 Cors (duo)
23
Trombone, Tuba (duo)
21
Cor anglais, Piano
20
Cor (partie séparée)
15
2 Euphoniums (duo)
14
Cor
13
Tuba (partie séparée)
12
Tuba et Piano
11
3 Trombones (trio)
11
Quatuor de cuivres: 2 trompettes, 2 trombones
11
Trompette, Cor (duo)
9
2 Tubas (duo)
9
Trompette, Basson (duo)
8
Tuba
8
Ensemble de Cors
7
Trio de Cuivres
7
Trompette, Violoncelle (duo)
6
Euphonium
5
Cor Anglais
5
Cor, Violoncelle (duo)
5
Cor et Basson (duo)
4
Quatuor de cuivres: 4 cors
4
4 Tubas
3
3 Trompettes (trio)
3
Trombone, Orgue
3
Trombone basse
3
3 Euphoniums
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums et 2 Tubas
2
Trombone basse et Piano
2
2 Cors Anglais Et Pianoforte
2
Tuba et Orgue
2
Bass Clef Instruments
1
3 Tubas (trio)
1
Trompette, violon (duo)
1
Trompette et Guitare
1
Trompette, Trombone, Piano
1
Trompette, Violoncelle et Piano
1
2 Cors, Piano
1
Trombone, Violon (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Cors (trio)
1
Clarinette, Cor (duo)
1
Trompette, Harpe
1
Trombone, Cor (duo)
1
+ 59 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
441
Violon, Violoncelle (duo)
330
Violon
271
Trio à Cordes: violon, alto, violoncelle
226
2 Violons (duo)
205
Violon et Piano
183
Harpe
169
2 Violoncelles (duo)
149
2 Altos (duo)
147
Violon, Alto (duo)
108
Violoncelle, Piano
92
Quintette à cordes: 2 violons, alto, violoncelle, basse
89
Alto, Piano
77
Trio à Cordes: 2 violons, violoncelle
72
Violoncelle
63
Alto seul
32
Alto, Violoncelle (duo)
26
Contrebasse (partie séparée)
23
Harpe, Flûte (duo)
19
Alto (partie séparée)
14
Violon (partie séparée)
13
Violon, Guitare (duo)
12
2 Harpes (duo)
11
Contrebasse, Piano (duo)
11
4 Violoncelles
10
Contre Basse
9
Ensemble de Violons
8
Violoncelle, Contrebasse (duo)
7
Piano Trio: Violon, Alto, Piano
7
Trio à Cordes: 3 violoncelles
7
Harpe, Voix
6
Ensemble d'Altos
6
Quatuor à cordes: 4 violons
6
Violon, Basson (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à Cordes: 2 violons, alto
5
Harpe, Violon (duo)
4
2 Contrebasses (duo)
4
3 Harpes
3
Trio à cordes: 3 violins
3
Harpe, Violoncelle (duo)
3
2 Violons, Piano
3
Alto et Harpe
3
Trio à cordes: 3 altos
2
5 Harpes
2
Violon, Clarinette, Piano (trio)
2
Alto et Basson
2
Violon, Basse continue
2
Quatuor à cordes : 4 altos
2
Violoncelle , Guitare (duo)
2
Alto, Guitare (duo)
2
Harpe, Trombone (duo)
2
Autoharp
1
Violoncelle (partie séparée)
1
2 Violoncelles, Piano
1
Harpe et Piano
1
Violoncelle, Basse continue
1
Violoncelle, Orchestre
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
723
Orchestre à Cordes
211
Ensemble de cuivres
179
Ensemble Jazz
163
Orchestre
158
Cloches
104
Orchestre de chambre
61
Jazz combo
46
Ensemble de Percussions
41
Batterie (partie séparée)
15
Batterie
11
Fanfare
9
Percussion (partie séparée)
8
Marimba
8
Xylophone, Piano
4
2 Xylophones
4
Xylophone
3
Percussion
2
Vibraphone
2
2 Marimbas
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Piano et Orchestre
1
Ensemble d'École
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
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POP ROCK - ROCK MODE…
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Partitions à imprimer
41 partitions trouvées
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1
26
Two Dreams for solo Trombone and 8-part Percussion Ensemble
#
Ensemble de Percussions
#
AVANCÉ
#
Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃÂaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Somebody To Love
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Ensemble de Percussions
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INTERMÉDIAIRE
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Rock
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Queen
#
Pam Smith
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Somebody To Love
#
P Smith
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.919376 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Pam Smith. Rock. Score and parts. 33 page...
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Percussion Ensemble - Level 3 - SKU: A0.919376 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Pam Smith. Rock. Score and parts. 33 pages. P Smith #3465968. Published by P Smith (A0.919376). An arrangement in 7 parts for percussion ensemble. Instrumentation is for Glockenspiel, Vibraphone, Xylophone (4 octave), Marimba (4.3 octave), Timpani (4) and Drum kit. The two marimba parts can be played on one instrument. The arrangement contains parts at different levels of difficulties. The Vibraphone and Marimba 1 part require 4 mallets, the remaining tuned parts only require 2 mallets. The audio track is an mp3 version of the music software audio.
$15.99
Two Irish Tunes (for Mixed Octet)
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Ensemble de Percussions
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FACILE
#
the Sally Gardens
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Irish Folk Song
#
Tsuyoshi Yoroiguma
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Two Irish Tunes
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Tsuyoshi Yoroiguma
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.710901 Composed by Irish Folk Song. Arranged by Tsuyoshi Yoroiguma. Classical,Folk,Instructional. Score and part...
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Percussion Ensemble - Level 2 - SKU: A0.710901 Composed by Irish Folk Song. Arranged by Tsuyoshi Yoroiguma. Classical,Folk,Instructional. Score and parts. 24 pages. Tsuyoshi Yoroiguma #29389. Published by Tsuyoshi Yoroiguma (A0.710901). This arrangement contain two lovely Irish songs:The Last Rose of Summer / Down By the Sally Gardens.Opening glocken solo brings you to a nostalgic world,and clarinet starts to sing the first tune. The second tune is played mainly by horn with tamburine rythm.In the last part,two tunes are mixed and increase expression. Enjoy beautiful melodies of Irish gardens ! Trombone part can be played by euphonium. Saxophone part is opptional.Playing time:3min.35sec.
$16.00
Power Line for Two or More Energetic Drummers)
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Ensemble de Percussions
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DÉBUTANT
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Brian Monroe
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Power Line for Two or More Ene
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BLM Music Publications
#
SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1012689 Composed by Brian Monroe. Instructional,Standards. Score and parts. 9 pages. BLM Music Publications (htt...
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Percussion Ensemble - Level 1 - SKU: A0.1012689 Composed by Brian Monroe. Instructional,Standards. Score and parts. 9 pages. BLM Music Publications (https://brianmonroemusic.com) #6890089. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1012689). Power Line: for 2 or More Energetic Percussionists is a two part ensemble for first year percussionist.  Performed on a drum pad, the work explores the sound a percussionist can make by playing on the head and rim of the pad and the metal stand on which the pad sits, and stick clicks  In addition, there are also vocal effects.  The performs say tzzzz imitating the sound or an electrical arc.  Rhythms include quarter note and eighth note patterns and a few instances of four sixteenth notes grouped into one beat (1e&a).  The performs are also asked to play flams, paradiddles and multi bounce rolls.  Finally there is a small section which features a drum to drum section where the performers will play on the pads on each side of the performer.  This is a fun and exciting work for your first year percussionist!  Enjoy!
$5.99
God Rest Ye Merry, Gentlemen for two mallet instruments
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Ensemble de Percussions
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FACILE
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Frank Pugh
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God Rest Ye Merry, Gentlemen f
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Frank Pugh
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.942733 Arranged by Frank Pugh. Christian,Christmas. Score and parts. 5 pages. Frank Pugh #6050785. Published by ...
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Percussion Ensemble - Level 2 - SKU: A0.942733 Arranged by Frank Pugh. Christian,Christmas. Score and parts. 5 pages. Frank Pugh #6050785. Published by Frank Pugh (A0.942733). This well-known carol has been set here as a mallet instrument duet with easy rhythm values. It works for bells, marimbas, xylophones, vibraphones, or a combination of those instruments. It makes a good selection for church programs or recitals with a playing time of around 2:30. Part 1 uses a two octave range from D - D, and part two uses a one octave and a sixth range from D - Bb.You can find my other small ensemble arrangements here at Sheet Music Plus, and be sure to check out some of the full-length videos at my YouTube channel: https://www.youtube.com/channel/UCFOboEO545LYT_F7kSa99Xw/videos Thanks for listening!
$3.99
Staying Busy for Two Marimbas (or vibraphones)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Paul Taylor
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Staying Busy for Two Marimbas
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Paul Taylor
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.803346 Composed by Paul Taylor. 20th Century. Score and parts. 6 pages. Paul Taylor #6099257. Published by Paul ...
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Percussion Ensemble - Level 3 - SKU: A0.803346 Composed by Paul Taylor. 20th Century. Score and parts. 6 pages. Paul Taylor #6099257. Published by Paul Taylor (A0.803346). An exciting and busy marimba or xylophone duet written for late intermediate students. Both students get to play the main motives and will find it stimulating to bat these motives back and forth to each other throughout the piece. The printing format provides each player with their own score, allowing them the convenience of not only seeing their own individual part, but their partner's as well. .
$1.99
Shadows - Xylophone Solo
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Ensemble de Percussions
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INTERMÉDIAIRE
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Ben Garraway
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Shadows - Xylophone Solo
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Music Lesson Downloads
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.892602 Composed by Ben Garraway. Concert,Contemporary,Instructional. Score and parts. 1 pages. Music Lesson Down...
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Percussion Ensemble - Level 3 - SKU: A0.892602 Composed by Ben Garraway. Concert,Contemporary,Instructional. Score and parts. 1 pages. Music Lesson Downloads #6217047. Published by Music Lesson Downloads (A0.892602). A magical and mysterious solo for xylophone or marimba. This is grade 4 standard using lots of 3rds and could be performed with two mallets in the right hand, to help introduce the technique.
$3.99
Time To Move - Duet for Two Buckets - or More
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Ensemble de Percussions
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FACILE
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Contemporain
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Harvey Minchin
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Time To Move - Duet for Two Bu
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Harvey Minchin
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.881278 Composed by Harvey Minchin. Contemporary. Score and parts. 6 pages. Harvey Minchin #3479439. Published by...
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Percussion Ensemble - Level 2 - SKU: A0.881278 Composed by Harvey Minchin. Contemporary. Score and parts. 6 pages. Harvey Minchin #3479439. Published by Harvey Minchin (A0.881278). Time To Move is a fun duet for buckets - a small or medium bucket (5 gallon) and a large tub or bucket. It can be played with one player on each part or multiple players. Great for concerts and group lessons.
$7.95
Game Of Thrones
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Ensemble de Percussions
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INTERMÉDIAIRE
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Film/TV
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Ramin Djawadi
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Game Of Thrones
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Flavio Regis Cunha
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SheetMusicPlus
Piano Accompaniment, Flute, Violin, Viola, Cello, Double Bass, Timpani, Drums, Multi- Percussion, Percussion Ensemble, Voice, Soprano Voice, Alto Voice...
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Piano Accompaniment, Flute, Violin, Viola, Cello, Double Bass, Timpani, Drums, Multi- Percussion, Percussion Ensemble, Voice, Soprano Voice, Alto Voice, Tenor Voice, Bass Voice, Choir, 2 flutes, percussion, Choir, harpsichord (piano optional) and strings - Intermediate - By Ramin Djawadi. Arranged by Flávio Regis Cunha. Score, Set of Parts. 55 pages. Published by Flavio Regis Cunha
This is a powerful arrangement of Game of Thrones for a small and pliable ensemble of two flutes, percussion, Choir, harpsichord (piano optional) and strings. You can use it to make a big impact on weddings, business presentations, parties, celebrations, and music concerts. Your group will vibrate with the vibrancy and great impact that this music can cause on the public. The level is intermediate and quite affordable.
Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$49.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Rhythm Of Life
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Ensemble de Percussions
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INTERMÉDIAIRE
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Minni K
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Rhythm Of Life
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Dr Minni Ang
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Publish...
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Percussion Ensemble - Level 3 - SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Published by Dr Minni Ang (A0.793348). Rhythm of Life is built over a five beat pulse, representing the heartbeat of life on planet earth. The two basic pulses are played by different groups of instruments and passed from one group to another, but never ceasing, even as our heartbeats never cease as long as there is life in us. Over these fundamental patterns are built little phrases or solos for the various instruments, including conversations between pairs of instruments - first the timpani and tubular bells, later the marimba and xylophone, and finally the conga drums and the snare drum – these conversations represent various interactions among different groups of life on planet earth. The piece is constructed in theme and variations form.The OrchestrationPlayer One: MarimbaPlayer Two: XylophonePlayer Three: TimpaniPlayer Four: Tubular BellsPlayer Five: Snare Drum & CymbalsPlayer Six: Congas, Bass Drum & Tam-Tam
$8.99
Holiday Bolero for Keyboard Percussion
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Ensemble de Percussions
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FACILE
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Pharaoh Publications
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Holiday Bolero for Keyboard Pe
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. Pharaoh Publications #5212781. Published by Pharaoh Publications (A0.935380). Holiday Bolero for keyboard percussion arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas, and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the mallet quintet arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment. All of the keyboard parts require only two mallets; some passages unfold as double stops. Mallets for the marimbas should be chosen to maximize the blend of individual parts into a unified chord. There are no key changes, or mallet and hand independence. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Holiday Bolero for Percussion Ensemble
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Ensemble de Percussions
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Dan Heslink
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Holiday Bolero for Percussion
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785...
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Percussion Ensemble - SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)
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Ensemble de Percussions
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Franz von Suppe
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Flávio Régis Cunha
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Einmal möcht' Ich so verl
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score a...
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Percussion Ensemble - SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schöne Galathée (The Beautiful Galatea) is an operetta in two acts by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal möcht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schöne Galathée was Franz von Suppé's first critical success. The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.
$20.00
March of the Three Kings - Percussion Ensemble
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional French Carol
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Roger K
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March of the Three Kings - Per
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Roger K. Myers
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.922116 Composed by Traditional French Carol. Arranged by Roger K. Myers. Christian,Christmas,Instructional,Stand...
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Percussion Ensemble - Level 4 - SKU: A0.922116 Composed by Traditional French Carol. Arranged by Roger K. Myers. Christian,Christmas,Instructional,Standards. Score and parts. 68 pages. Roger K. Myers #4346147. Published by Roger K. Myers (A0.922116). March of the Three Kings incorporates a Janissary Band sound to present this less frequently heard carol in a new and appealing way. A fine choice for High School and College holiday concerts.Requires two 4.3 octave or larger marimbas with one instrument shared by two players.Player 1 - Bells, Player 2 - Xylophone, Player 3 - Vibraphone, Player 4 - Marimba 1, Player 5 - Marimba 2, Player 6 - Marimba 3 (Bass clef), Player 7 - Chimes, Player 8 - Timpani (4), Player 9 - Marching Drum, Player 10 - Bass Drum & Cymbals, Player 11 - Bass Drum, Player 12 - Sistrum, Tambourine, Finger Cymbals, Suspended Cymbal, Player 13 - Triangle & Gong, Player 14 - Piano, Player 15 - Bass
$12.95
The COVID Awakening
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Adam Grim
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The COVID Awakening
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. ...
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Percussion Ensemble - Level 4 - SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
$25.00
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Winter Bells
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Ensemble de Percussions
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INTERMÉDIAIRE
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Dan Heslink
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Winter Bells
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.935375 Composed by Dan Heslink. Christmas,Contemporary,Hanukkah. Score and parts. 24 pages. Pharaoh Publications...
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Percussion Ensemble - Level 3 - SKU: A0.935375 Composed by Dan Heslink. Christmas,Contemporary,Hanukkah. Score and parts. 24 pages. Pharaoh Publications #4885579. Published by Pharaoh Publications (A0.935375). Winter Bells composed by Dan Heslink Imagine a cold winter evening in which church bells, sleigh bells, and other bell sounds are mixed into a tantalizing soundscape. Winter Bells explores the interaction of these sounds through chimes, sleigh bells, orchestra bells, marimba, vibraphone, two triangles, large suspended cymbal, large tam-tam, and two timpani. Winter Bells requires seven performers; the two chime players share one rack of chimes and one part. It presents mostly modest demands, both in performing technique in the number and type of percussion instruments. Challenges include rapid passage work in the part for orchestra bells, requiring smooth and even negotiation of the instrument, and a tour de force of polyrhythms at the end, where all bell timbres of the soundscape are juxtaposed. Some parts present more challenge than others, making it an ideal selection for ensembles populated by players of uneven levels of experience. To some listeners Winter Bells is possibly reminiscent of a sleigh ride without the horse’s hooves. It is sure to be an audience pleaser during a winter concert, especially close to Christmas and Hanukkah.
$3.99
All About That Bass
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Ensemble de Percussions
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FACILE
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Pop musique
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Meghan Trainor
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Levi Whitworth
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All About That Bass
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Levi A Whitworth
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.903824 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Levi Whitworth. Pop. Score and parts. ...
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Percussion Ensemble - Level 2 - SKU: A0.903824 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Levi Whitworth. Pop. Score and parts. 32 pages. Levi A Whitworth #3500789. Published by Levi A Whitworth (A0.903824). An enjoyable arrangement of the 2014 pop hit All About That Bass by Meghan Trainor.This Percussion Ensemble arrangement lasts about 3 minutes, and is written with young players in mind.Instrumentation:Xylophone & GlockenspielVibraphonePianoDrum Kit (Snare Drum, Bass Drum, Hi-Hat, Mark Tree). If you perform this arrangement, I’d love to know about it! Please email me via contact@leviwhitworth.com and feel free to
$12.99
Splashed Out
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Ensemble de Percussions
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DÉBUTANT
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Contemporain
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Jayne Groves, Matt Moore
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Splashed Out
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M Moore & J Groves
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.862019 Composed by Jayne Groves, Matt Moore. Contemporary. Score and parts. 18 pages. M Moore & J Groves #601864...
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Percussion Ensemble - Level 1 - SKU: A0.862019 Composed by Jayne Groves, Matt Moore. Contemporary. Score and parts. 18 pages. M Moore & J Groves #6018647. Published by M Moore & J Groves (A0.862019). Players: 4-20 | Duration: 2:50For some time our students have been requesting that we write a second chair piece. Finally, we have obliged with Splashed Out, a follow up piece to Double Stacked (2011).This splashy performance piece, inspired by the genre and rhythms of Reggaeton can be played by ensembles of 4-20 players and is also suitable as a whole class item.RequirementsChair 1 – two plastic chairs per playerChair 2 – two plastic chairs per playerLow Drum – one low drum per player (floor tom or bass drum)Splash cymbals – 3 contrasting splash cymbals for one player Doubling:Chairs 1 & 2 may be doubled multiple times.The low drum may be doubled at a proportion of 1 low drum to 4 chairsThe splash part is a solo part and should not be doubled.
$35.46
Dance of the Wind-Up Toys
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James Siddons
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Dance of the Wind-Up Toys
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James Siddons Music and Writings
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Mu...
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Percussion Ensemble - Level 4 - SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Music and Writings #3025013. Published by James Siddons Music and Writings (A0.972638). Dance of the Wind-Up Toys is for one clarinet in Bb, one cello, percussionist(s), and mime dancer(s). This work may be performed by instruments only; the percussion part being performed by one, two, or three performers.If a mime performer, or one or more dancers, also perform, the instrumental ensemble must be on the stage with them. The mime or dancer(s) enter the stage at measure 20 and either 1) perform until the end (m. 91), or 2) perform from m. 20 to m. 41, then leave the stage, and then return at m. 67. Costumes: the instrumentalists may be in costume as well as the performers, if desired. See the title page for suggestions. This piece is meant to be energetic, theatrical, and fun to perform as well as to watch.Program Note Dance of the Wind-Up Toys was composed in April-May 1968, when composer James Siddons was 19 years old. It was inspired by mime performers as well as the mechanical toys common in the early twentieth century.
$10.00
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