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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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4146
Piano Facile
1008
Piano, Voix et Guitare
770
Piano, Voix
694
Orgue
488
1 Piano, 4 mains
371
2 Pianos, 4 mains
342
Accompagnement Piano
264
Instruments en Do
249
Piano Trio: piano, violon, violoncelle
91
Orgue, Trompette (duo)
76
Piano grosses notes
47
Accordéon
44
2 Accordéons
31
Piano (partie séparée)
29
Piano Quatuor: piano, violon, alto, violoncelle
28
Piano Quatuor: piano, 2 violons, violoncelle
27
Orgue, Piano (duo)
27
Clavecin
13
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Clavier
7
2 Pianos, 8 mains
7
1 Piano, 6 mains
4
2 Orgues (duo)
2
Ligne De Mélodie, Piano
1
Instrument seul et Orgue
1
Fake Book
1
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GUITARES
Guitare notes et tablatures
778
Guitare
364
2 Guitares (duo)
332
Ligne De Mélodie, (Paroles) et Accords
176
Piano, Guitare (duo)
153
Ukulele
138
Paroles et Accords
117
Dulcimer
75
Guitare (partie séparée)
59
Basse electrique
58
4 Guitares (Quatuor)
32
Mandoline
30
3 Guitares (trio)
19
2 Dulcimers (duo)
14
Banjo
13
2 Ukuleles
8
Ensemble de guitares
7
2 Mandolines (duo)
4
Mandoline, Guitare (duo)
3
Ukulele Baryton
3
Guitare Pedal Steel
2
Guitare, Violon, Violoncelle (trio)
2
Guitare, Orchestre
1
Partitions De Groupes
1
Ensemble de Ukulélés
1
Luth
1
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VOIX
Chorale 2 parties
1772
Chorale SATB
1610
Chorale 3 parties
622
Chorale Unison
615
Voix duo, Piano
234
Chorale TTBB
207
Voix duo
132
Chorale SSAA
106
Voix seule
79
Voix Soprano, Piano
59
Chorale
44
Voix haute
29
Voix Tenor, Piano
24
Voix moyenne, Piano
22
Voix Baryton, Piano
18
Voix Alto, Piano
14
Pack Instrumental pour Chorale
9
Voix Tenor
8
Voix Soprano
6
Voix basse, Piano
5
Voix, Guitare
4
Voix basse
4
Chorale SSAATTBB
4
Soli, choeur mixte et accompagnement
4
Chorale SSATTB
2
Chorale SSAB a cappella
2
Voix Mezzo-Soprano, Piano
1
Voix Soprano, Orchestre
1
Male Voice
1
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VENTS
2 Flûtes traversières (duo)
1925
2 Saxophones (duo)
1526
2 Clarinettes (duo)
1407
Flûte traversière et Piano
807
Clarinette et Piano
534
Hautbois, Piano (duo)
468
Flûte traversière
417
Saxophone Alto et Piano
380
Saxophone Tenor et Piano
377
Quatuor de Saxophones: 4 saxophones
317
Saxophone (partie séparée)
297
2 Hautbois (duo)
285
3 Clarinettes (trio)
278
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
251
2 Flûte à bec (duo)
227
Flûte, Hautbois, Clarinette, Basson
218
Saxophone Soprano et Piano
210
Flûte, Clarinette (duo)
204
Quatuor de Clarinettes: 4 clarinettes
203
Clarinette
174
Quatuor de Flûtes : 4 flûtes
163
Saxophone, Clarinette (duo)
158
Clarinette, Violon (duo)
146
Clarinette (partie séparée)
138
2 Flûtes traversières, Piano
135
Flûte, Violon
134
3 Saxophones (trio)
121
Hautbois (partie séparée)
111
Hautbois, Basson (duo)
108
Quintette de Saxophone: 5 saxophones
105
Trio de Flûtes: 3 flûtes
104
Saxophone Alto
96
Ensemble de Clarinettes
90
Hautbois, Clarinette (duo)
88
Ensemble de saxophones
84
Clarinette, Trompette (duo)
84
Saxophone Tenor
77
Flûte, Violon, Piano
72
Ensemble de Flûtes
68
Hautbois, Flûte
66
Clarinette et Alto
66
Flute (partie séparée)
65
2 Clarinettes, Piano
57
Flûte et Guitare
52
Flûte, Clarinette, Piano (trio)
52
Flûte, Saxophone (duo)
51
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47
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45
Flûte, Trompette (duo)
45
Cor anglais, Piano
45
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40
Clarinette, Basson (duo)
39
Flûte, Violon et Violoncelle
37
Clarinette, Violoncelle (duo)
35
Quintette de Clarinettes: 5 clarinettes
34
Flûte, Clarinette et Basson
33
Flûte, trombone et piano
32
Quatuor de Flûtes à bec
32
2 Clarinettes, Basson
31
Clarinette, Violoncelle, Piano (trio)
30
Saxophone
28
Quintette de Flûte : 5 flûtes
27
Flûte, Violoncelle, Piano (trio)
26
Hautbois, Violoncelle
26
Flûte, Hautbois, Clarinette (trio)
25
Flûte, Hautbois, Piano (trio)
25
Ensemble De Flûte à bec
23
Clarinette Basse, Piano
23
Flûte à Bec
22
Flûte, Alto et Piano
21
Flûte à bec Soprano
20
3 Flûtes à bec (trio)
19
Flûte, Hautbois (duo)
17
Hautbois, Clarinette, Basson (trio d'anches)
15
Clarinette, Guitare (duo)
14
Flûte, Hautbois, Basson
14
Flûte à bec Soprano, Piano
12
Saxophone Soprano
12
Flûte, Basson et Piano
12
Clarinette, trompette et piano
12
5 Flûtes à bec
10
Hautbois
10
2 Saxophones, Piano
9
2 Cors Anglais Et Pianoforte
9
Hautbois, violon (duo)
9
Cor Anglais
9
Hautbois et alto (duo)
9
Clarinette, Harpe (duo)
9
Flûte, Violon, Violoncelle et Piano
9
Flûte à bec Tenor
8
Flûte à bec Alto, Piano
7
Saxophone et Harpe
6
Clarinette, Trombone (duo)
6
Hautbois, Harpe
6
Piccolo, Piano
5
2 Hautbois, Piano
5
Flûte à bec Alto
5
Flûte à Bec, Piano
5
Piccolo
5
Flute, harpe et violon
5
Flûte, Violoncelle, Guitare
5
Flûte et Trio à cordes
5
Clarinette Basse
4
Flûte irlandaise
4
Ensemble à vent
4
Instruments en Mib
4
Harmonica
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
2 Hautbois et Cor anglais
3
Flûte, Violon, Guitare
3
Saxophone et Orgue
3
Flûte, Hautbois, Violon
3
3 Hautbois
3
Flûte, Trombone (duo)
3
Saxophone et Guitare
3
Clarinette, Tuba
3
Clarinette, Alto et Piano (trio)
3
Clarinette, Contrebasse (duo)
3
Hautbois, trombone (duo)
3
Flûte à bec Alto, Basse continue
3
Hautbois, Guitare (duo)
2
Cornemuse
2
Hautbois, Clarinette et Piano (Trio)
2
Flute, Cor (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Harpe et Violoncelle
2
Cor anglais, Guitare (duo)
2
Saxophone et violoncelle
2
2 Flûtes à bec, Piano
2
Flûte traversière, Orgue (duo)
2
2 Flûtes traversières, Harpe
2
Saxophone, Basson (duo)
2
Flûte, Clarinette, Violon (trio)
2
Hautbois, Basson et Piano
2
4 Hautbois
2
Clarinette, Basson, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Ensemble de Hautbois
1
Saxophone et Piano
1
Clarinette, Orgue
1
Flûte traversière, Orchestre
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Melodica
1
Flûte à bec Soprano, Basse continue
1
Hautbois, Trompette (duo)
1
2 Hautbois et Basson
1
Flûte, Tuba (duo)
1
Clarinette, Saxophone, Piano
1
Ocarina
1
2 Flûtes, Basse continue
1
Flûte et Quatuor à Cordes
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
843
2 Trompettes (duo)
807
2 Trombones (duo)
766
Trombone et Piano
473
Trompette, Piano
313
Trombone (partie séparée)
250
Quatuor de Cuivres : 2 trompettes, trombone, tuba
242
Trompette
238
Trompette (partie séparée)
197
Quatuor de Cuivres: 2 trompettes, Cor, trombone
156
Trompette, Trombone (duo)
140
2 Cors (duo)
131
Trompette, Saxophone (duo)
114
Cor et Piano
112
Trombone
84
Euphonium, Piano (duo)
69
Quatuor de Cuivres
69
Cor (partie séparée)
67
Ensemble de Trombones
61
Tuba (partie séparée)
59
Quatuor de cuivres: 4 trombones
58
Cor
57
Tuba et Piano
54
2 Trompettes, Clavier (piano ou orgue)
51
2 Tubas (duo)
48
Cor anglais, Piano
45
Trompette, Cor (duo)
43
Ensemble de Trompettes
31
Quatuor de cuivres: 4 cors
31
Quatuor de cuivres: 2 trompettes, 2 trombones
30
Tuba
29
Quatuor de cuivres: 4 trompettes
28
Trompette, Violoncelle et Piano
24
2 Euphoniums (duo)
23
Trombone, Tuba (duo)
22
3 Trombones (trio)
20
2 Euphoniums et 2 Tubas
17
Trio de Cuivres
15
Cor, Violoncelle (duo)
13
3 Trompettes (trio)
12
Trompette, Basson (duo)
12
Euphonium
12
Trompette, Violoncelle (duo)
11
2 Trombones, Piano
10
2 Cors Anglais Et Pianoforte
9
Ensemble de Cors
9
Cor Anglais
9
4 Tubas
9
Euphonium, Tuba (duo)
9
Trombone basse
8
Cor et Harpe
8
3 Euphoniums
7
Trompette, Harpe
6
3 Cors (trio)
6
Bass Clef Instruments
5
Cor et Basson (duo)
5
2 Cors, Piano
5
Trompette, Tuba (duo)
5
Trompette et Guitare
5
Tuba et Orgue
4
Instruments en Sib
4
Trombone, Orgue
4
Trombone basse et Piano
4
Instruments en Fa
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cornet A Pistons
3
3 Tubas (trio)
3
Trompette, Trombone, Piano
3
Clarinette, Cor (duo)
3
Trompette, violon (duo)
3
Cor anglais, Guitare (duo)
2
Trombone, Cor (duo)
2
Cor anglais et Harpe (duo)
1
Cor, Violoncelle et Piano
1
Trombone, Violon (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Cor et Orgue
1
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CORDES
2 Violons (duo)
1797
Harpe
1167
Quatuor à cordes: 2 violons, alto, violoncelle
1070
2 Violoncelles (duo)
1018
Violon et Piano
805
Violon
664
2 Altos (duo)
584
Violon, Violoncelle (duo)
570
Alto, Piano
504
Trio à Cordes: violon, alto, violoncelle
479
Violoncelle, Piano
478
Trio à Cordes: 2 violons, violoncelle
423
Violon, Alto (duo)
234
Violoncelle
196
2 Harpes (duo)
178
Quintette à cordes: 2 violons, alto, violoncelle, basse
142
Trio à Cordes: 2 violons, alto
121
Alto seul
116
Violon (partie séparée)
111
Contrebasse (partie séparée)
74
Alto, Violoncelle (duo)
74
2 Violons, Piano
68
Harpe, Violon (duo)
62
Harpe, Flûte (duo)
50
Violon, Guitare (duo)
50
Trio à cordes: 3 violins
49
4 Violoncelles
48
Alto (partie séparée)
47
2 Contrebasses (duo)
42
Piano Trio: Violon, Alto, Piano
40
Contrebasse, Piano (duo)
39
Quatuor à cordes: 4 violons
36
Contre Basse
29
Violoncelle (partie séparée)
27
Trio à cordes
22
Violon, Basson (duo)
21
2 Violoncelles, Piano
21
Trio à Cordes: 3 violoncelles
19
Violoncelle, Contrebasse (duo)
17
Harpe, Violoncelle (duo)
14
Violon, Clarinette, Piano (trio)
14
Alto et Basson
13
Alto et Harpe
13
Violoncelle , Guitare (duo)
13
Ensemble de Violons
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Alto, Guitare (duo)
10
Harpe, Voix
8
Ensemble d'Altos
7
Quatuor à cordes : 4 altos
7
Ensemble de Violoncelles
5
Trio à cordes: 3 altos
4
Flûte, Contrebasse (duo)
3
3 Harpes
3
Violoncelle, Orgue
3
Violoncelle, Basse continue
3
5 Harpes
2
Violon, Basse continue
2
Harpe, Trombone (duo)
2
2 Altos, Piano
2
Violoncelle, Orchestre
2
Harpe et Piano
2
Violon, Trompette et Piano
1
Violon, Tuba (duo)
1
Alto et orchestre
1
Harpe, Violon, Violoncelle
1
Autoharp
1
4 Contrebasses
1
3 Contrebasses
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1478
Orchestre à Cordes
617
Cloches
461
Orchestre
407
Ensemble de cuivres
384
Ensemble Jazz
317
Orchestre de chambre
219
Ensemble de Percussions
86
Jazz combo
80
Batterie
69
Percussion (partie séparée)
66
Marimba
39
Batterie (partie séparée)
32
Percussion
27
Fanfare
24
Timbales (partie séparée)
22
Vibraphone
12
2 Xylophones
7
Xylophone, Piano
6
2 Marimbas
5
Xylophone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Quintette de Cuivres: autres combinaisons
3
2 Caisses Claires (duo)
3
Caisse Claire
3
Piano et Orchestre
2
3 Percussions
1
2 Percussions
1
Conga
1
Quintette à Vent
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Ensemble d'École
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
3
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Two-For-Two
Ensemble de Percussions
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Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
274.27 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
137.14 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Power Line for Two or More Energetic Drummers)
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1012689 Composed by Brian …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1012689 Composed by Brian Monroe. Instructional,Standards. Score and parts. 9 pages. BLM Music Publications (https://brianmonroemusic.com) #6890089. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1012689). Power Line: for 2 or More Energetic Percussionists is a two part ensemble for first year percussionist.  Performed on a drum pad, the work explores the sound a percussionist can make by playing on the head and rim of the pad and the metal stand on which the pad sits, and stick clicks  In addition, there are also vocal effects.  The performs say tzzzz imitating the sound or an electrical arc.  Rhythms include quarter note and eighth note patterns and a few instances of four sixteenth notes grouped into one beat (1e&a).  The performs are also asked to play flams, paradiddles and multi bounce rolls.  Finally there is a small section which features a drum to drum section where the performers will play on the pads on each side of the performer.  This is a fun and exciting work for your first year percussionist!  Enjoy!
$5.99
5.48 €
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Ensemble de Percussions
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Brian Monroe
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Power Line for Two or More Energetic Drummers)
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BLM Music Publications
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.71 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Sharks' Teeth, a Musical Game for Percussion
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6203899. Published by Pharaoh Publications (A0.935392). Sharks’ Teeth, a Game for any Number of Percussionists. . . . . . . . . . . . . . . Dan Heslink Sharks’ Teeth is a musical game, or contest, between two or more percussionists. It is based on rhythm, and can therefore be executed on any combination of indefinitely-pitched percussion instruments. Its execution relies on guided improvisation governed by preconceived thematic material and manners of elaboration. In addition to the two or more contestants, another musician functions as a Game Meister (GM) who controls that game’s progress and evaluation. Enclosed are the game instructions for a contest of guided improvisation, and a notated example for two percussionists and Game Meister, Shark’s Tooth. This score can also be played on recital. After reading the contest instructions, the composer recommends that contestants next play the notated example before attempting the game through improvisation. Besides being fun to play, this game is also an excellent tool for fostering concentration, musicality, memory and an understanding of musical structure. The composer, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.
$9.99
9.13 €
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Ensemble de Percussions
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Dan Heslink
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Sharks' Teeth, a Musical Game for Percussion
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Pharaoh Publications
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SheetMusicPlus
Staying Busy for Two Marimbas (or vibraphones)
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.803346 Composed by Paul Ta…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.803346 Composed by Paul Taylor. 20th Century. Score and parts. 6 pages. Paul Taylor #6099257. Published by Paul Taylor (A0.803346). An exciting and busy marimba or xylophone duet written for late intermediate students. Both students get to play the main motives and will find it stimulating to bat these motives back and forth to each other throughout the piece. The printing format provides each player with their own score, allowing them the convenience of not only seeing their own individual part, but their partner's as well. .
$1.99
1.82 €
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Ensemble de Percussions
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Paul Taylor
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Staying Busy for Two Marimbas
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Paul Taylor
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SheetMusicPlus
God Rest Ye Merry, Gentlemen for two mallet instruments
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.942733 Arranged by Frank P…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.942733 Arranged by Frank Pugh. Christian,Christmas. Score and parts. 5 pages. Frank Pugh #6050785. Published by Frank Pugh (A0.942733). This well-known carol has been set here as a mallet instrument duet with easy rhythm values. It works for bells, marimbas, xylophones, vibraphones, or a combination of those instruments. It makes a good selection for church programs or recitals with a playing time of around 2:30. Part 1 uses a two octave range from D - D, and part two uses a one octave and a sixth range from D - Bb.You can find my other small ensemble arrangements here at Sheet Music Plus, and be sure to check out some of the full-length videos at my YouTube channel: https://www.youtube.com/channel/UCFOboEO545LYT_F7kSa99Xw/videos Thanks for listening!
$3.99
3.65 €
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Ensemble de Percussions
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Frank Pugh
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God Rest Ye Merry, Gentlemen for two mallet instruments
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Frank Pugh
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SheetMusicPlus
On Our Way, Duet for Two Buckets - or More
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.881276 Composed by Harvey …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.881276 Composed by Harvey Minchin. Contemporary. Score and parts. 6 pages. Harvey Minchin #3448433. Published by Harvey Minchin (A0.881276). On Our Way is a fun duet for buckets - a small or medium bucket (5 gallon) and a large tub or bucket. It can be played with one player on each part or multiple players. Great for concerts and group lessons.
$7.95
7.27 €
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Ensemble de Percussions
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Harvey Minchin
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On Our Way, Duet for Two Buckets - or More
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Harvey Minchin
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SheetMusicPlus
Follow Me, Duet for Two Buckets - or More
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.881275 Composed by Harvey …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.881275 Composed by Harvey Minchin. Contemporary. Score and parts. 5 pages. Harvey Minchin #3448435. Published by Harvey Minchin (A0.881275). Follow Me is a fun, beginner duet for buckets - a small or medium bucket (5 gallon) and a large tub or bucket. It can be played with one player on each part or multiple players. Great for concerts and group lessons.
$7.95
7.27 €
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Ensemble de Percussions
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Harvey Minchin
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Follow Me, Duet for Two Buckets - or More
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Harvey Minchin
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SheetMusicPlus
Time To Move - Duet for Two Buckets - or More
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.881278 Composed by Harvey …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.881278 Composed by Harvey Minchin. Contemporary. Score and parts. 6 pages. Harvey Minchin #3479439. Published by Harvey Minchin (A0.881278). Time To Move is a fun duet for buckets - a small or medium bucket (5 gallon) and a large tub or bucket. It can be played with one player on each part or multiple players. Great for concerts and group lessons.
$7.95
7.27 €
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Ensemble de Percussions
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Harvey Minchin
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Time To Move - Duet for Two Buckets - or More
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Harvey Minchin
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.13 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Silent Night Prelude for percussion octet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.56 €
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Ensemble de Percussions
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
Holiday Bolero for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
9.13 €
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Ensemble de Percussions
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Dan Heslink
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Holiday Bolero for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.53 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.56 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.56 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Midnight Manor - Sextet for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1035920 Composed by Jesse …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1035920 Composed by Jesse Milhoan. Contemporary,Standards. Score and parts. 28 pages. ArrangeMe #6440859. Published by ArrangeMe (A0.1035920). Midnight Manor is a composition for percussion ensemble utilizing 6 performers. The work was written as a side project in segments over the course of the composer's undergraduate degree, beginning as a fragment of a melody and eventually arriving at the final product it is today. The instrumentation of the piece makes use of two 4.3 octave marimbas, a vibraphone, glockenspiel, tubular bells, and various unpitched percussion instruments. An attempt at writing for mostly keyboard instruments in the percussion ensemble setting, this melody-based composition recreates the atmosphere of feeling left alone in a seemingly haunted mansion with nowhere to run. Midnight Manor is in ABA form, with the A section
$13.00
11.89 €
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Ensemble de Percussions
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Jesse Milhoan
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Midnight Manor - Sextet for Percussion Ensemble
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ArrangeMe
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SheetMusicPlus
Holiday Bolero for Keyboard Percussion
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935380 Arranged by Pharaoh…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. Pharaoh Publications #5212781. Published by Pharaoh Publications (A0.935380). Holiday Bolero for keyboard percussion arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas, and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the mallet quintet arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment. All of the keyboard parts require only two mallets; some passages unfold as double stops. Mallets for the marimbas should be chosen to maximize the blend of individual parts into a unified chord. There are no key changes, or mallet and hand independence. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
4.56 €
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Ensemble de Percussions
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Pharaoh Publications
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Holiday Bolero for Keyboard Percussion
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Pharaoh Publications
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SheetMusicPlus
Hot Cross Buns! - For Orff Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1096333 Composed by Tradit…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1096333 Composed by Traditional. Arranged by Yvonne Johnson. Children,Easter,Instructional. Score and parts. 7 pages. Yvonne Johnson #700301. Published by Yvonne Johnson (A0.1096333). Full Score and Set of 4 parts The two often heard variations of the melody have been used in this easy arrangement of Hot Cross Buns. Sop Glock and Alto Met both play the melody throughout, with the Bass Xylo providing a simple bass line in both variations. Alto Glock has some glissandi passages and provides the harmony. Marimba would make a nice substitute for the Bass Xylo. Dynamics and tempo markings are suggested ones only. An easy and fun to play arrangement for the beginner level Orff performers.
$3.95
3.61 €
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Ensemble de Percussions
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Traditional
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Yvonne Johnson
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Hot Cross Buns! - For Orff Ensemble
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Yvonne Johnson
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SheetMusicPlus
Two Irish Tunes (for Mixed Octet)
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.710901 Composed by Irish F…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.710901 Composed by Irish Folk Song. Arranged by Tsuyoshi Yoroiguma. Classical,Folk,Instructional. Score and parts. 24 pages. Tsuyoshi Yoroiguma #29389. Published by Tsuyoshi Yoroiguma (A0.710901). This arrangement contain two lovely Irish songs:The Last Rose of Summer / Down By the Sally Gardens.Opening glocken solo brings you to a nostalgic world,and clarinet starts to sing the first tune. The second tune is played mainly by horn with tamburine rythm.In the last part,two tunes are mixed and increase expression. Enjoy beautiful melodies of Irish gardens ! Trombone part can be played by euphonium. Saxophone part is opptional.Playing time:3min.35sec.
$16.00
14.63 €
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Ensemble de Percussions
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the Sally Gardens
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Irish Folk Song
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Tsuyoshi Yoroiguma
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Two Irish Tunes
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Kumbaya for Marimbas and Percussion
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.904355 Composed by Traditional. Arra…
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Percussion Ensemble - Digital Download SKU: A0.904355 Composed by Traditional. Arranged by Tiffany Nicely. World. Score and parts. 13 pages. Tiffany Nicely #6666201. Published by Tiffany Nicely (A0.904355). Kumbaya arranged for four marimbists (two instruments) and two percussionists.
$9.99
9.13 €
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Ensemble de Percussions
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Traditional
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Tiffany Nicely
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Kumbaya for Marimbas and Percussion
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Tiffany Nicely
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SheetMusicPlus
Trio for Three Marimbas
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.947356 Composed by David Garner. 20t…
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Percussion Ensemble - Digital Download SKU: A0.947356 Composed by David Garner. 20th Century,Contemporary,Jazz. Score and parts. 68 pages. David Garner Music #2888289. Published by David Garner Music (A0.947356). Trio for Three Marimbas (two mallets) Three movements for three marimbas. I. Sidestep, II. Canon for the Imam, III. Splinters. Duration c. 12:00
$15.00
13.71 €
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Ensemble de Percussions
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David Garner
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Trio for Three Marimbas
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David Garner Music
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SheetMusicPlus
Duel for 2 Marching Percussionists
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.939385 Composed by Adam Gr…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.939385 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200499. Published by Adam B. Grim (A0.939385). The Duel for 2 Marching Percussionists was written in 2015 and premiered at Ohio Northern University. It features two players, each with a number of marching percussion (drumline) instruments in front of them. Both players use a snare drum and mounted cymbal while one player plays 5 tonal bass drums and the other plays the tenors (for 5 drums). It is for advanced high school or college level players, and is very entertaining to watch. It includes stick tricks and moves that are neat to see and do. All the tricks are fairly well known, so you could easily see them on YouTube. If not, then contact me directly and I would be happy to explain!
$15.00
13.71 €
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Ensemble de Percussions
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Adam Grim
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Duel for 2 Marching Percussionists
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Adam B. Grim
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SheetMusicPlus
[Liptak] Concerto for Piano and Percussion Orchestra
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.952884 Composed by David Liptak. Con…
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Percussion Ensemble - Digital Download SKU: A0.952884 Composed by David Liptak. Contemporary. Score and parts. 46 pages. American Composers Alliance Inc. #4625343. Published by American Composers Alliance Inc. (A0.952884). A chamber concerto for piano with six percussionists. Percussion needed: 5-octave marimba, claves, maracas, vibraphone, suspended cymbal, 4 tom-toms, woodblock, two-octave set of crotales, medium tamtam, wood vibraslap, glockenspiel, large tamtam, guiro, tub. bells, temple blks, bass drum).PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$23.95
21.9 €
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Ensemble de Percussions
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David Liptak
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[Liptak] Concerto for Piano and Percussion Orchestra
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American Composers Alliance Inc.
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SheetMusicPlus
C You At The Top For Solo Mallet Percussion
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.881335 Composed by Harvey …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.881335 Composed by Harvey Minchin. Instructional,Standards. Score and parts. 1 pages. Harvey Minchin #6712537. Published by Harvey Minchin (A0.881335). C You At The Top is a beginner two mallet study for mallet percussion (xylophone, marimba, vibraphone or orchestra bells). The piece is designed as a supplemental short solo that allows students to work on their mallet percussion skills in addition to their regular lesson books. This piece is in the key of C and starts at the C above middle C and includes notes down to middle C. This piece uses only quarter notes, half notes and whole notes. This piece is also included in the collection Seven Studies for Solo Mallet Percussion Volume 0.
$2.50
2.29 €
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Ensemble de Percussions
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Harvey Minchin
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C You At The Top For Solo Mallet Percussion
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Harvey Minchin
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SheetMusicPlus
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