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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Us-Two
Non classifié
443
Piano & claviers
Piano seul
299
Piano, Voix et Guitare
80
Piano, Voix
59
Piano Facile
54
Accompagnement Piano
52
Orgue
28
Instruments en Do
18
2 Pianos, 4 mains
9
1 Piano, 4 mains
6
Orgue, Piano (duo)
4
Piano Trio: piano, violon, violoncelle
3
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano grosses notes
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
115
Guitare
34
Guitare notes et tablatures
21
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
11
Paroles et Accords
9
Basse electrique
6
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Mandoline
1
+ 5 instrumentations
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Voix
Chorale SATB
128
Chorale 2 parties
81
Chorale Unison
57
Chorale 3 parties
37
Voix Tenor, Piano
17
Voix duo, Piano
11
Chorale TTBB
9
Voix Soprano, Piano
8
Voix Alto, Piano
7
Voix seule
6
Voix duo
6
Voix Tenor
5
Chorale SSAA
5
Voix Baryton, Piano
2
Chorale SSAATTBB
1
Voix Soprano
1
Voix basse, Piano
1
Voix moyenne, Piano
1
Chorale SSATTB
1
+ 14 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
205
Clarinette et Piano
185
Flûte traversière et Piano
176
Saxophone Tenor et Piano
134
Saxophone Alto et Piano
130
2 Saxophones (duo)
59
2 Flûtes traversières (duo)
34
Flûte traversière
34
Clarinette
33
Hautbois (partie séparée)
28
Saxophone Alto
23
Quatuor de Saxophones: 4 saxophones
19
2 Clarinettes (duo)
18
Saxophone Tenor
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Saxophone
12
Saxophone Baryton, Piano
10
2 Hautbois (duo)
10
Saxophone, Clarinette (duo)
10
Clarinette, Violon (duo)
8
Saxophone Soprano et Piano
7
Clarinette, Trompette (duo)
7
Flûte, Clarinette (duo)
7
Saxophone (partie séparée)
7
Cor anglais, Piano
6
Flûte, Hautbois, Clarinette, Basson
5
Clarinette Basse, Piano
5
3 Saxophones (trio)
5
Hautbois, Basson (duo)
4
Flûte, Violon
4
Ensemble De Flûte à bec
4
Hautbois, Flûte
4
Flûte, Saxophone (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Hautbois, Clarinette (duo)
4
Quatuor de Flûtes : 4 flûtes
4
3 Clarinettes (trio)
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon et Violoncelle
3
Clarinette et Alto
3
Flûte, Trompette (duo)
3
Quintette de Saxophone: 5 saxophones
2
Flûte, Basson et Piano
2
Clarinette, trompette et piano
2
Flute (partie séparée)
2
Clarinette, Violoncelle (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Piano (trio)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Clarinette et Basson
2
Piccolo
2
Flûte, Alto (duo)
2
Ensemble de Clarinettes
2
Ensemble de Flûtes
2
Quatuor de Flûtes à bec
1
Saxophone Soprano
1
Flûte et Trio à cordes
1
Clarinette, Harpe (duo)
1
2 Clarinettes, Piano
1
Clarinette, Basson (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Cor Anglais
1
Flûte à bec Soprano, Piano
1
Quintette de Flûte : 5 flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte et Quatuor à Cordes
1
Flûte, trombone et piano
1
Flûte à bec Soprano
1
Ensemble de saxophones
1
Flute, harpe et violon
1
Flûte, Hautbois, Clarinette (trio)
1
Flute, Cor (duo)
1
Harmonica
1
Piccolo, Piano
1
Flûte, Alto et Piano
1
Flûte, Hautbois, Basson
1
+ 73 instrumentations
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Cuivres
Trombone et Piano
157
Trompette
94
Trompette, Piano
73
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
58
Trombone
21
Trompette (partie séparée)
14
2 Trompettes (duo)
13
2 Trombones (duo)
11
Trompette, Saxophone (duo)
9
Cor et Piano
7
Trompette, Trombone (duo)
6
Cor anglais, Piano
6
Euphonium, Piano (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Cor
5
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 4 trombones
2
2 Cors (duo)
2
Quatuor de Cuivres
2
Tuba
1
Trompette, Violoncelle (duo)
1
Trombone (partie séparée)
1
Clarinette, Cor (duo)
1
Cor Anglais
1
4 Tubas
1
Trombone, Cor (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Trompettes
1
Trio de Cuivres
1
Trompette, Violoncelle et Piano
1
Trompette, Cor (duo)
1
+ 27 instrumentations
Retracter
Cordes
Alto, Piano
172
Violon et Piano
155
Violoncelle, Piano
138
Trio à Cordes: violon, alto, violoncelle
65
Quatuor à cordes: 2 violons, alto, violoncelle
64
2 Violons (duo)
29
Violon
27
Violoncelle
23
Violon, Violoncelle (duo)
22
2 Violoncelles (duo)
22
Alto seul
11
Trio à Cordes: 2 violons, violoncelle
10
Harpe
9
Alto (partie séparée)
8
2 Altos (duo)
8
Violon, Guitare (duo)
5
Violon, Alto (duo)
4
4 Violoncelles
4
Violon, Clarinette, Piano (trio)
2
Contre Basse
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon (duo)
2
Violoncelle , Guitare (duo)
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse, Piano (duo)
1
Trio à cordes
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Contrebasse (partie séparée)
1
Alto et Harpe
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
85
Ensemble Jazz
37
Orchestre
24
Ensemble de cuivres
18
Cloches
15
Orchestre à Cordes
13
Jazz combo
9
Batterie
7
Ensemble de Percussions
4
Orchestre de chambre
3
Percussion
1
Piano et Orchestre
1
+ 7 instrumentations
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EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PERCUSSION
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SAXOPHONE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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METHODE : TECHNIQUES
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Us-Two
Ensemble de Percussions
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Four Forces (First movement) I. Strong Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Rhythm Of Life
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Ensemble de Percussions
#
INTERMÉDIAIRE
#
Minni K
#
Rhythm Of Life
#
Dr Minni Ang
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Publish...
(+)
Percussion Ensemble - Level 3 - SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Published by Dr Minni Ang (A0.793348). Rhythm of Life is built over a five beat pulse, representing the heartbeat of life on planet earth. The two basic pulses are played by different groups of instruments and passed from one group to another, but never ceasing, even as our heartbeats never cease as long as there is life in us. Over these fundamental patterns are built little phrases or solos for the various instruments, including conversations between pairs of instruments - first the timpani and tubular bells, later the marimba and xylophone, and finally the conga drums and the snare drum – these conversations represent various interactions among different groups of life on planet earth. The piece is constructed in theme and variations form.The OrchestrationPlayer One: MarimbaPlayer Two: XylophonePlayer Three: TimpaniPlayer Four: Tubular BellsPlayer Five: Snare Drum & CymbalsPlayer Six: Congas, Bass Drum & Tam-Tam
$8.99
Gravity for Septet
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Ensemble de Percussions
#
AVANCÉ
#
Contemporain
#
MohammadHadi Ayanbod
#
Gravity for Septet
#
Rimorarte Edition
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
(+)
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
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