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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Voices
Sheetmusicplus
Non classifié
3 819
Piano & claviers
Piano seul
403
Piano, Voix
306
Instruments en Do
190
Piano Facile
145
Piano, Voix et Guitare
132
Accompagnement Piano
101
Orgue
84
1 Piano, 4 mains
16
Piano Trio: piano, violon, violoncelle
16
2 Pianos, 4 mains
5
Clavecin
3
Accordéon
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
51
Guitare
39
Ligne De Mélodie, (Paroles) et Accords
18
2 Guitares (duo)
9
Ukulele
6
4 Guitares (Quatuor)
5
Basse electrique
4
2 Ukuleles
2
Dulcimer
1
Guitare (partie séparée)
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Ensemble de guitares
1
+ 8 instrumentations
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Voix
Chorale SATB
3 000
Chorale 2 parties
2 390
Chorale 3 parties
1 663
Chorale TTBB
803
Chorale SSAA
692
Chorale Unison
689
Voix duo, Piano
118
Voix duo
98
Voix seule
41
Voix Soprano, Piano
26
Chorale
26
Pack Instrumental pour Chorale
20
Voix haute
18
Voix Baryton, Piano
17
Voix Alto, Piano
16
Voix Tenor, Piano
15
Chorale SSAATTBB
11
Chorale SSAB a cappella
10
Chorale SSATB
8
Voix moyenne, Piano
6
Chorale SSATTB
6
Voix basse, Piano
5
Soli, choeur mixte et accompagnement
4
Chorale SSAB, Piano
2
Chorale SSAATB
2
Voix Soprano
1
Voix, Guitare
1
Voix duo, Orgue
1
Voix basse
1
+ 24 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
97
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
91
Flûte, Hautbois, Clarinette, Basson
79
Flûte traversière et Piano
58
Quatuor de Clarinettes: 4 clarinettes
57
Quintette de Saxophone: 5 saxophones
52
Clarinette et Piano
49
Hautbois, Piano (duo)
44
2 Saxophones (duo)
41
Ensemble de Clarinettes
38
Quatuor de Flûtes : 4 flûtes
30
Flûte traversière
28
Clarinette
28
2 Flûtes traversières (duo)
28
Ensemble de saxophones
24
Saxophone Alto et Piano
20
3 Clarinettes (trio)
20
Ensemble de Flûtes
19
Quintette de Clarinettes: 5 clarinettes
19
Hautbois
18
2 Clarinettes (duo)
18
Trio de Flûtes: 3 flûtes
18
Quintette de Flûte : 5 flûtes
16
3 Saxophones (trio)
14
Saxophone Tenor et Piano
12
Flûte, Clarinette (duo)
10
2 Hautbois (duo)
10
Saxophone Soprano et Piano
10
Saxophone (partie séparée)
10
Ensemble De Flûte à bec
9
Saxophone Baryton, Piano
9
Quatuor de Flûtes à bec
9
Hautbois (partie séparée)
9
3 Flûtes à bec (trio)
8
Flute (partie séparée)
7
2 Flûte à bec (duo)
7
Saxophone Alto
6
Flûte, Hautbois, Clarinette (trio)
6
Clarinette (partie séparée)
6
Cor anglais, Piano
6
Clarinette, Basson (duo)
4
Flûte, Clarinette et Basson
4
4 Hautbois
4
Flûte, Hautbois, Basson
4
Saxophone Soprano
3
Flûte, Violoncelle
3
5 Flûtes à bec
3
Clarinette, Violon (duo)
2
Clarinette, Guitare (duo)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Clarinette (duo)
2
Flûte, Basson et Piano
2
Flûte et Guitare
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Saxophone Baryton
2
Flûte, Hautbois (duo)
2
Saxophone Tenor
2
Flûte, Violon, Piano
2
Flûte à bec Alto, Piano
2
Hautbois, Basson (duo)
2
Flûte à bec Soprano
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Soprano, Piano
1
Flûte, Alto et Piano
1
Ensemble de Hautbois
1
Flûte à bec Tenor
1
Clarinette, Basson, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
Flûte à Bec
1
Ocarina
1
Flûte traversière, Orgue (duo)
1
Saxophone et Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto
1
Clarinette Basse, Piano
1
Hautbois, Violoncelle
1
Flûte, Violon et Violoncelle
1
2 Flûtes traversières, Harpe
1
Hautbois, Harpe
1
Clarinette, Violoncelle (duo)
1
Clarinette, Alto et Piano (trio)
1
+ 79 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
111
Quatuor de Cuivres : 2 trompettes, trombone, tuba
79
Trompette, Piano
43
Cor et Piano
36
Trompette
34
Trombone et Piano
30
Tuba et Piano
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Tuba
23
Cor
23
Trombone
18
Quatuor de cuivres: 4 trombones
17
Ensemble de Trombones
16
Trombone (partie séparée)
13
Trompette (partie séparée)
13
Quatuor de Cuivres
13
2 Trombones (duo)
12
2 Trompettes (duo)
10
2 Cors (duo)
9
Quatuor de cuivres: 4 cors
9
Ensemble de Cors
7
Trompette, Trombone (duo)
6
Cor anglais, Piano
6
Euphonium, Piano (duo)
5
2 Euphoniums et 2 Tubas
4
3 Trombones (trio)
3
Trombone, Cor (duo)
3
Trompette, Cor (duo)
3
Trompette, Violoncelle (duo)
3
Ensemble de Trompettes
3
Cor (partie séparée)
3
Quatuor de cuivres: 4 trompettes
3
3 Trompettes (trio)
3
Tuba (partie séparée)
2
2 Tubas (duo)
2
Cor, Violoncelle (duo)
1
3 Cors (trio)
1
Euphonium
1
Cor et Harpe
1
3 Tubas (trio)
1
4 Tubas
1
3 Euphoniums
1
Tuba et Orgue
1
Trombone basse et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
4 Euphoniums
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
303
Violon et Piano
72
Alto, Piano
49
Trio à Cordes: violon, alto, violoncelle
45
Violon
43
Violoncelle, Piano
43
Quintette à cordes: 2 violons, alto, violoncelle, basse
39
Contrebasse, Piano (duo)
36
Harpe
29
Violoncelle
28
Alto seul
26
Contre Basse
24
2 Violons (duo)
21
Violon, Violoncelle (duo)
21
2 Violoncelles (duo)
17
Violon (partie séparée)
17
Violon, Alto (duo)
16
2 Altos (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
4 Violoncelles
10
Trio à Cordes: 3 violoncelles
7
Alto, Violoncelle (duo)
7
2 Harpes (duo)
6
Alto (partie séparée)
6
Contrebasse (partie séparée)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Piano Trio: Violon, Alto, Piano
5
Harpe, Trombone (duo)
3
Quatuor à cordes : 4 altos
3
Violon, Basson (duo)
3
2 Contrebasses (duo)
3
Violoncelle (partie séparée)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
3 Harpes
3
2 Violons, Piano
2
Trio à cordes: 3 altos
2
Trio à cordes: 3 violins
2
Violon, Guitare (duo)
2
Ensemble d'Altos
2
Quatuor à cordes: 4 violons
2
Ensemble de Violons
2
Trio à Cordes: 2 violons, alto
2
Violon, Violoncelle, Clarinette
1
Harpe, Violon, Violoncelle
1
2 Altos, Piano
1
4 Contrebasses
1
Alto et Basson
1
Harpe, Violoncelle (duo)
1
3 Contrebasses
1
Harpe, Voix
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
218
Orchestre
172
Orchestre à Cordes
109
Orchestre de chambre
89
Ensemble Jazz
83
Ensemble de cuivres
64
Cloches
39
Jazz combo
13
Ensemble de Percussions
11
Fanfare
10
2 Xylophones
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Batterie
6
Vibraphone
5
Percussion (partie séparée)
4
Marimba
1
Quintette à Vent
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
+ 14 instrumentations
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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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Partitions à imprimer
11 partitions trouvées
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1
Don't Worry, Be Happy
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Ensemble de Percussions
#
INTERMÉDIAIRE
#
Jazz
#
Bobby McFerrin
#
Ricardo Matosinhos
#
Don't Worry, Be Happy
#
Ricardo Matosinhos
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
The Lament of Tou-Her 竇娥冤
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Ensemble de Percussions
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Contemporain
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Ma Shui Long 馬水é¾
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The Lament of Tou-Her 竇
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SpringAutumnmusic
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.961994 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusi...
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Percussion Ensemble - SKU: A0.961994 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusic #48525. Published by SpringAutumnmusic (A0.961994). Introduction:The Lament of Tou-Ehr, for Suona, Timpani, Percussion, and Chorus 　　This work was composed for a Chinese dance drama Snow Festival. The drama was based on an extremely touching story about a lady named Doue E, and was written by the author Guan Hanqing during the Yuan Dynasty. It is divided into three sections in a cyclic form, with one theme. The instrumentation includes voices for male and female, suona (Chinese cornet), there are more than ten traditional Chinese percussions are used, such as the wind gong, large and small luo (as used in Beijing opera), and the Chinese clapper, Paiban. The sound of suona indicates the lady Dou E with her battle cry and strong faith. The music begins after lady Dou E’s faint narrative. ※The Lament of Tou-Ehr was commissioned by the Neo Classical Music Group. The dance was arranged by Fon-xuei Liu, with orchestra and chorus conducted by the composer, Shui-long Ma himself. It was recorded by the Yun-de Company, and premiered at the Taiwan National Dr. Sun Yat-sen Memorial Hall in April 1981. 《竇娥冤》本曲改編自「舞劇雪ç¥ã€ï¼Œå–æ自ä¸åœ‹å…ƒä»£æˆ²æ›²ä¸é—œæ¼¢å¿çš„作å“-「感天動地竇娥冤ã€ã€‚æœ¬æ›²ç•¥åˆ†ä¸‰æ®µï¼Œé€£æ¨‚ç« å½¢å¼ï¼Œæ¨‚曲çµæ§‹ç‚ºä¸€è²«æ€§çš„主題延展。作曲者在編制上使用人è²(男女混è²)ã€å—©å¶ï¼Œä»¥åŠå多件傳統擊樂器，如風鑼ã€å¹³åŠ‡å¤§å°é‘¼ã€æ‹æ¿ç‰ç‰ã€‚在整曲進行ä¸ï¼Œå‡¡æ˜¯æœ‰ç«‡å¨¥å‡ºç¾ä¹‹è™•ï¼Œå—©å¶ä¹Ÿå°‡éš¨ä¹‹å¥å‡ºï¼Œé‚£æ˜¯å¤©ç†çš„å¶å–Šã€ç²¾ç¥žä¿¡å¿µä¹‹æ‰€åœ¨ã€‚全曲在一段竇娥幽幽的é“白之後，å¾å¾å±•é–‹ã€‚※本曲為新å¤å…¸æ¨‚團委託創作之作å“，由舞蹈家劉鳳å¸ç·¨èˆžã€é¦¬æ°´é¾æŒ‡æ®æ¨‚團與人è²ã€éŸ»å¾·éŒ„音公å¸éŒ„音，於1980å¹´4月在å°åŒ—國父紀念館舉行世界首演。 .
$14.99
Four Minutes - Four Daydreams
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Ensemble de Percussions
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FACILE
#
Contemporain
#
Paul Burnell
#
Four Minutes - Four Daydreams
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Paul Burnell
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.835744 Composed by Paul Burnell. 20th Century,Contemporary. Score and parts. 3 pages. Paul Burnell #548979. Publ...
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Percussion Ensemble - Level 2 - SKU: A0.835744 Composed by Paul Burnell. 20th Century,Contemporary. Score and parts. 3 pages. Paul Burnell #548979. Published by Paul Burnell (A0.835744). Composed 2000. Duration: 4:00. For ensemble with instruments in C, Bb, F Eb, voices and percussion as directed in the score. The music is presented as a performing score. Where no clef is given, play with as if with a clef as directed in the score text (see Minute two). Transposing instruments play as written and do not transpose. It is allowed, however, for special transposed parts to be created in order to ensure an even distribution of the intended chordal harmony where this would otherwise be missing. There should be a few seconds silence between each of the four sections. During Minute one players other than the soloist strum their fingers rapidly on the body of their instruments, chairs etc., very quietly - producing an almost imperceptible dull sound (not 'tinny' or 'bright'). Programme Note: 'Four Minutes - Four Daydreams' was composed by Paul Burnell in 2000. It was first performed by the London CoMA Ensemble, conductor Simon Foxley, at Morley College, London on the 29th October 2000. The piece has four distinct sections, each 1 minute long. Like an extended daydream each section is progressively more developed. The piece was included on the 2013 album 'Cabbage Heads'.
$1.99
Knockin' On Heaven's Door
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Ensemble de Percussions
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DÉBUTANT
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Rock
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Eric Clapton
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Kristina Howells
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Knockin' On Heaven's Door
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Kristina Howells
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1003868 By Eric Clapton. By Bob Dylan. Arranged by Kristina Howells. Rock. Score and parts. 17 pages. Kristina H...
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Percussion Ensemble - Level 1 - SKU: A0.1003868 By Eric Clapton. By Bob Dylan. Arranged by Kristina Howells. Rock. Score and parts. 17 pages. Kristina Howells #3457261. Published by Kristina Howells (A0.1003868). This music has been arranged for strings, guitar, bass guitar, percussion, voices in two parts, and piano. It is appropriate for school orchestra's, or musical ensembles. It lasts approximately 2 minutes. .
$12.99
Another Day In Paradise
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Ensemble de Percussions
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INTERMÉDIAIRE
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Phil Collins
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Luke Henson
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Another Day In Paradise
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Luke Henson
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.942609 By Phil Collins. By Phil Collins. Arranged by Luke Henson. Contemporary,Pop,Rock. Score and parts. 21 pag...
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Percussion Ensemble - Level 3 - SKU: A0.942609 By Phil Collins. By Phil Collins. Arranged by Luke Henson. Contemporary,Pop,Rock. Score and parts. 21 pages. Luke Henson #3564263. Published by Luke Henson (A0.942609). Now, your steel pan orchestra can play this Phil Collins classic! This arrangement features a reggae groove, a fun solo section, and a bridge in which the low voices play the melody. It's a moving piece that any intermediate steelband is sure to enjoy.
$29.99
Waiting In Vain
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Ensemble de Percussions
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FACILE
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Reggae
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Bob Marley
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Aaron Ziegler
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Waiting In Vain
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Aaron Ziegler
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.884311 By Bob Marley. By Bob Marley. Arranged by Aaron Ziegler. Reggae. Score and parts. 27 pages. Aaron Ziegler...
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Percussion Ensemble - Level 2 - SKU: A0.884311 By Bob Marley. By Bob Marley. Arranged by Aaron Ziegler. Reggae. Score and parts. 27 pages. Aaron Ziegler #4110975. Published by Aaron Ziegler (A0.884311). This arrangement of Bob Marley's Waiting In Vain is a great way to introduce younger bands to the reggae style, or fill out a concert/gig for more advanced players. The simple chord changes and melodic lines will make learning the tune a breeze for any band, and with the melodic parts shared between all of the voices your band will stay engaged throughout the learning process.Difficulty: Early IntermediateFor more information about the arranger please visit: www.AaronZieglerPercussion.com .
$20.00
[Shultis] Experimental Music and Writings (1988 - 1994)
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Ensemble de Percussions
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Christopher Shultis
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[Shultis] Experimental Music a
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American Composers Alliance Inc.
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SheetMusicPlus
Percussion Ensemble - SKU: A0.952664 Composed by Christopher Shultis. 20th Century,Instructional,Standards. Score and parts. 74 pages. American Composer...
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Percussion Ensemble - SKU: A0.952664 Composed by Christopher Shultis. 20th Century,Instructional,Standards. Score and parts. 74 pages. American Composers Alliance Inc. #4613527. Published by American Composers Alliance Inc. (A0.952664). A collection of early works and writings for various ensembles (mostly centered around percussion) as collected by the composer.Musical Works:1. motion/less for percussion solo2. Oneiro for percussion trio3. 64 Statements re and not re Child of Tree for solo percussion and audio tapes4. Pastorale for solo percussioin and Dancer5. Friends, for piano, crotales, and narrator6. Three Short Pieces i. Five, brass quintet ii. Four interludes from Downward Facing Dog, for piano solo iii. For Frank Bowen, solo flute7. Decline of the West, for female narrator and all-male heavy-metal band8. Metaphysics, for spoken voice and boom boxes, requiring 7 assistants9. Faith, for voice or any instrument10. Hope, for hand percussion, guitars, and voices (Version 2 of Decline of the West, when performed as part of the opera, Faith, Hope, and Love11. Love, for Seven Performers12. Do something/Do something else, for any number of performers13. Gesturing hands, for solo theremin14. Blindness, for solo marimba15. Written on the body, for musicians and dancersTexts:1. Synesthesia and the Re-integration of the Senses2. Experiment and Revolution, a primary role of percussion in American music3. The Politics of Improvisation
$19.95
Stardust Inferno
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Adam Grim
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Stardust Inferno
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.939373 Composed by Adam Grim. Concert,Pop,World. Score and parts. 38 pages. Adam B. Grim #5991851. Published by ...
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Percussion Ensemble - Level 4 - SKU: A0.939373 Composed by Adam Grim. Concert,Pop,World. Score and parts. 38 pages. Adam B. Grim #5991851. Published by Adam B. Grim (A0.939373). Stardust Inferno is a soca written for a steel band with the following instrumentation: Lead (Low C), Double Tenor, Double Seconds, Cello, Bass, and Drum Set. The motives found in this were written on a lead pan first, and then added variations and a solo section. The bass voices have a time to shine with their own melody, the double tenor and double seconds add harmony, and the drum set has group hits written in, rather than having a repeated pattern with slash notation on top. This was a fun piece to write, and is one of my favorites in my works for pan!
$30.00
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
On the Wings of the Scarlet Messenger Opera Instrument Parts Part 2 of 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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On the Wings of the Scarlet Me
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730477 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 284 pages. James N...
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Percussion Ensemble - Level 5 - SKU: A0.730477 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 284 pages. James Nathaniel Holland #4108107. Published by James Nathaniel Holland (A0.730477). On the Wings of the Scarlet Messenger by American composer James Nathaniel Holland. This is part 2 of 2 publications of the individual instrument parts for the opera. Full Score (in concert pitch), Piano Vocal Score, and Instruments Part 1 (woodwinds and brass) sold separately. The instrumental parts included in part 2 publication are (strings, harp, timpani and percussion) and this part can be used to enhance a production with the piano/vocal score. Opera synopsis: This 21st Century opera or musical drama is adapted from the classic novel of Henry James, On the Wings of a Dove except it is set in the mythical South Pacific island of Soon Rafa. Leads include soprano, mezzo soprano, tenor, and bass with chorus, Asian dance and minor roles. One of the few operas with a love duet between a soprano and bass. Great ensemble scenes. Great for university productions and young voices. Dramatic and beautiful orchestration. Yet to be premiered.YouTube Demo playlist presentation: https://www.youtube.com/playlist?list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMaComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$48.95
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