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1731
Piano Facile
568
Piano, Voix
552
Piano, Voix et Guitare
319
Instruments en Do
171
Orgue
108
Accompagnement Piano
101
1 Piano, 4 mains
48
Piano grosses notes
48
Piano Trio: piano, violon, violoncelle
33
2 Pianos, 4 mains
24
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Clavecin
9
Accordéon
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano (partie séparée)
5
Orgue, Piano (duo)
4
2 Pianos, 8 mains
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Fake Book
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
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Guitare notes et tablatures
825
Mandoline
286
Guitare
230
Ukulele
71
Ligne De Mélodie, (Paroles) et Accords
64
Basse electrique
36
2 Guitares (duo)
28
Dulcimer
18
Banjo
11
4 Guitares (Quatuor)
9
Guitare (partie séparée)
8
Piano, Guitare (duo)
8
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6
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5
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Ukulele Baryton
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1
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1
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721
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115
Chorale SSAA
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93
Chorale Unison
51
Voix duo, Piano
37
Voix Alto, Piano
25
Voix Tenor, Piano
22
Voix Soprano, Piano
19
Voix seule
16
Voix haute
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Voix Baryton, Piano
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Voix basse, Piano
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Voix Soprano
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Chorale SSATTB
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Voix moyenne, Piano
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
358
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339
Clarinette et Piano
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Ocarina
280
Flûte à bec Soprano
275
Harmonica
237
Quatuor de Saxophones: 4 saxophones
206
Flûte à bec Alto
193
Flûte, Hautbois, Clarinette, Basson
190
Quintette de Saxophone: 5 saxophones
157
Saxophone Alto et Piano
151
Hautbois, Piano (duo)
130
Quatuor de Clarinettes: 4 clarinettes
127
2 Saxophones (duo)
113
Ensemble de saxophones
111
Flûte traversière
108
Saxophone Soprano et Piano
104
Saxophone Tenor et Piano
86
Clarinette
80
Ensemble de Clarinettes
78
Saxophone Alto
73
2 Clarinettes (duo)
65
Saxophone (partie séparée)
65
2 Flûtes traversières (duo)
61
Saxophone Baryton, Piano
61
Quatuor de Flûtes : 4 flûtes
60
Ensemble de Flûtes
53
Cor anglais, Piano
52
3 Clarinettes (trio)
45
3 Saxophones (trio)
44
Saxophone Tenor
42
Flûte à bec Alto, Piano
34
Clarinette Basse, Piano
30
Hautbois (partie séparée)
29
Saxophone, Clarinette (duo)
27
2 Flûtes traversières, Piano
26
Quintette de Clarinettes: 5 clarinettes
25
Quatuor de Flûtes à bec
25
Flûte, Clarinette (duo)
24
Flûte et Guitare
23
2 Flûte à bec (duo)
21
Quintette de Flûte : 5 flûtes
21
Trio de Flûtes: 3 flûtes
20
Clarinette, Violon (duo)
17
2 Hautbois (duo)
17
Hautbois, Basson (duo)
14
Clarinette, Basson (duo)
13
Clarinette, Trompette (duo)
12
Cor Anglais
11
Clarinette et Alto
10
Flûte, Violon
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Hautbois, Clarinette (duo)
9
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Hautbois, Flûte
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5 Flûtes à bec
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8
Saxophone Soprano
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Flûte, Alto (duo)
8
Flûte, Hautbois, Clarinette (trio)
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3 Flûtes à bec (trio)
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Flute (partie séparée)
7
Flûte, Violoncelle
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Flûte, Trompette (duo)
7
Flûte, Clarinette, Piano (trio)
6
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6
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Flûte à Bec
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Flûte à bec Soprano, Piano
5
Clarinette, Violoncelle, Piano (trio)
5
Hautbois
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5
Piccolo
4
Clarinette, Trombone (duo)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte irlandaise
4
Flûte, Violoncelle, Piano (trio)
4
Saxophone et Guitare
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Piccolo, Piano
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Flute, harpe et violon
3
2 Clarinettes, Piano
3
Flûte, Violon, Piano
3
Flûte à bec Tenor
3
Saxophone
3
Flûte, Hautbois, Basson
3
Flûte traversière, Basse continue
3
Flûte, Basson et Piano
2
Ensemble de Hautbois
2
Flûte, Alto et Piano
2
Ensemble à vent
2
Cor anglais, Guitare (duo)
2
Clarinette, Harpe (duo)
2
Clarinette, Violoncelle (duo)
2
Hautbois, Guitare (duo)
2
2 Saxophones, Piano
2
Saxophone et Orgue
2
2 Clarinettes, Basson
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Clarinette, Alto et Piano (trio)
1
2 Cors Anglais Et Pianoforte
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Flûte à Bec, Piano
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Instruments en Mib
1
Flûte, alto et harpe
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Flûte et Trio à cordes
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2 Flûtes à bec, Guitare
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Cor anglais et Harpe (duo)
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Flûte, Violon et Violoncelle
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Clarinette Basse
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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Hautbois, Violoncelle
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4 Hautbois
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Flûte, Hautbois, Piano (trio)
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Saxophone et Piano
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Hautbois, Violin, Alto et Violoncelle (Quatuor)
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Hautbois, Harpe
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Flûte, Clarinette, Violon (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violoncelle, Guitare
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Flûte, Trombone (duo)
1
Clarinette, Orgue
1
Flûte, Hautbois (duo)
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
293
Quatuor de Cuivres : 2 trompettes, trombone, tuba
192
Trombone et Piano
111
Trompette
107
Trompette, Piano
98
Cor et Piano
77
Quatuor de Cuivres: 2 trompettes, Cor, trombone
71
Quatuor de Cuivres
53
Cor anglais, Piano
52
Trombone
50
Euphonium, Piano (duo)
45
Quatuor de cuivres: 4 trombones
33
Cor
32
Tuba et Piano
32
Ensemble de Trombones
31
2 Trompettes (duo)
29
Trompette (partie séparée)
28
2 Cors (duo)
27
Tuba
26
Ensemble de Trompettes
26
Trombone (partie séparée)
25
2 Trombones (duo)
24
Trompette, Trombone (duo)
19
Trompette, Saxophone (duo)
17
Ensemble de Cors
14
Quatuor de cuivres: 4 cors
14
Euphonium
12
Quatuor de cuivres: 4 trompettes
11
Cor Anglais
11
2 Euphoniums et 2 Tubas
7
2 Tubas (duo)
5
4 Tubas
5
3 Trombones (trio)
4
3 Cors (trio)
4
Trompette, Cor (duo)
4
Trombone basse
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Trompette, violon (duo)
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3 Tubas (trio)
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Bass Clef Instruments
2
3 Trompettes (trio)
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Instruments en Sib
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Tuba (partie séparée)
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Cor anglais, Guitare (duo)
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Tuba et Orgue
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Trombone, Orgue
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Cor (partie séparée)
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2 Cors Anglais Et Pianoforte
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Trio de Cuivres
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Ensemble de Tubas
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Trombone basse et Piano
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Cor anglais et Harpe (duo)
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2 Cors, Piano
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Trompette, Euphonium (duo)
1
Trompette, Violoncelle (duo)
1
Clarinette, Cor (duo)
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2 Trompettes, Clavier (piano ou orgue)
1
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Trombone, Cor (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
625
Violon et Piano
354
Harpe
256
Violoncelle, Piano
254
Alto, Piano
249
Violon
157
Violoncelle
136
Trio à Cordes: violon, alto, violoncelle
116
Violon, Violoncelle (duo)
107
2 Violons (duo)
72
2 Violoncelles (duo)
48
Alto seul
45
Violon, Alto (duo)
43
Trio à Cordes: 2 violons, violoncelle
38
2 Altos (duo)
36
2 Harpes (duo)
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Contrebasse, Piano (duo)
24
Contre Basse
23
Alto (partie séparée)
20
4 Violoncelles
16
Violon, Guitare (duo)
16
Ensemble de Violons
13
Trio à Cordes: 3 violoncelles
12
Ensemble d'Altos
11
Quatuor à cordes : 4 altos
11
Alto, Violoncelle (duo)
10
Violon (partie séparée)
10
Harpe, Flûte (duo)
10
Quatuor à cordes: 4 violons
9
Contrebasse (partie séparée)
8
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 altos
7
Trio à cordes: 3 violins
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Violons, Piano
4
Alto, Guitare (duo)
4
4 Contrebasses
3
Harpe, Violon (duo)
3
Harpe, Voix
3
Piano Trio: Violon, Alto, Piano
3
2 Contrebasses (duo)
3
Violoncelle, Orgue
2
Flûte, Contrebasse (duo)
2
Violoncelle (partie séparée)
2
Alto et Harpe
2
Ensemble de Violoncelles
2
3 Harpes
1
Harpe, Violoncelle (duo)
1
Harpe et mandoline
1
Harpe, Violon, Violoncelle
1
Violoncelle, Contrebasse (duo)
1
Harpe, Trombone (duo)
1
Harpe et Piano
1
Violon, Basson (duo)
1
Violoncelle, Basse continue
1
Violoncelle, Orchestre
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
758
Orchestre
294
Orchestre à Cordes
267
Jazz combo
215
Ensemble de cuivres
174
Ensemble Jazz
137
Orchestre de chambre
101
Cloches
52
Ensemble de Percussions
35
Fanfare
22
Batterie
14
Marimba
11
Vibraphone
9
Batterie (partie séparée)
5
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
2
Orchestre, Violon
1
Bongos
1
Xylophone, Piano
1
Ensemble d'École
1
Xylophone ou Marimba ou Vibraphone
1
2 Marimbas
1
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AUTRES
Formation musicale - Solfège
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Silent Night Prelude for percussion octet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.54 €
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Ensemble de Percussions
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
Chillin'
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.849028 Composed by Cory J.…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.849028 Composed by Cory J. McBride. Standards. Score and parts. 39 pages. Cory J. McBride #5888051. Published by Cory J. McBride (A0.849028). Grade 2/Medium-Easy Influenced by rock and blues styles, Chillin' brings an exciting new sound to the percussion ensemble. Inspired by the shortened school year that many students and educators experienced in the Spring of 2020, this piece was composed during this time when there was not much more to do than stay home and continue Chillin'! Connect with Cory J. McBride: Webpage: www.coryjmcbride.com Facebook: Composer Cory J.McBride Twitter: @CoryJMcBride YouTube: Composer Cory J. McBride.
$35.00
31.87 €
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Ensemble de Percussions
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Cory J
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Chillin'
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Cory J. McBride
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SheetMusicPlus
Don't Worry, Be Happy
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
13.65 €
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Ensemble de Percussions
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
En Rêve for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00
9.11 €
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Ensemble de Percussions
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Anders Wall
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I felt like I was in France
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En Rêve for Percussion Ensemble
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WallofSound
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SheetMusicPlus
Four Minutes - Four Daydreams
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.835744 Composed by Paul Bu…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.835744 Composed by Paul Burnell. 20th Century,Contemporary. Score and parts. 3 pages. Paul Burnell #548979. Published by Paul Burnell (A0.835744). Composed 2000. Duration: 4:00. For ensemble with instruments in C, Bb, F Eb, voices and percussion as directed in the score. The music is presented as a performing score. Where no clef is given, play with as if with a clef as directed in the score text (see Minute two). Transposing instruments play as written and do not transpose. It is allowed, however, for special transposed parts to be created in order to ensure an even distribution of the intended chordal harmony where this would otherwise be missing. There should be a few seconds silence between each of the four sections. During Minute one players other than the soloist strum their fingers rapidly on the body of their instruments, chairs etc., very quietly - producing an almost imperceptible dull sound (not 'tinny' or 'bright'). Programme Note: 'Four Minutes - Four Daydreams' was composed by Paul Burnell in 2000. It was first performed by the London CoMA Ensemble, conductor Simon Foxley, at Morley College, London on the 29th October 2000. The piece has four distinct sections, each 1 minute long. Like an extended daydream each section is progressively more developed. The piece was included on the 2013 album 'Cabbage Heads'.
$1.99
1.81 €
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Ensemble de Percussions
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Paul Burnell
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Four Minutes - Four Daydreams
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Paul Burnell
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SheetMusicPlus
Cannon
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.913438 Composed by Sue Mor…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.913438 Composed by Sue Morris. Contemporary,Instructional. Score and parts. 12 pages. Susan M Morris #3056253. Published by Susan M Morris (A0.913438). Written for a 10 year old boy named Damon Young who was one of my first really fine percussionists. It is written for snare drum, two sets of concert tenor drums and Bass drum. This composition uses three sets of sixteenth notes on a beginner level. This is great for a drum ensemble that is learning sixteenth note patterns.If you do not have concerts tenor drums, different pitched snare drums or toms may be substituted.
$3.99
3.63 €
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Ensemble de Percussions
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Sue Morris
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Cannon
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Susan M Morris
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SheetMusicPlus
Come To Me
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
31.86 €
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Ensemble de Percussions
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Bjork Gudmundsdottir
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David R
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
The COVID Awakening
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Gr…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
$25.00
22.76 €
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Ensemble de Percussions
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Adam Grim
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The COVID Awakening
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Adam B. Grim
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
273.17 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
136.59 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
In the Night (for percussion ensemble-sextet)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.995511 Composed by James M…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.995511 Composed by James M. Johnson. Contemporary,Latin,World. Score and parts. 36 pages. Myles Music James Johnson #3562065. Published by Myles Music James Johnson (A0.995511). In the Night was premiered during the 2017concert season by the Southern Utah University Percussion Ensemble, under the direction Dr. Lynn Vartan A beautiful piece that creates calm, exciting and energetic energy! Great for any concert program! Level: advanced high school, college students and beyond!Score comes with performance and program notes! for a quick viewing please visit either the website listed above or you tube channel.https://www.youtube.com/watch?v=mmP1pI-AELU&t=5sPlease report your performance to me. I can be reached at: jamesjohnsonfrankie@outlook.comIMPORTANT!Support creators by not illegally copying music. If you enjoy ANY piece please support and purchase.Thanks and happy music making!
$45.00
40.98 €
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Ensemble de Percussions
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James M
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In the Night
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Myles Music James Johnson
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.1 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Black Hole Sun
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1345315 By Soundgarden. By…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1345315 By Soundgarden. By Chris Cornell. Arranged by David R. Peoples. Classical,Contemporary,Grunge,Rock. 68 pages. Bluesilhouettes Music #930151. Published by Bluesilhouettes Music (A0.1345315). What I really like about this song is its uniqueness... is it grunge? Psychedelic? Alternative? Hard Rock? Contemporary chamber music? Theoretically - is it some sort of jazz-fuzed harmonic progression or a clever soundscape of melody notes outside of chords? This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of rock, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Hear full digital audio mockup offsite
$34.99
31.86 €
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Ensemble de Percussions
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Soundgarden
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David R
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Black Hole Sun
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Bluesilhouettes Music
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SheetMusicPlus
Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. …
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Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schöne Galathée (The Beautiful Galatea) is an operetta in two acts by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal möcht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schöne Galathée was Franz von Suppé's first critical success. The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.
$20.00
18.21 €
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Ensemble de Percussions
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Franz von Suppe
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Flávio Régis Cunha
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Einmal möcht' Ich so verliebt sein
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Flavio Regis Cunha
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SheetMusicPlus
Sweet Dreams (are Made Of This)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics.…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 100 pages. Bluesilhouettes Music #912276. Published by Bluesilhouettes Music (A0.1324084). Annie Lennox and David Stewart had recently ended their relationship and disbanded their band. They still worked together - and built this song in a tiny warehouse using whatever technology they could get their hands on. In a day where most music was produced in the large studios backed by industry money - they pioneered a hit without the big studio. Securing a loan, they procured essential equipment—a compact setup comprising an 8-track tape recorder, mixer, effects processors, synthesizers, a drum computer, and a compact dynamic microphone. Some of the emotions from their lives went into the song - a fresh start on the heels of emotional events. Reflecting on that period, Lennox candidly remarked, “I was feeling very vulnerable. The song was an expression of how I felt: hopeless and nihilistic.â€This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Listen to mockup offsite
$34.99
31.86 €
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Ensemble de Percussions
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The Eurythmics
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David R
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Sweet Dreams
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Bluesilhouettes Music
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.54 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.54 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Sail
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.939379 By AWOLNATION. By A…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.939379 By AWOLNATION. By Aaron Bruno. Arranged by Adam Grim. Rock. Score and parts. 17 pages. Adam B. Grim #6200423. Published by Adam B. Grim (A0.939379). Sail was an impactful electronic rock tune to define an era of mental health issues and struggle in young people of the early 2010's. The song goes through the signs of depression and stress, and connected with the listeners in a way that electronic rock had not done before. This simple arrangement was one of my first for the steel band, (as the copyright shows). Edited in 2020 to be better, but the form and harmony stayed the same, which is original to the song. Very simple lower pan parts, nearly all of the work is on the tenor parts. This would be great for a young band!
$35.00
31.87 €
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Ensemble de Percussions
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AWOLNATION
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Adam Grim
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Sail
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Adam B. Grim
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SheetMusicPlus
God Only Knows
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1032541 By The Beach Boys.…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1032541 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Michael Feathers. Pop,Rock. Score and parts. 25 pages. Michael Feathers #4969429. Published by Michael Feathers (A0.1032541). This classic song by The Beach Boys was arranged for the early to intermediate percussion ensemble consisting of 6-7 players. This arrangement contains all of the features that make this song unique and exemplifies the brilliance of Brian Wilson's compositional style. It stays true to some of the original song's melodic, harmonic, and rhythmic complexities which not only challenges the performers, but also gives the piece authenticity that your audiences are sure to enjoy!
$25.00
22.76 €
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Ensemble de Percussions
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The Beach Boys
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Michael Feathers
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God Only Knows
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Michael Feathers
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SheetMusicPlus
Duel for 2 Marching Percussionists
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.939385 Composed by Adam Gr…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.939385 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200499. Published by Adam B. Grim (A0.939385). The Duel for 2 Marching Percussionists was written in 2015 and premiered at Ohio Northern University. It features two players, each with a number of marching percussion (drumline) instruments in front of them. Both players use a snare drum and mounted cymbal while one player plays 5 tonal bass drums and the other plays the tenors (for 5 drums). It is for advanced high school or college level players, and is very entertaining to watch. It includes stick tricks and moves that are neat to see and do. All the tricks are fairly well known, so you could easily see them on YouTube. If not, then contact me directly and I would be happy to explain!
$15.00
13.66 €
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Ensemble de Percussions
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Adam Grim
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Duel for 2 Marching Percussionists
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Adam B. Grim
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SheetMusicPlus
The Ballad of Reading Gaol, an Accompanied Reading
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.835743 Composed by Paul Bu…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.835743 Composed by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #511043. Published by Paul Burnell (A0.835743). Composed 2010, revised 2014. One of a series of fourteen accompaniments to texts published between 1886-1899. Text: ‘The Ballad of Reading Gaol’, Oscar Wilde (1854-1900). For narrator (amplified if necessary), flutes (and/or tenor/bass recorders), clarinets, muted strings, percussion. Programme note: ‘The Ballad of Reading Gaol’ was written by Oscar Wilde in France on release from Reading Gaol in 1897 after being sentenced to two years hard labour. During his imprisonment Charles Thomas Wooldridge, who had been convicted of murdering his wife, was hanged. The poem was published in 1898 under the name C.3.3., which stood for cell block C, landing 3, cell 3. The text is a mixture of the first and second versions of Wilde’s poem.
$1.99
1.81 €
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Ensemble de Percussions
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Paul Burnell
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The Ballad of Reading Gaol, an Accompanied Reading
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Paul Burnell
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SheetMusicPlus
Dance of the Wind-Up Toys
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.972638 Composed by James S…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Music and Writings #3025013. Published by James Siddons Music and Writings (A0.972638). Dance of the Wind-Up Toys is for one clarinet in Bb, one cello, percussionist(s), and mime dancer(s). This work may be performed by instruments only; the percussion part being performed by one, two, or three performers.If a mime performer, or one or more dancers, also perform, the instrumental ensemble must be on the stage with them. The mime or dancer(s) enter the stage at measure 20 and either 1) perform until the end (m. 91), or 2) perform from m. 20 to m. 41, then leave the stage, and then return at m. 67. Costumes: the instrumentalists may be in costume as well as the performers, if desired. See the title page for suggestions. This piece is meant to be energetic, theatrical, and fun to perform as well as to watch.Program Note Dance of the Wind-Up Toys was composed in April-May 1968, when composer James Siddons was 19 years old. It was inspired by mime performers as well as the mechanical toys common in the early twentieth century.
$10.00
9.11 €
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Ensemble de Percussions
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James Siddons
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Dance of the Wind-Up Toys
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James Siddons Music and Writings
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SheetMusicPlus
The Escape (medium/big percussion ensemble)
Ensemble de Percussions
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspend…
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00
72.85 €
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Ensemble de Percussions
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Frits Renting
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The Escape
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Frits_Renting
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SheetMusicPlus
Blue Drive (For Mixed Ensemble) (Full Score)
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.835168 Composed by Cody Weinmann. Da…
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Percussion Ensemble - Digital Download SKU: A0.835168 Composed by Cody Weinmann. Dance,Film/TV,Pop,Video Game. Score and parts. 4 pages. Cody Weinmann #6138201. Published by Cody Weinmann (A0.835168). This is an original piece for mixed ensemble. It has piano, guitars, strings, percussion, and more! Why is it called Blue Drive? I have synesthesia -- the ability to see colors when hearing pitches. I know, it sounds weird, but I see the color blue when I see the note G. But anyway, this piece was inspired by an ad I heard on TV. I was wondering if I could compose something similar to what I heard. This is what came out. Hopefully, you all benefit from this music. This is good for small ensembles that are of many different instruments. Go ahead and do a virtual concert of this. It would be great! It has a great driving rhythm that could get your heart pumping.
$5.99
5.45 €
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Ensemble de Percussions
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Cody Weinmann
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Blue Drive
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Cody Weinmann
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Ensemble de Percussions
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
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