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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We!
Non classifié
7 035
Piano & claviers
Piano seul
5 966
Piano, Voix
3 999
Piano, Voix et Guitare
2 808
Piano Facile
2 162
Orgue
457
Instruments en Do
428
1 Piano, 4 mains
256
Accompagnement Piano
253
Piano grosses notes
182
Accordéon
103
Piano Trio: piano, violon, violoncelle
80
2 Pianos, 4 mains
51
Piano (partie séparée)
44
Orgue, Trompette (duo)
19
Piano Quatuor: piano, violon, alto, violoncelle
17
Piano Quatuor: piano, 2 violons, violoncelle
17
Orgue, Piano (duo)
14
Ligne De Mélodie, Piano
11
1 Piano, 6 mains
9
Instrument seul et Orgue
4
Clavecin
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon, Voix
2
2 Pianos, 8 mains
2
Accordéon, Piano
2
Orgue, Voix
1
Clavier
1
2 Accordéons
1
+ 23 instrumentations
Retracter
Guitares
Guitare notes et tablatures
956
Ligne De Mélodie, (Paroles) et Accords
714
Guitare
376
Ukulele
293
Mandoline
280
Paroles et Accords
275
Basse electrique
173
Guitare (partie séparée)
46
2 Guitares (duo)
33
Piano, Guitare (duo)
27
4 Guitares (Quatuor)
20
Banjo
19
Ukulele Baryton
13
Dulcimer
12
3 Guitares (trio)
11
Basse électrique (partie séparée)
9
Ensemble de guitares
8
2 Ukuleles
5
Mandoline, Guitare (duo)
4
2 Mandolines (duo)
2
3 Dulcimers (trio)
1
2 Guitares, Clarinette (trio)
1
Guitare, Violon, Violoncelle (trio)
1
Partitions De Groupes
1
Guitare Pedal Steel
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
3 177
Chorale 3 parties
1 053
Chorale 2 parties
661
Pack Instrumental pour Chorale
549
Chorale Unison
373
Chorale TTBB
371
Chorale
213
Chorale SSAA
190
Voix duo, Piano
143
Voix seule
103
Voix duo
66
Voix haute
38
Voix Alto, Piano
34
Voix Tenor, Piano
32
Voix Soprano, Piano
30
Voix Baryton, Piano
15
Chorale SSATTB
8
Voix moyenne, Piano
7
Voix basse, Piano
7
Voix Tenor
7
Voix, Guitare
6
Chorale SSAATTBB
5
Chorale SSATB
4
Chorale SSAB a cappella
3
Voix Mezzo-Soprano, Piano
3
Chorale, Orgue
2
Voix Soprano
2
Chorale SSAB, Piano
2
Chorale SSAATB
1
Chorale SATBB
1
Chorale SATTB
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
Chorale SSATBB
1
+ 29 instrumentations
Retracter
Vents
Flûte traversière
500
Quatuor de Saxophones: 4 saxophones
471
Saxophone (partie séparée)
464
Clarinette
448
Flûte traversière et Piano
402
2 Saxophones (duo)
389
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
364
Clarinette et Piano
355
Saxophone Alto
344
Flûte, Hautbois, Clarinette, Basson
314
Saxophone Alto et Piano
303
Flûte à bec Soprano
298
Ocarina
291
Hautbois, Piano (duo)
285
Saxophone Tenor
282
2 Flûtes traversières (duo)
259
Quatuor de Clarinettes: 4 clarinettes
252
Saxophone Tenor et Piano
234
Harmonica
212
2 Clarinettes (duo)
211
Quintette de Saxophone: 5 saxophones
207
Flûte à bec Alto
206
Quatuor de Flûtes : 4 flûtes
181
Saxophone
180
Hautbois (partie séparée)
175
Clarinette (partie séparée)
166
Saxophone Soprano et Piano
157
3 Saxophones (trio)
132
Saxophone Baryton, Piano
106
Flute (partie séparée)
101
Flûte, Clarinette (duo)
89
Flûte à Bec
88
Hautbois
88
3 Clarinettes (trio)
84
2 Flûte à bec (duo)
76
Ensemble de Clarinettes
75
Ensemble de saxophones
69
2 Hautbois (duo)
68
Trio de Flûtes: 3 flûtes
66
Quintette de Clarinettes: 5 clarinettes
61
Saxophone Soprano
54
Cor anglais, Piano
50
Hautbois, Basson (duo)
49
Saxophone, Clarinette (duo)
49
Clarinette, Violon (duo)
48
Flûte, Violon
48
Saxophone Baryton
44
Flûte, Hautbois, Clarinette (trio)
44
Hautbois, Clarinette (duo)
43
Flûte à bec Alto, Piano
40
Ensemble de Flûtes
39
Quintette de Flûte : 5 flûtes
36
Flûte et Guitare
35
Clarinette, Basson (duo)
35
Quatuor de Flûtes à bec
30
Cor Anglais
28
Clarinette, Trompette (duo)
28
Flûte, Hautbois (duo)
28
Hautbois, Clarinette, Basson (trio d'anches)
26
Flûte, Violon, Piano
22
Flûte, Violoncelle
21
Flûte, Trompette (duo)
21
Clarinette et Alto
21
Instruments en Mib
20
Flûte, Saxophone (duo)
20
Flûte, Clarinette et Basson
20
Clarinette Basse, Piano
19
2 Flûtes traversières, Piano
18
Flûte, Alto (duo)
18
Clarinette, Violoncelle (duo)
18
Flûte, Clarinette, Piano (trio)
18
Flûte à bec Tenor
18
Hautbois, Flûte
18
Flûte, Hautbois, Basson
17
2 Clarinettes, Piano
14
Flûte, Harpe et Violoncelle
13
Piccolo
12
Ensemble De Flûte à bec
12
Piccolo, Piano
12
2 Saxophones, Piano
12
Flûte, Violoncelle, Piano (trio)
12
Clarinette, Harpe (duo)
11
Clarinette, Guitare (duo)
10
Flûte, Violon et Violoncelle
10
Flûte à bec Soprano, Piano
10
Flûte à Bec, Piano
9
3 Flûtes à bec (trio)
8
5 Flûtes à bec
8
Flûte, Hautbois, Piano (trio)
8
Saxophone et Piano
7
3 Hautbois
6
Flûte irlandaise
6
Flûte, Alto et Piano
6
Hautbois, Violoncelle
6
Flute, harpe et violon
6
Flûte, Hautbois, Violon
5
4 Hautbois
5
Hautbois, Guitare (duo)
5
Flûte, Basson et Piano
4
Flûte, Clarinette, Violon (trio)
4
Clarinette, Violoncelle, Piano (trio)
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Flûte, Trombone (duo)
3
Ensemble à vent
2
Clarinette, Trombone (duo)
2
Flûte, Violoncelle, Guitare
2
Clarinette Basse
2
Saxophone et Harpe
2
Hautbois, violon (duo)
2
2 Cors Anglais Et Pianoforte
2
Cornemuse
2
2 Flûtes traversières, Harpe
2
Flûte et Trio à cordes
2
Saxophone et Orgue
2
Flûte, trombone et piano
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Tuba (duo)
2
2 Clarinettes, Basson
1
Hautbois, Harpe
1
Clarinette, trompette et piano
1
Clarinette, Tuba
1
Hautbois, Basson et Piano
1
Cor anglais et Harpe (duo)
1
Saxophone et violoncelle
1
Hautbois, trombone (duo)
1
Saxophone, Violon (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cor anglais, Guitare (duo)
1
Saxophone, Basson (duo)
1
Hautbois et alto (duo)
1
Harmonica, Piano
1
Saxophone et Guitare
1
2 Flûtes traversières, Guitare
1
+ 128 instrumentations
Retracter
Cuivres
Trompette
462
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
419
Trombone
377
Trompette (partie séparée)
316
Trompette, Piano
310
Cor
291
Trombone (partie séparée)
279
Trombone et Piano
246
Quatuor de Cuivres : 2 trompettes, trombone, tuba
221
Cor et Piano
204
Tuba
156
2 Trompettes (duo)
137
Tuba et Piano
129
Quatuor de Cuivres: 2 trompettes, Cor, trombone
125
2 Trombones (duo)
122
Quatuor de cuivres: 4 trombones
86
Quatuor de Cuivres
84
Trompette, Trombone (duo)
79
2 Cors (duo)
72
Cor (partie séparée)
67
Tuba (partie séparée)
56
Cor anglais, Piano
50
Euphonium
46
Trompette, Saxophone (duo)
43
Euphonium, Piano (duo)
37
Ensemble de Trombones
36
Trompette, Cor (duo)
31
Quatuor de cuivres: 4 cors
31
Bass Clef Instruments
29
Cor Anglais
28
Trio de Cuivres
25
2 Euphoniums et 2 Tubas
24
Quatuor de cuivres: 4 trompettes
21
Ensemble de Trompettes
21
2 Tubas (duo)
20
3 Trombones (trio)
20
Instruments en Sib
18
Trombone, Tuba (duo)
13
3 Trompettes (trio)
12
Trombone basse
10
4 Tubas
10
Trompette, Tuba (duo)
9
2 Trompettes, Clavier (piano ou orgue)
8
Euphonium, Tuba (duo)
8
Ensemble de Cors
8
Quatuor de cuivres: 2 trompettes, 2 trombones
8
Trombone basse et Piano
6
Cor, Tuba (duo)
6
Tuba ou Euphonium ou Saxhorn
6
Instruments en Fa
6
Tuba et Orgue
6
Trompette, Trombone, Piano
5
Trombone, Cor (duo)
5
Trompette, violon (duo)
5
3 Cors (trio)
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Violoncelle et Piano
3
Trompette, Violoncelle (duo)
3
2 Euphoniums (duo)
2
Trombone, Violon (duo)
2
3 Tubas (trio)
2
2 Cors Anglais Et Pianoforte
2
Trompette, Basson (duo)
2
Cor et Harpe
2
2 Trombones, Piano
2
Cor, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
Cor, Violoncelle et Piano
1
Trompette, Euphonium (duo)
1
Euphonium Ou Saxhorn Et Piano
1
+ 66 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 128
Violon
549
Violon et Piano
542
Violoncelle
412
Violoncelle, Piano
354
Alto seul
317
Alto, Piano
307
2 Violons (duo)
257
Trio à Cordes: violon, alto, violoncelle
229
Violon, Violoncelle (duo)
224
Harpe
209
2 Violoncelles (duo)
188
Violon (partie séparée)
129
Violon, Alto (duo)
123
Contre Basse
123
Quintette à cordes: 2 violons, alto, violoncelle, basse
119
2 Altos (duo)
117
Contrebasse, Piano (duo)
107
Alto (partie séparée)
83
Contrebasse (partie séparée)
74
Trio à Cordes: 2 violons, violoncelle
67
Alto, Violoncelle (duo)
64
Trio à cordes: 3 violins
46
Violoncelle (partie séparée)
43
4 Violoncelles
39
2 Harpes (duo)
33
Piano Trio: Violon, Alto, Piano
32
Harpe, Flûte (duo)
27
Quatuor à cordes: 4 violons
27
Trio à Cordes: 3 violoncelles
25
Trio à cordes
24
Violoncelle, Contrebasse (duo)
21
Violon, Guitare (duo)
20
Harpe, Violon (duo)
19
2 Contrebasses (duo)
18
Quatuor à cordes : 4 altos
18
Trio à cordes: 3 altos
15
Violoncelle , Guitare (duo)
14
Trio à Cordes: 2 violons, alto
12
2 Violons, Piano
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Harpe, Voix
7
Alto, Guitare (duo)
6
Ensemble de Violons
5
2 Violoncelles, Piano
5
Harpe, Violoncelle (duo)
5
Violon, Basson (duo)
5
Ensemble d'Altos
4
Violon, Clarinette, Piano (trio)
4
4 Contrebasses
3
Harpe et Piano
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Violoncelle, Orgue
3
Violon, Trompette et Piano
2
Ensemble de Violoncelles
2
Alto et Basson
1
Harpe, Trombone (duo)
1
Violoncelle, Orchestre
1
Violon, Violoncelle, Clarinette
1
Violon, Tuba (duo)
1
Harpe (partie séparée)
1
Alto et Harpe
1
+ 57 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 765
Orchestre
613
Orchestre à Cordes
406
Cloches
389
Fanfare
324
Ensemble de cuivres
298
Ensemble Jazz
259
Batterie
153
Percussion (partie séparée)
105
Orchestre de chambre
99
Jazz combo
51
Percussion
47
Batterie (partie séparée)
42
Ensemble de Percussions
35
Timbales (partie séparée)
23
Marimba
20
Xylophone
11
Quintette à Vent
8
Quatuor à Vent : 4 instruments à vents
6
Timbales
6
Xylophone, Piano
4
Caisse Claire
3
Vibraphone
3
Xylophone (partie séparée)
2
Orchestre, Violon
2
Instrumentation Flexible
2
2 Marimbas
1
Piano et Orchestre
1
Trio à Vent: 3 instruments à vents
1
+ 24 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
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XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORCHESTRE
ORGUE
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PIANO
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LATIN - BOSSA - WORL…
LATIN POP ROCK
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MEDIEVAL - RENAISSAN…
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NOËL
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OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
We!
Ensemble de Percussions
Partitions à imprimer
35 partitions trouvées
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1
26
We Three Kings Swing - for Percussion Ensemble
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Ensemble de Percussions
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DÉBUTANT
#
Noël
#
John Henry Hopkins Jr
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Patrick Glenn Harper
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We Three Kings Swing - for Per
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Patrick Glenn Harper
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.751197 Composed by John Henry Hopkins Jr. Arranged by Patrick Glenn Harper. Christian,Christmas,Jazz,Sacred. Sco...
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Percussion Ensemble - Level 1 - SKU: A0.751197 Composed by John Henry Hopkins Jr. Arranged by Patrick Glenn Harper. Christian,Christmas,Jazz,Sacred. Score and parts. 36 pages. Patrick Glenn Harper #3638871. Published by Patrick Glenn Harper (A0.751197). 2018 Holiday Contest EntryBeginning with a catchy hook, this unique arrangement of We Three Kings will be a holiday concert favorite! This piece can be easily prepared in a few rehearsals, and contains very easy auxiliary percussion parts that allow newcomers to percussion ensemble music to get involved. It is also a great way to practice simple 8th-note swing.
$24.95
ANGELS WE HAVE HEARD ON HIGH - MALLET QUARTET
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Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Noël
#
Glen Poehlmann
#
#
ANGELS WE HAVE HEARD ON HIGH -
#
arrangements by GPoehlmann
#
SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.806873 Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 7 pages. Arrangements by GPoehlm...
(+)
Percussion Ensemble - Level 4 - SKU: A0.806873 Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 7 pages. Arrangements by GPoehlmann #6103035. Published by arrangements by GPoehlmann (A0.806873). ANGELS WE HAVE HEARD ON HIGH - MALLET QUARTETSuggested instrumentation: 1. Bells 2. Bells 3. Marimba 4. Vibraphone29 measures. Performance Time approx. 2:00. Medium Difficult (Grade 3+)Key: F - G - Ab - A. Meter: 12/8 - 9/8 - 15/8.PDF parts included: Score, Mallet 1, Mallet 2, Mallet 3, Mallet 4.
$4.95
Angels We Have Heard on High
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Ensemble de Percussions
#
DÉBUTANT
#
Noël
#
Traditional Christmas
#
Kevin A
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Angels We Have Heard on High
#
Kevin Worley
#
SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.923871 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas. Score and parts. 12 pages. Kev...
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Percussion Ensemble - Level 1 - SKU: A0.923871 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas. Score and parts. 12 pages. Kevin Worley #3436539. Published by Kevin Worley (A0.923871). Quartet for Percussion Ensemble (2:20). Glockenspiel, Vibraphone, Marimba, Trap Kit. Part of Quad Christmas Quarts - Four Christmas Percussion Quartets. Beginner level ensemble. A slightly different take on a favorite Christmas carol.
$3.99
We Are Young
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Ensemble de Percussions
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INTERMÉDIAIRE
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Rock
#
Fun
#
Joel Windsor
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We Are Young
#
WindyJMusic Publishing
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.940484 By Fun. Featuring Janelle Monae. By Andrew Dost, Jack Antonoff, Jeff Bhasker, and Nate Ruess. Arranged by...
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Percussion Ensemble - Level 3 - SKU: A0.940484 By Fun. Featuring Janelle Monae. By Andrew Dost, Jack Antonoff, Jeff Bhasker, and Nate Ruess. Arranged by Joel Windsor. Pop,Rock. Score and parts. 3 pages. WindyJMusic Publishing #4598439. Published by WindyJMusic Publishing (A0.940484).
$12.99
We Will Rock You
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Ensemble de Percussions
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Rock
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Queen
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We Will Rock You
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Michael Smith
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SheetMusicPlus
Percussion Ensemble - SKU: A0.929936 By Queen. By Brian May. Arranged by Alexandra Gilliam, Calvin Roberts, Cassidy FritzHaberland, Delilah Weeden, Fran...
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Percussion Ensemble - SKU: A0.929936 By Queen. By Brian May. Arranged by Alexandra Gilliam, Calvin Roberts, Cassidy FritzHaberland, Delilah Weeden, Frannie Schnadig, Hailey Janoff, Kendra McPherson, Lauren Fowler, Liam Carmichael, Malea Cummings, Matilda Johnston, Matthew Mainzer, and Michael Charles Smith. Rock. Score and parts. 2 pages. Michael Smith #4621417. Published by Michael Smith (A0.929936). This was arranged as a term project for a MarimbaLab class. Premiered May 23rd, 2019 with great acclaim and melted faces.
$12.99
I Think We're Alone Now
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Ensemble de Percussions
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DÉBUTANT
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Contemporain
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Tommy James And The Shondells
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Stephen Lawhorne
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Drum Set. Very fun!
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I Think We're Alone Now
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StevoPanMan
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1016548 By Tommy James And The Shondells. By Ritchie Cordell. Arranged by Stephen Lawhorne. Contemporary. Score ...
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Percussion Ensemble - Level 1 - SKU: A0.1016548 By Tommy James And The Shondells. By Ritchie Cordell. Arranged by Stephen Lawhorne. Contemporary. Score and parts. 21 pages. StevoPanMan #5725655. Published by StevoPanMan (A0.1016548). An easy punk-rock style steelband arrangement for 2 Leads, 2 Doubles, Guitar/Cello, Bass Pans, Electric Bass & Drum Set. Very fun!
$25.00
We Are Santa's Elves
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Johnny Marks
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Brian Monroe
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We Are Santa's Elves
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BLM Music Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1012657 Composed by Johnny Marks. Arranged by Brian Monroe. Contemporary. Score and parts. 21 pages. BLM Music P...
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Percussion Ensemble - Level 3 - SKU: A0.1012657 Composed by Johnny Marks. Arranged by Brian Monroe. Contemporary. Score and parts. 21 pages. BLM Music Publications (https://brianmonroemusic.com) #6853369. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1012657). This is a great arrangement of the well known Johnny Marks tune from Rudolph the Red Nosed Reindeer. Scored for 10 players, it can be played with just mallets alone.....6 parts. Parts include: Bells, Xylophone, Vibraphone, and 3 Marimbas (Playable on 2 instruments), Snare Drum (with Triangle & Woodblock), Sleighbells and Timpani.
$15.00
Love We Lost (with R3hab) - Score Only
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Ensemble de Percussions
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FACILE
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Armin Van Buuren, R3hab, Simon
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Josh Ball
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Love We Lost
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The BeatCave
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1304683 By Armin Van Buuren, R3hab, Simon Ward. By Armin Buuren Van, Benno Goeij De, Emery Taylor, Fadil El Ghou...
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Percussion Ensemble - Level 2 - SKU: A0.1304683 By Armin Van Buuren, R3hab, Simon Ward. By Armin Buuren Van, Benno Goeij De, Emery Taylor, Fadil El Ghoul, Lewis Beresford Hughes, Nicholas Valentino Audino, and Simon Ward. Arranged by Josh Ball. 21st Century,Pop. 1 pages. The BeatCave #894123. Published by The BeatCave (A0.1304683). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
The Way We Were
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Ensemble de Percussions
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DÉBUTANT
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Contemporain
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Barbra Streisand
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Mar Luzon
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The Way We Were
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Ariam von Ram
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.990335 By Barbra Streisand. By Marvin Hamlisch. Arranged by Mar Luzon. Contemporary. Score and parts. 8 pages. A...
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Percussion Ensemble - Level 1 - SKU: A0.990335 By Barbra Streisand. By Marvin Hamlisch. Arranged by Mar Luzon. Contemporary. Score and parts. 8 pages. Ariam von Ram #3234517. Published by Ariam von Ram (A0.990335).
$12.99
What Universe Lies Within
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Publ...
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Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Celebrations for Percussion Ensemble Octet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Brian Monroe
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Celebrations for Percussion En
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BLM Music Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1075547 Composed by Brian Monroe. 20th Century,Instructional. Score and parts. 48 pages. BLM Music Publications ...
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Percussion Ensemble - Level 3 - SKU: A0.1075547 Composed by Brian Monroe. 20th Century,Instructional. Score and parts. 48 pages. BLM Music Publications (https://brianmonroemusic.com) #679741. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1075547). Celebrations is a mixed percussion ensemble octet utilizing both keyboard and non keyboard percussion instruments. It was written in memory of Ohio Band Director, Dan Meeks. In life we celebrate many occasions: birthdays, holidays, vacations, winning seasons, winning the lottery, anniversaries, marriages and births, just to name a few. But at times of loss we can also celebrate those who have left an indelible mark on us. Parents, mentors and teachers fit into this category. This piece is written to celebrate learning and though who guided us on our path. Specifically this piece is dedicated in memory of Dan Meeks, a teacher, band director, percussionist, husband and dad who touched so many lives teaching and guiding his family, friends and students through part of their lives. We are forever in debt to people like Dan and celebrate them. Dan would often say, Just Have Fun! This piece is written with that joy and love of life in mind. Thanks Dan, you always made it fun. Parts: Part 1: Bells (w/hard plastic mallets) Part 2: Xylophone & Crotales (or Bells) (w/medium plastic mallets) Part 3: Vibraphone (w/medium cord mallets) Part 4: Marimba 1: (w/medium yard mallets) Part 5: Marimba 2: if possible 4.5 or 5 octave play lower notes. (w/medium yard mallets) Part 6: Percussion 1: Snare Drum & Sleighbells Part 7: Bass Drum, Gong, Suspended Cymbal & Triangle Part 8: Timpani.
$15.00
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Waltz No.3 "A Campus Burlesque"
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Zachary M
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Waltz No.3 "A Campus Burl
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Zach Robinson
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1024088 Composed by Zachary M. Robinson. 20th Century. Score and parts. 30 pages. Zach Robinson #1919711. Publis...
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Percussion Ensemble - Level 3 - SKU: A0.1024088 Composed by Zachary M. Robinson. 20th Century. Score and parts. 30 pages. Zach Robinson #1919711. Published by Zach Robinson (A0.1024088). Burlesque is a literary, dramatic, or musical work intended to cause laughter by caricaturing the manner or spirit of seriousness, or by ludicrous treatment of a subject. This is a waltz based around how I view my undergraduate studies and of the money and time I have spent, despite my high academic standing. It ends solemnly, yet also longingly to suggests that I hope college will eventually get harder and I will actually learn what I have set out to... We can all dream can't we.
$30.99
Quad Christmas Quarts - Four Christmas Percussion Quartets
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Ensemble de Percussions
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FACILE
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Noël
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Traditional Christmas
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Kevin A
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Quad Christmas Quarts - Four C
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Kevin Worley
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.923869 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas. Score and parts. 50 pages. Kev...
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Percussion Ensemble - Level 2 - SKU: A0.923869 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas. Score and parts. 50 pages. Kevin Worley #3436521. Published by Kevin Worley (A0.923869). 1-God Rest Ye Merry, Gentlemen (2:10). 2-Away in a Manger (2:00). 3-Angels We Have Heard on High (2:20). 4-Deck the Halls (2:10). One of my favorite music school memories is, at Christmas Time, the percussion ensemble loading up the university truck and heading to the local shopping center to play Christmas carols for the shoppers. The arrangements we played were rarely meant for percussion ensemble, so it was often a challenging and interesting experience. With that in mind, I arranged these four carols with the same instrumentation and similar percussion toy sets to help smooth things. 1 Glockenspiel, 1 Vibraphone, 1 Marimba, 1 trap kit. Arrangements and parts vary from beginner to early intermediate.
$11.99
SMO 2019 Warm up book
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Randy P
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SMO 2019 Warm up book
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Randy P. Johnson
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1011852 Composed by Randy P. Johnson. Contemporary. Score and parts. 72 pages. Randy P. Johnson #3501041. Publis...
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Percussion Ensemble - Level 5 - SKU: A0.1011852 Composed by Randy P. Johnson. Contemporary. Score and parts. 72 pages. Randy P. Johnson #3501041. Published by Randy P. Johnson (A0.1011852). Hello, this book brings great difficulty to the spirit organization for the 2018- 19 season as we will also make change each yeah I hope that this will help your group or school create a much better program or lot.We used already copyright music through out the back half of this book: everything from bach to other different composers. Version 1music included in this book:Bits of turkey in the strawbits of little fugue g (From bach)
$75.00
Journey to The New World (2013)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Renardi Effendi
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Journey to The New World
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Renardi Effendi
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1028511 Composed by Renardi Effendi (2013). World. Score and parts. 100 pages. Renardi Effendi #3550381. Publish...
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Percussion Ensemble - Level 4 - SKU: A0.1028511 Composed by Renardi Effendi (2013). World. Score and parts. 100 pages. Renardi Effendi #3550381. Published by Renardi Effendi (A0.1028511). Original Composition by myself wrote in 2013 for Violin, String Ensemble and Percussion EnsembleThis music speaks about our life as a journey. After we finished some pahse in our life, we continue to facing new chapter, new adventure in our life.
$10.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Splashed Out
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Ensemble de Percussions
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DÉBUTANT
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Contemporain
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Jayne Groves, Matt Moore
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Splashed Out
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M Moore & J Groves
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.862019 Composed by Jayne Groves, Matt Moore. Contemporary. Score and parts. 18 pages. M Moore & J Groves #601864...
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Percussion Ensemble - Level 1 - SKU: A0.862019 Composed by Jayne Groves, Matt Moore. Contemporary. Score and parts. 18 pages. M Moore & J Groves #6018647. Published by M Moore & J Groves (A0.862019). Players: 4-20 | Duration: 2:50For some time our students have been requesting that we write a second chair piece. Finally, we have obliged with Splashed Out, a follow up piece to Double Stacked (2011).This splashy performance piece, inspired by the genre and rhythms of Reggaeton can be played by ensembles of 4-20 players and is also suitable as a whole class item.RequirementsChair 1 – two plastic chairs per playerChair 2 – two plastic chairs per playerLow Drum – one low drum per player (floor tom or bass drum)Splash cymbals – 3 contrasting splash cymbals for one player Doubling:Chairs 1 & 2 may be doubled multiple times.The low drum may be doubled at a proportion of 1 low drum to 4 chairsThe splash part is a solo part and should not be doubled.
$35.46
We Limit Not the Truth of God by George Frederick Handel - Percussion, Standard/Percussion;Standard
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Ensemble de Percussions
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George Frederick Handel
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We Limit Not the Truth of God
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Musicnotes
George Frederick Handel - We Limit Not the Truth of God - "Susanna" Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downl...
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George Frederick Handel - We Limit Not the Truth of God - "Susanna" Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Percussion Ensemble, instruments: Xylophone;Snare Drum;Marimba; 1 pages -- Classical~~Hymn
$5.25
Fanfare for the Uncommon Student
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Ensemble de Percussions
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AVANCÉ
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David Berlin
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font: 12.0px Helvetica
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Fanfare for the Uncommon Stude
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David Berlin
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. Dav...
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Percussion Ensemble - Level 5 - SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. David Berlin #2988815. Published by David Berlin (A0.958075). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #1255cc} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323; min-height: 15.0px} span.s1 {text-decoration: underline} In collaboration with the Philadelphia Classical Symphony and director, Karl Middleman and Partners in Distance Learning, a music composition project was launched in 2005 for students in Pennsylvania. I created an instructional web site called HOW TO WRITE A FANFARE. Students from around the state worked through the program and sent us their final projects. The committee selected the best ones submitted and we brought the students and their families to Philadelphia where the Philadelphia Classical Symphony performed their pieces on a public concert. The web site is still on line and the student's pieces can be heard. at: http://tozier.net/dberlin/fanfare/index.htm/ Please feel free to use this website in conjunction with my printed score and recording for yourself, students or your circle of friends. This score and recording was my contribution to the concert. It is 90 seconds long at 120 BPM.
$3.99
CLOG DANCE from 'La Fille mal Gardee'
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Ensemble de Percussions
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INTERMÉDIAIRE
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Ferdinand Herold
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Brian Hardy - Bacchus Quartet
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CLOG DANCE from 'La Fille mal
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Brian Hardy
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.793569 Composed by Ferdinand Herold. Arranged by Brian Hardy - Bacchus Quartet. Classical,Instructional,Standard...
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Percussion Ensemble - Level 3 - SKU: A0.793569 Composed by Ferdinand Herold. Arranged by Brian Hardy - Bacchus Quartet. Classical,Instructional,Standards. Score and parts. 45 pages. Brian Hardy #3259147. Published by Brian Hardy (A0.793569). I wrote this version for the Lincolnshire Music Service 'Massed Strings Project' which brought together 300 young string players of all abilities from progressing beginners to advanced students. We teamed up with some of our friends from the percussion department to create a memorable performance enjoyed by students, teachers and audience alike.4 violin parts, 3 viola, 4 cello, 2 bass, percussion, glock and optional piano. Ideal encore piece for school concerts.Also to find 'IN THE HALL OF THE MOUNTAIN KING' visit sheetmusicplus.com/publishers/bacchusquartet/5331.
$19.99
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