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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
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Note4Piano
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Non classifié
1524
PIANO & CLAVIERS
Piano, Voix
1896
Piano, Voix et Guitare
787
Piano seul
741
Piano Facile
355
1 Piano, 4 mains
220
Piano grosses notes
102
Orgue
100
Instruments en Do
52
2 Pianos, 4 mains
38
Accompagnement Piano
22
Accordéon
19
Piano Trio: piano, violon, violoncelle
17
1 Piano, 6 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Instrument seul et Orgue
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
3
Piano (partie séparée)
2
2 Pianos, 8 mains
2
Accordéon, Voix
2
Ligne De Mélodie, Piano
2
Orgue, Voix
1
2 Accordéons
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
176
Ligne De Mélodie, (Paroles) et Accords
168
Guitare
60
Ukulele
41
Mandoline
38
Basse electrique
17
Piano, Guitare (duo)
9
Paroles et Accords
8
Banjo
8
Dulcimer
6
2 Guitares (duo)
5
4 Guitares (Quatuor)
4
2 Ukuleles
3
Guitare (partie séparée)
3
2 Mandolines (duo)
2
Partitions De Groupes
1
Ensemble de guitares
1
Basse électrique (partie séparée)
1
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
643
Chorale 3 parties
180
Chorale 2 parties
107
Chorale Unison
63
Chorale TTBB
53
Voix duo, Piano
33
Chorale SSAA
29
Chorale
16
Voix duo
12
Voix seule
10
Voix Alto, Piano
9
Voix Soprano, Piano
9
Voix Tenor
3
Voix, Guitare
3
Chorale SSATTB
2
Voix haute
2
Voix moyenne, Piano
2
Voix Tenor, Piano
2
Voix Mezzo-Soprano, Piano
1
Chorale SSAATTBB
1
Voix Baryton, Piano
1
Chorale SSAB, Piano
1
Chorale SSATB
1
Instrumentations suivantes
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VENTS
Harmonica
110
Flûte à bec Alto
103
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
102
Flûte à bec Soprano
94
Quintette de Saxophone: 5 saxophones
88
2 Saxophones (duo)
86
Flûte traversière et Piano
85
Quatuor de Saxophones: 4 saxophones
79
Flûte traversière
73
Hautbois, Piano (duo)
71
Clarinette
70
Flûte, Hautbois, Clarinette, Basson
67
Clarinette et Piano
64
Saxophone Alto et Piano
57
Quatuor de Clarinettes: 4 clarinettes
50
Saxophone Tenor et Piano
47
Saxophone Alto
44
2 Flûte à bec (duo)
39
2 Flûtes traversières (duo)
38
Saxophone (partie séparée)
38
2 Clarinettes (duo)
37
Saxophone Soprano et Piano
30
Quatuor de Flûtes : 4 flûtes
27
Ensemble de Clarinettes
26
3 Saxophones (trio)
25
Saxophone Tenor
24
Saxophone Baryton, Piano
24
Hautbois (partie séparée)
21
Flûte, Clarinette (duo)
19
Clarinette (partie séparée)
18
Flûte à Bec
17
Cor anglais, Piano
16
Saxophone
15
2 Hautbois (duo)
15
Hautbois
15
Ensemble de Flûtes
14
Saxophone, Clarinette (duo)
13
Clarinette, Violon (duo)
12
3 Clarinettes (trio)
11
Trio de Flûtes: 3 flûtes
11
Hautbois, Basson (duo)
11
Flûte et Guitare
11
Flute (partie séparée)
11
Clarinette, Basson (duo)
10
Ensemble de saxophones
10
Clarinette, Trompette (duo)
7
Clarinette, Violoncelle (duo)
7
Hautbois, Clarinette (duo)
7
Quatuor de Flûtes à bec
7
Flûte à bec Soprano, Piano
6
Flûte à bec Alto, Piano
6
Flûte, Hautbois, Basson
6
Flûte, Violon, Piano
6
Piccolo, Piano
6
Clarinette, Guitare (duo)
6
Clarinette et Alto
6
Quintette de Flûte : 5 flûtes
6
Flûte, Hautbois, Clarinette (trio)
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Soprano
6
Clarinette Basse, Piano
6
Saxophone Baryton
6
Ensemble De Flûte à bec
5
5 Flûtes à bec
5
Flûte, Violon et Violoncelle
5
Flûte, Alto (duo)
5
Flûte, Clarinette et Basson
5
Flûte à bec Tenor
5
Flûte, Violon
4
3 Flûtes à bec (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Hautbois, Flûte
4
Flûte, Hautbois (duo)
4
Flûte, Trompette (duo)
4
Instruments en Mib
4
2 Flûtes traversières, Piano
4
Hautbois, Violoncelle
4
Flûte, Violoncelle, Piano (trio)
3
Flûte, Clarinette, Piano (trio)
3
Clarinette, Harpe (duo)
3
Flûte, Violoncelle
3
Hautbois, Guitare (duo)
3
Flûte, trombone et piano
2
4 Hautbois
2
Saxophone et Harpe
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Saxophone (duo)
2
Cor Anglais
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, Tuba (duo)
1
Flûte irlandaise
1
Flûte, Hautbois, Violon
1
Flûte, Trombone (duo)
1
Clarinette, trompette et piano
1
Flûte, Hautbois, Piano (trio)
1
Flute, harpe et violon
1
Hautbois, Harpe
1
Clarinette Basse
1
Flûte, Violoncelle, Guitare
1
Flûte, Alto et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, trombone (duo)
1
Clarinette, Tuba
1
2 Clarinettes, Piano
1
Cor anglais et Harpe (duo)
1
Ensemble à vent
1
Flûte, Basson et Piano
1
Hautbois et alto (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Trompette
67
Trompette, Piano
56
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Trombone
48
Trombone et Piano
43
Cor et Piano
43
Cor
42
Tuba et Piano
29
Tuba
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
2 Trombones (duo)
27
Trompette (partie séparée)
27
2 Trompettes (duo)
22
Trombone (partie séparée)
22
Quatuor de Cuivres
21
Trompette, Trombone (duo)
18
2 Cors (duo)
18
Cor anglais, Piano
16
Cor (partie séparée)
13
Euphonium, Piano (duo)
12
Trompette, Saxophone (duo)
11
Quatuor de cuivres: 4 trombones
10
Ensemble de Trombones
9
Ensemble de Trompettes
9
Bass Clef Instruments
8
2 Tubas (duo)
8
Tuba (partie séparée)
6
Trompette, Cor (duo)
6
Trombone, Tuba (duo)
5
Ensemble de Cors
5
Quatuor de cuivres: 4 cors
5
Euphonium
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Quatuor de cuivres: 4 trompettes
4
Euphonium, Tuba (duo)
3
3 Trombones (trio)
3
Instruments en Sib
3
Trompette, violon (duo)
3
Trompette, Tuba (duo)
3
Trombone, Cor (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Trio de Cuivres
2
Cor Anglais
2
Cor et Harpe
1
Trombone, Violon (duo)
1
Cor, Violoncelle (duo)
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba et Orgue
1
Trombone basse
1
Cor anglais et Harpe (duo)
1
3 Tubas (trio)
1
Trompette, Basson (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
222
Violon et Piano
96
Violon
77
Alto, Piano
68
Violoncelle, Piano
68
2 Violons (duo)
60
Violon, Violoncelle (duo)
52
Alto seul
52
Harpe
51
2 Violoncelles (duo)
37
Violoncelle
34
Violon, Alto (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
Trio à Cordes: violon, alto, violoncelle
32
Violoncelle (partie séparée)
31
2 Altos (duo)
30
Alto (partie séparée)
22
Violon (partie séparée)
21
Contrebasse, Piano (duo)
20
Contre Basse
18
Alto, Violoncelle (duo)
16
4 Violoncelles
13
2 Harpes (duo)
12
Violoncelle, Contrebasse (duo)
11
Trio à Cordes: 2 violons, violoncelle
9
Quatuor à cordes: 4 violons
8
Trio à cordes: 3 violins
8
2 Contrebasses (duo)
7
Trio à Cordes: 3 violoncelles
7
Piano Trio: Violon, Alto, Piano
6
Contrebasse (partie séparée)
6
Violon, Guitare (duo)
5
Harpe, Voix
5
Violoncelle , Guitare (duo)
4
Ensemble d'Altos
4
Trio à cordes: 3 altos
4
Ensemble de Violons
4
Quatuor à cordes : 4 altos
4
Harpe, Flûte (duo)
3
Harpe, Violoncelle (duo)
3
Harpe, Violon (duo)
2
2 Violons, Piano
2
Trio à cordes
2
Violon, Basson (duo)
2
Violoncelle, Orgue
1
Violon, Tuba (duo)
1
2 Violoncelles, Piano
1
Alto et Harpe
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Harpe, Trombone (duo)
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
398
Orchestre à Cordes
107
Orchestre
101
Ensemble de cuivres
85
Cloches
35
Ensemble Jazz
29
Orchestre de chambre
23
Batterie
23
Jazz combo
13
Fanfare
12
Percussion (partie séparée)
10
Ensemble de Percussions
9
Batterie (partie séparée)
6
Quatuor à Vent : 4 instruments à vents
2
Marimba
1
Orchestre, Violon
1
Piano et Orchestre
1
Percussion
1
Instrumentation Flexible
1
Xylophone, Piano
1
Xylophone
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
We Ain
Ensemble de Percussions
Partitions à imprimer
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We Will Rock You
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.929936 By Queen. By Brian May. Arran…
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Percussion Ensemble - Digital Download SKU: A0.929936 By Queen. By Brian May. Arranged by Alexandra Gilliam, Calvin Roberts, Cassidy FritzHaberland, Delilah Weeden, Frannie Schnadig, Hailey Janoff, Kendra McPherson, Lauren Fowler, Liam Carmichael, Malea Cummings, Matilda Johnston, Matthew Mainzer, and Michael Charles Smith. Rock. Score and parts. 2 pages. Michael Smith #4621417. Published by Michael Smith (A0.929936). This was arranged as a term project for a MarimbaLab class. Premiered May 23rd, 2019 with great acclaim and melted faces.
$12.99
12.01 €
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Ensemble de Percussions
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Queen
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We Will Rock You
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Michael Smith
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SheetMusicPlus
Ukrainian Bell Carol (But With Extra Percussion)
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1024882 Composed by Mykola…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1024882 Composed by Mykola Leontovich. Arranged by Aedan McBride. 20th Century,Christmas,Contemporary,Romantic Period. Score and parts. 38 pages. Aedan McBride #4110919. Published by Aedan McBride (A0.1024882). Everyone knows and loves the Christmas tune known as the Ukrainian Bell Carol. Countless times, it's been arranged for various instrumentations, yet I have not seen string orchestra with percussion ensemble together for this particular tune. So I decided to make my own such arrangement, and now we have this piece: a classic tune with plenty of contemporary twists.
$9.99
9.24 €
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Ensemble de Percussions
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Mykola Leontovich
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Aedan McBride
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Ukrainian Bell Carol
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Aedan McBride
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SheetMusicPlus
We Three Kings Swing - for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.751197 Composed by John He…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.751197 Composed by John Henry Hopkins Jr. Arranged by Patrick Glenn Harper. Christian,Christmas,Jazz,Sacred. Score and parts. 36 pages. Patrick Glenn Harper #3638871. Published by Patrick Glenn Harper (A0.751197). 2018 Holiday Contest EntryBeginning with a catchy hook, this unique arrangement of We Three Kings will be a holiday concert favorite! This piece can be easily prepared in a few rehearsals, and contains very easy auxiliary percussion parts that allow newcomers to percussion ensemble music to get involved. It is also a great way to practice simple 8th-note swing.
$24.95
23.07 €
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Ensemble de Percussions
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John Henry Hopkins Jr
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Patrick Glenn Harper
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We Three Kings Swing - for Percussion Ensemble
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Patrick Glenn Harper
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.62 €
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Ensemble de Percussions
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.71 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
277.34 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
138.67 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
En Rêve for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00
9.24 €
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Ensemble de Percussions
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Anders Wall
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I felt like I was in France
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En Rêve for Percussion Ensemble
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WallofSound
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SheetMusicPlus
CLOG DANCE from 'La Fille mal Gardee'
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.793569 Composed by Ferdina…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.793569 Composed by Ferdinand Herold. Arranged by Brian Hardy - Bacchus Quartet. Classical,Instructional,Standards. Score and parts. 45 pages. Brian Hardy #3259147. Published by Brian Hardy (A0.793569). I wrote this version for the Lincolnshire Music Service 'Massed Strings Project' which brought together 300 young string players of all abilities from progressing beginners to advanced students. We teamed up with some of our friends from the percussion department to create a memorable performance enjoyed by students, teachers and audience alike.4 violin parts, 3 viola, 4 cello, 2 bass, percussion, glock and optional piano. Ideal encore piece for school concerts.Also to find 'IN THE HALL OF THE MOUNTAIN KING' visit sheetmusicplus.com/publishers/bacchusquartet/5331.
$19.99
18.48 €
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Ensemble de Percussions
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Ferdinand Herold
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Brian Hardy - Bacchus Quartet
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CLOG DANCE from 'La Fille mal Gardee'
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Brian Hardy
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SheetMusicPlus
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