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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We Don\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Non classifié
1 116
Piano & claviers
Piano, Voix
1 074
Piano seul
426
Piano, Voix et Guitare
310
Piano Facile
178
Instruments en Do
42
2 Pianos, 4 mains
23
Orgue
23
1 Piano, 4 mains
19
Accordéon
16
Piano grosses notes
13
Piano (partie séparée)
11
Piano Trio: piano, violon, violoncelle
9
Accompagnement Piano
8
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Ligne De Mélodie, Piano
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
81
Ligne De Mélodie, (Paroles) et Accords
45
Guitare
38
Guitare (partie séparée)
22
Ukulele
18
Basse electrique
16
Paroles et Accords
10
2 Guitares (duo)
10
2 Ukuleles
4
Mandoline
3
Mandoline, Guitare (duo)
1
Basse électrique (partie séparée)
1
Ukulele Baryton
1
Piano, Guitare (duo)
1
+ 9 instrumentations
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Voix
Chorale SATB
315
Chorale 3 parties
78
Chorale 2 parties
41
Chorale TTBB
31
Chorale
18
Chorale Unison
17
Pack Instrumental pour Chorale
11
Chorale SSAA
8
Voix duo, Piano
6
Voix Soprano, Piano
3
Voix seule
2
Voix Alto, Piano
2
Chorale SSAB, Piano
1
Chorale SSAATTBB
1
Voix basse, Piano
1
Voix haute
1
Voix duo
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
125
2 Saxophones (duo)
99
Saxophone (partie séparée)
98
Quatuor de Saxophones: 4 saxophones
96
Flûte traversière
89
Clarinette
85
Quintette de Saxophone: 5 saxophones
81
Flûte traversière et Piano
73
Clarinette et Piano
72
Saxophone
51
Saxophone Alto et Piano
51
Hautbois, Piano (duo)
51
2 Flûte à bec (duo)
48
Saxophone Alto
48
Saxophone Tenor et Piano
48
2 Flûtes traversières (duo)
41
Quatuor de Clarinettes: 4 clarinettes
40
Saxophone Soprano et Piano
37
Flûte, Hautbois, Clarinette, Basson
37
2 Clarinettes (duo)
35
Saxophone Tenor
34
Quatuor de Flûtes : 4 flûtes
34
Saxophone Baryton, Piano
33
3 Saxophones (trio)
30
Quintette de Flûte : 5 flûtes
30
Hautbois (partie séparée)
29
Hautbois
25
Flûte à Bec
25
Flûte à bec Soprano
25
Quintette de Clarinettes: 5 clarinettes
22
Ensemble de Clarinettes
22
Ensemble de saxophones
22
2 Hautbois (duo)
20
Saxophone Baryton
20
Cor anglais, Piano
19
Flûte, Clarinette (duo)
19
Saxophone Soprano
17
Clarinette (partie séparée)
16
Flûte à bec Alto
15
Trio de Flûtes: 3 flûtes
14
Flûte à bec Tenor
13
3 Clarinettes (trio)
12
Clarinette, Basson (duo)
12
Saxophone, Clarinette (duo)
11
Hautbois, Basson (duo)
10
Piccolo, Piano
10
Clarinette, Violon (duo)
9
Piccolo
8
Flûte, Hautbois (duo)
8
Ensemble De Flûte à bec
8
Flûte à bec Alto, Piano
8
Hautbois, Clarinette (duo)
8
Cor Anglais
8
Flute (partie séparée)
8
Ensemble de Flûtes
7
Clarinette, Trompette (duo)
7
Quatuor de Flûtes à bec
7
Flûte, Hautbois, Clarinette (trio)
7
Clarinette et Alto
6
Flûte, Hautbois, Piano (trio)
4
Flûte à Bec, Piano
4
3 Flûtes à bec (trio)
4
Flûte, Hautbois, Basson
4
Flûte et Guitare
4
Flûte, Alto (duo)
4
Ocarina
4
Hautbois, Flûte
4
Clarinette Basse, Piano
4
Harmonica
3
Flûte, Saxophone (duo)
3
5 Flûtes à bec
3
4 Hautbois
2
Hautbois, Violoncelle
2
2 Flûtes traversières, Piano
2
Flûte à bec Soprano, Piano
2
Flûte, Clarinette et Basson
2
Flûte, Violon
2
Instruments en Mib
2
Clarinette, Violoncelle (duo)
2
Flûte, Trompette (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, harpe et violon
1
Flûte, Violon, Piano
1
2 Clarinettes, Piano
1
Flûte, Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Guitare (duo)
1
+ 82 instrumentations
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Cuivres
Trompette
103
Trompette, Piano
75
Quatuor de Cuivres : 2 trompettes, trombone, tuba
73
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Trombone (partie séparée)
68
Trombone
65
Trombone et Piano
58
Trompette (partie séparée)
58
Cor
48
Tuba et Piano
45
Cor et Piano
42
Quatuor de cuivres: 4 trombones
42
Tuba
40
2 Trompettes (duo)
33
2 Trombones (duo)
30
Ensemble de Trombones
27
2 Cors (duo)
21
Cor anglais, Piano
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trompette, Trombone (duo)
16
Trompette, Cor (duo)
13
Quatuor de cuivres: 4 cors
13
Trompette, Saxophone (duo)
10
Euphonium, Piano (duo)
10
Quatuor de cuivres: 4 trompettes
10
Quatuor de Cuivres
9
2 Tubas (duo)
9
Trombone basse
8
Cor Anglais
8
Bass Clef Instruments
7
Euphonium
7
Ensemble de Trompettes
7
Trombone, Tuba (duo)
6
3 Trombones (trio)
6
Tuba (partie séparée)
6
2 Euphoniums et 2 Tubas
5
4 Tubas
4
Trombone, Cor (duo)
4
Trombone basse et Piano
4
Cor (partie séparée)
4
3 Trompettes (trio)
3
Trompette, Tuba (duo)
2
Instruments en Sib
2
Ensemble de Cors
2
Trio de Cuivres
2
Cor, Tuba (duo)
2
Trompette, Basson (duo)
1
3 Cors (trio)
1
3 Tubas (trio)
1
Instruments en Fa
1
Euphonium, Tuba (duo)
1
2 Euphoniums (duo)
1
Trompette, Violoncelle (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba et Orgue
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
127
Violon
87
Violoncelle
69
Violon et Piano
63
Violoncelle, Piano
56
Alto, Piano
49
Alto seul
45
2 Violons (duo)
43
2 Violoncelles (duo)
37
Trio à Cordes: violon, alto, violoncelle
34
Contrebasse, Piano (duo)
34
Violon, Violoncelle (duo)
25
Contre Basse
24
2 Altos (duo)
23
Violon, Alto (duo)
21
Harpe
18
Violon (partie séparée)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Alto (partie séparée)
13
Contrebasse (partie séparée)
11
Alto, Violoncelle (duo)
11
Trio à cordes: 3 violins
11
Violoncelle, Contrebasse (duo)
10
4 Violoncelles
10
Quatuor à cordes: 4 violons
7
Quatuor à cordes : 4 altos
7
Trio à Cordes: 3 violoncelles
6
Trio à cordes: 3 altos
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Contrebasses (duo)
5
Ensemble d'Altos
4
Piano Trio: Violon, Alto, Piano
4
2 Harpes (duo)
4
Ensemble de Violons
4
Trio à Cordes: 2 violons, violoncelle
4
Violon, Guitare (duo)
2
Violoncelle (partie séparée)
2
Harpe, Voix
2
Trio à cordes
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Alto et Harpe
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
363
Ensemble Jazz
84
Orchestre à Cordes
64
Fanfare
57
Orchestre
46
Ensemble de cuivres
45
Orchestre de chambre
20
Jazz combo
18
Cloches
15
Batterie (partie séparée)
15
Percussion (partie séparée)
12
Batterie
9
Ensemble de Percussions
5
Xylophone, Piano
1
Orchestre, Violon
1
+ 10 instrumentations
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
XYLOPHONE
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METHODE : TECHNIQUES
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Ensemble de Percussions
Partitions à imprimer
5 partitions trouvées
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1
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
What Universe Lies Within
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Publ...
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Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
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