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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
When On
Non classifié
1 717
Piano & claviers
Piano seul
1 227
Piano, Voix
455
Piano Facile
356
Instruments en Do
333
Piano, Voix et Guitare
259
Orgue
215
Accompagnement Piano
63
Piano grosses notes
51
Accordéon
49
2 Pianos, 4 mains
46
1 Piano, 4 mains
37
Piano Trio: piano, violon, violoncelle
20
Orgue, Piano (duo)
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano (partie séparée)
5
2 Pianos, 8 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
1
Accordéon, Piano
1
1 Piano, 6 mains
1
Clavier
1
+ 17 instrumentations
Retracter
Guitares
Guitare
138
Piano, Guitare (duo)
116
Guitare notes et tablatures
99
Ukulele
45
Ligne De Mélodie, (Paroles) et Accords
30
Basse electrique
21
Guitare (partie séparée)
7
Dulcimer
7
2 Guitares (duo)
5
Mandoline
5
4 Guitares (Quatuor)
4
Paroles et Accords
4
Banjo
4
3 Guitares (trio)
3
+ 9 instrumentations
Retracter
Voix
Chorale SATB
569
Chorale 3 parties
156
Chorale 2 parties
136
Voix Alto, Piano
76
Voix Soprano, Piano
72
Chorale TTBB
65
Chorale Unison
60
Voix Tenor, Piano
55
Voix duo, Piano
49
Chorale SSAA
38
Voix duo
18
Voix haute
11
Voix seule
10
Voix Baryton, Piano
7
Voix moyenne, Piano
5
Voix Tenor
3
Voix basse, Piano
3
Chorale SSAATTBB
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATTB
2
Voix Baryton
1
Voix Soprano
1
Chorale
1
Voix basse
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière et Piano
239
Hautbois, Piano (duo)
229
Clarinette et Piano
226
Saxophone Alto et Piano
168
Saxophone Tenor et Piano
149
2 Saxophones (duo)
148
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
120
Quatuor de Saxophones: 4 saxophones
105
2 Flûtes traversières (duo)
91
2 Clarinettes (duo)
70
Quatuor de Clarinettes: 4 clarinettes
65
Clarinette
64
Quintette de Saxophone: 5 saxophones
62
Flûte, Hautbois, Clarinette, Basson
61
Flûte traversière
58
Saxophone, Clarinette (duo)
54
Hautbois (partie séparée)
52
Saxophone (partie séparée)
43
Saxophone Alto
39
Clarinette, Violon (duo)
38
Quatuor de Flûtes : 4 flûtes
34
Clarinette, Trompette (duo)
31
Flûte, Clarinette (duo)
31
Saxophone Tenor
30
2 Hautbois (duo)
23
Saxophone Soprano et Piano
21
Ensemble de Clarinettes
20
Flûte, Violon
20
Hautbois, Flûte
19
Hautbois, Clarinette (duo)
18
Clarinette et Alto
17
Hautbois, Basson (duo)
17
3 Clarinettes (trio)
17
Ensemble de Flûtes
17
Flûte, Saxophone (duo)
17
Flûte, Alto (duo)
16
Saxophone Baryton, Piano
15
Cor anglais, Piano
14
Quintette de Clarinettes: 5 clarinettes
14
3 Saxophones (trio)
14
Flûte, Trompette (duo)
13
Flûte et Guitare
13
Flûte à bec Soprano
12
Trio de Flûtes: 3 flûtes
12
Quintette de Flûte : 5 flûtes
10
Ensemble de saxophones
9
Clarinette, Guitare (duo)
8
Flute (partie séparée)
8
Harmonica
7
Flûte, Violon, Piano
7
2 Flûte à bec (duo)
6
Clarinette Basse, Piano
6
Cor Anglais
6
Hautbois, Guitare (duo)
5
Flûte à Bec
4
Quatuor de Flûtes à bec
4
Saxophone et Harpe
3
Clarinette, Harpe (duo)
3
Flûte, Clarinette, Piano (trio)
3
Flûte à bec Tenor
3
Saxophone Soprano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Trombone (duo)
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano, Piano
3
Flûte irlandaise
2
Clarinette, Violoncelle, Piano (trio)
2
Hautbois, Harpe
2
Saxophone et Guitare
2
Saxophone et Orgue
2
Flûte à bec Alto, Piano
2
Hautbois, Basson et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon et Violoncelle
1
Cor anglais, Guitare (duo)
1
Clarinette (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Piano (trio)
1
Ensemble De Flûte à bec
1
Flûte à bec Alto
1
Saxophone
1
3 Flûtes à bec (trio)
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette et Basson
1
Saxophone et Piano
1
Flûte et Quatuor à Cordes
1
Flûte, Violoncelle
1
Hautbois
1
Flûte, Basson et Piano
1
5 Flûtes à bec
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Violoncelle (duo)
1
+ 89 instrumentations
Retracter
Cuivres
Trombone et Piano
173
Trompette
131
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
129
Trompette, Piano
90
Quatuor de Cuivres : 2 trompettes, trombone, tuba
68
Trombone
42
Trompette, Saxophone (duo)
41
Trompette (partie séparée)
30
2 Trompettes (duo)
29
2 Trombones (duo)
27
Quatuor de cuivres: 4 trombones
24
Trompette, Trombone (duo)
23
Cor et Piano
22
Trombone (partie séparée)
22
Quatuor de Cuivres
18
Cor
16
Ensemble de Trombones
15
Cor anglais, Piano
14
Euphonium, Piano (duo)
10
Tuba et Piano
10
Tuba
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Euphoniums et 2 Tubas
6
Cor Anglais
6
Ensemble de Trompettes
6
Quatuor de cuivres: 4 cors
5
2 Cors (duo)
5
Euphonium
5
2 Tubas (duo)
4
Cor (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba (partie séparée)
3
Cor et Harpe
2
4 Tubas
2
3 Trombones (trio)
2
Ensemble de Cors
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse et Piano
1
Cor anglais, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Harpe
1
Trombone basse
1
Ensemble de Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Tuba (duo)
1
2 Cors, Piano
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
245
Violon et Piano
236
Alto, Piano
213
Violoncelle, Piano
172
Violon
118
Harpe
113
2 Violons (duo)
66
Violoncelle
59
Violon, Violoncelle (duo)
56
Alto seul
33
2 Violoncelles (duo)
30
2 Altos (duo)
28
Violon, Alto (duo)
28
Trio à Cordes: violon, alto, violoncelle
22
Alto (partie séparée)
16
Harpe, Voix
14
Harpe, Flûte (duo)
10
Trio à Cordes: 2 violons, violoncelle
9
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
2 Harpes (duo)
7
Trio à cordes
6
Contrebasse (partie séparée)
6
Violon, Guitare (duo)
6
Violoncelle , Guitare (duo)
5
Ensemble d'Altos
5
Contrebasse, Piano (duo)
5
4 Violoncelles
5
Alto et Harpe
5
Quatuor à cordes: 4 violons
5
Ensemble de Violons
5
Harpe, Violon (duo)
4
Alto, Violoncelle (duo)
4
Alto, Guitare (duo)
4
Harpe, Violoncelle (duo)
3
Trio à cordes: 3 violins
3
Harpe et Piano
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
2 Contrebasses (duo)
1
Ensemble de Violoncelles
1
Harpe, Trombone (duo)
1
Autoharp
1
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
Violon, Tuba (duo)
1
Violon (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Contrebasses
1
Piano Trio: Violon, Alto, Piano
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
477
Orchestre
143
Orchestre à Cordes
88
Ensemble Jazz
81
Ensemble de cuivres
63
Cloches
58
Orchestre de chambre
53
Ensemble de Percussions
23
Jazz combo
18
Fanfare
9
Ensemble d'École
6
Batterie
6
Batterie (partie séparée)
4
Vibraphone
4
Marimba
4
Percussion (partie séparée)
2
Xylophone, Piano
2
2 Marimbas
1
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
Caisse Claire
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Pertinence
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Vous avez sélectionné:
When On
Ensemble de Percussions
Partitions à imprimer
23 partitions trouvées
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1
On Dirait
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Ensemble de Percussions
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FACILE
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Contemporain
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Amir
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Stephane ELSINY
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On Dirait
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Stephane Elsiny
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1005238 By Amir. By Jerome Queriaud and Nazim Yahya Kemal Khaled. Arranged by Stephane ELSINY. Contemporary. Sco...
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Percussion Ensemble - Level 2 - SKU: A0.1005238 By Amir. By Jerome Queriaud and Nazim Yahya Kemal Khaled. Arranged by Stephane ELSINY. Contemporary. Score and parts. 2 pages. Stephane Elsiny #5359677. Published by Stephane Elsiny (A0.1005238). When you like a pop rock song, would you like to play it with your instrument? Me too, that's good!The original tone is respected. So add karaoke online and go ! Example for this title: https://youtu.be/lN9XM0yn-gwProfessors, these titles are ideal for motivating your students.Students, bring these titles to your teacher and have fun.Soon other French songs, pop, variety and also international songs…Do you have a question about your purchase? You can contact me by e-mail: musicaccess.se@gmail.comBe informed of new products by subscribing to my YouTube channel: https://www.youtube.com/user/musicaccessse
$4.99
On Ecrit Sur Les Murs
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Ensemble de Percussions
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FACILE
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Contemporain
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Jean Marie Moreau and Romano M
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Stephane ELSINY
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On Ecrit Sur Les Murs
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Stephane Elsiny
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1005250 Composed by Jean Marie Moreau and Romano Musumarra. Arranged by Stephane ELSINY. Contemporary. Score and...
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Percussion Ensemble - Level 2 - SKU: A0.1005250 Composed by Jean Marie Moreau and Romano Musumarra. Arranged by Stephane ELSINY. Contemporary. Score and parts. 2 pages. Stephane Elsiny #5362315. Published by Stephane Elsiny (A0.1005250). The original tone is respected. When it is available, I place the karaoke link to you. Everything is ready, all you have to do is play. Funny, right ? Teachers, these scores are ideal for motivating your students. Students, propose these scores to your teacher and play! Soon other French songs, pop, variety and also international songs…
$4.99
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Carol of the Bells - All Parts
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Ensemble de Percussions
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INTERMÉDIAIRE
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Noël
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Mykola Leontovych
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Matthew Kimbley
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Carol of the Bells - All Parts
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Matthew Kimbley
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1024746 Composed by Mykola Leontovych. Arranged by Matthew Kimbley. Christmas,Concert. Score and parts. 21 pages...
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Percussion Ensemble - Level 3 - SKU: A0.1024746 Composed by Mykola Leontovych. Arranged by Matthew Kimbley. Christmas,Concert. Score and parts. 21 pages. Matthew Kimbley #4855165. Published by Matthew Kimbley (A0.1024746). Carol of the Bells. When most people hear that, they think of handbells. But why not use a glockenspiel (also known as orchestral bells)? Matthew Kimbley, when arranging this popular Christmas carol, chose to do that very thing. Add a marimba, vibraphone, chimes, wind chimes, temple blocks, two triangles, sleigh bells, claves, and bass drum, and you have an exciting arrangement of Carol of the Bells for ten-player percussion ensemble.This piece is about three and a half minutes long, and is perfect for school functions and Christmas events. This piece can technically be played by as few as five percussionists, although it is intended for ten. It is an exciting start or finish to any concert, and is great for students and professionals alike. It is written so that it can be played at nearly any speed, so it can be adjusted based on how advanced the ensemble is.This piece is fun for the audience as well as the performers!This includes all individual parts. No conductor score is included.
$9.49
Carol of the Bells - Conductor Score
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Ensemble de Percussions
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INTERMÉDIAIRE
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Noël
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Mykola Leontovych
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Matthew Kimbley
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Carol of the Bells - Conductor
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Matthew Kimbley
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1024744 Composed by Mykola Leontovych. Arranged by Matthew Kimbley. Christmas,Concert. Score and parts. 35 pages...
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Percussion Ensemble - Level 3 - SKU: A0.1024744 Composed by Mykola Leontovych. Arranged by Matthew Kimbley. Christmas,Concert. Score and parts. 35 pages. Matthew Kimbley #4855163. Published by Matthew Kimbley (A0.1024744). Carol of the Bells. When most people hear that, they think of handbells. But why not use a glockenspiel (also known as orchestral bells)? Matthew Kimbley, when arranging this popular Christmas carol, chose to do that very thing. Add a marimba, vibraphone, chimes, wind chimes, temple blocks, two triangles, sleigh bells, claves, and bass drum, and you have an exciting arrangement of Carol of the Bells for ten-player percussion ensemble.This piece is about three and a half minutes long, and is perfect for school functions and Christmas events. This piece can technically be played by as few as five percussionists, although it is intended for ten. It is an exciting start or finish to any concert, and is great for students and professionals alike. It is written so that it can be played at nearly any speed, so it can be adjusted based on how advanced the ensemble is.This piece is fun for the audience as well as the performers!This includes the conductor score only.
$3.99
Carol of the Bells - Conductor Score and Parts
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Ensemble de Percussions
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INTERMÉDIAIRE
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Noël
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Mykola Leontovych
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Matthew Kimbley
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Carol of the Bells - Conductor
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Matthew Kimbley
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1024745 Composed by Mykola Leontovych. Arranged by Matthew Kimbley. Christmas,Concert. Score and parts. 56 pages...
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Percussion Ensemble - Level 3 - SKU: A0.1024745 Composed by Mykola Leontovych. Arranged by Matthew Kimbley. Christmas,Concert. Score and parts. 56 pages. Matthew Kimbley #4855159. Published by Matthew Kimbley (A0.1024745). Carol of the Bells. When most people hear that, they think of handbells. But why not use a glockenspiel (also known as orchestral bells)? Matthew Kimbley, when arranging this popular Christmas carol, chose to do that very thing. Add a marimba, vibraphone, chimes, wind chimes, temple blocks, two triangles, sleigh bells, claves, and bass drum, and you have an exciting arrangement of Carol of the Bells for ten-player percussion ensemble.This piece is about three and a half minutes long, and is perfect for school functions and Christmas events. This piece can technically be played by as few as five percussionists, although it is intended for ten. It is an exciting start or finish to any concert, and is great for students and professionals alike. It is written so that it can be played at nearly any speed, so it can be adjusted based on how advanced the ensemble is.This piece is fun for the audience as well as the performers!Note: the audio recording includes the optional ending.This includes both the conductor and performer scores.
$12.99
Blue Drive (For Mixed Ensemble) (Full Score)
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Ensemble de Percussions
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Cody Weinmann
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Blue Drive
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Cody Weinmann
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SheetMusicPlus
Percussion Ensemble - SKU: A0.835168 Composed by Cody Weinmann. Dance,Film/TV,Pop,Video Game. Score and parts. 4 pages. Cody Weinmann #6138201. Publishe...
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Percussion Ensemble - SKU: A0.835168 Composed by Cody Weinmann. Dance,Film/TV,Pop,Video Game. Score and parts. 4 pages. Cody Weinmann #6138201. Published by Cody Weinmann (A0.835168). This is an original piece for mixed ensemble. It has piano, guitars, strings, percussion, and more! Why is it called Blue Drive? I have synesthesia -- the ability to see colors when hearing pitches. I know, it sounds weird, but I see the color blue when I see the note G. But anyway, this piece was inspired by an ad I heard on TV. I was wondering if I could compose something similar to what I heard. This is what came out. Hopefully, you all benefit from this music. This is good for small ensembles that are of many different instruments. Go ahead and do a virtual concert of this. It would be great! It has a great driving rhythm that could get your heart pumping.
$5.99
En Rêve for Percussion Ensemble
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Ensemble de Percussions
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FACILE
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Contemporain
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Anders Wall
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En Rêve for Percussion En
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WallofSound
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Pub...
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Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00
Zona Centro (Downtown)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Reggae
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Luis Carlos Diaz
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Luis Carlos Diaz
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Zona Centro
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azdi
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Sco...
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Percussion Ensemble - Level 4 - SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Score and parts. 119 pages. Azdi #5983083. Published by azdi (A0.1029902). Downtown area Musical work, for chamber orchestra, which recreates the atmospheres experienced when walking through the streets of the downtown area of ​​my city (Tijuana). Using the popular urban rhythms that can be heard live, performed by all the city's musicians, such as: Rap hip hop). The most popular and booming genre among young people in this city in particular and throughout Mexico in general. Jazz, which since the 1960s has been played on the legendary Av. Revolución. Aztec Dance (Mexica) that is still practiced by various circles of the city and the country, preserving ancient cultures. Reggae. Music of conscience and positive message, which is the most listened to and performed by numerous local and independent bands from the northern border. Divided into three parts, it begins with a melody or main theme, such as the bass line used on rap tracks, played first by the trombone, the double bass, and later also by the other instruments, on a rhythmic basis in the section of percussions with a characteristic rhythm of rap music at a speed of 90 bpm.
$33.00
Vivaldi Medley for Marimba Band - Score Only
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Joan Lithgow
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Joan Lithgow
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Vivaldi Medley for Marimba Ban
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Joan Lithgow Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultur...
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Percussion Ensemble - Level 4 - SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultural,World. 12 pages. Joan Lithgow Music #886140. Published by Joan Lithgow Music (A0.1295814). This piece is ideally suited for the Marimba Workshop (Pty) Ltd marimbas.www.marimbaworkshop.co.za  It was arranged for the Goede Hoop Marimba Band to be performed at the 2016 Education Africa International Marimba & Steelpan Festival in the Strictly Classical Category where the composer for this category for that year was Antonio Vivaldi. This performance has gone viral on YouTube. These young girls were aged between 11 and 13 at the time. It is written for African diatonic marimbas in C with an African feel but can be played on a variety of different instruments. Feel free to roll (measured or unmeasured) on the long notes.Whenever I teach this arrangement my students fall in love with Vivaldi and his music. The medley consists of music from Vivaldi's Four Seasons: Spring and Winter and his famous Gloria. There is a joy and wonder as the harmonies and patterns are revealed to them through my unique methodology I use to teach them.I hope you have fun learning this arrangement.I would love to hear your version of this piece. Please email:  joan@marimbaworkshop.co.za.
$19.99
The COVID Awakening
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Adam Grim
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The COVID Awakening
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. ...
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Percussion Ensemble - Level 4 - SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
$25.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Etna
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Tsoof Baras
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Etna
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1013932 Composed by Tsoof Baras. Contemporary,Hip-Hop,Standards. Score and parts. 32 pages. Tsoof Baras #6667771...
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Percussion Ensemble - Level 4 - SKU: A0.1013932 Composed by Tsoof Baras. Contemporary,Hip-Hop,Standards. Score and parts. 32 pages. Tsoof Baras #6667771. Published by Tsoof Baras (A0.1013932). Players - 4Instrumentation - 4 drums (floor toms or concert toms)Named after the volcano ‘Mount Etna’, Etna is a quartet for Paint Drumming.It is written with the visual effect of paint drumming, where drummers put paint, water or other mediums on the drum to create a visual effect when striking the drum. The composition works with and without the visual effect and focuses on groovy polyrhythms and moving lines across the parts. It is a challenging piece for every level of ensemble.
$60.00
Come To Me
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Bjork Gudmundsdottir
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David R
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 page...
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Percussion Ensemble - Level 4 - SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
Dance of the Wind-Up Toys
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James Siddons
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Dance of the Wind-Up Toys
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James Siddons Music and Writings
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Mu...
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Percussion Ensemble - Level 4 - SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Music and Writings #3025013. Published by James Siddons Music and Writings (A0.972638). Dance of the Wind-Up Toys is for one clarinet in Bb, one cello, percussionist(s), and mime dancer(s). This work may be performed by instruments only; the percussion part being performed by one, two, or three performers.If a mime performer, or one or more dancers, also perform, the instrumental ensemble must be on the stage with them. The mime or dancer(s) enter the stage at measure 20 and either 1) perform until the end (m. 91), or 2) perform from m. 20 to m. 41, then leave the stage, and then return at m. 67. Costumes: the instrumentalists may be in costume as well as the performers, if desired. See the title page for suggestions. This piece is meant to be energetic, theatrical, and fun to perform as well as to watch.Program Note Dance of the Wind-Up Toys was composed in April-May 1968, when composer James Siddons was 19 years old. It was inspired by mime performers as well as the mechanical toys common in the early twentieth century.
$10.00
Home Stretch
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Ensemble de Percussions
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FACILE
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Methodes
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Dan c Gilbert
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Home Stretch
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Dan c Gilbert
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1032080 Composed by Dan c Gilbert. Instructional. Score and parts. 17 pages. Dan c Gilbert #4338781. Published b...
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Percussion Ensemble - Level 2 - SKU: A0.1032080 Composed by Dan c Gilbert. Instructional. Score and parts. 17 pages. Dan c Gilbert #4338781. Published by Dan c Gilbert (A0.1032080). Picture this: you are a Middle-School Band teacher, with 55 kids signed up for band. Of those 55, 17 are drummers. You spend time thinking about how each student will get to play on 1, maybe 2, pieces for the concert, and then begin panicking when you realize that drummers sitting around idly in Middle School are prone to boredom, becoming chatty and distracting.
$4.99
[Shultis] Experimental Music and Writings (1988 - 1994)
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Ensemble de Percussions
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Christopher Shultis
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[Shultis] Experimental Music a
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American Composers Alliance Inc.
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SheetMusicPlus
Percussion Ensemble - SKU: A0.952664 Composed by Christopher Shultis. 20th Century,Instructional,Standards. Score and parts. 74 pages. American Composer...
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Percussion Ensemble - SKU: A0.952664 Composed by Christopher Shultis. 20th Century,Instructional,Standards. Score and parts. 74 pages. American Composers Alliance Inc. #4613527. Published by American Composers Alliance Inc. (A0.952664). A collection of early works and writings for various ensembles (mostly centered around percussion) as collected by the composer.Musical Works:1. motion/less for percussion solo2. Oneiro for percussion trio3. 64 Statements re and not re Child of Tree for solo percussion and audio tapes4. Pastorale for solo percussioin and Dancer5. Friends, for piano, crotales, and narrator6. Three Short Pieces i. Five, brass quintet ii. Four interludes from Downward Facing Dog, for piano solo iii. For Frank Bowen, solo flute7. Decline of the West, for female narrator and all-male heavy-metal band8. Metaphysics, for spoken voice and boom boxes, requiring 7 assistants9. Faith, for voice or any instrument10. Hope, for hand percussion, guitars, and voices (Version 2 of Decline of the West, when performed as part of the opera, Faith, Hope, and Love11. Love, for Seven Performers12. Do something/Do something else, for any number of performers13. Gesturing hands, for solo theremin14. Blindness, for solo marimba15. Written on the body, for musicians and dancersTexts:1. Synesthesia and the Re-integration of the Senses2. Experiment and Revolution, a primary role of percussion in American music3. The Politics of Improvisation
$19.95
Happy Birthday for Percussion Ensemble
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Ensemble de Percussions
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DÉBUTANT
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Mildred and Patty Hill
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Nicola Lee
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Happy Birthday for Percussion
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Radiance Music
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.997239 Composed by Mildred and Patty Hill. Arranged by Nicola Lee. Children,Holiday,Standards. Score and parts. ...
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Percussion Ensemble - Level 1 - SKU: A0.997239 Composed by Mildred and Patty Hill. Arranged by Nicola Lee. Children,Holiday,Standards. Score and parts. 1 pages. Radiance Music #5213607. Published by Radiance Music (A0.997239). When a drumroll is just not enough for your respected conductor or an amazing friend on this special day, this well known arrangement will certainly be the best surprise to be played before or after a rehearsal/concert!
$4.99
Soar
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Ensemble de Percussions
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INTERMÉDIAIRE
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Tsoof Baras
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Soar
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1018156 Composed by Tsoof Baras. Christmas,Contemporary,Holiday,Spiritual,Standards. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 3 - SKU: A0.1018156 Composed by Tsoof Baras. Christmas,Contemporary,Holiday,Spiritual,Standards. Score and parts. 20 pages. Tsoof Baras #6663533. Published by Tsoof Baras (A0.1018156). Players: 12Instrumentation: Harmonic Whirlies or whippy tubes with the following harmonic series:Low C, D, E, F, G, A and High C, D, E, F, G and A. See - Sarah Hopkins' Harmonic Whirlies.‘Soar’ is a chorale for Harmonic Whirlies. This piece, like some of my others, focuses on teamwork and the idea of ‘the whole is greater than the sum of its parts’. It was composed in 2015 and performed by BaDaBoom Percussion.In this composition, each player represents a set of notes in a specific harmonic series associated with their whirlies. Together, the ensemble creates harmony and resonates within the space. This piece is beautiful when performed in large auditoriums, churches or halls.
$85.00
Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2 (STRINGS, HARP, TIMPANI and PERCUSSION)
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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Germain, An Opera in 4 Acts, I
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James N...
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Percussion Ensemble - Level 5 - SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James Nathaniel Holland #5021025. Published by James Nathaniel Holland (A0.730497). INDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, PERCUSSIONFull Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 1 (Woodwinds and Brass) all sold separatelyINDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, AND PERCUSSION Full Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 2 (Strings, Harp, and Percussion)OPERA SYNOPSIS:A mythical country, somewhere lost in time and space; two factions, the minority have and the majority have-not’s, are in constant violent conflict to rule the country. Germain, a young man with mysterious origins, and for neither side,by fate meets the the prime minister and hopes for personal love. But this is not to be a happy ending. The leader of the have-not’s takes this perfect opportunity to assassinate the PM.When the attempt fails, the blame falls on Germain and leads him to his imprisonment and eventual death.GERMAIN, A Dreamer (Lyric Baritone)CHERYL, A tavern owner and girlfriend to Talleyrand (Soprano, Coloratura)TALLEYRAND, Minister of District Thirteen, Secret leader of the Dissidents (Bass)ALEXANDER, The newly elected Prime Minister of Timbaksha (Tenor)TAMINA, Alexander’s wife (Soprano)NADINE, Minister of District Five (Alto)URCHIN, A Young Teen (Male or Female Voice)WALLACE, Minister of District Nine (Baritone)OFFICER (Baritone)CHORUS: DISSIDENT, GUESTS, SERVANTS, CROWD, OFFICERSComplete Instrumentation: picc, fl12, ob, eh, cl12, tensax, bsn, hrn12, tpt12, trm12, tba, timpani, perc, hrp, strgs
$75.95
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