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4 Tubas
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43
Violon
35
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30
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22
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19
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14
2 Violons (duo)
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Alto seul
11
Alto (partie séparée)
8
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5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Altos (duo)
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Contre Basse
3
Alto, Violoncelle (duo)
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2 Harpes (duo)
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Violoncelle
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Violoncelle , Guitare (duo)
1
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4 Contrebasses
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Orchestre d'harmonie
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31
Ensemble Jazz
28
Orchestre
25
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9
Cloches
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Jazz combo
6
Fanfare
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Vibraphone
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When They Play
Ensemble de Percussions
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.59 €
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Ensemble de Percussions
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
The Little Drummer Boy - Score Only
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1321460 Composed by Kathri…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1321460 Composed by Kathrine Kennicott Davis. Arranged by William R Parker III. Children,Christmas,Holiday. 3 pages. William Parker #909919. Published by William Parker (A0.1321460). This is a fun piece for Elementary School drums. Using the glockenspiel, resonance bells, boom whackers, hand drums, tambourine, and triangle, students will be able to work together to play a holiday classic at an acheiveable level! The piece is only 32 bars but can be easily modified to fit your needs. If you want it longer... repeat. If not, than play it as is. There is a spark in the eyes of students when they realize that they are working as a team to make a song come to life. Please enjoy!!
$5.99
5.5 €
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Ensemble de Percussions
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Kathrine Kennicott Davis
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William R Parker III
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The Little Drummer Boy - Score Only
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William Parker
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SheetMusicPlus
Carol of the Bells - All Parts
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1024746 Composed by Mykola…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1024746 Composed by Mykola Leontovych. Arranged by Matthew Kimbley. Christmas,Concert. Score and parts. 21 pages. Matthew Kimbley #4855165. Published by Matthew Kimbley (A0.1024746). Carol of the Bells. When most people hear that, they think of handbells. But why not use a glockenspiel (also known as orchestral bells)? Matthew Kimbley, when arranging this popular Christmas carol, chose to do that very thing. Add a marimba, vibraphone, chimes, wind chimes, temple blocks, two triangles, sleigh bells, claves, and bass drum, and you have an exciting arrangement of Carol of the Bells for ten-player percussion ensemble.This piece is about three and a half minutes long, and is perfect for school functions and Christmas events. This piece can technically be played by as few as five percussionists, although it is intended for ten. It is an exciting start or finish to any concert, and is great for students and professionals alike. It is written so that it can be played at nearly any speed, so it can be adjusted based on how advanced the ensemble is.This piece is fun for the audience as well as the performers!This includes all individual parts. No conductor score is included.
$9.49
8.71 €
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Ensemble de Percussions
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Mykola Leontovych
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Matthew Kimbley
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Carol of the Bells - All Parts
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Matthew Kimbley
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SheetMusicPlus
Carol of the Bells - Conductor Score
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1024744 Composed by Mykola…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1024744 Composed by Mykola Leontovych. Arranged by Matthew Kimbley. Christmas,Concert. Score and parts. 35 pages. Matthew Kimbley #4855163. Published by Matthew Kimbley (A0.1024744). Carol of the Bells. When most people hear that, they think of handbells. But why not use a glockenspiel (also known as orchestral bells)? Matthew Kimbley, when arranging this popular Christmas carol, chose to do that very thing. Add a marimba, vibraphone, chimes, wind chimes, temple blocks, two triangles, sleigh bells, claves, and bass drum, and you have an exciting arrangement of Carol of the Bells for ten-player percussion ensemble.This piece is about three and a half minutes long, and is perfect for school functions and Christmas events. This piece can technically be played by as few as five percussionists, although it is intended for ten. It is an exciting start or finish to any concert, and is great for students and professionals alike. It is written so that it can be played at nearly any speed, so it can be adjusted based on how advanced the ensemble is.This piece is fun for the audience as well as the performers!This includes the conductor score only.
$3.99
3.66 €
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Ensemble de Percussions
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Mykola Leontovych
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Matthew Kimbley
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Carol of the Bells - Conductor Score
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Matthew Kimbley
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SheetMusicPlus
Carol of the Bells - Conductor Score and Parts
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1024745 Composed by Mykola…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1024745 Composed by Mykola Leontovych. Arranged by Matthew Kimbley. Christmas,Concert. Score and parts. 56 pages. Matthew Kimbley #4855159. Published by Matthew Kimbley (A0.1024745). Carol of the Bells. When most people hear that, they think of handbells. But why not use a glockenspiel (also known as orchestral bells)? Matthew Kimbley, when arranging this popular Christmas carol, chose to do that very thing. Add a marimba, vibraphone, chimes, wind chimes, temple blocks, two triangles, sleigh bells, claves, and bass drum, and you have an exciting arrangement of Carol of the Bells for ten-player percussion ensemble.This piece is about three and a half minutes long, and is perfect for school functions and Christmas events. This piece can technically be played by as few as five percussionists, although it is intended for ten. It is an exciting start or finish to any concert, and is great for students and professionals alike. It is written so that it can be played at nearly any speed, so it can be adjusted based on how advanced the ensemble is.This piece is fun for the audience as well as the performers!Note: the audio recording includes the optional ending.This includes both the conductor and performer scores.
$12.99
11.93 €
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Ensemble de Percussions
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Mykola Leontovych
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Matthew Kimbley
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Carol of the Bells - Conductor Score and Parts
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Matthew Kimbley
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.91 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
The COVID Awakening
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Gr…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
$25.00
22.96 €
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Ensemble de Percussions
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Adam Grim
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The COVID Awakening
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Adam B. Grim
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.58 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.58 €
#
Ensemble de Percussions
#
Dan Heslink
#
Christmas Calypso for Marimba Quartet
#
Pharaoh Publications
#
SheetMusicPlus
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