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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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DEEJAY
DIDGERIDOO
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FLUTE A BEC
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199
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50
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31
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23
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
4
2 Pianos, 4 mains
3
Clavecin
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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Guitare notes et tablatures
80
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23
Ukulele
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7
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1
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576
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361
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234
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122
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107
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105
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74
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71
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63
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46
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42
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29
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26
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13
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6
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5
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5
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4
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2
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2
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103
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76
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58
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24
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23
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22
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22
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18
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17
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13
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12
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10
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10
Saxophone (partie séparée)
9
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8
Saxophone Alto
7
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7
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6
Saxophone Baryton, Piano
6
Ensemble de Flûtes
6
Saxophone Tenor et Piano
6
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5
Saxophone Soprano et Piano
5
Ensemble de Clarinettes
5
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5
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4
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4
Ensemble De Flûte à bec
4
Cor anglais, Guitare (duo)
4
Clarinette, Guitare (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Quatuor de Flûtes : 4 flûtes
3
Flûte, Clarinette (duo)
2
2 Saxophones (duo)
2
Quatuor de Flûtes à bec
2
Trio de Flûtes: 3 flûtes
2
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2
Saxophone, Clarinette (duo)
1
3 Clarinettes (trio)
1
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1
Clarinette Basse, Piano
1
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1
2 Flûtes traversières, Harpe
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Flûte à Bec
1
Saxophone et Guitare
1
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26
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21
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20
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19
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17
Tuba et Piano
17
Tuba
17
Trombone
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trombone et Piano
11
2 Trombones (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
2 Trompettes (duo)
5
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4
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4
2 Cors (duo)
2
Quatuor de Cuivres
2
Cor anglais, Piano
2
3 Trombones (trio)
1
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1
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1
Ensemble de Trompettes
1
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146
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109
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83
Harpe
68
Violon
31
Alto, Piano
23
Violoncelle, Piano
23
Violon, Violoncelle (duo)
21
Contre Basse
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
Violoncelle
19
Alto seul
17
Contrebasse, Piano (duo)
17
Trio à Cordes: violon, alto, violoncelle
14
Harpe, Violon (duo)
11
Harpe, Voix
10
Alto (partie séparée)
6
2 Harpes (duo)
5
2 Violoncelles (duo)
4
2 Altos (duo)
4
2 Violons (duo)
4
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3
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3
2 Contrebasses (duo)
2
4 Violoncelles
2
Violoncelle , Guitare (duo)
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
1
Violoncelle, Orchestre
1
Piano Trio: Violon, Alto, Piano
1
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1
Trio à Cordes: 2 violons, violoncelle
1
2 Altos, Piano
1
Violoncelle, Contrebasse (duo)
1
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1
Trio à Cordes: 2 violons, alto
1
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55
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40
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37
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27
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20
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13
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10
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7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone
2
Ensemble de Percussions
2
Quintette de Cuivres: autres combinaisons
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Piano et Orchestre
1
Marimba
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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CORNET
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1
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
#
AVANCÉ
#
Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Stardust Inferno
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Adam Grim
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Stardust Inferno
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.939373 Composed by Adam Grim. Concert,Pop,World. Score and parts. 38 pages. Adam B. Grim #5991851. Published by ...
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Percussion Ensemble - Level 4 - SKU: A0.939373 Composed by Adam Grim. Concert,Pop,World. Score and parts. 38 pages. Adam B. Grim #5991851. Published by Adam B. Grim (A0.939373). Stardust Inferno is a soca written for a steel band with the following instrumentation: Lead (Low C), Double Tenor, Double Seconds, Cello, Bass, and Drum Set. The motives found in this were written on a lead pan first, and then added variations and a solo section. The bass voices have a time to shine with their own melody, the double tenor and double seconds add harmony, and the drum set has group hits written in, rather than having a repeated pattern with slash notation on top. This was a fun piece to write, and is one of my favorites in my works for pan!
$30.00
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With My Voice
