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GUITARE PED…
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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FILM - TV
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METHODE : ETUDES
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Noviscore
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avec audio
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Non classifié
2394
PIANO & CLAVIERS
Piano seul
1110
Piano, Voix
404
Piano Facile
397
Piano, Voix et Guitare
373
Orgue
168
Instruments en Do
84
1 Piano, 4 mains
47
Accompagnement Piano
34
Piano Trio: piano, violon, violoncelle
25
Accordéon
17
Piano Quatuor: piano, violon, alto, violoncelle
10
Orgue, Trompette (duo)
7
2 Pianos, 4 mains
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Piano (duo)
2
Piano grosses notes
2
Clavecin
2
2 Pianos, 8 mains
1
Piano (partie séparée)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
134
Guitare
112
Ligne De Mélodie, (Paroles) et Accords
39
2 Guitares (duo)
33
Paroles et Accords
31
Basse electrique
23
Ukulele
15
4 Guitares (Quatuor)
8
Mandoline
6
Ensemble de guitares
4
3 Guitares (trio)
3
2 Ukuleles
2
Guitare (partie séparée)
2
Ukulele Baryton
2
Guitare Tab, Voix, Basse, Batterie
1
Basse électrique (partie séparée)
1
Instrumentations suivantes
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VOIX
Chorale SATB
5870
Chorale 3 parties
468
Chorale TTBB
395
Chorale 2 parties
208
Chorale SSAA
171
Chorale Unison
65
Chorale
42
Voix duo, Piano
31
Voix seule
30
Voix Soprano, Piano
29
Voix Alto, Piano
27
Voix Tenor
26
Voix Soprano
23
Voix Baryton, Piano
22
Chorale SSATB
12
Voix duo
11
Soli, choeur mixte et accompagnement
5
Voix Tenor, Piano
4
Chorale SSAATTBB
4
Voix haute
4
Voix Mezzo-Soprano, Piano
3
Chorale SSATTB
3
Voix moyenne, Piano
3
Voix basse, Piano
2
Voix basse
2
Voix et basse continue
1
Chorale SATTB
1
Chorale SSATBB
1
Chorale SATBB
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
259
Clarinette
192
Quatuor de Saxophones: 4 saxophones
186
Flûte traversière et Piano
179
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
175
Flûte traversière
171
Clarinette et Piano
171
Hautbois, Piano (duo)
170
Flûte, Hautbois, Clarinette, Basson
160
Saxophone Alto
150
Saxophone Alto et Piano
139
Saxophone Tenor et Piano
105
Quintette de Saxophone: 5 saxophones
103
2 Flûtes traversières (duo)
98
2 Clarinettes (duo)
97
Saxophone Tenor
90
Hautbois
87
2 Flûte à bec (duo)
86
Saxophone Soprano et Piano
72
2 Hautbois (duo)
72
Saxophone (partie séparée)
63
3 Saxophones (trio)
62
Saxophone
50
Saxophone Baryton, Piano
48
Hautbois (partie séparée)
42
Hautbois, Clarinette (duo)
40
Flûte, Clarinette (duo)
40
Saxophone Baryton
34
Saxophone Soprano
32
Flûte, Clarinette et Basson
30
Quatuor de Clarinettes: 4 clarinettes
29
Clarinette (partie séparée)
28
3 Clarinettes (trio)
28
Flûte à bec Soprano
27
2 Flûtes traversières, Piano
25
Ensemble de Flûtes
22
Cor anglais, Piano
22
Clarinette, Violon (duo)
21
Ensemble de Clarinettes
19
Hautbois, Basson (duo)
19
Flûte à Bec
18
Flûte à bec Alto
17
Trio de Flûtes: 3 flûtes
16
Quatuor de Flûtes : 4 flûtes
16
Flûte, Hautbois, Clarinette (trio)
15
Clarinette, Basson (duo)
15
Flûte et Guitare
15
Quintette de Clarinettes: 5 clarinettes
15
Flûte, Hautbois (duo)
14
Saxophone, Clarinette (duo)
13
Flute (partie séparée)
13
Ensemble de saxophones
12
Cor Anglais
11
Flûte, Violoncelle
11
Clarinette Basse, Piano
11
Hautbois, Violoncelle
10
Flûte, Violon
10
Clarinette et Alto
10
Clarinette, Violoncelle (duo)
10
Flûte, Hautbois, Basson
9
Clarinette, Guitare (duo)
8
Clarinette, Trompette (duo)
8
Flûte, Alto (duo)
8
Hautbois, Flûte
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Piccolo
7
Saxophone et Guitare
7
Flûte à bec Alto, Piano
7
Hautbois et alto (duo)
6
Flûte, Saxophone (duo)
6
3 Hautbois
5
Flûte à bec Soprano, Piano
5
Cor anglais, Guitare (duo)
5
Flûte, Violon, Piano
5
Instruments en Mib
4
Flûte, Violoncelle, Piano (trio)
4
Quatuor de Flûtes à bec
4
Flûte, Violon et Violoncelle
4
Flûte, Basson et Piano
4
Flûte, Clarinette, Piano (trio)
4
Quintette de Flûte : 5 flûtes
4
Clarinette, Harpe (duo)
3
Hautbois, violon (duo)
3
Flûte, Trompette (duo)
3
Clarinette, Basson, Piano (trio)
3
Clarinette, Quatuor à cordes et Piano
3
Saxophone et Orgue
2
Hautbois, Basson et Piano
2
Hautbois, Violoncelle et Piano
2
Clarinette, Alto et Piano (trio)
2
4 Hautbois
2
Clarinette, Violoncelle, Piano (trio)
2
Ocarina
2
5 Flûtes à bec
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Hautbois, Guitare (duo)
2
2 Saxophones, Piano
2
Flûte, Hautbois, Piano (trio)
2
Piccolo, Piano
1
Clarinette Basse
1
Flûte et Trio à cordes
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Contrebasse (duo)
1
Flûte à bec Tenor
1
Flûte, Alto et Piano
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
3 Flûtes à bec (trio)
1
Saxophone, Tuba (duo)
1
Ensemble De Flûte à bec
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cor anglais et Harpe (duo)
1
Hautbois, Violon, Piano
1
Flûte à bec, Harpe
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Harpe et Violoncelle
1
Flûte à Bec, Piano
1
Instrumentations suivantes
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CUIVRES
Trompette
160
Trompette, Piano
156
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
151
Trombone et Piano
148
Cor et Piano
121
Trombone
117
Cor
98
Tuba et Piano
94
Tuba
85
2 Trombones (duo)
83
2 Trompettes (duo)
79
Quatuor de Cuivres : 2 trompettes, trombone, tuba
78
Quatuor de Cuivres: 2 trompettes, Cor, trombone
68
2 Cors (duo)
66
Trompette, Trombone (duo)
38
2 Tubas (duo)
37
Trompette (partie séparée)
29
Quatuor de cuivres: 4 trombones
29
Trombone (partie séparée)
26
Euphonium, Piano (duo)
22
Cor anglais, Piano
22
Quatuor de Cuivres
19
Trompette, Cor (duo)
17
Cor (partie séparée)
14
Cor Anglais
11
Trompette, Saxophone (duo)
10
Quatuor de cuivres: 4 cors
10
Quatuor de cuivres: 4 trompettes
9
Trombone basse
8
Tuba (partie séparée)
8
3 Trombones (trio)
8
Trombone basse et Piano
7
Trombone, Cor (duo)
5
Cor anglais, Guitare (duo)
5
Euphonium
5
Tuba et Orgue
5
3 Tubas (trio)
4
Instruments en Sib
4
Ensemble de Trompettes
4
Ensemble de Trombones
3
Trio de Cuivres
3
Trompette, Violoncelle (duo)
3
Ensemble de Cors
3
Cor, Tuba (duo)
2
Trompette et Guitare
2
Instruments en Fa
2
4 Tubas
2
Trompette, Trombone, Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
Bass Clef Instruments
2
Cor et Basson (duo)
1
2 Cors Anglais Et Pianoforte
1
Tuba ou Euphonium ou Saxhorn
1
Cor et Harpe
1
3 Euphoniums
1
Trompette, Basson (duo)
1
Cor anglais et Harpe (duo)
1
Cor, Trompette, Trombone (trio)
1
Trompette, Harpe
1
2 Trombones, Piano
1
2 Euphoniums (duo)
1
4 Euphoniums
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
380
Violon et Piano
235
Violon
224
Violoncelle
175
Violoncelle, Piano
163
Alto, Piano
158
Alto seul
111
2 Harpes (duo)
110
2 Violons (duo)
95
2 Violoncelles (duo)
92
Contre Basse
82
2 Altos (duo)
81
Violon, Violoncelle (duo)
78
Contrebasse, Piano (duo)
77
Quintette à cordes: 2 violons, alto, violoncelle, basse
77
Violon, Alto (duo)
66
Harpe
53
Trio à Cordes: violon, alto, violoncelle
47
2 Contrebasses (duo)
35
Violon (partie séparée)
33
Trio à Cordes: 2 violons, violoncelle
29
Alto, Violoncelle (duo)
20
Quintette à cordes : 2 violons, alto et 2 violoncelles
18
Alto (partie séparée)
14
Contrebasse (partie séparée)
11
Trio à cordes: 3 violins
11
4 Violoncelles
11
Violon, Guitare (duo)
10
Violon, Basson (duo)
10
Trio à Cordes: 3 violoncelles
9
Quatuor à cordes : 4 altos
9
Trio à cordes: 3 altos
8
Violoncelle (partie séparée)
8
Harpe, Flûte (duo)
7
Quatuor à cordes: 4 violons
7
Piano Trio: Violon, Alto, Piano
7
Violoncelle , Guitare (duo)
6
Violon, Clarinette, Piano (trio)
4
Alto, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
3
Harpe, Violon (duo)
3
Trio à Cordes: 2 violons, alto
3
Harpe et Orgue
2
Violon, Violoncelle, Clarinette
2
Alto et Harpe
2
Flûte, Contrebasse (duo)
2
Harpe, Violoncelle (duo)
2
Harpe, Voix
2
Harpe, Violon, Violoncelle
1
Alto et Basson
1
Ensemble de Violoncelles
1
2 Violons, Piano
1
2 Violoncelles, Piano
1
Violon, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
666
Orchestre à Cordes
234
Orchestre
158
Cloches
65
Batterie
58
Ensemble de cuivres
54
Ensemble Jazz
53
Orchestre de chambre
48
Fanfare
22
Ensemble de Percussions
20
Percussion
19
Percussion (partie séparée)
17
Marimba
17
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
11
Jazz combo
10
Xylophone
5
Timbales (partie séparée)
3
Timbales
3
Xylophone, Piano
3
Quintette à Vent
3
Batterie (partie séparée)
1
3 Percussions
1
Piano et Orchestre
1
Vibraphone
1
Quatuor à Vent : 4 instruments à vents
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
11
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Ensemble de Percussions
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1
To Divide and Conquer the Skies and Above, op. 87
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.938777 Composed by Michael…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.938777 Composed by Michael A Yenny. Concert,Contemporary,Standards. Score and parts. 31 pages. Michael A Yenny #50903. Published by Michael A Yenny (A0.938777). Wow! A brilliant fanfare for percussion ensemble. Score outline played here. E-flat major. Features trills, syncopation, and rhythmic repeated notes. An easily accessible work for a dedicated HS or college ensemble. Instrumentation: xylophone, vibes, bells, chimes, SD/BD, timpani (3). Duration: 1 minute 30 seconds. C) 2005. Level: Late intermediate. Score and parts complete are available.
$5.95
5.39 €
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Ensemble de Percussions
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Michael A Yenny
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To Divide and Conquer the Skies and Above, op. 87
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Michael A Yenny
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.06 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Under The Boardwalk
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.777060 By Bette Midler. By Artie Res…
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Percussion Ensemble - Digital Download SKU: A0.777060 By Bette Midler. By Artie Resnick and Kenny Young. Arranged by Scott Meister. Contemporary. Score and parts. 26 pages. Scott Meister #2888355. Published by Scott Meister (A0.777060). Great tune for your audience to dance (shag) to. Can be played with a small group or divide and double the parts for a larger ensemble.
$20.00
18.13 €
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Ensemble de Percussions
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Bette Midler
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Scott Meister
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Under The Boardwalk
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Scott Meister
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
272.01 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
136.01 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
The Lament of Tou-Her 竇娥冤
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.961994 Composed by Ma Shui Long 馅
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Percussion Ensemble - Digital Download SKU: A0.961994 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusic #48525. Published by SpringAutumnmusic (A0.961994). Introduction:The Lament of Tou-Ehr, for Suona, Timpani, Percussion, and Chorus 　　This work was composed for a Chinese dance drama Snow Festival. The drama was based on an extremely touching story about a lady named Doue E, and was written by the author Guan Hanqing during the Yuan Dynasty. It is divided into three sections in a cyclic form, with one theme. The instrumentation includes voices for male and female, suona (Chinese cornet), there are more than ten traditional Chinese percussions are used, such as the wind gong, large and small luo (as used in Beijing opera), and the Chinese clapper, Paiban. The sound of suona indicates the lady Dou E with her battle cry and strong faith. The music begins after lady Dou E’s faint narrative. ※The Lament of Tou-Ehr was commissioned by the Neo Classical Music Group. The dance was arranged by Fon-xuei Liu, with orchestra and chorus conducted by the composer, Shui-long Ma himself. It was recorded by the Yun-de Company, and premiered at the Taiwan National Dr. Sun Yat-sen Memorial Hall in April 1981. 《竇娥冤》本曲改編自「舞劇雪ç¥ã€ï¼Œå–æ自ä¸åœ‹å…ƒä»£æˆ²æ›²ä¸é—œæ¼¢å¿çš„作å“-「感天動地竇娥冤ã€ã€‚æœ¬æ›²ç•¥åˆ†ä¸‰æ®µï¼Œé€£æ¨‚ç« å½¢å¼ï¼Œæ¨‚曲çµæ§‹ç‚ºä¸€è²«æ€§çš„主題延展。作曲者在編制上使用人è²(男女混è²)ã€å—©å¶ï¼Œä»¥åŠå多件傳統擊樂器，如風鑼ã€å¹³åŠ‡å¤§å°é‘¼ã€æ‹æ¿ç‰ç‰ã€‚在整曲進行ä¸ï¼Œå‡¡æ˜¯æœ‰ç«‡å¨¥å‡ºç¾ä¹‹è™•ï¼Œå—©å¶ä¹Ÿå°‡éš¨ä¹‹å¥å‡ºï¼Œé‚£æ˜¯å¤©ç†çš„å¶å–Šã€ç²¾ç¥žä¿¡å¿µä¹‹æ‰€åœ¨ã€‚全曲在一段竇娥幽幽的é“白之後，å¾å¾å±•é–‹ã€‚※本曲為新å¤å…¸æ¨‚團委託創作之作å“，由舞蹈家劉鳳å¸ç·¨èˆžã€é¦¬æ°´é¾æŒ‡æ®æ¨‚團與人è²ã€éŸ»å¾·éŒ„音公å¸éŒ„音，於1980å¹´4月在å°åŒ—國父紀念館舉行世界首演。 .
$14.99
13.59 €
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Ensemble de Percussions
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Ma Shui Long 馬水é¾
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The Lament of Tou-Her 竇娥冤
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SpringAutumnmusic
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SheetMusicPlus
Silent Night Prelude for percussion octet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.52 €
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Ensemble de Percussions
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
Don't Worry, Be Happy
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
13.59 €
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Ensemble de Percussions
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
PIZZICATO POLKA by Johann Strauss for 4 violins ensemble
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.866910 Composed by Johann …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.866910 Composed by Johann Strauss Jr. Arranged by Peyber A. Medina H. Concert,Folk,Romantic Period. Score and parts. 35 pages. Peyber Medina #5777543. Published by Peyber Medina (A0.866910). Fun to play and awesome to hear, an arrangement from the popular Pizzicato Polka by Johann Strauss Jr. made by Peyber A. Medina H. for Violin Ensemble, 9 violins divided into 4 parts. Listen the audio, this is a piece of sheet music you will purchase for sure!
$19.99
18.12 €
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Ensemble de Percussions
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Johann Strauss Jr
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Peyber A
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PIZZICATO POLKA by Johann Strauss for 4 violins ensemble
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Peyber Medina
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SheetMusicPlus
Zona Centro (Downtown)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis C…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Score and parts. 119 pages. Azdi #5983083. Published by azdi (A0.1029902). Downtown area Musical work, for chamber orchestra, which recreates the atmospheres experienced when walking through the streets of the downtown area of ​​my city (Tijuana). Using the popular urban rhythms that can be heard live, performed by all the city's musicians, such as: Rap hip hop). The most popular and booming genre among young people in this city in particular and throughout Mexico in general. Jazz, which since the 1960s has been played on the legendary Av. Revolución. Aztec Dance (Mexica) that is still practiced by various circles of the city and the country, preserving ancient cultures. Reggae. Music of conscience and positive message, which is the most listened to and performed by numerous local and independent bands from the northern border. Divided into three parts, it begins with a melody or main theme, such as the bass line used on rap tracks, played first by the trombone, the double bass, and later also by the other instruments, on a rhythmic basis in the section of percussions with a characteristic rhythm of rap music at a speed of 90 bpm.
$33.00
29.92 €
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Ensemble de Percussions
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Luis Carlos Diaz
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Luis Carlos Diaz
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Zona Centro
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azdi
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SheetMusicPlus
Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.4 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.34 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Tempest's Suite
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.1010676 Composed by Zachary C. Danie…
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Percussion Ensemble - Digital Download SKU: A0.1010676 Composed by Zachary C. Daniels. Contemporary. Score and parts. 32 pages. Divisi Labs #6565211. Published by Divisi Labs (A0.1010676).
$9.99
9.06 €
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Ensemble de Percussions
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Zachary C
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Tempest's Suite
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Divisi Labs
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SheetMusicPlus
Ice In The Sun
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.1019771 Composed by Rennard Stafford…
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Percussion Ensemble - Digital Download SKU: A0.1019771 Composed by Rennard Stafford. Contemporary. Score and parts. 38 pages. Tempo X Percussion and Publications #5770829. Published by Tempo X Percussion and Publications (A0.1019771). This is a majestic piece comprised of harmonic mallet percussion, diverse time-signatures, grooves and rudimental rhythms that'll take you on an magical adventure. This manuscript will capture the hearts and the minds of the dreamer into another world by this classy musical literature. .
$31.99
29.01 €
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Ensemble de Percussions
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Rennard Stafford
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Ice In The Sun
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Tempo X Percussion and Publications
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SheetMusicPlus
Calm Down - Score Only
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1316039 By rema. By Alexan…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1316039 By rema. By Alexandre Uwaifo, Divine Ikubor, Michael Hunter, Rema Gomez, and Selena Gomez. Arranged by Bradley Lithgow. 21st Century,Contemporary,Multicultural,Pop,Traditional,World. 6 pages. Bradley Lithgow #904788. Published by Bradley Lithgow (A0.1316039). I have made this an easy accessible arrangement, ideally suited for marimbas made by The Marimba Workshop (PTY) Ltd (see www.marimbaworkshop.co.za), but can be adapted for other instruments. Diatonic in C, in the style of South African Marimba Bands. I would love to hear your version of this arrangement, please drop me an email on bradley@marimbaworkshop.co.za.
$16.99
15.4 €
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Ensemble de Percussions
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rema
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Bradley Lithgow
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Calm Down - Score Only
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Bradley Lithgow
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SheetMusicPlus
What Universe Lies Within
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.912929 Composed by Brandon…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
9.06 €
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Ensemble de Percussions
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Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Clouds on the River
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1011398 Composed by Derek …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1011398 Composed by Derek Larson. 20th Century,Contemporary. Score and parts. 1 pages. Derek Larson #3395773. Published by Derek Larson (A0.1011398). Clouds on the River is an easy percussion ensemble that is pleasing to the ear and easy to accomplish. The piece requires 12 players but is easier with 13 (dividing up the marimba part between two players). The emphasis is on the mallet instruments, but there is no vibe part. The chimes part can be played on the Vibes with hard mallets if there are no chimes. The instrumentation is: Timpani, Cymbals, Gong, Glockenspiel, Xylophone, Marimba, Chimes, Congas, Snare, Bass Drum, Triangle, Rainstick.
$10.00
9.07 €
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Ensemble de Percussions
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Derek Larson
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Clouds on the River
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Derek Larson
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SheetMusicPlus
Morning (SCORE ONLY)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.782626 Composed by Ashlee …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.782626 Composed by Ashlee T Busch. 20th Century,Contemporary. Score and parts. 47 pages. Ashlee T Busch #3629077. Published by Ashlee T Busch (A0.782626). Morning is an exercise in musical meditation. Each line should be brought out soloistically but with attention to the atmosphere of the sound world. Like walking down a crowded sidewalk, each face contributes color, expression and individualism. However, as one moves further and further away, the faces begin to blur. Morning is the 9am walk on that crowded street, the swaying of a thousand corn stalks in an endless field, and the drops of water that make up an ocean. Always in a crowd. Always alone.
$15.00
13.6 €
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Ensemble de Percussions
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Ashlee T Busch
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Morning
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Ashlee T Busch
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SheetMusicPlus
The Peanut Vendor (el Manisero)
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.978096 By Louis Armstrong …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.978096 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Idalmo Santos. Contemporary. Score and parts. 15 pages. Idalmo Santos #5803133. Published by Idalmo Santos (A0.978096). Arreglo para 3 trombones y 1 tuba o trombón bajo y percusión. Incluye una parte para suelos de improvisación. Diviértete jugando con tus amigos.Arrangement for 3 trombones and 1 tuba or bass trombone and percussion. Includes a part for improvisational soils. Have fun playing with your friends.
$12.99
11.78 €
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Ensemble de Percussions
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Louis Armstrong & His Orchestra
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Idalmo Santos
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The Peanut Vendor
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Idalmo Santos
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SheetMusicPlus
Professor Burble's fourth invention
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.576482 Composed by David W…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.576482 Composed by David Warin Solomons. 20th Century,Contemporary,Jazz. Score and parts. 27 pages. David Warin Solomons #26925. Published by David Warin Solomons (A0.576482). A mad professor I invented during my childhood has been given fictional responsibility for some of my more outside the box compositions. I called him Professor Burble; he was probably inspired by TV cartoons in the 1960s.... The first Invention was for guitar solo (published by Productions d'Oz), the third one one was for two wind instruments (published by Musik Fabrik), and this one - number 4 - is for piano, strings, gong, cymbal, bass drum and side drum. It is in a relentless 5/4 rhythm and starts with a fugato idea on piano and strings (including several divisi moments), with gongs, cymbal and snare drums beginning about a minute into the piece.
$12.00
10.88 €
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Ensemble de Percussions
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David Warin Solomons
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Professor Burble's fourth invention
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David Warin Solomons
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