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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
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DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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SAXOPHONE
SYNTHETISEUR
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VIOLONCELLE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
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expert
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Non classifié
2188
PIANO & CLAVIERS
Piano seul
2233
Piano, Voix
661
Piano Facile
610
Piano, Voix et Guitare
522
Instruments en Do
504
Orgue
121
1 Piano, 4 mains
31
Piano Trio: piano, violon, violoncelle
29
Accompagnement Piano
22
Piano grosses notes
19
Orgue, Piano (duo)
16
Piano Quatuor: piano, violon, alto, violoncelle
14
2 Pianos, 4 mains
9
Accordéon
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Trompette (duo)
2
Clavier
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano (partie séparée)
2
Clavecin
2
Instrumentations suivantes
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GUITARES
Guitare
163
Ligne De Mélodie, (Paroles) et Accords
138
Guitare notes et tablatures
81
Ukulele
37
Basse electrique
22
Paroles et Accords
6
2 Guitares (duo)
6
Dulcimer
5
Mandoline
4
Banjo
3
Guitare (partie séparée)
3
2 Ukuleles
2
Piano, Guitare (duo)
2
3 Guitares (trio)
1
Basse électrique (partie séparée)
1
Ensemble de guitares
1
Guitare, Orchestre
1
Instrumentations suivantes
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VOIX
Chorale SATB
912
Chorale 3 parties
304
Chorale 2 parties
123
Chorale TTBB
85
Voix Soprano, Piano
77
Chorale Unison
74
Chorale SSAA
67
Voix Alto, Piano
32
Voix Tenor
27
Voix Soprano
23
Chorale
15
Voix duo
15
Voix duo, Piano
12
Voix Tenor, Piano
12
Voix seule
12
Chorale SSATB
6
Voix Baryton, Piano
6
Voix Mezzo-Soprano, Piano
6
Voix basse, Piano
5
Voix haute
4
Chorale SSAATTBB
3
Voix moyenne, Piano
2
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
1
Chorale SATTBB A Cappella
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
340
Flûte traversière et Piano
261
Hautbois, Piano (duo)
222
Clarinette et Piano
199
Clarinette
189
Saxophone (partie séparée)
185
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
165
Flûte traversière
158
Saxophone Alto et Piano
158
Saxophone Alto
144
Quatuor de Saxophones: 4 saxophones
143
2 Clarinettes (duo)
133
Flûte, Hautbois, Clarinette, Basson
131
2 Flûtes traversières (duo)
129
Saxophone Tenor et Piano
106
Saxophone Soprano et Piano
102
Quintette de Saxophone: 5 saxophones
93
Saxophone, Clarinette (duo)
90
Hautbois (partie séparée)
84
Saxophone Baryton, Piano
77
Clarinette, Violon (duo)
71
Hautbois
69
Hautbois, Basson (duo)
68
2 Hautbois (duo)
67
Quatuor de Clarinettes: 4 clarinettes
56
Flûte, Clarinette (duo)
54
Saxophone Tenor
49
Quatuor de Flûtes : 4 flûtes
47
Clarinette (partie séparée)
47
Clarinette, Trompette (duo)
43
Clarinette et Alto
43
Hautbois, Clarinette (duo)
42
Flûte, Violon
42
Saxophone Baryton
39
Saxophone Soprano
37
Cor anglais, Piano
36
Flûte, Alto (duo)
35
Hautbois, Violoncelle
34
Hautbois, Flûte
32
Flûte à bec Soprano
31
Flûte, Saxophone (duo)
30
Flûte, Violoncelle
30
Ensemble de Clarinettes
30
Clarinette, Violoncelle (duo)
30
3 Saxophones (trio)
29
2 Flûte à bec (duo)
28
Clarinette, Basson (duo)
26
3 Clarinettes (trio)
26
Cor Anglais
24
Quintette de Clarinettes: 5 clarinettes
21
Flûte à Bec
20
Flûte à bec Alto
18
Trio de Flûtes: 3 flûtes
18
Flûte, Trompette (duo)
18
Flûte, Clarinette et Basson
16
Flûte à bec Tenor
16
Clarinette Basse, Piano
15
Ensemble de Flûtes
14
Flute (partie séparée)
13
Hautbois et alto (duo)
12
Flûte, Hautbois, Clarinette (trio)
11
Flûte, Violon, Piano
10
Quintette de Flûte : 5 flûtes
10
Hautbois, violon (duo)
9
Flûte, Hautbois, Basson
9
Ensemble de saxophones
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Basson et Piano
7
Quatuor de Flûtes à bec
6
Flûte, Clarinette, Piano (trio)
6
Flûte et Guitare
5
Flûte, Hautbois (duo)
5
Flûte, Violoncelle, Piano (trio)
5
Clarinette Basse
5
Flûte, Alto et Piano
4
Flûte, Violon et Violoncelle
4
Clarinette, Basson, Piano (trio)
4
Hautbois, Violon, Piano
4
Clarinette, Violoncelle, Piano (trio)
4
Clarinette, Contrebasse (duo)
4
Flûte à bec Soprano, Piano
4
Flûte, Trombone (duo)
3
Flute, harpe et violon
3
Clarinette, Harpe (duo)
3
Piccolo, Piano
3
Clarinette, Alto et Piano (trio)
3
Hautbois, trombone (duo)
3
3 Flûtes à bec (trio)
3
Clarinette, Tuba
3
Flûte traversière, Orgue (duo)
3
Flûte traversière, Basse continue
3
Flûte, Harpe et Violoncelle
2
Piccolo
2
5 Flûtes à bec
2
Hautbois, Basson et Piano
2
Hautbois, Violoncelle et Piano
2
Saxophone et Orgue
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte, Hautbois, Piano (trio)
2
Ensemble De Flûte à bec
2
2 Cors Anglais Et Pianoforte
2
Saxophone et Guitare
2
Flûte, Tuba (duo)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes traversières, Piano
1
Flûte à Bec, Piano
1
4 Hautbois
1
Flûte et Trio à cordes
1
2 Saxophones, Piano
1
Saxophone et Harpe
1
Clarinette, Orgue
1
Cor anglais et Harpe (duo)
1
Cornemuse
1
Hautbois, Guitare (duo)
1
Saxophone et Piano
1
Hautbois, Harpe
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
224
Trombone et Piano
178
Trompette
161
Cor et Piano
141
Trompette, Piano
140
Cor
125
Trombone
123
Tuba et Piano
99
Tuba
96
2 Trombones (duo)
71
Trio de Cuivres
69
Trompette, Saxophone (duo)
65
2 Trompettes (duo)
65
Quatuor de Cuivres: 2 trompettes, Cor, trombone
58
Trombone (partie séparée)
53
Trompette, Trombone (duo)
47
Trompette (partie séparée)
44
2 Cors (duo)
44
Cor anglais, Piano
36
Quatuor de cuivres: 4 trombones
30
Euphonium, Piano (duo)
28
Quatuor de Cuivres
25
Cor (partie séparée)
25
Cor Anglais
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
2 Tubas (duo)
19
Tuba (partie séparée)
18
Quatuor de cuivres: 4 cors
17
Cor, Violoncelle (duo)
13
4 Tubas
12
Trompette, Violoncelle (duo)
10
Euphonium
9
Trompette, Cor (duo)
8
2 Euphoniums (duo)
4
3 Trombones (trio)
4
Trompette, Basson (duo)
4
Ensemble de Trompettes
4
Trombone basse
4
Cor et Basson (duo)
4
Ensemble de Trombones
4
Trompette, Tuba (duo)
3
2 Euphoniums et 2 Tubas
3
Trombone, Tuba (duo)
3
Tuba et Orgue
3
Trombone, Violon (duo)
3
Ensemble de Cors
3
Trombone basse et Piano
2
Trombone, Orgue
2
Trombone et orchestre
2
Euphonium, Tuba (duo)
2
Trompette, Trombone, Piano
2
2 Cors Anglais Et Pianoforte
2
Quatuor de cuivres: 4 trompettes
1
3 Cors (trio)
1
Cor, Tuba (duo)
1
Clarinette, Cor (duo)
1
Trompette et Guitare
1
Cor et Orgue
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Harpe
1
Trombone, Cor (duo)
1
Cor anglais et Harpe (duo)
1
3 Trompettes (trio)
1
Instrumentations suivantes
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CORDES
Violon et Piano
335
Quatuor à cordes: 2 violons, alto, violoncelle
323
Violon
271
Violoncelle, Piano
243
Alto, Piano
235
Alto seul
128
Violoncelle (partie séparée)
125
2 Violons (duo)
103
Violon, Violoncelle (duo)
92
Contre Basse
90
Contrebasse, Piano (duo)
83
2 Violoncelles (duo)
80
Violoncelle
76
2 Altos (duo)
69
Violon, Alto (duo)
64
Trio à Cordes: violon, alto, violoncelle
58
Quintette à cordes: 2 violons, alto, violoncelle, basse
56
Violon (partie séparée)
51
Harpe
40
Alto (partie séparée)
31
Alto, Violoncelle (duo)
27
Violon, Basson (duo)
24
Trio à Cordes: 2 violons, violoncelle
20
2 Contrebasses (duo)
18
Contrebasse (partie séparée)
18
Alto et Basson
13
Piano Trio: Violon, Alto, Piano
12
2 Harpes (duo)
11
4 Violoncelles
8
Violoncelle, Contrebasse (duo)
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Harpe, Voix
6
Violon, Guitare (duo)
6
Violon, Clarinette, Piano (trio)
6
Quatuor à cordes: 4 violons
5
Violoncelle , Guitare (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Flûte, Contrebasse (duo)
4
Harpe, Violon, Violoncelle
4
Harpe, Violoncelle (duo)
4
Violon, Orgue
4
Harpe, Flûte (duo)
3
Trio à Cordes: 3 violoncelles
3
Violon, Tuba (duo)
3
Trio à cordes: 3 violins
3
Harpe, Violon (duo)
3
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
2
Alto, Orgue
2
Violoncelle, Orgue
2
Violon, Violoncelle, Clarinette
2
2 Violoncelles, Piano
1
Autoharp
1
Violoncelle, Basse continue
1
Alto et Harpe
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Harpe, Trombone (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
953
Orchestre à Cordes
229
Orchestre
114
Cloches
80
Ensemble de cuivres
52
Orchestre de chambre
39
Percussion (partie séparée)
37
Ensemble Jazz
36
Marimba
27
Xylophone
18
Jazz combo
14
Fanfare
12
Vibraphone
10
Xylophone, Piano
10
Ensemble de Percussions
10
Batterie
10
Batterie (partie séparée)
9
Percussion
9
Timbales (partie séparée)
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
2 Xylophones
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
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Ensemble de Percussions
Partitions à imprimer
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1
ANANGULA - an Australian Piece
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1025837 Composed by E Rile…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1025837 Composed by E Riley. 20th Century,Contemporary. Score and parts. 11 pages. E Riley #5298347. Published by E Riley (A0.1025837). ANANGULA - an Australian pieceAnangula is Aboriginal for Australia. This Ross Edwards-inspired piece takes you on a journey through Australia's marvellous Daintree Rainforest as you experience the echoes of the infamous Green Tree Frog and it's mates (imitated by the Marimba),the ostinato hum of Australian crickets (imitated by the Wood Blocks) and delicate glimpses of surrounding insects (imitated by the Xylophone). The Alto flute is to be played meditatively calm with lots of expressive vibrato and a few energetic moments.
$10.50
9.64 €
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Ensemble de Percussions
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E Riley
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ANANGULA - an Australian Piece
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E Riley
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SheetMusicPlus
Were You There--Parts
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.809462 Composed by Traditional. Arra…
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Percussion Ensemble - Digital Download SKU: A0.809462 Composed by Traditional. Arranged by Marilyn Thompson. African,Easter,Folk,Sacred,Spiritual. Score and parts. 22 pages. Marilyn Thompson #5985027. Published by Marilyn Thompson (A0.809462). Expressive duo piano setting for church, school or recital of the soulful spiritual. Medium-difficult level. Optional orchestral score and duo piano score available on separate posts. ASCAP, Facebook.
$19.99
18.36 €
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Ensemble de Percussions
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Traditional
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Marilyn Thompson
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Were You There--Parts
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Marilyn Thompson
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SheetMusicPlus
Sweet Dreams (are Made Of This)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics.…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 100 pages. Bluesilhouettes Music #912276. Published by Bluesilhouettes Music (A0.1324084). Annie Lennox and David Stewart had recently ended their relationship and disbanded their band. They still worked together - and built this song in a tiny warehouse using whatever technology they could get their hands on. In a day where most music was produced in the large studios backed by industry money - they pioneered a hit without the big studio. Securing a loan, they procured essential equipment—a compact setup comprising an 8-track tape recorder, mixer, effects processors, synthesizers, a drum computer, and a compact dynamic microphone. Some of the emotions from their lives went into the song - a fresh start on the heels of emotional events. Reflecting on that period, Lennox candidly remarked, “I was feeling very vulnerable. The song was an expression of how I felt: hopeless and nihilistic.â€This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Listen to mockup offsite
$34.99
32.13 €
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Ensemble de Percussions
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The Eurythmics
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David R
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Sweet Dreams
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Bluesilhouettes Music
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SheetMusicPlus
Two Irish Tunes (for Mixed Octet)
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.710901 Composed by Irish F…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.710901 Composed by Irish Folk Song. Arranged by Tsuyoshi Yoroiguma. Classical,Folk,Instructional. Score and parts. 24 pages. Tsuyoshi Yoroiguma #29389. Published by Tsuyoshi Yoroiguma (A0.710901). This arrangement contain two lovely Irish songs:The Last Rose of Summer / Down By the Sally Gardens.Opening glocken solo brings you to a nostalgic world,and clarinet starts to sing the first tune. The second tune is played mainly by horn with tamburine rythm.In the last part,two tunes are mixed and increase expression. Enjoy beautiful melodies of Irish gardens ! Trombone part can be played by euphonium. Saxophone part is opptional.Playing time:3min.35sec.
$16.00
14.69 €
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Ensemble de Percussions
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the Sally Gardens
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Irish Folk Song
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Tsuyoshi Yoroiguma
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Two Irish Tunes
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Morning (SCORE ONLY)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.782626 Composed by Ashlee …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.782626 Composed by Ashlee T Busch. 20th Century,Contemporary. Score and parts. 47 pages. Ashlee T Busch #3629077. Published by Ashlee T Busch (A0.782626). Morning is an exercise in musical meditation. Each line should be brought out soloistically but with attention to the atmosphere of the sound world. Like walking down a crowded sidewalk, each face contributes color, expression and individualism. However, as one moves further and further away, the faces begin to blur. Morning is the 9am walk on that crowded street, the swaying of a thousand corn stalks in an endless field, and the drops of water that make up an ocean. Always in a crowd. Always alone.
$15.00
13.77 €
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Ensemble de Percussions
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Ashlee T Busch
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Morning
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Ashlee T Busch
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SheetMusicPlus
Silent Night Prelude for percussion octet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.58 €
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Ensemble de Percussions
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
One Hour to Madness
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
4.58 €
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Ensemble de Percussions
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.91 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Black Hole Sun
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1345315 By Soundgarden. By…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1345315 By Soundgarden. By Chris Cornell. Arranged by David R. Peoples. Classical,Contemporary,Grunge,Rock. 68 pages. Bluesilhouettes Music #930151. Published by Bluesilhouettes Music (A0.1345315). What I really like about this song is its uniqueness... is it grunge? Psychedelic? Alternative? Hard Rock? Contemporary chamber music? Theoretically - is it some sort of jazz-fuzed harmonic progression or a clever soundscape of melody notes outside of chords? This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of rock, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Hear full digital audio mockup offsite
$34.99
32.13 €
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Ensemble de Percussions
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Soundgarden
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David R
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Black Hole Sun
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Bluesilhouettes Music
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SheetMusicPlus
Come To Me
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
32.13 €
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Ensemble de Percussions
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Bjork Gudmundsdottir
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David R
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
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