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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
120507
PIANO & CLAVIERS
Piano seul
178847
Piano, Voix et Guitare
120166
Piano, Voix
77511
Piano Facile
38084
Orgue
10924
Piano grosses notes
6924
Instruments en Do
5959
Accompagnement Piano
5220
1 Piano, 4 mains
5096
Accordéon
3988
Piano Trio: piano, violon, violoncelle
1286
2 Pianos, 4 mains
912
Piano (partie séparée)
603
Piano Quatuor: piano, violon, alto, violoncelle
394
Orgue, Trompette (duo)
339
Piano Quatuor: piano, 2 violons, violoncelle
309
Orgue, Piano (duo)
223
Accordéon, Voix
209
Ligne De Mélodie, Piano
206
Piano Quintette: piano, 2 violons, alto, violoncelle
202
Clavecin
166
1 Piano, 6 mains
114
Clavier
97
2 Accordéons
50
Instrument seul et Orgue
44
2 Pianos, 8 mains
38
Ensemble d'Accordéons
22
Tous Les Instruments
17
Orgue, Voix
16
Accordéon, Piano
12
2 Orgues (duo)
8
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Accordéon et Orchestre
6
Ensemble de Pianos
5
Accordéon, Corde(s)
5
Orgue et Orchestre
4
Concertina
3
3 Pianos
2
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
56034
Ligne De Mélodie, (Paroles) et Accords
29325
Guitare
20015
Paroles et Accords
13533
Ukulele
10052
Basse electrique
8122
2 Guitares (duo)
1431
Guitare (partie séparée)
1343
Mandoline
727
Piano, Guitare (duo)
712
4 Guitares (Quatuor)
647
Banjo
613
Ensemble de guitares
488
Dulcimer
424
3 Guitares (trio)
282
Partitions De Groupes
280
Ukulele Baryton
181
Basse électrique (partie séparée)
163
Guitare Pedal Steel
155
Ensemble de Ukulélés
114
Mandoline, Piano (duo)
56
Guitare, Violon, Violoncelle (trio)
38
Mandoline, Guitare (duo)
37
Dobro
36
2 Dulcimers (duo)
25
2 Ukuleles
19
Guitare, Flûte, Clarinette
14
Guitare, Orchestre
7
Cithare
7
2 Mandolines (duo)
6
Orchestre à Plectres
5
Guitare, Quatuor à cordes
5
Luth
4
Guitare, Harpe
2
Guitare Tab, Voix, Basse, Batterie
2
2 Guitares et Orchestre
1
2 Guitares, Clarinette (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
39647
Chorale 3 parties
16466
Chorale 2 parties
11777
Chorale
7063
Voix seule
6956
Chorale TTBB
6684
Chorale Unison
4587
Chorale SSAA
3708
Voix duo, Piano
3166
Voix duo
1281
Voix Soprano, Piano
938
Voix haute
842
Voix basse, Piano
482
Voix, Guitare
260
Voix Moyenne
240
Voix Tenor, Piano
237
Voix Alto, Piano
234
Voix moyenne, Piano
220
Chorale SSATB
119
Voix Tenor
117
Voix Mezzo-Soprano, Piano
112
Chorale SSAATTBB
104
Voix Baryton, Piano
83
Voix Soprano
71
Soli, choeur mixte et accompagnement
68
Chorale, Orgue
59
Chorale SSATBB
50
Chorale SSATTB
43
Voix d'Enfants
42
Voix basse
42
Chorale SSAB, Piano
35
Chorale SSAB a cappella
30
Voix Baryton
17
Voix haute, Piano
17
Chorale SSAATB
11
Chorale SATBB
10
Male Voice
9
Voix duo, Orgue
7
Voix Soprano, Orchestre
5
Chorale SATTBB A Cappella
4
Chorale SAATB A Cappella
4
Paroles Seulement
3
Chorale SATTBB, Clavier
2
Voix et basse continue
2
Voix d'Enfants, Piano
2
Chorale SSAATB A Cappella
2
Chorale SATTB
2
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
17849
Saxophone
16427
Flûte traversière
16387
Clarinette
15981
Flûte traversière et Piano
9973
Clarinette (partie séparée)
9225
Saxophone Alto
8724
Quatuor de Saxophones: 4 saxophones
7399
Clarinette et Piano
6322
Hautbois, Piano (duo)
5778
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5552
2 Saxophones (duo)
5545
Saxophone Alto et Piano
5526
2 Flûtes traversières (duo)
4820
Flûte, Hautbois, Clarinette, Basson
4772
Quatuor de Clarinettes: 4 clarinettes
4756
Saxophone Tenor
4745
Hautbois (partie séparée)
4418
2 Clarinettes (duo)
4226
Saxophone Tenor et Piano
4201
Flute (partie séparée)
3633
Quatuor de Flûtes : 4 flûtes
2656
Saxophone Soprano et Piano
2482
Quintette de Saxophone: 5 saxophones
2203
Flûte à Bec
2069
3 Saxophones (trio)
1992
3 Clarinettes (trio)
1990
Hautbois
1963
Flûte, Clarinette (duo)
1775
Flûte et Guitare
1716
Ensemble de Clarinettes
1470
Trio de Flûtes: 3 flûtes
1425
Ensemble de Flûtes
1181
Saxophone Soprano
1090
Saxophone Baryton, Piano
1072
2 Hautbois (duo)
1051
Ensemble de saxophones
984
Quintette de Clarinettes: 5 clarinettes
931
Cor anglais, Piano
910
Instruments en Mib
891
Quatuor de Flûtes à bec
830
Flûte, Violon
795
Hautbois, Basson (duo)
744
Clarinette, Violon (duo)
737
2 Flûte à bec (duo)
732
Flûte à bec Soprano
664
Hautbois, Clarinette (duo)
639
Saxophone, Clarinette (duo)
633
Harmonica
525
Flûte, Clarinette et Basson
524
Flûte, Hautbois, Clarinette (trio)
502
Clarinette, Guitare (duo)
468
Clarinette, Basson (duo)
455
Flûte à bec Alto
454
Flûte, Violoncelle
424
3 Flûtes à bec (trio)
419
Flûte, Hautbois, Basson
401
Clarinette Basse, Piano
378
Flûte, Hautbois (duo)
378
Quintette de Flûte : 5 flûtes
377
Ocarina
369
Hautbois, Clarinette, Basson (trio d'anches)
341
Piccolo
334
Clarinette, Trompette (duo)
323
Hautbois, Flûte
323
Cor Anglais
306
Flûte, Clarinette, Piano (trio)
289
Clarinette, Violoncelle (duo)
286
Flûte, Alto (duo)
273
Clarinette et Alto
265
5 Flûtes à bec
259
Flûte, Saxophone (duo)
258
Clarinette, Harpe (duo)
257
Flûte, Violoncelle, Piano (trio)
246
Flûte, Violon et Violoncelle
227
Flûte, Violon, Piano
223
Ensemble De Flûte à bec
213
2 Saxophones, Piano
209
Saxophone Baryton
195
2 Flûtes traversières, Piano
194
Hautbois, Violoncelle
173
Clarinette Basse
170
Hautbois, violon (duo)
166
Flûte, Trompette (duo)
165
3 Hautbois
162
Flûte à bec Soprano, Piano
159
2 Clarinettes, Piano
146
Saxophone et Piano
145
Flûte à bec Alto, Piano
143
Flûte, Trombone (duo)
125
Flûte, Hautbois, Violon
122
Saxophone et Guitare
117
Hautbois, Guitare (duo)
114
Flûte, Basson et Piano
110
Flûte à Bec, Piano
110
Flûte irlandaise
109
Flûte, Clarinette, Violon (trio)
104
Cor anglais, Guitare (duo)
100
Clarinette, Violoncelle, Piano (trio)
90
Flûte à bec Tenor
89
2 Clarinettes, Basson
85
Saxophone, Violon (duo)
84
Flûte, Harpe et Violoncelle
79
Ensemble à vent
79
4 Hautbois
72
Flûte traversière, Orgue (duo)
69
Flute, harpe et violon
67
Hautbois et alto (duo)
65
Saxophone et Orgue
61
Flûte à bec, Guitare (duo)
61
Clarinette, Trombone (duo)
57
Flûte, Hautbois, Piano (trio)
57
Piccolo, Piano
56
Cornemuse
55
Flûte, Clarinette, Cor, Basson (Quartet)
54
Flûte, Violon, Violoncelle et Piano
53
Flûte, Alto et Piano
50
Hautbois, Harpe
46
Saxophone et Harpe
43
Harmonica, Piano
42
Saxophone, Basson (duo)
41
Flûte et Trio à cordes
38
Flûte à bec Alto, Basse continue
38
Hautbois, trombone (duo)
36
Clarinette, Basson, Piano (trio)
35
Flûte, trombone et piano
33
Clarinette, Alto et Piano (trio)
33
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
31
Clarinette, Tuba
29
Flûte, Tuba (duo)
28
Quintette de Clarinette: Clarinette, Quatuor à Cordes
28
2 Cors Anglais Et Pianoforte
28
Flûte, Violoncelle, Guitare
26
Flûte, Violon, Guitare
26
Flute, Cor (duo)
25
Clarinette, trompette et piano
23
Clarinette, Orgue
21
Flûte traversière, Orchestre
21
Hautbois, Violoncelle et Piano
20
Saxophone et violoncelle
19
Flûte et Quatuor à Cordes
17
2 Hautbois, Piano
17
Flûte, alto et harpe
16
Hautbois, Basson et Piano
16
Clarinette, Contrebasse (duo)
15
Hautbois, Violon, Piano
13
Clarinette, Orchestre
13
2 Flûtes à bec, Piano
13
2 Flûtes traversières, Guitare
13
Ensemble de Hautbois
11
Flûte à bec, Harpe
10
Cor anglais et Harpe (duo)
9
Hautbois, Clarinette et Piano (Trio)
9
Saxophone, Tuba (duo)
9
Hautbois, Violin, Alto et Violoncelle (Quatuor)
8
Hautbois, Orgue
7
Flûte traversière, Basse continue
7
Flûte, Alto et Violoncelle
7
Clarinette, Quatuor à cordes et Piano
6
Flûte de Pan
6
2 Hautbois et Cor anglais
5
Flûte à bec Soprano, Basse continue
5
2 Hautbois et Basson
4
Hautbois, Quatuor à cordes
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
2 Flûtes traversières, Harpe
3
Hautbois, Clarinette, Basson et Piano
2
2 Flûtes à bec, Guitare
2
Hautbois et Orchestre
2
Melodica
2
2 clarinettes, 2 bassons
1
2 Flûtes, Basse continue
1
Flute, alto, violoncelle et guitare
1
Flûte, Guitare, Piano
1
3 Flûtes à bec, Piano
1
Clarinette, Saxophone, Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
14131
Trombone
11398
Trombone (partie séparée)
11326
Trompette (partie séparée)
7691
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7348
Cor
5659
Trompette, Piano
5253
Trombone et Piano
4421
Cor (partie séparée)
4209
Tuba (partie séparée)
3540
Cor et Piano
3141
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3109
2 Trompettes (duo)
2381
Tuba
2362
2 Trombones (duo)
2096
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1533
Tuba et Piano
1466
Quatuor de Cuivres
1381
Trompette, Trombone (duo)
1191
Euphonium
1068
Quatuor de cuivres: 4 trombones
1039
Bass Clef Instruments
980
2 Cors (duo)
950
Instruments en Sib
917
Cor anglais, Piano
910
Euphonium, Piano (duo)
872
Quatuor de cuivres: 4 cors
718
Trompette, Saxophone (duo)
595
4 Tubas
549
Trompette, Cor (duo)
482
Trio de Cuivres
480
Ensemble de Trombones
412
Cornet A Pistons
359
2 Tubas (duo)
307
Cor Anglais
306
Instruments en Fa
296
3 Trombones (trio)
247
3 Trompettes (trio)
233
Ensemble de Trompettes
225
2 Euphoniums et 2 Tubas
220
Quatuor de cuivres: 4 trompettes
214
Ensemble de Cors
206
Tuba ou Euphonium ou Saxhorn
202
Euphonium, Tuba (duo)
127
2 Trompettes, Clavier (piano ou orgue)
124
Trompette, violon (duo)
108
Trombone basse
104
Trompette, Basson (duo)
101
Cor anglais, Guitare (duo)
100
Quatuor de cuivres: 2 trompettes, 2 trombones
99
Trompette, Tuba (duo)
95
Tuba et Orgue
92
Cor, Violoncelle (duo)
86
Trombone, Tuba (duo)
80
2 Euphoniums (duo)
76
Trombone basse et Piano
76
Trombone, Cor (duo)
75
3 Cors (trio)
75
Trombone, Violon (duo)
75
Trompette, Violoncelle (duo)
71
Ensemble de Tubas
66
Trombone, Orgue
57
Cor, Tuba (duo)
56
Cor et Harpe
51
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
37
Trompette, Harpe
37
Cor et Basson (duo)
35
Trompette, Trombone, Piano
35
Clarinette, Cor (duo)
31
2 Cors Anglais Et Pianoforte
28
Cor et Orgue
22
Trompette, Violoncelle et Piano
19
Cor, Trompette, Trombone (trio)
19
Trompette et Guitare
17
3 Tubas (trio)
16
Trombone, Alto (duo)
13
Trompette, Orchestre
12
Cornet et Piano
11
3 Euphoniums
11
2 Cors, Piano
10
Cor anglais et Harpe (duo)
9
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
9
2 Trombones, Piano
8
Cor, Violoncelle et Piano
6
Bugle
6
Trombone et orchestre
6
Trompette, Euphonium (duo)
5
G Instruments
4
4 Euphoniums
4
Cor, Orchestre
3
Euphonium (partie séparée)
3
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Euphonium Ou Saxhorn Et Piano
2
Cornet et orchestre
2
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
19167
Violon
16486
Violon et Piano
13065
Alto seul
9346
Violoncelle, Piano
8242
Violoncelle
6873
Harpe
6360
Alto, Piano
6066
Violoncelle (partie séparée)
5904
Violon (partie séparée)
5463
2 Violons (duo)
4314
Violon, Violoncelle (duo)
4034
Contrebasse (partie séparée)
3215
Trio à Cordes: violon, alto, violoncelle
3062
2 Violoncelles (duo)
3024
Violon, Alto (duo)
2068
Alto (partie séparée)
1864
2 Altos (duo)
1664
Contre Basse
1625
Quintette à cordes: 2 violons, alto, violoncelle, basse
1558
Contrebasse, Piano (duo)
1216
Trio à Cordes: 2 violons, violoncelle
1090
Alto, Violoncelle (duo)
900
4 Violoncelles
793
Piano Trio: Violon, Alto, Piano
708
Violon, Guitare (duo)
700
Harpe, Flûte (duo)
683
Violoncelle , Guitare (duo)
549
Trio à cordes
511
Trio à cordes: 3 violins
498
Trio à Cordes: 3 violoncelles
463
2 Harpes (duo)
459
Harpe, Violon (duo)
357
Quatuor à cordes: 4 violons
346
Alto, Guitare (duo)
313
2 Contrebasses (duo)
259
Violoncelle, Contrebasse (duo)
236
Quatuor à cordes : 4 altos
218
Trio à Cordes: 2 violons, alto
213
Trio à cordes: 3 altos
171
Violon, Basson (duo)
169
2 Violons, Piano
149
Harpe, Violoncelle (duo)
114
Alto et Basson
108
Quintette à cordes: 2 violons, 2 altos, violoncelle
91
Alto et Harpe
69
4 Contrebasses
65
Ensemble de Violoncelles
64
Violon, Orgue
62
Harpe, Voix
61
Violon, Clarinette, Piano (trio)
59
Flûte, Contrebasse (duo)
50
2 Violoncelles, Piano
49
Violoncelle, Orgue
49
Harpe (partie séparée)
47
Quintette à cordes : 2 violons, alto et 2 violoncelles
45
Ensemble de Violons
40
Harpe, Violon, Violoncelle
39
Violoncelle, Orchestre
34
Violon, Tuba (duo)
32
Ensemble d'Altos
31
3 Harpes
28
Harpe et Piano
26
Harpe et mandoline
22
3 Contrebasses
20
Autoharp
18
2 Altos, Piano
17
Violoncelle et Marimba
15
Violon, Violoncelle, Clarinette
15
Alto, Orgue
13
Alto et orchestre
11
Violon, Basse continue
10
4 Harpes
10
Violon, Trompette et Piano
9
Harpe, Trombone (duo)
8
Harpe, Orchestre
7
Harpe et Orgue
7
Violoncelle, Basse continue
7
5 Harpes
6
Harpe, Quatuor à cordes
5
Ensemble de Contre basses
3
2 Violons et Basse continue
3
Violon, Contrebasse (duo)
2
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
36186
Orchestre
14443
Orchestre à Cordes
12687
Ensemble Jazz
8517
Batterie
8171
Percussion (partie séparée)
5001
Cloches
4360
Ensemble de cuivres
4098
Fanfare
3394
Orchestre de chambre
2719
Percussion
2567
Timbales (partie séparée)
1582
Jazz combo
1553
Batterie (partie séparée)
1229
Ensemble de Percussions
1027
Marimba
421
Xylophone
364
Vibraphone
294
Timbales
284
Caisse Claire
159
Quintette à Vent
139
Xylophone, Piano
111
Piano et Orchestre
89
Quatuor à Vent : 4 instruments à vents
74
2 Xylophones
48
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
35
Big band
30
Orchestre, Violon
30
Vibraphone et Marimba
29
Vibraphone, Piano
27
Quintette de Cuivres: autres combinaisons
26
Instrumentation Flexible
24
Ensemble d'École
23
Xylophone ou Marimba ou Vibraphone
10
2 Marimbas
9
Marimba, Piano (duo)
9
3 Marimbas
8
Marimba et Orgue
6
Bongos
6
Trio à Vent: 3 instruments à vents
5
Mariachi
4
Cajon
4
Voix et Orchestre
3
2 Caisses Claires (duo)
3
Vibraphone (partie séparée)
2
Marimba ou Xylophone et Piano
2
Bodhran
2
Conga
2
Orchestre Symphonique
2
3 Percussions
2
2 Percussions
2
Voix Mezzo-Soprano, Orchestre
1
Marimba, Saxophone (duo)
1
Xylophone (partie séparée)
1
Caisse Claire, Piano
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
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Théorie de la musique
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Papeterie
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Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
276.24 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
138.12 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
46.04 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Power Line for Two or More Energetic Drummers)
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1012689 Composed by Brian …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1012689 Composed by Brian Monroe. Instructional,Standards. Score and parts. 9 pages. BLM Music Publications (https://brianmonroemusic.com) #6890089. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1012689). Power Line: for 2 or More Energetic Percussionists is a two part ensemble for first year percussionist.  Performed on a drum pad, the work explores the sound a percussionist can make by playing on the head and rim of the pad and the metal stand on which the pad sits, and stick clicks  In addition, there are also vocal effects.  The performs say tzzzz imitating the sound or an electrical arc.  Rhythms include quarter note and eighth note patterns and a few instances of four sixteenth notes grouped into one beat (1e&a).  The performs are also asked to play flams, paradiddles and multi bounce rolls.  Finally there is a small section which features a drum to drum section where the performers will play on the pads on each side of the performer.  This is a fun and exciting work for your first year percussionist!  Enjoy!
$5.99
5.52 €
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Ensemble de Percussions
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Brian Monroe
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Power Line for Two or More Energetic Drummers)
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BLM Music Publications
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SheetMusicPlus
Forever
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.941720 By The Beach Boys. …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.941720 By The Beach Boys. By Dennis Wilson and Gregg Jakobson. Arranged by Derrick Crawford. Pop,Rock. Score and parts. 24 pages. Derrick Crawford #3875777. Published by Derrick Crawford (A0.941720). This powerful love song was written by Beach Boys drummer, Dennis Wilson, and his close friend Gregg Jakobson in 1970. In 1992, John Stamos, a.k.a. Uncle Jesse on the sitcom Full House, did a cover of the song with his group Jesse and the Rippers. The song was performed on the sitcom three times. Written for percussion ensemble, this arrangement will sweep you with nostalgia for the 90s!
$20.00
18.42 €
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Ensemble de Percussions
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The Beach Boys
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Derrick Crawford
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In 1992, John Stamos, a
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Forever
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Derrick Crawford
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.2 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
In My Room (Jacob Collier) for Percussion Ensemble
Ensemble de Percussions
Drums, Marimba, Vibraphone, Multi-Percussion, Hand Percussion, Percussion Ensemble, …
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Drums, Marimba, Vibraphone, Multi-Percussion, Hand Percussion, Percussion Ensemble, Bass Guitar - Early Intermediate - Digital Download By The Beach Boys (as performed by Jacob Collier). Arranged by Ryan Jonker. Score, Set of Parts. 26 pages. Published by Ryan Jonker Music
Here is a 2-mallet arrangement of "In My Room," as performed by Jacob Collier. Please watch the attached video to see and hear the score! Props to June Lee for the original transcription. Enjoy!<br> <br> https://youtu.be/hban0d9QihE<br> <br> More music like this can be found by searching "Ryan Jonker Music" on this website, or by visiting https://www.ryanjonkermusic.com
$29.99
27.62 €
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Ensemble de Percussions
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The Beach Boys
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Ryan Jonker
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In My Room
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Ryan Jonker Music
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SheetMusicPlus
Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.64 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Pops Standards Holiday Concert Series: Ukrainian Bell Carol (For Percussion Ensemble)
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.924257 Arranged by Forte Press. Chri…
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Percussion Ensemble - Digital Download SKU: A0.924257 Arranged by Forte Press. Christian,Christmas. Score. 14 pages. Forte Press #3243055. Published by Forte Press (A0.924257). This well-known Holiday Piece can be heard almost anywhere. This arrangement from Pops Standards gives the Percussion section of the Orchestra, a quick yet colorful arrangement of the famous carol. A perfect start to any Holiday Concert, as well as a great tool for practicing percussion instrument changes. Deluxe Score OnlyPerformance Time: 1'35Arranged By: Caleb SwiftPublished under Forte Press
$9.99
9.2 €
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Ensemble de Percussions
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Forte Press
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Pops Standards Holiday Concert Series: Ukrainian Bell Carol
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Forte Press
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SheetMusicPlus
Pops Standards Holiday Concert Series: Ukrainian Bell Carol (For Percussion Ensemble)
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.924256 Arranged by Caleb S…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.924256 Arranged by Caleb Swift. Contemporary. Score and parts. 28 pages. Forte Press #3243059. Published by Forte Press (A0.924256). This well-known Holiday Piece can be heard almost anywhere. This arrangement from Pops Standards gives the Percussion section of the Orchestra, a quick yet colorful arrangement of the famous carol. A perfect start to any Holiday Concert, as well as a great tool for practicing percussion instrument changes.Deluxe Score OnlyPerformance Time: 1'35Arranged By: Caleb SwiftPublished under Forte Press
$19.99
18.41 €
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Ensemble de Percussions
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Caleb Swift
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Pops Standards Holiday Concert Series: Ukrainian Bell Carol
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Forte Press
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SheetMusicPlus
Sharks' Teeth, a Musical Game for Percussion
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6203899. Published by Pharaoh Publications (A0.935392). Sharks’ Teeth, a Game for any Number of Percussionists. . . . . . . . . . . . . . . Dan Heslink Sharks’ Teeth is a musical game, or contest, between two or more percussionists. It is based on rhythm, and can therefore be executed on any combination of indefinitely-pitched percussion instruments. Its execution relies on guided improvisation governed by preconceived thematic material and manners of elaboration. In addition to the two or more contestants, another musician functions as a Game Meister (GM) who controls that game’s progress and evaluation. Enclosed are the game instructions for a contest of guided improvisation, and a notated example for two percussionists and Game Meister, Shark’s Tooth. This score can also be played on recital. After reading the contest instructions, the composer recommends that contestants next play the notated example before attempting the game through improvisation. Besides being fun to play, this game is also an excellent tool for fostering concentration, musicality, memory and an understanding of musical structure. The composer, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.
$9.99
9.2 €
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Ensemble de Percussions
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Dan Heslink
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Sharks' Teeth, a Musical Game for Percussion
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Pharaoh Publications
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SheetMusicPlus
Minuet in G (in the Key of Cool!) - Boomwhackers
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.891145 Composed by Christi…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 pages. Shelly Davis #3507305. Published by Shelly Davis (A0.891145). This arrangement takes this familiar Baroque tune and arranges it to be played with three sets of Boomwhackers (plus a fourth B if you have one). After the familiar tune is established, the arrangement changes time signatures and offers a fun swinging version of the melody. The original melody is transposed from G Major to C Major (the Key of Cool) so that the arrangement can be played on a regular classroom set of diatonic Boomwhackers, without the need for the chromatic set. Minuet in G (in the Key of Cool!) can be performed with as few as nine players.In this arrangement, you will receive the conductor’s score and one copy of each of the individual parts: melody, harmony, and bass. The purchase of this set permits the owner to create enough copies for each performer in their group to have their own music to mark and study.I would love to see videos of your group performing this piece! You can find me on Facebook at Shelly Davis Piano Studio and on Instagram @pianoparentpodcast or email me at shelly@pianoparentpodcast.com
$8.88
8.18 €
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Ensemble de Percussions
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Christian Petzold
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Shelly Davis
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Minuet in G
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Shelly Davis
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SheetMusicPlus
A MIGHTY FORTRESS - PERCUSSION ENSEMBLE
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.807170 Composed by Martin …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.807170 Composed by Martin Luther. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 11 pages. Arrangements by GPoehlmann #6472225. Published by arrangements by GPoehlmann (A0.807170). A MIGHTY FORTRESS - PERCUSSION ENSEMBLEA medium-easy arrangement of the popular hymn. Scored for 3 Mallets (suggest Glockenspiel, Xylophone & Marimba), Timpani, Percussion 1 (Snare Drum, Bass Drum, Cymbal) and Percussion 2 (Triangle, Tambourine & Wood Block).61 measures. Performance Time approx 2:00. Medium Easy (Grade 2)Key: C. Meter: 4/4. PDF parts included: Score, Mallet 1, Mallet 2, Mallet 3, Timpani, Percussion 1 (Snare Drum, Bass Drum, Cymbals), & Percussion 2 (Wood Bolock, Triangle & Tambourine).
$5.00
4.6 €
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Ensemble de Percussions
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Martin Luther
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Glen Poehlmann
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A MIGHTY FORTRESS - PERCUSSION ENSEMBLE
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arrangements by GPoehlmann
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SheetMusicPlus
Staying Busy for Two Marimbas (or vibraphones)
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.803346 Composed by Paul Ta…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.803346 Composed by Paul Taylor. 20th Century. Score and parts. 6 pages. Paul Taylor #6099257. Published by Paul Taylor (A0.803346). An exciting and busy marimba or xylophone duet written for late intermediate students. Both students get to play the main motives and will find it stimulating to bat these motives back and forth to each other throughout the piece. The printing format provides each player with their own score, allowing them the convenience of not only seeing their own individual part, but their partner's as well. .
$1.99
1.83 €
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Ensemble de Percussions
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Paul Taylor
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Staying Busy for Two Marimbas
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Paul Taylor
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.59 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.59 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Forbidden Friendship
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.901552 Composed by John Po…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.901552 Composed by John Powell. Arranged by Anja Goller. Contemporary. Score and parts. 20 pages. Anja Goller #4355179. Published by Anja Goller (A0.901552). Arrangement for 3 marimba-players.
$12.99
11.96 €
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Ensemble de Percussions
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John Powell
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Anja Goller
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Forbidden Friendship
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Anja Goller
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SheetMusicPlus
Troll's Beard from Forgotten Lands
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.713171 Composed by Doug Cl…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.713171 Composed by Doug Clyde. Contemporary. Score and parts. 23 pages. ALBEDO MUSIC #2550391. Published by ALBEDO MUSIC (A0.713171). Song: Troll's Beard. Composer: Doug Clyde. Album: Forgotten Lands. Artist: ALBEDO. © 2011 by ALBEDO MUSIC. AMSM50. Soundtrack to the video game Forgotten Lands VIII: The Legend of Shadow Lake by TBC Productions. Nominated for Best Soundtrack Album by the 12th Annual Independent Music Awards. Percussion Ensemble. Bass Drum, Timpani, Snare Drum, Cymbals, Hi-Hat, Tom-Toms, Cow Bell, Tambourine, Gong, Triangle, Maracas, Vibraslap, Guiro.
$9.99
9.2 €
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Ensemble de Percussions
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Doug Clyde
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Troll's Beard from Forgotten Lands
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ALBEDO MUSIC
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SheetMusicPlus
The Star Spangled Banner - For Orff Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.802791 Composed by John St…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.802791 Composed by John Stafford Smith. Arranged by Yvonne Johnson. Instructional,Patriotic. Score and parts. 17 pages. Yvonne Johnson #409847. Published by Yvonne Johnson (A0.802791). Score and Full Set of 8 Parts A fairly easy arrangement of this famous anthem, with performers playing mostly in unison. There are some harmony passages and there are multi-rests in all the parts. Marimba would make a good substitute for the Bass Xyl. The tempo markings are suggested ones only. I hope you enjoy this playing this arrangement!
$3.95
3.64 €
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Ensemble de Percussions
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John Stafford Smith
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Yvonne Johnson
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The Star Spangled Banner - For Orff Ensemble
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Yvonne Johnson
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SheetMusicPlus
Frère Jacques - For Orff Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1094079 Composed by Tradit…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1094079 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Traditional. Score and parts. 9 pages. Yvonne Johnson #698182. Published by Yvonne Johnson (A0.1094079). Full Score and Set of 4 Parts An easy arrangement of this traditional French children's song for the younger Orff performers. Sop Glock and Alto Met both play the melody with Alto Glock providing some harmony. Bass Xylo plays a simple bass line for the first half of the arrangement with a variation outlining the melody for the second half. Marimba would make a nice alternative to the Bass Xylo. Tempo and dynamic markings are suggested ones only. Multirest passages have been written out in full to make it easier for the beginning performer.
$3.95
3.64 €
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Ensemble de Percussions
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Traditional
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Yvonne Johnson
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Frère Jacques - For Orff Ensemble
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Yvonne Johnson
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SheetMusicPlus
Holiday Bolero for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
9.2 €
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Ensemble de Percussions
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Dan Heslink
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Holiday Bolero for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Silent Night Prelude for percussion octet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.59 €
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Ensemble de Percussions
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
Forest
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.942396 Composed by Adam Gr…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.942396 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200493. Published by Adam B. Grim (A0.942396). Forest is a quartet/quintet for marimba, melody instrument, and optional cajon. Written with amadinda/akadinda playing in mind, this interlocking piece uses layered rhythms and melody to make the ensemble come to life with motion. Written and recorded during the 2020 COVID-19 Pandemic in the living room of my parents house, while I was working on my master’s degree.
$25.00
23.02 €
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Ensemble de Percussions
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Adam Grim
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Forest
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Adam B. Grim
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SheetMusicPlus
Midnight Manor - Sextet for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1035920 Composed by Jesse …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1035920 Composed by Jesse Milhoan. Contemporary,Standards. Score and parts. 28 pages. ArrangeMe #6440859. Published by ArrangeMe (A0.1035920). Midnight Manor is a composition for percussion ensemble utilizing 6 performers. The work was written as a side project in segments over the course of the composer's undergraduate degree, beginning as a fragment of a melody and eventually arriving at the final product it is today. The instrumentation of the piece makes use of two 4.3 octave marimbas, a vibraphone, glockenspiel, tubular bells, and various unpitched percussion instruments. An attempt at writing for mostly keyboard instruments in the percussion ensemble setting, this melody-based composition recreates the atmosphere of feeling left alone in a seemingly haunted mansion with nowhere to run. Midnight Manor is in ABA form, with the A section
$13.00
11.97 €
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Ensemble de Percussions
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Jesse Milhoan
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Midnight Manor - Sextet for Percussion Ensemble
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ArrangeMe
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SheetMusicPlus
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