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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
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OCARINA
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difficulté (tous)
débutant
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avancé
expert
avec audio
avec vidéo
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Non classifié
4255
PIANO & CLAVIERS
Piano grosses notes
3296
Piano seul
2238
Orgue
1659
Piano Facile
907
Piano, Voix
527
Instruments en Do
312
Piano, Voix et Guitare
185
Accompagnement Piano
112
1 Piano, 4 mains
86
Clavier
61
Piano Trio: piano, violon, violoncelle
38
Piano (partie séparée)
34
2 Pianos, 4 mains
28
Piano Quatuor: piano, violon, alto, violoncelle
17
Accordéon
7
Clavecin
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
1 Piano, 6 mains
4
Orgue, Trompette (duo)
4
Orgue, Piano (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
407
Guitare
278
Guitare (partie séparée)
69
Dulcimer
42
Basse electrique
41
Ligne De Mélodie, (Paroles) et Accords
27
2 Guitares (duo)
18
Mandoline
16
Ukulele
15
4 Guitares (Quatuor)
12
Banjo
10
Ensemble de guitares
9
Paroles et Accords
8
Piano, Guitare (duo)
5
3 Guitares (trio)
5
2 Dulcimers (duo)
3
2 Mandolines (duo)
2
Mandoline, Guitare (duo)
1
Guitare, Quatuor à cordes
1
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
Dobro
1
Orchestre à Plectres
1
Instrumentations suivantes
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VOIX
Chorale SATB
968
Chorale 3 parties
322
Chorale 2 parties
179
Chorale Unison
178
Chorale TTBB
132
Chorale SSAA
118
Voix Tenor, Piano
14
Voix duo, Piano
13
Pack Instrumental pour Chorale
12
Voix duo
9
Voix haute
9
Voix seule
8
Voix Soprano, Piano
6
Voix Alto, Piano
6
Chorale SSATB
5
Chorale SSAATTBB
4
Voix moyenne, Piano
4
Voix Baryton, Piano
3
Chorale
3
Chorale SSATTB
2
Voix Soprano
2
Chorale SSAATB
1
Chorale SSAB a cappella
1
Voix Tenor
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
555
Flûte à bec Soprano
271
2 Clarinettes (duo)
268
Ocarina
263
2 Flûtes traversières (duo)
258
Saxophone, Clarinette (duo)
246
Quatuor de Saxophones: 4 saxophones
234
Clarinette, Violon (duo)
193
Saxophone (partie séparée)
193
Flûte à bec Alto
187
Clarinette, Trompette (duo)
164
Flûte traversière et Piano
162
Flûte, Hautbois, Clarinette, Basson
131
Flûte, Clarinette (duo)
122
Flûte traversière
119
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
119
Clarinette et Piano
118
Quatuor de Clarinettes: 4 clarinettes
116
Clarinette
111
2 Hautbois (duo)
109
Hautbois, Clarinette (duo)
104
Hautbois, Piano (duo)
104
Saxophone Alto et Piano
103
Saxophone Alto
103
Hautbois, Basson (duo)
97
Clarinette et Alto
97
Flûte, Violon
96
Flûte, Saxophone (duo)
89
Quatuor de Flûtes : 4 flûtes
88
Flûte, Alto (duo)
81
Flûte, Trompette (duo)
74
Hautbois, Flûte
74
Hautbois (partie séparée)
69
Saxophone Tenor et Piano
69
Saxophone Tenor
68
Quintette de Saxophone: 5 saxophones
58
2 Flûte à bec (duo)
57
3 Saxophones (trio)
56
Saxophone Soprano et Piano
47
Clarinette (partie séparée)
37
3 Clarinettes (trio)
37
Flute (partie séparée)
37
Trio de Flûtes: 3 flûtes
35
Saxophone Baryton, Piano
35
Flûte à bec Alto, Piano
32
Ensemble de Clarinettes
29
Ensemble de Flûtes
29
Flûte, Hautbois (duo)
29
Quintette de Clarinettes: 5 clarinettes
29
Ensemble de saxophones
27
Clarinette Basse, Piano
26
Flûte, Violon, Piano
19
Hautbois, violon (duo)
19
Hautbois
17
Cor anglais, Piano
16
Quintette de Flûte : 5 flûtes
14
Flûte et Guitare
14
Hautbois, Clarinette, Basson (trio d'anches)
13
Clarinette, Basson (duo)
13
Clarinette, Trombone (duo)
11
Clarinette, Violoncelle (duo)
11
Flûte, Hautbois, Basson
10
Saxophone Soprano
10
Cor Anglais
10
3 Flûtes à bec (trio)
10
Flûte, Hautbois, Clarinette (trio)
8
Quatuor de Flûtes à bec
7
Flûte à Bec
7
Flûte, Violoncelle
7
Hautbois, Violoncelle
7
Flûte, Hautbois, Piano (trio)
7
Flûte, Clarinette et Basson
7
Saxophone Baryton
5
Clarinette, Harpe (duo)
4
Hautbois et alto (duo)
4
Flute, harpe et violon
4
5 Flûtes à bec
4
Hautbois, Harpe
3
Flûte à bec Soprano, Piano
3
Flûte traversière, Orgue (duo)
3
2 Flûtes traversières, Piano
3
Flûte, Clarinette, Piano (trio)
3
2 Saxophones, Piano
2
Flûte, Violon et Violoncelle
2
Flûte, Basson et Piano
2
Flûte, Harpe et Violoncelle
2
Ensemble De Flûte à bec
2
Clarinette, Guitare (duo)
2
Hautbois, Violon, Piano
2
Piccolo
2
Piccolo, Piano
2
Saxophone et Guitare
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, alto et harpe
1
Flûte à bec Tenor
1
Ensemble à vent
1
Saxophone et Orgue
1
Harmonica
1
2 Clarinettes, Basson
1
Saxophone et Piano
1
Flûte irlandaise
1
Saxophone et Harpe
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Clarinettes, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Violon
1
Flûte, Alto et Piano
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Clarinette Basse
1
Instrumentations suivantes
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CUIVRES
Trompette, Saxophone (duo)
178
Trombone (partie séparée)
165
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
153
Trompette (partie séparée)
130
2 Trombones (duo)
128
2 Trompettes (duo)
123
Trompette, Trombone (duo)
104
Trompette
100
Trompette, Piano
99
Trombone et Piano
95
Quatuor de Cuivres : 2 trompettes, trombone, tuba
81
Trombone
77
Cor et Piano
70
Cor
59
Tuba et Piano
43
Cor (partie séparée)
42
Quatuor de Cuivres: 2 trompettes, Cor, trombone
35
Tuba (partie séparée)
32
Quatuor de Cuivres
31
Tuba
30
Euphonium, Piano (duo)
28
Quatuor de cuivres: 4 trombones
18
Cor anglais, Piano
16
Ensemble de Trombones
15
Ensemble de Trompettes
14
2 Cors (duo)
11
2 Euphoniums (duo)
11
Cor Anglais
10
2 Tubas (duo)
9
Quatuor de cuivres: 4 cors
8
Trombone, Orgue
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
3 Trompettes (trio)
6
Euphonium, Tuba (duo)
5
Ensemble de Cors
5
3 Trombones (trio)
5
Euphonium
5
4 Tubas
4
Trompette, Tuba (duo)
3
Trombone, Cor (duo)
3
Trio de Cuivres
3
Cor, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums et 2 Tubas
2
Instruments en Sib
2
Trombone basse
2
Trombone et orchestre
1
3 Euphoniums
1
Cor, Violoncelle (duo)
1
Trompette, Harpe
1
Tuba et Orgue
1
Trompette, Basson (duo)
1
Trombone basse et Piano
1
Cor et Harpe
1
Trombone, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Cor (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
563
Violon et Piano
308
Violon
233
Violon, Violoncelle (duo)
227
2 Violons (duo)
159
Violoncelle, Piano
134
2 Altos (duo)
131
2 Violoncelles (duo)
130
Violon, Alto (duo)
125
Violoncelle
124
Harpe
118
Alto, Piano
113
Trio à Cordes: violon, alto, violoncelle
88
Violon (partie séparée)
83
Trio à Cordes: 2 violons, violoncelle
73
Alto seul
62
Contrebasse (partie séparée)
62
Contrebasse, Piano (duo)
42
Alto (partie séparée)
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
Trio à cordes: 3 violins
29
Contre Basse
25
4 Violoncelles
17
Alto, Violoncelle (duo)
17
Violoncelle (partie séparée)
15
Quatuor à cordes: 4 violons
12
Violon, Guitare (duo)
11
2 Harpes (duo)
10
Trio à Cordes: 3 violoncelles
9
Trio à Cordes: 2 violons, alto
8
Harpe, Flûte (duo)
8
Violon, Basson (duo)
8
Quatuor à cordes : 4 altos
8
Piano Trio: Violon, Alto, Piano
6
Trio à cordes: 3 altos
5
Harpe, Violon (duo)
5
Autoharp
4
Harpe, Violoncelle (duo)
4
Ensemble de Violoncelles
3
Violoncelle, Contrebasse (duo)
3
Alto et Harpe
3
2 Contrebasses (duo)
3
Ensemble de Violons
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
3 Harpes
2
Harpe, Violon, Violoncelle
2
5 Harpes
2
4 Contrebasses
2
Alto et Basson
2
2 Violons, Piano
1
Harpe, Voix
1
Harpe et mandoline
1
Harpe et Piano
1
Violon, Orgue
1
Violoncelle, Orgue
1
Violon, Clarinette, Piano (trio)
1
Alto et orchestre
1
4 Harpes
1
Harpe, Trombone (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2158
Orchestre à Cordes
572
Ensemble Jazz
542
Orchestre
306
Cloches
235
Jazz combo
139
Ensemble de cuivres
124
Fanfare
99
Orchestre de chambre
77
Ensemble de Percussions
61
Batterie
55
Batterie (partie séparée)
38
Percussion (partie séparée)
22
Xylophone, Piano
14
Marimba
14
2 Xylophones
7
Percussion
6
Ensemble d'École
5
Xylophone
4
Vibraphone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Piano et Orchestre
2
Cajon
2
Bongos
2
Big band
2
Marimba, Piano (duo)
1
Conga
1
Instrumentation Flexible
1
Bodhran
1
Caisse Claire
1
2 Caisses Claires (duo)
1
Marimba ou Xylophone et Piano
1
3 Percussions
1
2 Marimbas
1
3 Marimbas
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
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Ensemble de Percussions
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Dance Rhythm Is In You, rhythmic rondo: swing, bossa nova, tango
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.793951 Composed by Ivana T…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.793951 Composed by Ivana Tuskan. 20th Century,Instructional,Jazz,Latin. Score and parts. 13 pages. Ivana Tuskan #4615285. Published by Ivana Tuskan (A0.793951). Dear music teachers! What is the best way to learn music? Let your students use their fingers, foots, cheeks, hands and knees, or use some instruments by playing this fun music pieces. This PDF file contains 3 Rhythmic Rondo's (music form with A B A C A sheme) with Swing, Bossa Nova and Tango rhythmic patterns. You can use whole piece or just a theme, while episodes can be improvised by soloist. Fulfill your music classroom with joy, fun and creativity! Sincerely, Ivana Tuskan The sound sample is an electronic preview of 3 Themes. Level: early intermediate or intermediate.
$6.50
5.96 €
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Ensemble de Percussions
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Ivana Tuskan
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Dance Rhythm Is In You, rhythmic rondo: swing, bossa nova, tango
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Ivana Tuskan
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SheetMusicPlus
Rhythm Of Life
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.793348 Composed by Minni K…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Published by Dr Minni Ang (A0.793348). Rhythm of Life is built over a five beat pulse, representing the heartbeat of life on planet earth. The two basic pulses are played by different groups of instruments and passed from one group to another, but never ceasing, even as our heartbeats never cease as long as there is life in us. Over these fundamental patterns are built little phrases or solos for the various instruments, including conversations between pairs of instruments - first the timpani and tubular bells, later the marimba and xylophone, and finally the conga drums and the snare drum – these conversations represent various interactions among different groups of life on planet earth. The piece is constructed in theme and variations form.The OrchestrationPlayer One: MarimbaPlayer Two: XylophonePlayer Three: TimpaniPlayer Four: Tubular BellsPlayer Five: Snare Drum & CymbalsPlayer Six: Congas, Bass Drum & Tam-Tam
$8.99
8.24 €
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Ensemble de Percussions
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Minni K
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Rhythm Of Life
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Dr Minni Ang
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SheetMusicPlus
Storm the Gate
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1013927 Composed by Tsoof …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1013927 Composed by Tsoof Baras. Contemporary,Instructional,Standards,World. Score and parts. 15 pages. Tsoof Baras #6663539. Published by Tsoof Baras (A0.1013927). Players - 4Instrumentation - Snare drum, Concert toms, Kick drum.I wrote this piece for one of my school percussion ensembles trying to fill a gap in percussion ensemble drumming pieces. In my search for great pieces, some were too hard, others too easy. So, I decided to write my own.The piece also draws inspiration from funk and Taiko drumming. It also pays homage to the great percussion composer Kevin Tuck and his piece Summon the Spirits, who has created drumming pieces that are the staple of percussion music all around the world.As always, the aim is that the ensemble has fun and enjoys the groove. Coming from a long background of Latin and African drumming styles, my compositions place a heavy emphasis on feeling the rhythm and hearing all the parts lock in, rather than being accurate.
$45.00
41.23 €
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Ensemble de Percussions
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Tsoof Baras
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Storm the Gate
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Tsoof Baras
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SheetMusicPlus
Another Place
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Gr…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
32.07 €
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Ensemble de Percussions
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
The COVID Awakening
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Gr…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
$25.00
22.9 €
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Ensemble de Percussions
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Adam Grim
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The COVID Awakening
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Adam B. Grim
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SheetMusicPlus
The Merry Farmer - For Orff Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.998063 Composed by Robert …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.998063 Composed by Robert Schumann. Arranged by Yvonne Johnson. Instructional,Romantic Period. Score and parts. 12 pages. Yvonne Johnson #595915. Published by Yvonne Johnson (A0.998063). The Merry Farmer Score and Full Set of 7 Parts Composed for his 3 daughters, this happy little tune from Album for The Young by Robert Schumann, has been arranged in 5 parts for Orff ensemble. Sop Glock and Alto Met play the melody throughout. Alto Glock provides the harmony. Sop Xylo and Alto Xylo adds harmonic and rhythmic elements giving the music a lively bounce. Tambourine adds to the happy mood of the arrangement with rhythmic passages and a trill at the end. Marimba could be used instead of the Bass Xylo. Tempo and dynamic markings are suggested ones only. Written in the key of F Major, players will need their Bb bars.
$3.95
3.62 €
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Ensemble de Percussions
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Robert Schumann
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Yvonne Johnson
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The Merry Farmer - For Orff Ensemble
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Yvonne Johnson
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SheetMusicPlus
Toccata for Marimba in A minor
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.981002 Composed by Wayne L…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.981002 Composed by Wayne Liesching. African,Contemporary,World. Score and parts. 11 pages. Wayne Liesching #3878019. Published by Wayne Liesching (A0.981002). Toccata for Marimba - (Duration 1.25) Intermediate to advanced. School Ensemble. Five marimbas: bass, tenor, alto, 2 sopranos. Delightful marimba piece where the rhythmic patterns are easy to learn. SAMRO, CAPASSO https://drooble.com/wayne.liesching/ https://www.facebook.com/thecomposerman/ www.thecomposerman.com psallo.academyofmusic@gmail.com
$11.00
10.08 €
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Ensemble de Percussions
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Wayne Liesching
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Toccata for Marimba in A minor
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Wayne Liesching
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SheetMusicPlus
Ice In The Sun
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.1019771 Composed by Rennard Stafford…
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Percussion Ensemble - Digital Download SKU: A0.1019771 Composed by Rennard Stafford. Contemporary. Score and parts. 38 pages. Tempo X Percussion and Publications #5770829. Published by Tempo X Percussion and Publications (A0.1019771). This is a majestic piece comprised of harmonic mallet percussion, diverse time-signatures, grooves and rudimental rhythms that'll take you on an magical adventure. This manuscript will capture the hearts and the minds of the dreamer into another world by this classy musical literature. .
$31.99
29.31 €
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Ensemble de Percussions
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Rennard Stafford
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Ice In The Sun
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Tempo X Percussion and Publications
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SheetMusicPlus
French National Anthem (La Marseillaise) Easy Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.732831 By Brooks Holmes. B…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.732831 By Brooks Holmes. By Claude Rouget de Lisle. Arranged by Brooks Holmes. Folk,Instructional,Multicultural,Patriotic,World. Score and parts. 12 pages. Brooks Holmes #341090. Published by Brooks Holmes (A0.732831). This arrangement was designed for young musicians in the comfortable key of Concert F. It’s perfect for younger players with simple rhythms & limited requirement of rudiments. The piano part supports the melody but rarely doubles it. The solo part is easy to read yet still sounds totally professional and reflects a traditional vocal performance that’s perfect for any occasion. Check out Mr. Holmes’ YouTube performance for more details!
$6.99
6.4 €
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Ensemble de Percussions
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Brooks Holmes
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Brooks Holmes
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French National Anthem
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Brooks Holmes
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SheetMusicPlus
The Wheels On The Bus - For Orff Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1043133 Composed by Tradit…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1043133 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Instructional,Traditional. Score and parts. 11 pages. Yvonne Johnson #647843. Published by Yvonne Johnson (A0.1043133). Score and Full Set of 7 Parts This well known tune has been arranged in 7 parts for the younger Orff performers. The tune is played twice through with Sop Glock and Alto Met both playing the melody and Alto Glock providing the harmony. The Bass Xylo provides a simple bass line for the first verse with the variation for the second verse giving the arrangement a sense of motion. Marimba or Bass Met could be substituted for the Bass Xylo. Sop Xylo and Alto Xylo parts both have glissandi, with Alto Xylo playing the glissandi in the first verse and Sop Xylo playing the glissandi in the second verse. The simple rhythmic beat of the Tambourine part helps convey the motion of the bus wheels. Tempo and dynamic markings are suggested ones only.
$3.95
3.62 €
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Ensemble de Percussions
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Traditional
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Yvonne Johnson
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The Wheels On The Bus - For Orff Ensemble
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Yvonne Johnson
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SheetMusicPlus
She'll Be Coming Round The Mountain - For Orff Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.767905 Composed by Traditi…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.767905 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Instructional,Standards. Score and parts. 20 pages. Yvonne Johnson #2893165. Published by Yvonne Johnson (A0.767905). Full Score and Set of 8 PartsAn easy arrangement of this well known folk tune using basic note values. The only eighth note (quaver) rhythms are in the Woodblock part. The lively tempo is a suggested one only and teachers should feel free to adjust it to suit the performers. Marimba could be substituted for the Bass Xyl.
$3.95
3.62 €
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Ensemble de Percussions
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Traditional
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Yvonne Johnson
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She'll Be Coming Round The Mountain - For Orff Ensemble
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Yvonne Johnson
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SheetMusicPlus
The Hammer & Anvil
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1029072 Composed by Jake G…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Composer #4615943. Published by J Garratt Composer (A0.1029072). 'The Hammer & Anvil' is the piece that adorns the balustrade of the band stand in Parade Gardens, Bath, UK. The band stand was forged by the National Heritage Ironwork Group as a gift to the city during their 2018 'BathIron' festival. The piece is written for 2 treble clef parts and a bass clef part and can be performed by any group of instruments. For the original performance it was performed on 2 Bb Clarinets and a Bass Clarinet.About the piece:'The Hammer & Anvil' is derived from the melody of an English folk song about a blacksmith (ironworker) which has been adapted and augmented to be used as a melodic foundation throughout the piece, similar to an isorhythm in medieval compositions. The piece is in two sections: the A section where the folk melody is confined to the bass and the B section where the melody is split between all three parts. A repeated rhythmic motif, representative of an ironworker using his hammer and anvil, is used to accompany and/or decorate this melody.
$2.99
2.74 €
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Ensemble de Percussions
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Jake Garratt
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The Hammer & Anvil
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J Garratt Composer
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.57 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.57 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.15 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Hark The Herald Angels Sing - For Orff Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.767883 Composed by Felix B…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.767883 Composed by Felix Bartholdy Mendelssohn. Arranged by Yvonne Johnson. Christmas,Instructional,Standards. Score and parts. 16 pages. Yvonne Johnson #2890917. Published by Yvonne Johnson (A0.767883). A fairly easy arrangement of this lovely carol by Mendelssohn, with some dotted quarter note, eighth note rhythms. In this arrangement Alto Met performs dual roles, at times providing the bass part and at other times joining in with the melody or harmony.
$3.95
3.62 €
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Ensemble de Percussions
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Felix Bartholdy Mendelssohn
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Yvonne Johnson
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Hark The Herald Angels Sing - For Orff Ensemble
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Yvonne Johnson
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SheetMusicPlus
Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.57 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Zona Centro (Downtown)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis C…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Score and parts. 119 pages. Azdi #5983083. Published by azdi (A0.1029902). Downtown area Musical work, for chamber orchestra, which recreates the atmospheres experienced when walking through the streets of the downtown area of ​​my city (Tijuana). Using the popular urban rhythms that can be heard live, performed by all the city's musicians, such as: Rap hip hop). The most popular and booming genre among young people in this city in particular and throughout Mexico in general. Jazz, which since the 1960s has been played on the legendary Av. Revolución. Aztec Dance (Mexica) that is still practiced by various circles of the city and the country, preserving ancient cultures. Reggae. Music of conscience and positive message, which is the most listened to and performed by numerous local and independent bands from the northern border. Divided into three parts, it begins with a melody or main theme, such as the bass line used on rap tracks, played first by the trombone, the double bass, and later also by the other instruments, on a rhythmic basis in the section of percussions with a characteristic rhythm of rap music at a speed of 90 bpm.
$33.00
30.23 €
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Ensemble de Percussions
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Luis Carlos Diaz
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Luis Carlos Diaz
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Zona Centro
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azdi
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SheetMusicPlus
Asian Symmetries
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
4.57 €
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Ensemble de Percussions
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
274.85 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
137.43 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Holiday Bolero for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
9.15 €
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Ensemble de Percussions
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Dan Heslink
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Holiday Bolero for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
The Office - Theme (Orff Ensemble) - Easy Version
Ensemble de Percussions
Early Intermediate - Digital Download Score, Set of Parts. 15 pages. Published by Mus…
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Early Intermediate - Digital Download Score, Set of Parts. 15 pages. Published by Music Preparation Services
Written by band guitarist Matt Slocum, Kiss Me is a delightfully dreamy rock/pop song, which became a staple of the late 90s and early 2000s. Released in August 1998, the song was a worldwide success, also featuring prominently in TV show Dawson’s Creek, and 1999 American teen romantic-comedy film She’s All That (an adaptation of My Fair Lady).<br> <br> This energetic arrangement in D major would be an excellent addition to any string quartet’s repertoire, especially for weddings and functions. The lead melodies are mainly carried by Violin I and ‘Cello, with the syncopated rhythms of the guitar riff maintained within the ensemble, ensuring all members of the quartet can enjoy playing this 90s classic.Written by band guitarist Matt Slocum, Kiss Me is a delightfully dreamy rock/pop song, which became a staple of the late 90s and early 2000s. Released in August 1998, the song was a worldwide success, also featuring prominently in TV show Dawson’s Creek, and 1999 American teen romantic-comedy film She’s All That (an adaptation of My Fair Lady).<br> <br> This energetic arrangement in D major would be an excellent addition to any string quartet’s repertoire, especially for weddings and functions. The lead melodies are mainly carried by Violin I and ‘Cello, with the syncopated rhythms of the guitar riff maintained within the ensemble, ensuring all members of the quartet can enjoy playing this 90s classic.
$12.99
11.9 €
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Ensemble de Percussions
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The Office - Theme
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Music Preparation Services
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SheetMusicPlus
Winter Bells
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935375 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935375 Composed by Dan Heslink. Christmas,Contemporary,Hanukkah. Score and parts. 24 pages. Pharaoh Publications #4885579. Published by Pharaoh Publications (A0.935375). Winter Bells composed by Dan Heslink Imagine a cold winter evening in which church bells, sleigh bells, and other bell sounds are mixed into a tantalizing soundscape. Winter Bells explores the interaction of these sounds through chimes, sleigh bells, orchestra bells, marimba, vibraphone, two triangles, large suspended cymbal, large tam-tam, and two timpani. Winter Bells requires seven performers; the two chime players share one rack of chimes and one part. It presents mostly modest demands, both in performing technique in the number and type of percussion instruments. Challenges include rapid passage work in the part for orchestra bells, requiring smooth and even negotiation of the instrument, and a tour de force of polyrhythms at the end, where all bell timbres of the soundscape are juxtaposed. Some parts present more challenge than others, making it an ideal selection for ensembles populated by players of uneven levels of experience. To some listeners Winter Bells is possibly reminiscent of a sleigh ride without the horse’s hooves. It is sure to be an audience pleaser during a winter concert, especially close to Christmas and Hanukkah.
$3.99
3.66 €
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Ensemble de Percussions
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Dan Heslink
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Winter Bells
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Pharaoh Publications
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SheetMusicPlus
Groove City
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1013925 Composed by Tsoof …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1013925 Composed by Tsoof Baras. Contemporary,Hip-Hop,Jazz,R & B,Standards. Score and parts. 18 pages. Tsoof Baras #6662685. Published by Tsoof Baras (A0.1013925). Players - 4Instrumentation - Snare Drum, Concert Toms, Kick Drum.I wrote this piece for one of my school percussion ensembles trying to fill a gap in percussion ensemble drumming pieces. In my search for great pieces, some were too hard, others too easy. So, I decided to write my own.The piece draws inspiration from funk and R&B drumming and as always, the aim is that the ensemble has fun and enjoys the groove. Coming from a long background of Latin and African drumming styles, my compositions place a heavy emphasis on feeling the rhythm and hearing all the parts lock in, rather than being accurate.
$45.00
41.23 €
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Ensemble de Percussions
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Tsoof Baras
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Groove City
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Tsoof Baras
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SheetMusicPlus
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