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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
second parts
Non classifié
3 048
Piano & claviers
1 Piano, 4 mains
247
Piano seul
80
Piano Trio: piano, violon, violoncelle
61
Accompagnement Piano
60
Piano Facile
42
Piano, Voix
39
Piano, Voix et Guitare
30
Orgue
24
2 Pianos, 4 mains
20
Orgue, Piano (duo)
11
Instruments en Do
8
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Orgue, Trompette (duo)
5
Piano (partie séparée)
5
2 Pianos, 8 mains
2
2 Accordéons
1
Clavier
1
1 Piano, 6 mains
1
+ 15 instrumentations
Retracter
Guitares
2 Guitares (duo)
29
Guitare notes et tablatures
20
Guitare
19
Ukulele
16
Guitare (partie séparée)
10
4 Guitares (Quatuor)
9
Basse electrique
6
2 Dulcimers (duo)
5
Mandoline, Guitare (duo)
4
2 Ukuleles
4
3 Guitares (trio)
3
Ensemble de guitares
3
Piano, Guitare (duo)
2
Dulcimer
1
Mandoline
1
Ukulele Baryton
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
203
Chorale TTBB
56
Chorale SSAA
44
Chorale 2 parties
33
Chorale 3 parties
31
Chorale Unison
25
Voix duo
5
Voix Soprano, Piano
2
Chorale
2
Voix moyenne, Piano
2
Chorale SSAATTBB
1
Voix basse, Piano
1
Voix et basse continue
1
Voix haute
1
Voix Soprano, Orchestre
1
Chorale SSATB
1
Voix duo, Piano
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
109
Quatuor de Clarinettes: 4 clarinettes
98
Saxophone Alto et Piano
75
Quatuor de Saxophones: 4 saxophones
69
Flûte traversière et Piano
59
2 Flûtes traversières (duo)
58
Hautbois, Piano (duo)
57
2 Saxophones (duo)
55
Quintette de Saxophone: 5 saxophones
45
Flûte, Hautbois, Clarinette, Basson
44
2 Clarinettes (duo)
43
Clarinette
43
Quatuor de Flûtes : 4 flûtes
43
Clarinette et Piano
40
Saxophone Tenor et Piano
38
Quintette de Clarinettes: 5 clarinettes
34
Flûte et Guitare
33
Saxophone, Clarinette (duo)
29
Ensemble de Clarinettes
28
Flûte, Clarinette (duo)
25
Trio de Flûtes: 3 flûtes
24
Saxophone (partie séparée)
24
Flûte traversière
21
Ensemble de Flûtes
21
3 Saxophones (trio)
19
3 Clarinettes (trio)
19
Hautbois, Basson (duo)
18
Clarinette, Violon (duo)
16
Hautbois, Flûte
14
Clarinette, Trompette (duo)
13
Hautbois, Clarinette (duo)
13
2 Hautbois (duo)
13
Flûte, Violon, Piano
13
Flûte, Violon et Violoncelle
12
Flûte, Violon
12
Saxophone Soprano et Piano
11
2 Flûte à bec (duo)
11
Quintette de Flûte : 5 flûtes
11
Flûte, Saxophone (duo)
11
Clarinette, Basson (duo)
10
Ensemble de saxophones
9
Clarinette et Alto
9
Flûte, Trompette (duo)
8
Flûte, Clarinette et Basson
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Alto (duo)
6
Clarinette Basse, Piano
5
Quatuor de Flûtes à bec
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Violoncelle
4
Clarinette, Guitare (duo)
4
2 Cors Anglais Et Pianoforte
4
Cor anglais, Piano
4
Flûte, Clarinette, Piano (trio)
4
2 Clarinettes, Piano
4
Clarinette, Harpe (duo)
3
Saxophone Baryton, Piano
3
Flûte, Hautbois, Basson
3
Hautbois, Guitare (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Quatuor à cordes
3
Hautbois
3
Flûte à Bec, Piano
3
Hautbois (partie séparée)
3
2 Saxophones, Piano
3
Flûte, Hautbois (duo)
3
Flute (partie séparée)
3
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Basson et Piano
2
Saxophone et Guitare
2
Ensemble à vent
2
Hautbois, Harpe
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Basson, Piano (trio)
2
Clarinette, Violoncelle (duo)
1
Piccolo
1
Flûte à bec, Harpe
1
Flûte, Harpe et Violoncelle
1
Saxophone Soprano
1
Clarinette (partie séparée)
1
Ensemble de Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone Alto
1
Flûte à bec Soprano
1
2 Flûtes traversières, Piano
1
2 clarinettes, 2 bassons
1
Flûte à bec Alto
1
Flûte, Alto et Piano
1
5 Flûtes à bec
1
Clarinette, Trombone (duo)
1
Cor Anglais
1
Flûte et Quatuor à Cordes
1
Flûte, alto et harpe
1
3 Hautbois
1
Saxophone et Harpe
1
Flûte à bec Tenor
1
Flute, harpe et violon
1
Cor anglais, Guitare (duo)
1
Saxophone et Piano
1
+ 95 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
262
Quatuor de Cuivres : 2 trompettes, trombone, tuba
156
Quatuor de cuivres: 4 trombones
50
Trombone (partie séparée)
41
Trompette, Piano
29
Quatuor de Cuivres
27
Trombone et Piano
26
Trompette
26
Trompette, Trombone (duo)
25
2 Cors (duo)
24
Quatuor de cuivres: 4 cors
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Trompette, Saxophone (duo)
19
Ensemble de Trombones
18
Cor et Piano
17
Trompette (partie séparée)
16
2 Trombones (duo)
15
2 Trompettes (duo)
14
3 Trombones (trio)
12
Trio de Cuivres
12
Cornet et Piano
11
Tuba et Piano
10
Euphonium, Piano (duo)
8
Trompette, Cor (duo)
7
Trombone
7
3 Tubas (trio)
6
Quatuor de cuivres: 4 trompettes
6
3 Trompettes (trio)
6
2 Tubas (duo)
6
Ensemble de Trompettes
5
Ensemble de Cors
5
Tuba
5
Euphonium, Tuba (duo)
5
2 Euphoniums et 2 Tubas
5
2 Cors Anglais Et Pianoforte
4
Cor anglais, Piano
4
Cor (partie séparée)
3
3 Cors (trio)
3
Cor
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Clarinette, Cor (duo)
2
4 Tubas
2
Trombone, Orgue
2
Tuba (partie séparée)
2
Cor, Tuba (duo)
1
Trombone basse et Piano
1
Trompette, Tuba (duo)
1
Trombone basse
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors, Piano
1
Tuba et Orgue
1
Trompette, Trombone, Piano
1
Cor et Harpe
1
Euphonium
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
632
Trio à Cordes: violon, alto, violoncelle
270
Violon, Violoncelle (duo)
243
Violon et Piano
157
Violon
127
Violoncelle, Piano
83
Alto, Piano
55
2 Violons (duo)
53
Quintette à cordes: 2 violons, alto, violoncelle, basse
46
Alto, Violoncelle (duo)
44
Violon, Alto (duo)
41
2 Violoncelles (duo)
31
Trio à Cordes: 2 violons, violoncelle
24
Violoncelle
24
Harpe
18
Trio à cordes
17
Trio à Cordes: 3 violoncelles
16
2 Harpes (duo)
13
4 Violoncelles
13
Piano Trio: Violon, Alto, Piano
12
2 Altos (duo)
11
Violoncelle, Contrebasse (duo)
11
Harpe, Flûte (duo)
9
Violon, Guitare (duo)
9
Violon (partie séparée)
8
Alto seul
8
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 violins
7
Contrebasse (partie séparée)
6
Harpe, Violon (duo)
6
Quatuor à cordes: 4 violons
6
Alto (partie séparée)
5
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Contrebasses (duo)
4
Trio à Cordes: 2 violons, alto
4
Ensemble de Violons
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
3
2 Violons, Piano
3
3 Harpes
2
5 Harpes
2
Alto, Guitare (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Altos, Piano
2
Contre Basse
2
Harpe et Piano
1
Harpe, Trombone (duo)
1
Violoncelle (partie séparée)
1
Ensemble d'Altos
1
Harpe, Violoncelle (duo)
1
Flûte, Contrebasse (duo)
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
519
Orchestre à Cordes
376
Orchestre
277
Ensemble de cuivres
254
Orchestre de chambre
122
Ensemble Jazz
117
Ensemble de Percussions
61
Jazz combo
38
Fanfare
31
Cloches
20
Quintette à Vent
5
Batterie
5
Batterie (partie séparée)
4
Vibraphone
2
Piano et Orchestre
2
Orchestre, Violon
2
Marimba
1
Big band
1
Quatuor à Vent : 4 instruments à vents
1
Ensemble d'École
1
Percussion (partie séparée)
1
Percussion
1
Xylophone, Piano
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Ensemble de Percussions
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51
Four Forces (Second movement) II. Weak Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Second
#
Ensemble de Percussions
#
INTERMÉDIAIRE
#
Remco op den Dries
#
Second
#
TmDrums
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.992564 Composed by Remco op den Dries. Standards. Score and parts. 17 pages. TmDrums #6665541. Published by TmDr...
(+)
Percussion Ensemble - Level 3 - SKU: A0.992564 Composed by Remco op den Dries. Standards. Score and parts. 17 pages. TmDrums #6665541. Published by TmDrums (A0.992564).
$3.99
Seconds in Time
#
Ensemble de Percussions
#
INTERMÉDIAIRE
#
Contemporain
#
Brian Monroe
#
Seconds in Time
#
LudwigMasters Digital
#
SheetMusicPlus
Percussion Octet - Grade 3 - Composed by Brian Monroe. 21st Century. Score and Parts. 16 pages. LudwigMasters Digital #50607002. Published by Ludwig...
(+)
Percussion Octet - Grade 3 - Composed by Brian Monroe. 21st Century. Score and Parts. 16 pages. LudwigMasters Digital #50607002. Published by LudwigMasters Digital
$8.95
Four Forces (First movement) I. Strong Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
The Wheels On The Bus - For Orff Ensemble
#
Ensemble de Percussions
#
DÉBUTANT
#
Traditional
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Yvonne Johnson
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The Wheels On The Bus - For Or
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Yvonne Johnson
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1043133 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Instructional,Traditional. Score and ...
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Percussion Ensemble - Level 1 - SKU: A0.1043133 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Instructional,Traditional. Score and parts. 11 pages. Yvonne Johnson #647843. Published by Yvonne Johnson (A0.1043133). Score and Full Set of 7 Parts This well known tune has been arranged in 7 parts for the younger Orff performers. The tune is played twice through with Sop Glock and Alto Met both playing the melody and Alto Glock providing the harmony. The Bass Xylo provides a simple bass line for the first verse with the variation for the second verse giving the arrangement a sense of motion. Marimba or Bass Met could be substituted for the Bass Xylo. Sop Xylo and Alto Xylo parts both have glissandi, with Alto Xylo playing the glissandi in the first verse and Sop Xylo playing the glissandi in the second verse. The simple rhythmic beat of the Tambourine part helps convey the motion of the bus wheels. Tempo and dynamic markings are suggested ones only.
$3.95
One Hour to Madness
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Publishe...
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Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Another Place
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Publi...
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Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
A Swingin' Safari
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Ensemble de Percussions
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Contemporain
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Billy Vaughn
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JohnBeale
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A Swingin' Safari
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John Beale
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SheetMusicPlus
Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #644...
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Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #6442233. Published by John Beale (A0.984904). For over 40 years I have arranged music for my school's musicians to come together and perform in school concerts. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. Not a difficult piece and very repetitive and catchy. I have arranged this piece for a school orchestra made up of pupils of grades 1-3. I suggest a solo for the first 4 bars (I did with a recorder). At F there is a ‘jazz’ style solo. Choose your instrument. Once I did with a recorder. A second time with a trumpet. Beware you won’t get the tune out of your head!!
$49.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Perfect
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Ensemble de Percussions
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INTERMÉDIAIRE
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Pop musique
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Ed Sheeran
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Amrit Samaroo
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Perfect
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Lavwe Music
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1007652 By Ed Sheeran. By Ed Sheeran. Arranged by Amrit Samaroo. Pop. Score and parts. 10 pages. Lavwe Music #35...
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Percussion Ensemble - Level 3 - SKU: A0.1007652 By Ed Sheeran. By Ed Sheeran. Arranged by Amrit Samaroo. Pop. Score and parts. 10 pages. Lavwe Music #3563417. Published by Lavwe Music (A0.1007652). Popular Classic Ballad by British singer/songwriter Ed Sheeran is Perfect for performances at those special occasions. The piece is specially arranged for steel band and percussion ensemble and offers variation in texture as different parts hold the melody at different points. Designed for Intermediate-Advanced players it is sure to add variety to your repertoire. Instrumentation: Tenor, Double Tenor, Double Second, Double Guitar, Triple Cello, Four Cello, Bass.
$35.00
Did You Ever Love Me
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Ensemble de Percussions
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FACILE
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Rock
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Fleetwood Mac
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Aaron Ziegler
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Did You Ever Love Me
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Aaron Ziegler
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.884298 By Fleetwood Mac. By Christine Anne Mcvie and Robert Welch. Arranged by Aaron Ziegler. Pop,Rock. Score an...
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Percussion Ensemble - Level 2 - SKU: A0.884298 By Fleetwood Mac. By Christine Anne Mcvie and Robert Welch. Arranged by Aaron Ziegler. Pop,Rock. Score and parts. 17 pages. Aaron Ziegler #3918791. Published by Aaron Ziegler (A0.884298). This arrangement of the Fleetwood Mac classic Did You Ever Love Me is a great way to feature your Double Tenor and Double Second players. With the melody primarily in the double pans, and fills in the tenor and guitar parts, everyone in the band will have a blast playing this arrangement. A video of this arrangement is available on YouTube at: https://www.youtube.com/watch?v=ez1bFpexyzcDifficulty: Early Intermediate For more information on the arranger visit: www.AaronZieglerPercussion.com
$20.00
Video Killed The Radio Star
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Buggles
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Rob Desmond
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Video Killed The Radio Star
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Desmond Press
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.901418 By Buggles. By Bruce Woolley, Geoff Downes, and Trevor Horn. Arranged by Rob Desmond. Contemporary. Score...
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Percussion Ensemble - Level 3 - SKU: A0.901418 By Buggles. By Bruce Woolley, Geoff Downes, and Trevor Horn. Arranged by Rob Desmond. Contemporary. Score and parts. 19 pages. Desmond Press #4627977. Published by Desmond Press (A0.901418). This is a 5 part (ten, DT, D2nd, gtr, bass) arrangement of Video Killed the Radio Star for steel band. Double tenor parts can be played as a second double 2nd part if the instrument is not available.
$15.00
[Carlsen] Nach Bach
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Ensemble de Percussions
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Philip Carlsen
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[Carlsen] Nach Bach
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American Composers Alliance Inc.
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SheetMusicPlus
Percussion Ensemble - SKU: A0.856116 Composed by Philip Carlsen. Arranged by American Composers Alliance Inc. Baroque,Contemporary. Score and parts. 30 ...
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Percussion Ensemble - SKU: A0.856116 Composed by Philip Carlsen. Arranged by American Composers Alliance Inc. Baroque,Contemporary. Score and parts. 30 pages. American Composers Alliance Inc. #4635505. Published by American Composers Alliance Inc. (A0.856116). A refracted transcription of the second movement from Bach's Harpsichord Concerto No. 1 in D minor, scored for marimba quartet - PDF download includes score and parts.
$23.95
Frère Jacques - For Orff Ensemble
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Ensemble de Percussions
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DÉBUTANT
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Traditional
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Yvonne Johnson
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Frère Jacques - For Orf
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Yvonne Johnson
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1094079 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Traditional. Score and parts. 9 pages...
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Percussion Ensemble - Level 1 - SKU: A0.1094079 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Traditional. Score and parts. 9 pages. Yvonne Johnson #698182. Published by Yvonne Johnson (A0.1094079). Full Score and Set of 4 Parts An easy arrangement of this traditional French children's song for the younger Orff performers. Sop Glock and Alto Met both play the melody with Alto Glock providing some harmony. Bass Xylo plays a simple bass line for the first half of the arrangement with a variation outlining the melody for the second half. Marimba would make a nice alternative to the Bass Xylo. Tempo and dynamic markings are suggested ones only. Multirest passages have been written out in full to make it easier for the beginning performer.
$3.95
Two Irish Tunes (for Mixed Octet)
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Ensemble de Percussions
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FACILE
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the Sally Gardens
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Irish Folk Song
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Tsuyoshi Yoroiguma
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Two Irish Tunes
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.710901 Composed by Irish Folk Song. Arranged by Tsuyoshi Yoroiguma. Classical,Folk,Instructional. Score and part...
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Percussion Ensemble - Level 2 - SKU: A0.710901 Composed by Irish Folk Song. Arranged by Tsuyoshi Yoroiguma. Classical,Folk,Instructional. Score and parts. 24 pages. Tsuyoshi Yoroiguma #29389. Published by Tsuyoshi Yoroiguma (A0.710901). This arrangement contain two lovely Irish songs:The Last Rose of Summer / Down By the Sally Gardens.Opening glocken solo brings you to a nostalgic world,and clarinet starts to sing the first tune. The second tune is played mainly by horn with tamburine rythm.In the last part,two tunes are mixed and increase expression. Enjoy beautiful melodies of Irish gardens ! Trombone part can be played by euphonium. Saxophone part is opptional.Playing time:3min.35sec.
$16.00
The Ballad of Reading Gaol, an Accompanied Reading
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Paul Burnell
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The Ballad of Reading Gaol, an
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Paul Burnell
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.835743 Composed by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #511043. Published by Pau...
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Percussion Ensemble - Level 3 - SKU: A0.835743 Composed by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #511043. Published by Paul Burnell (A0.835743). Composed 2010, revised 2014. One of a series of fourteen accompaniments to texts published between 1886-1899. Text: ‘The Ballad of Reading Gaol’, Oscar Wilde (1854-1900). For narrator (amplified if necessary), flutes (and/or tenor/bass recorders), clarinets, muted strings, percussion. Programme note: ‘The Ballad of Reading Gaol’ was written by Oscar Wilde in France on release from Reading Gaol in 1897 after being sentenced to two years hard labour. During his imprisonment Charles Thomas Wooldridge, who had been convicted of murdering his wife, was hanged. The poem was published in 1898 under the name C.3.3., which stood for cell block C, landing 3, cell 3. The text is a mixture of the first and second versions of Wilde’s poem.
$1.99
What Universe Lies Within
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Publ...
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Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
The Coffee Suite
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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J
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The Coffee Suite
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J.S. Gebbie
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1031575 Composed by J.S. Gebbie. Contemporary. Score and parts. 11 pages. J.S. Gebbie #3471415. Published by J.S...
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Percussion Ensemble - Level 3 - SKU: A0.1031575 Composed by J.S. Gebbie. Contemporary. Score and parts. 11 pages. J.S. Gebbie #3471415. Published by J.S. Gebbie (A0.1031575). 2018 Chamber Music Contest Entry. The Coffee Suite is three movement work based on the different levels of caffeine in different types of coffee. The first movement, caffeinated, is bright and upbeat; the second movement, half-calf; is disjointed; while the final movement, decaf, is quite mellow. Though the first marimba part requires four mallets, the patterns are simple, making this piece perfect for early intermediate percussion groups. Duration: approx. 5 min.
$10.99
Six Four for Boomwhackers
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Ensemble de Percussions
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INTERMÉDIAIRE
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M
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Six Four for Boomwhackers
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Vocal Works
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.741975 Composed by M. Ryan Taylor. 20th Century,Children,Instructional,Standards. Score and parts. 3 pages. Voca...
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Percussion Ensemble - Level 3 - SKU: A0.741975 Composed by M. Ryan Taylor. 20th Century,Children,Instructional,Standards. Score and parts. 3 pages. Vocal Works #3508209. Published by Vocal Works (A0.741975). Play along score: https://youtu.be/RpZ1yct_4oIThis short piece in 6/4 uses four sets of diatonic boomwhackers (2 regular and 2 bass). Details: Staff 1 uses a standard 2-octave set of diatonic boomwhackers (no caps). Staff 2 and 3 require a second set with 'Octivator' caps to lower the boomwhackers an octave.
$11.99
You Are The Sunshine Of My Life
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Ensemble de Percussions
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FACILE
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Pop musique
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Soul/R&B
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Stevie Wonder
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Aaron Ziegler
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You Are The Sunshine Of My Lif
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Aaron Ziegler
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.884297 By Stevie Wonder. By Stevie Wonder. Arranged by Aaron Ziegler. Pop,Soul. Score and parts. 27 pages. Aaron...
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Percussion Ensemble - Level 2 - SKU: A0.884297 By Stevie Wonder. By Stevie Wonder. Arranged by Aaron Ziegler. Pop,Soul. Score and parts. 27 pages. Aaron Ziegler #3916007. Published by Aaron Ziegler (A0.884297). This arrangement of Stevie Wonder's classic You Are The Sunshine Of My Life will fill out the set list of any steel band. The arrangement passes the melody around to allow everyone a chance to shine, and features a precomposed double second soli with the chords provided so players could also improvise. A video of this arrangement is available through YouTube at: https://www.youtube.com/watch?v=C3OdqyG-HKk Difficulty: Early Intermediate For more information about the arranger visit: www.AaronZieglerPercussion.com
$20.00
Groovin'
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Ensemble de Percussions
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DÉBUTANT
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Contemporain
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Young Rascals
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Aaron Ziegler
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Groovin'
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Aaron Ziegler
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.884299 By Young Rascals. By Edward Brigati Jr. and Felix Cavaliere. Arranged by Aaron Ziegler. Contemporary. Sco...
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Percussion Ensemble - Level 1 - SKU: A0.884299 By Young Rascals. By Edward Brigati Jr. and Felix Cavaliere. Arranged by Aaron Ziegler. Contemporary. Score and parts. 20 pages. Aaron Ziegler #3918823. Published by Aaron Ziegler (A0.884299). This arrangement of the Young Rascals' Groovin' is a great tune for a beginning steel band. The melody moves between the tenor pan and the double tenor and double second pans to make sure that everyone stays engaged through the learning process and in performance. A video of this arrangement is available on YouTube at: https://www.youtube.com/watch?v=oZh4i_LQBHY&t=1sDifficulty: Easy/BeginnerFor more information about the arranger please visit: www.AaronZieglerPercussion.com   
$20.00
Rasputin
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Ensemble de Percussions
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INTERMÉDIAIRE
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Boney M
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S Welburn
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Rasputin
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S J Welburn
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.984525 By Boney M. By Frank Farian, Fred Jay, and George Reyam. Arranged by S Welburn. Dance,Disco. Score and pa...
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Percussion Ensemble - Level 3 - SKU: A0.984525 By Boney M. By Frank Farian, Fred Jay, and George Reyam. Arranged by S Welburn. Dance,Disco. Score and parts. 41 pages. S J Welburn #4634143. Published by S J Welburn (A0.984525). Arrangement of the 1978 hit single, by German / Caribbean Euro-Disco group Boney M. Taken from their third album Nightflight to Venus, the song was released in August of 1978 and reached No.1 in 5 countries, and peaked at No.2 in the UK.A cover of the song was released in 2007, by Finnish Folk Metal band Turisas. After years of playing it as part of their live shows, they decided to put it to record as a special edition EP in the wake of the success of their second full length album.KEY: G MinorDIFFICULTY: IntermediateThe piece makes use of several repeated rhythmic motifs, so once familiarised it is relatively easy to master. In a couple of spots their are short solo passages, but on the whole instruments work together in their subsections and are little exposed.
$19.95
[Carl] The Inevitable Wave (B)
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Ensemble de Percussions
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Contemporain
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Robert Carl
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,edium
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[Carl] The Inevitable Wave
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American Composers Alliance Inc.
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SheetMusicPlus
Percussion Ensemble - SKU: A0.953210 Composed by Robert Carl. Contemporary. Score and parts. 30 pages. American Composers Alliance Inc. #4718325. Publis...
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Percussion Ensemble - SKU: A0.953210 Composed by Robert Carl. Contemporary. Score and parts. 30 pages. American Composers Alliance Inc. #4718325. Published by American Composers Alliance Inc. (A0.953210). The second in a series, scored for 8 percussionists and fixed media. PDF download includes score with fixed media download link - contact sales@composers.com for any inquiries into part sales or rental.Percussion needed:Perc. 1: three suspended cymbals (small: high; ,edium; large: low), edium-sized woodblockPerc. 2: 4 tom-toms, glockenspielPerc. 3: low bass drum, medium-sized tam-tam, vibraphonePerc. 4: timpani: 3 drums, 28, 26, 24 (also plays chimes w/#6)Perc. 5: marimba (also plays vibraphone w/#3)Perc. 6: medium-sized bass drum, chimesPerc. 7: large tam-tam, crotales (2 octave set)Perc. 8: three suspended cymbals
$13.95
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