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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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26
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CUIVRES
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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CORDES
Violon et Piano
28
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20
Quatuor à cordes: 2 violons, alto, violoncelle
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Harpe
7
2 Violons (duo)
3
Alto seul
3
2 Violoncelles (duo)
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Trio à Cordes: violon, alto, violoncelle
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Violon
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3 Harpes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
19
Orchestre d'harmonie
14
Orchestre de chambre
7
Ensemble de cuivres
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Orchestre
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Batterie
3
2 Xylophones
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AUTRES
Vous avez sélectionné:
Early 20th century
intermédiaire
Guitare
Partitions à imprimer
10 partitions trouvées
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Recuerdos de la Alhanbra for Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Franc…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99
1.82 €
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Guitare
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Keith Terrett
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Keith Terrett
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Recuerdos de la Alhanbra for Classical Guitar
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Keith Terrett
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SheetMusicPlus
No. 3 "con afflizione" from Feuilles d'Automne, Op. 29
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1127005 Composed by Vladimer Rebik…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1127005 Composed by Vladimer Rebikov (1866-1920). Arranged by Eric J Roth. 19th Century,20th Century,Classical,Romantic Period. Individual part. 2 pages. Eric J Roth #727643. Published by Eric J Roth (A0.1127005). Arrangement for solo classical guitar of Op. 29, No. 3 composed by Russian late Romantic/early Impressionist composer, Vladimir Rebikov. This delightful piano miniature is the third in a set of six from Feuilles d'Automne (Autumn Leaves). Although untitled, the composer marks the character as con afflizione, (with affliciton). The original key of the piano piece is F sharp minor, transposed here to A minor for ease on the guitar.
$2.99
2.74 €
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Guitare
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Vladimer Rebikov
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Eric J Roth
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No. 3 "con afflizione" from Feuilles d'Automne, Op. 29
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Eric J Roth
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SheetMusicPlus
'Golaud's Letter' from Pelleas et Melisande
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899117 Composed by Claude Debussy.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899117 Composed by Claude Debussy. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25803. Published by Maggie Creek Music (A0.899117). 2 pages; for solo classical guitar; published by Maggie Creek MusicClaude Debussy (1862 – 1918) Debussy’s compositions form part of an art movement known as French Impressionism that evolved in France at the end of the 19th Century. He was its leading musical exponent and a seminal influence on modern music. The aim of Impressionism was to reflect mood, which Debussy did with the use of unusual chords and modes which nevertheless progress unerringly through evocative landscapes to peaks of tension. Careful attention to form gives impalpable sentiments a sense of direction and completion. The excerpt 'Golaud's Letter' from early in Debussy's only opera, the hugely influential ‘Pelleas and Melisande’, demonstrates this, and exhibits his masterful expression of mood and drama. Exquisite without being flowery, forceful but not overblown, the Letter's spoken voice recitative style is a natural accompaniment to the Letter's contents, while it accentuates the arrival of cadences.
$7.00
6.4 €
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Guitare
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Claude Debussy
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Rod Whittle
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for solo classical guitar
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'Golaud's Letter' from Pelleas et Melisande
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Maggie Creek Music
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SheetMusicPlus
My Heart Will Go On (Love Theme from Titanic)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.556528 By Deja Vu. By James Horner…
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Solo Guitar - Level 3 - Digital Download SKU: A0.556528 By Deja Vu. By James Horner. Arranged by PianoSheetNow. 20th Century,Pop,Standards. Individual part. 7 pages. PianoSheetNow #3675379. Published by PianoSheetNow (A0.556528). My Heart Will Go On, also called the Love Theme from Titanic, is the main theme song to James Cameron's blockbuster film Titanic. For Acoustic guitar (fingerstyle) or Classical guitar. Early intermediate to intermediate.With Guitar tablature. With some finger position suggestions. With lyrics.Pages: 7 pages, 4:40' min.
$4.99
4.57 €
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Guitare
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Deja Vu
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PianoSheetNow
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My Heart Will Go On
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PianoSheetNow
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SheetMusicPlus
Prelude No 1 in D (Memories)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1185160 Composed by Simon James. 2…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #784842. Published by DML (A0.1185160). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece is written as a Fugue with two voices. The idea was to explore counterpoint on the guitar and how to handle it. The time signature is 6/8 which suits the guitar well as it gives a very lyrical feel. The first voice opens the piece with the subject and then at bar 8 the second voice enters in the bass while the first voice plays the countersubject. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional, if in doubt you will find all the techniques you need in my book The Art Of Accompaniment On The Guitar available from Amazon.
$2.99
2.74 €
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Guitare
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Simon James
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Prelude No 1 in D
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DML
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SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
10.97 €
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Guitare
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
Tombeau de Sébastien II for guitar duo
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.958452 Composed by Joseph Dillon F…
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Solo Guitar - Level 3 - Digital Download SKU: A0.958452 Composed by Joseph Dillon Ford. 20th Century. Individual part. 3 pages. David Warin Solomons2 #3689605. Published by David Warin Solomons2 (A0.958452). The title of this solo-Tombeau-literally means tomb, in a musical sense similar to that used by composers from the seventeenth through the twentieth centuries for pieces intended to honor the memory of distinguished personages. From early times, it has been customary for the creators of tombeaux and similar works to make at least some allusion to the styles of those composers they have chosen to commemorate musically. In this case, the baroque style is vividly evoked, with particular reference to the sonatas of J. S. Bach.
$8.00
7.32 €
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Guitare
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Joseph Dillon Ford
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Tombeau de Sébastien II for guitar duo
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David Warin Solomons2
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SheetMusicPlus
Rag contra punkt for guitar solo
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.576097 Composed by David Warin Sol…
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Solo Guitar - Level 3 - Digital Download SKU: A0.576097 Composed by David Warin Solomons. 20th Century,Standards. Individual part. 2 pages. David Warin Solomons #2030531. Published by David Warin Solomons (A0.576097). One of a series of early compositions for guitar solo which I have transcribed from my old recordings. They are Classic crossover having some of the basic principles of Ragtime but containing various neo-Classical and neo-Renaissance ideas including the use of whole tones, unusual modes and even some additional counterpoint from time to time. They can be used for performance or as studies for various guitar techniques. It is performed here by Andras Csaki.
$7.00
6.4 €
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Guitare
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David Warin Solomons
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Rag contra punkt for guitar solo
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David Warin Solomons
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SheetMusicPlus
Have Yourself A Merry Little Christmas
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1312108 By Barry Manilow. By Hugh …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1312108 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Erik Gibelyou. 20th Century,Broadway,Christmas,Film/TV,Holiday,Musical/Show. Individual part. 2 pages. Erik Gibelyou #901001. Published by Erik Gibelyou (A0.1312108). Enjoy this solo guitar arrangement of “Have Yourself a Merry Little Christmas.†This classic Christmas song, written in 1943 by Hugh Martin and Ralph Blane, is arranged by guitar expert Dr. Erik Gibelyou. Here you will find a clear setting of the famous melody supported by beautiful harmonies and a few guitar special effects. Left-hand fingering and barring are clearly labeled in formatting that is easy to read. Intermediate difficulty. Fun to play and others will love to listen!Learn more about Dr. Gibelyou and his arrangements at www.erikgibelyou.com.
$4.99
4.57 €
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Guitare
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Barry Manilow
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Erik Gibelyou
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Have Yourself A Merry Little Christmas
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Erik Gibelyou
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SheetMusicPlus
Harlequin (Arlecchino) for guitar solo (mp3)
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1267996 By David Warin Solomons. By Dav…
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Guitar - Level 3 - Digital Download SKU: A0.1267996 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 147. David Warin Solomons #860550. Published by David Warin Solomons (A0.1267996). Arlecchino is a character in the Italian Commedia dell'Arte (Comedy of professions). He represents pantomime and clowning.  The name Harlequin is taken from that of a mischievous devil or demon character in popular French passion plays, but he has clearly developed this lighter side, which I am illustrating here, (as well as the much darker side of the Erlkönig whose related name comes from the more demonic character).Please see the youtube description for details if you would like to buy the score.
$4.50
4.12 €
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Guitare
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David Warin Solomons
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Harlequin
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David Warin Solomons
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SheetMusicPlus
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