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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bach Air
Non classifié
163
Piano & claviers
Piano seul
97
Accompagnement Piano
50
Accordéon
27
Piano Trio: piano, violon, violoncelle
6
Orgue
4
Piano, Voix et Guitare
4
Piano, Voix
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Facile
2
1 Piano, 4 mains
1
2 Pianos, 4 mains
1
+ 6 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
10
2 Guitares (duo)
5
Mandoline
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Ligne De Mélodie, (Paroles) et Accords
1
Banjo
1
Basse electrique
1
3 Guitares (trio)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
18
Voix Tenor, Piano
17
Voix Soprano, Piano
7
Voix Alto, Piano
5
Voix Tenor
4
Chorale 3 parties
3
Chorale TTBB
3
Voix Soprano
1
+ 3 instrumentations
Retracter
Vents
Flûte traversière et Piano
20
Clarinette
18
Clarinette et Piano
15
Flûte traversière
15
Quatuor de Saxophones: 4 saxophones
15
2 Saxophones (duo)
13
2 Clarinettes (duo)
12
Quatuor de Clarinettes: 4 clarinettes
11
Hautbois, Piano (duo)
11
2 Flûtes traversières (duo)
9
Flûte, Hautbois, Clarinette, Basson
9
Hautbois
8
Saxophone Alto et Piano
8
Flûte et Guitare
7
Saxophone
7
Flûte à Bec
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte, Clarinette (duo)
5
Saxophone Tenor et Piano
5
Saxophone Soprano et Piano
4
2 Hautbois (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Clarinette, Violoncelle (duo)
3
Flûte, Violon
3
2 Saxophones, Piano
3
Saxophone Alto
3
Hautbois, Violoncelle
3
Flute, harpe et violon
3
Flûte, Violoncelle
3
Flûte, Hautbois (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Hautbois, Basson (duo)
2
Saxophone, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone, Violon (duo)
2
Hautbois, Trompette (duo)
2
Hautbois, violon (duo)
2
Ensemble De Flûte à bec
2
Quatuor de Flûtes à bec
2
Hautbois, Harpe
1
Ensemble de Flûtes
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Trombone (duo)
1
Clarinette, Basson (duo)
1
Cor anglais, Piano
1
Quintette de Saxophone: 5 saxophones
1
Clarinette, Trombone (duo)
1
Saxophone Tenor
1
Saxophone (partie séparée)
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Basson et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
2 Flûte à bec (duo)
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette
10
Trompette, Piano
9
2 Trombones (duo)
9
2 Trompettes (duo)
7
Cor
6
Cor et Piano
6
Trombone
6
Trombone et Piano
5
Ensemble de Trompettes
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Tuba
3
2 Cors (duo)
3
Tuba et Piano
2
2 Euphoniums (duo)
2
Trompette, Saxophone (duo)
2
Trompette, Basson (duo)
2
Trombone, violoncelle (duo)
2
Trompette, violon (duo)
2
Trompette, Trombone (duo)
2
Euphonium
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 4 trompettes
1
Trompette (partie séparée)
1
Cor, Violoncelle (duo)
1
Cor anglais, Piano
1
Trompette, Trombone, Piano
1
Ensemble de Cors
1
Cor et Harpe
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violon
27
Violon et Piano
27
Violoncelle
21
Violoncelle, Piano
19
Alto seul
18
Harpe
14
Alto, Piano
12
Violon, Violoncelle (duo)
11
2 Violons (duo)
7
Violon, Alto (duo)
6
2 Altos (duo)
4
2 Violoncelles (duo)
4
2 Harpes (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à cordes: 3 violins
3
Alto, Violoncelle (duo)
3
Contre Basse
2
Trio à Cordes: 2 violons, violoncelle
2
4 Violoncelles
2
Contrebasse, Piano (duo)
2
2 Violoncelles, Piano
2
Trio à Cordes: 3 violoncelles
2
Alto et Basson
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon (duo)
1
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
30
Orchestre à Cordes
9
Cloches
3
Ensemble de cuivres
3
Orchestre
3
Batterie
2
Fanfare
2
Ensemble Jazz
1
Orchestre de chambre
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Bach Air
intermédiaire
Guitare
Partitions à imprimer
14 partitions trouvées
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1
Bach - Air on the G string - BWV 1068 - Guitar
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Ygor Nunes
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Bach - Air on the G string - B
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Ygor Nunes
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1213696 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Classical,Film/TV....
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Solo Guitar - Level 3 - SKU: A0.1213696 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Classical,Film/TV. Individual part. 2 pages. Ygor Nunes #810893. Published by Ygor Nunes (A0.1213696). Air on the G string, Air on the G string guitar, Air guitar, Air on the G string classical guitar, Air on the G string easy guitar, Air on the G string bach, Air on the G string guitar tabs, Air on the G string tabs, Â BWV 1068, Â BWV 1068 guitar, Â BWV 1068 guitar, Â BWV 1068 classical guitar, Â BWV 1068 easy guitar, Â BWV 1068 bach, Â BWV 1068 guitar tabs, Â BWV 1068 string tabs,.
$4.99
Bach - Air on the G string - BWV 1068 - Guitar TABs
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Ygor Nunes
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Bach - Air on the G string - B
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Ygor Nunes
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1213675 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Classical,Film/TV....
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Solo Guitar - Level 3 - SKU: A0.1213675 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Classical,Film/TV. Individual part. 3 pages. Ygor Nunes #810871. Published by Ygor Nunes (A0.1213675). Air on the G string, Air on the G string guitar, Air guitar, Air on the G string classical guitar, Air on the G string easy guitar, Air on the G string bach, Air on the G string guitar tabs, Air on the G string tabs, Â BWV 1068, Â BWV 1068 guitar, Â BWV 1068 guitar, Â BWV 1068 classical guitar, Â BWV 1068 easy guitar, Â BWV 1068 bach, Â BWV 1068 guitar tabs, Â BWV 1068 string tabs,.
$5.99
Air on the G string - BWV 1068 - Guitar TABs
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Ygor Nunes
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Air on the G string - BWV 1068
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Ygor Nunes
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1213664 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Classical,Film/TV....
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Solo Guitar - Level 3 - SKU: A0.1213664 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Classical,Film/TV. Individual part. 3 pages. Ygor Nunes #810859. Published by Ygor Nunes (A0.1213664). Air on the G string, Air on the G string guitar, Air guitar, Air on the G string classical guitar, Air on the G string easy guitar, Air on the G string bach, Air on the G string guitar tabs, Air on the G string tabs, Â BWV 1068, Â BWV 1068 guitar, Â BWV 1068 guitar, Â BWV 1068 classical guitar, Â BWV 1068 easy guitar, Â BWV 1068 bach, Â BWV 1068 guitar tabs, Â BWV 1068 string tabs,.
$4.99
Air on the G string - BWV 1068 - Guitar
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Ygor Nunes
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Air on the G string - BWV 1068
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Ygor Nunes
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1213698 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Classical,Film/TV....
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Solo Guitar - Level 3 - SKU: A0.1213698 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Christian,Classical,Film/TV. Individual part. 2 pages. Ygor Nunes #810895. Published by Ygor Nunes (A0.1213698). Air on the G string, Air on the G string guitar, Air guitar, Air on the G string classical guitar, Air on the G string easy guitar, Air on the G string bach, Air on the G string guitar tabs, Air on the G string tabs, Â BWV 1068, Â BWV 1068 guitar, Â BWV 1068 guitar, Â BWV 1068 classical guitar, Â BWV 1068 easy guitar, Â BWV 1068 bach, Â BWV 1068 guitar tabs, Â BWV 1068 string tabs,.
$4.99
Bach Air on the G string solo guitar Bonell
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Carlos Bonell
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Bach Air on the G string solo
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Carlos Bonell
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Carlos Bonell. Baroque, Classical, Contemporary, Instructional, Wedding. Individual part. 4...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Carlos Bonell. Baroque, Classical, Contemporary, Instructional, Wedding. Individual part. 4 pages. Carlos Bonell #6328997. Published by Carlos Bonell
$2.99
Air (J.S. Bach) - Guitar Solo Complete - Tondi. FR Version
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Tondi Rangkuti a
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Air
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ToRa Swarna Diva
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1038259 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Tondi Rangkuti a.k.a Tondi. FR. Classical,Contem...
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Solo Guitar - Level 3 - SKU: A0.1038259 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Tondi Rangkuti a.k.a Tondi. FR. Classical,Contemporary,Multicultural,Praise & Worship,Standards,World. Individual part. 4 pages. ToRa Swarna Diva #643194. Published by ToRa Swarna Diva (A0.1038259). 'Air' is a very famous musical composition that is hundreds of years old and was written by Maestro Johan Sebastian Bach. The music written for Strings Orchestra and provides a beautiful, cool and serene atmosphere. Unfortunately, there has not been an arrangement for a guitar solo that is complete and perfectly represents the ambient as Bach has described through this composition. Tondi Rangkuti a.k.a Tondi. FR has written an Air arrangement to play for a guitar solo with a complete set of all two 'movements' from Air. With the proper selection of voicing and harmonizing as from a String Orchestra. Now you can play this composition with a guitar solo and will succeed in producing the same ambient as played by a Strings Orchestra. Only for just $12 you can download this arrangement to put it on a dazzling guitar solo show.
$11.00
Air On A G String BWV 1068
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Simon James
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Air On A G String BWV 1068
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DML
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1316579 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 10 page...
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Guitar - Level 3 - SKU: A0.1316579 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 10 pages. DML #905303. Published by DML (A0.1316579). Air On A G string is August Wilhelmj’s 1871 arrangement of the second movement of J. S. Bach’s Orchestral Suite No 3 in D major BWV 1068. The arrangement differs from the original in that the part of the first violins is transposed down so that the entire piece can be played on just the violin's lowest string (the G string, hence the name). In performance, that part is generally played by a single violin (instead of by the first violins as a group). This is however an arrangement of the original “Air†from the Orchestral Suite. Bach's third Orchestral Suite in D major, composed in the first half of the 18th century, has an Air as second movement. The music of the Air is written on four staves, for first and second violins, viola, and continuo. The interweaving melody lines of the high strings contrast with the pronounced rhythmic drive in the bass. I have followed this quite closely in the arrangement for guitar quartet in F major.
$6.99
Air in D (for Solo Guitar)
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Guitare
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INTERMÉDIAIRE
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Johann Sebastian Bach
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Kenneth Pasciak
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Air in D
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Kenneth Pasciak
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SheetMusicPlus
Easy Guitar (no TAB) - Level 3 - SKU: A0.1485091 Composed by Johann Sebastian Bach. Arranged by Kenneth Pasciak. Baroque,Chamber,Classical,Wedding. Scor...
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Easy Guitar (no TAB) - Level 3 - SKU: A0.1485091 Composed by Johann Sebastian Bach. Arranged by Kenneth Pasciak. Baroque,Chamber,Classical,Wedding. Score. 2 pages. Kenneth Pasciak #1062172. Published by Kenneth Pasciak (A0.1485091). ....................Air in D Major, or Air on the G String, by Johann Sebastian Bach arranged for solo fingerstyle or classical guitar in D major. Includes 2-page sheet music score with some fingering suggestions. Tablature available separately.Also available here: Bach Favorites (for Solo Guitar)Kenneth Pasciak Music Publishing, ASCAPhttps://linktr.ee/kp_sheetmusic/....................
$3.99
Air On The G String (For 2 Guitars and 2 Basses)
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Danny Crocome
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Air On The G String
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1283992 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Danny Crocome. Baroque,Classical,Early Music,Historic...
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Guitar - Level 3 - SKU: A0.1283992 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Danny Crocome. Baroque,Classical,Early Music,Historic,Traditional. 5 pages. Danny Crocome Music #875164. Published by Danny Crocome Music (A0.1283992). An arrangement of Bach's timeless classic 'Air On The G String' for 2 guitars and 2 basses.
$9.99
Aire on the G String
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Robert E
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Aire on the G String
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R. E. Proctor
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.809678 Composed by Johann Sebastian Bach. Arranged by Robert E. Proctor. Baroque,Contemporary. Individual part. 2 pages....
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Solo Guitar - Level 3 - SKU: A0.809678 Composed by Johann Sebastian Bach. Arranged by Robert E. Proctor. Baroque,Contemporary. Individual part. 2 pages. R. E. Proctor #7447. Published by R. E. Proctor (A0.809678). An arrangement for guitar of J. S. Bach's popular melody from the Orchestral Suite No. 3.
$3.95
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Air on the G String (Suite No. 3, BWV 1068 by J. S. Bach) - classical guitar in D major by Andrei Krylov
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Andrei Krylov
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Air on the G String
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Andrei Krylov
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Andrei Krylov. For Guitar. Baroque Period, Repertoire, Christmas, Easter, Wedding. Intermediate. Scor...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Andrei Krylov. For Guitar. Baroque Period, Repertoire, Christmas, Easter, Wedding. Intermediate. Score. Andrei Krylov #14. Published by Andrei Krylov
$5.00
Gorgeous Melodies for Fingerpicking Guitar
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Guitare
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Gorgeous Melodies for Fingerpi
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.31129MEB World. Folk. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #31129MEB. Published ...
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Guitar - Intermediate - SKU: M0.31129MEB World. Folk. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #31129MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31129MEB). ISBN 9781513476896. 8.75X11.75 inches.The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar.In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: Che Gelida Manina from Puccinis La Boheme and My Heart at Thy Sweet Voice ôMon Coeur Souvre ? ta Voixö from Samson and Delilah by Camille Saint-Sa?ns. Sandys contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandys gift for chordal subtleties and innovation.Each piece is in either standard tuning EADGBE or Drop D tuning DADGBE .Written in standard notation and tablature with computer generated audio files of each arrangement.
Song List
: Once to Every Man and Nation (Thomas J. Williams) Castle Of Dromore Jesu, Joy of Man's Desiring (J S Bach) Hector the Hero (J Scott Skinner) Niel Gow's Lament for the Death of His Second Wife Che Gelida Manina (Giacomo Puccini) Plaisir D'Amour (Jean-Paul-Egide Martini) El Noi De La Mare Beautiful Dreamer (Stephen Foster) My Heart at Thy Sweet Voice (Camille Saint-Saens) Pavane, Op No 50 (Gabriel Faure) The Fairy Queen (Turlough O'Carolan)
$17.99
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Bach Air
