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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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CORNEMUSE
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FORMATION MUSI…
GUITARE
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5
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VOIX
Chorale SATB
20547
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8645
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5223
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4758
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3367
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2819
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601
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71
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24
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20
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5
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2
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1
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VENTS
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35
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23
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19
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12
Saxophone (partie séparée)
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9
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3 Clarinettes (trio)
3
Saxophone Tenor et Piano
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2 Flûtes traversières (duo)
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3
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Cor Anglais
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CUIVRES
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29
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12
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8
Cor (partie séparée)
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Quatuor de Cuivres
8
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6
2 Trompettes (duo)
5
Trompette
5
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Cor et Piano
3
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3
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2
3 Cors (trio)
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Trombone et Piano
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Ensemble de Cors
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Trombone
1
Cor Anglais
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Cor anglais, Piano
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Tuba et Piano
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Cor
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Trombone, Orgue
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3 Trombones (trio)
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Trio de Cuivres
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Tuba
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
51
Alto, Piano
10
Trio à Cordes: violon, alto, violoncelle
9
Violon et Piano
7
2 Violons (duo)
6
Violoncelle, Piano
5
Violon
5
2 Altos (duo)
4
Violon, Violoncelle (duo)
4
Harpe
3
Piano Trio: Violon, Alto, Piano
2
Alto seul
2
Violon, Alto (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle (partie séparée)
2
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Alto (partie séparée)
1
Trio à cordes
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse, Piano (duo)
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violon (duo)
1
Violoncelle
1
Violon, Orgue
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
111
Orchestre à Cordes
21
Ensemble de cuivres
16
Orchestre
11
Orchestre de chambre
8
Ensemble Jazz
8
Cloches
7
Fanfare
6
Percussion (partie séparée)
2
Marimba
2
Jazz combo
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Ensemble de Percussions
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AUTRES
Vous avez sélectionné:
Chorale
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Partitions à imprimer
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Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
9.2 €
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Guitare
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Johann Sebastian Bach
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Matthew Nace
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bass line
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Jesu, Joy of Man's Desiring
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Matthew Nace
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SheetMusicPlus
Lo How a Rose E'er Blooming
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1003247 Composed by German Renaiss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1003247 Composed by German Renaissance Madrigal. Arranged by Gordon Wolfe. Christian,Christmas. Individual part. 1 pages. Gordon Wolfe #2941723. Published by Gordon Wolfe (A0.1003247). Chorale style madrigal with an original theme added.
$2.50
2.3 €
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Guitare
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German Renaissance Madrigal
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Gordon Wolfe
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Lo How a Rose E'er Blooming
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Gordon Wolfe
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
A Christmas Pastorale
Guitare
(600 Years of Carols, Chorales, Preludes & Pastorales on 2 Guitars). Arranged by Micha…
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(600 Years of Carols, Chorales, Preludes & Pastorales on 2 Guitars). Arranged by Michael Newman and Laura Oltman. For Guitar (Classical). Christmas. Intermediate. E-book. 80 pages. Published by Mel Bay Publications - Digital Sheet Music
$19.99
18.41 €
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Guitare
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Pastorales on 2 Guitars)
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A Christmas Pastorale
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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