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ACCORDEON
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80
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66
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7
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2 Hautbois (duo)
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1
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1
Flûte, Clarinette, Cor, Basson (Quartet)
1
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1
Saxophone Baryton, Piano
1
Flûte, Violoncelle
1
2 Flûtes traversières (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte et Guitare
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Violon et Violoncelle
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Saxophone Tenor
1
Quintette de Clarinettes: 5 clarinettes
1
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1
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1
2 Flûtes traversières, Piano
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Trompette, Piano
16
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12
Cor et Piano
10
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8
Cor anglais, Piano
7
Trompette
6
Tuba et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
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2
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2
Trombone
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Tuba et Orgue
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Quatuor de cuivres: 4 trombones
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CORDES
Alto, Piano
43
Violon et Piano
42
Violoncelle, Piano
37
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon
6
Contrebasse, Piano (duo)
5
Violoncelle
5
Alto seul
3
Violon, Violoncelle (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Violons (duo)
2
Harpe
2
Trio à Cordes: violon, alto, violoncelle
2
2 Altos (duo)
1
Violon, Basson (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Alto (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
286
Orchestre à Cordes
6
Orchestre
3
Ensemble Jazz
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Cloches
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Batterie
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La Mirandète
Guitare
Classical Guitar - Digital Download INTERMEDIATE Composed by Michel Dalle Ave. Sco…
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Classical Guitar - Digital Download INTERMEDIATE Composed by Michel Dalle Ave. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4192. Published by Les Productions d'OZ - Digital
$3.95
3.61 €
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Guitare
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Michel Dalle Ave
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La Mirandète
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Les Productions d'OZ - Digital
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SheetMusicPlus
Colascione
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1263243 Composed by GIOVANNI GIROL…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1263243 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Alexandre Ribeiro and Joabe Guilherme Oliveira. Baroque,Early Music,Renaissance. Individual part. 4 pages. Joabe Guilherme Oliveira #856202. Published by Joabe Guilherme Oliveira (A0.1263243). It is with great pleasure that we present the piece entitled Colascione. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Colascione showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Colascione is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Colascione provides.
$1.99
1.82 €
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Guitare
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GIOVANNI GIROLAMO KAPSBERGER
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Colascione
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Joabe Guilherme Oliveira
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SheetMusicPlus
Prelude X
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1263223 Composed by GIOVANNI GIROL…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1263223 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme Oliveira. Baroque,Early Music,Renaissance. Individual part. 4 pages. Joabe Guilherme Oliveira #856190. Published by Joabe Guilherme Oliveira (A0.1263223). It is with great pleasure that we present the piece entitled Prelude X. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Prelude X showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Prelude X is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Prelude X provides.
$1.99
1.82 €
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Guitare
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GIOVANNI GIROLAMO KAPSBERGER
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Joabe Guilherme Oliveira
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Prelude X
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Joabe Guilherme Oliveira
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SheetMusicPlus
Capona
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1263247 Composed by GIOVANNI GIROL…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1263247 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Alexandre Ribeiro and Joabe Guilherme Oliveira. Baroque,Early Music,Renaissance. Individual part. 3 pages. Joabe Guilherme Oliveira #856206. Published by Joabe Guilherme Oliveira (A0.1263247). It is with great pleasure that we present the piece entitled Capona. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Capona showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Capona is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Capona provides.
$1.99
1.82 €
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Guitare
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GIOVANNI GIROLAMO KAPSBERGER
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Capona
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Joabe Guilherme Oliveira
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SheetMusicPlus
Suite in G
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1263227 Composed by GIOVANNI GIROL…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1263227 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme e Alexandre Ribeiro. Baroque,Early Music,Renaissance. Individual part. 9 pages. Joabe Guilherme Oliveira #856195. Published by Joabe Guilherme Oliveira (A0.1263227). It is with great pleasure that we publish this collection of pieces entitled Suite in G. This compilation, transcribed and fingered by Joabe Guilherme and Alexandre Ribeiro, brings together selected pieces from the renowned Kapsberger's Libro quarto d'intavolatura di chitarrone. Each piece has been carefully chosen to offer a unique and delightful musical experience. We would like to dedicate this collection to a talented and admirable musician, Henrique Carvalho. Henrique is an exquisite interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skills have captivated audiences around the world. It is an honor to pay tribute to him with this Suite, which will undoubtedly inspire him to continue enchanting everyone with his art. Our collection features five distinct pieces, each one showcasing the mastery and expressiveness of Kapsberger's genius. A special feature of this collection is the attention given to the technical resources and characteristics of the theorbo. An example of this is the use of campanelas, which are rarely employed in modern guitar playing but are a fundamental element in this transcription. In summary, Suite in G is a collection that presents a carefully chosen selection of pieces from the Libro quarto d'intavolatura di chitarrone. Compiled with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar, this collection is the result of our dedication to conveying the authenticity and beauty of the original works. We hope you enjoy this musical journey with us and are enchanted by the rich sound and technical prowess that the Suite in G provides.
$10.00
9.15 €
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Guitare
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GIOVANNI GIROLAMO KAPSBERGER
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Suite in G
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Joabe Guilherme Oliveira
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.61 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Prelúdio 2
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1244166 By Allegro Instrumental Ba…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1244166 By Allegro Instrumental Banda. By Jeferson Mota de Oliveira. Arranged by Jeferson Mota de Oliveira. Christmas,Classical,Renaissance,Soul,Wedding. Individual part. 1 pages. JEFERSON MOTA DE OLIVEIRA #839138. Published by JEFERSON MOTA DE OLIVEIRA (A0.1244166). Esse é um Prelúdio para violão solo.Um prelúdio é uma composição musical instrumental curta e independente que geralmente serve como introdução a uma peça mais extensa, como uma ópera, uma suÃte, uma sonata ou um concerto. O termo prelúdio vem do latim praeludium, que significa tocar antes.Os prelúdios são caracterizados por sua natureza improvisatória e exploratória, permitindo ao compositor ou ao intérprete explorar diferentes melodias, harmonias e texturas musicais. Eles podem apresentar uma variedade de estilos e formas musicais, desde peças virtuosÃsticas e brilhantes até prelúdios mais introspectivos e contemplativos.Os prelúdios têm sido escritos e apreciados ao longo da história da música em várias épocas e gêneros musicais, como no perÃodo barroco com os prelúdios de Johann Sebastian Bach, no perÃodo romântico com os prelúdios de Frédéric Chopin e no jazz com os prelúdios improvisados pelos pianistas de jazz.
$1.99
1.82 €
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Guitare
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Allegro Instrumental Banda
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Jeferson Mota de Oliveira
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Prelúdio 2
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JEFERSON MOTA DE OLIVEIRA
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SheetMusicPlus
Fantasy on a Mozart Theme
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Cl…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00
4.57 €
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Guitare
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Rod Whittle
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for solo classical guitar
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Fantasy on a Mozart Theme
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Maggie Creek Music
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SheetMusicPlus
André (Guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Sout…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part. 17 pages. Publisher by Rudesindo Soutelo #903830. Published by Publisher by Rudesindo Soutelo (A0.1315103). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Guitar, ca. 14'40) 1. (A) Prelúdio da manhã / Morning prelude 2. (n) Alvorecer na janela / Dawn in the window 3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz 4. (r) A catedral imergente / The immersing cathedral 5. (é) Marcha da formiga atónita / March of the astonished antISWC: T-045.522.026-4ISMN: 979-0-707704-19-6This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts.The “Morning prelude†is the restless awakening; the “Dawn in the window†is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltzâ€, who turn rifles into pairs to dance with. From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedralâ€, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant†is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].The original version is for piano. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã†é o acordar buliçoso; o “Alvorecer na janela†é a luz do novo dia a esclarecer o espÃrito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo†que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente†que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declÃnio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita†são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].A versão original é para Piano. Consulte https://soutelo.eu
$8.00
7.32 €
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Guitare
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Rudesindo Soutelo
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Guitar
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André
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
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