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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Reach
Non classifié
297
Piano & claviers
Piano seul
189
Piano, Voix et Guitare
71
Piano, Voix
65
Instruments en Do
14
Piano Facile
9
Orgue
8
Piano Trio: piano, violon, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 4 mains
2
Accompagnement Piano
2
Accordéon
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
66
Paroles et Accords
30
Ligne De Mélodie, (Paroles) et Accords
16
Basse electrique
12
Guitare
11
Piano, Guitare (duo)
9
Ukulele
5
Dulcimer
3
2 Guitares (duo)
3
Mandoline
2
Basse électrique (partie séparée)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
95
Chorale 3 parties
33
Chorale TTBB
28
Chorale SSAA
20
Chorale 2 parties
12
Voix Alto, Piano
10
Voix seule
4
Chorale Unison
4
Voix duo
3
Chorale
3
Voix Soprano, Piano
3
Voix duo, Piano
2
Voix basse, Piano
2
Voix Mezzo-Soprano, Piano
1
Voix Soprano, Orchestre
1
Voix haute
1
Voix Tenor, Piano
1
Voix Tenor
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
2 Saxophones (duo)
21
Quatuor de Saxophones: 4 saxophones
21
Clarinette et Piano
20
Saxophone Alto et Piano
19
Hautbois, Piano (duo)
18
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Tenor et Piano
16
Saxophone Baryton, Piano
14
Saxophone Soprano et Piano
14
Quatuor de Flûtes : 4 flûtes
13
Saxophone, Clarinette (duo)
12
Quintette de Saxophone: 5 saxophones
11
Flûte, Hautbois, Clarinette, Basson
10
Clarinette Basse, Piano
10
2 Flûtes traversières (duo)
9
Flûte et Guitare
9
2 Clarinettes (duo)
9
Clarinette, Violon (duo)
8
Flûte traversière
8
Clarinette, Trompette (duo)
8
Clarinette
7
Saxophone Alto
7
Saxophone Tenor
6
Quintette de Clarinettes: 5 clarinettes
5
Saxophone (partie séparée)
5
Hautbois, Flûte
5
2 Hautbois (duo)
5
Clarinette et Alto
5
Hautbois, Basson (duo)
5
Hautbois, Clarinette (duo)
5
Cor anglais, Piano
5
Flûte, Trompette (duo)
4
Flûte, Alto (duo)
4
Ensemble de Clarinettes
4
Flûte, Violon
4
Flûte, Clarinette (duo)
4
Ensemble de saxophones
3
Flûte, Saxophone (duo)
3
Quintette de Flûte : 5 flûtes
3
3 Clarinettes (trio)
2
Ensemble de Flûtes
2
Hautbois (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Clarinette et Basson
2
Piccolo, Piano
2
Flûte, Clarinette, Piano (trio)
2
Clarinette (partie séparée)
1
Flûte à bec Soprano
1
Saxophone et Guitare
1
3 Saxophones (trio)
1
5 Flûtes à bec
1
Cor Anglais
1
Clarinette, Guitare (duo)
1
Flute (partie séparée)
1
Cor anglais, Guitare (duo)
1
Ensemble à vent
1
Flûte à bec Alto
1
Flûte, Violon et Violoncelle
1
+ 56 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
42
Trompette, Piano
17
Cor et Piano
16
Euphonium, Piano (duo)
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trombone et Piano
15
Trompette
9
Trompette, Saxophone (duo)
9
Cor anglais, Piano
5
Tuba et Piano
4
2 Trompettes (duo)
4
2 Trombones (duo)
4
Quatuor de Cuivres
3
Trompette (partie séparée)
2
Cor
2
Trompette, Trombone (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba
1
Ensemble de Trompettes
1
Ensemble de Tubas
1
Trombone (partie séparée)
1
Cor Anglais
1
Cor (partie séparée)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Cor anglais, Guitare (duo)
1
Trombone
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violon et Piano
32
Violoncelle, Piano
22
Alto, Piano
17
Violon
16
Violon, Violoncelle (duo)
14
Violoncelle
8
Trio à Cordes: 2 violons, violoncelle
8
Harpe
7
Trio à Cordes: violon, alto, violoncelle
7
Contrebasse, Piano (duo)
5
2 Altos (duo)
4
2 Violoncelles (duo)
4
Violon, Alto (duo)
3
Alto seul
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Violons (duo)
3
Contrebasse (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
Alto, Guitare (duo)
1
Contre Basse
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
66
Orchestre
47
Fanfare
43
Ensemble Jazz
21
Ensemble de cuivres
18
Orchestre à Cordes
18
Cloches
8
Jazz combo
8
Ensemble de Percussions
4
Batterie
4
Orchestre de chambre
2
Batterie (partie séparée)
2
Xylophone, Piano
2
Marimba
2
+ 9 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
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avec audio
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Vous avez sélectionné:
Reach
intermédiaire
Guitare
Partitions à imprimer
11 partitions trouvées
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1
Can't Help Falling In Love
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Guitare
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INTERMÉDIAIRE
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Elvis Presley
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Seamus McDaniel
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Can't Help Falling In Love
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Seamus McDaniel
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1496357 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Seamus McDaniel. 20th Cen...
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Solo Guitar - Level 3 - SKU: A0.1496357 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Seamus McDaniel. 20th Century,Pop. Individual part. 4 pages. Seamus McDaniel #1072929. Published by Seamus McDaniel (A0.1496357). This is my arrangement/transcription of Can't Help Falling in Love by Elvis! I've included the chord names and really aimed for note-by-note accuracy with the melody in this one. There is standard notation as well as tabature in the PDF.If you have any questions or suggestions regarding my tabs, feel free to reach out to me at my website!
$5.99
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
PRELUDE 7
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Guitare
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INTERMÉDIAIRE
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Gilbert Piger
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PRELUDE 7
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GJP Productions
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1018745 Composed by Gilbert Piger. Contemporary,World. Individual part. 1 pages. GJP Productions #1986471. Published by ...
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Solo Guitar - Level 3 - SKU: A0.1018745 Composed by Gilbert Piger. Contemporary,World. Individual part. 1 pages. GJP Productions #1986471. Published by GJP Productions (A0.1018745). Written in the style of Tarrega. And if you don't know who he is then this is out of your reach.
$6.45
What A Wonderful World
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Guitare
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INTERMÉDIAIRE
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural...
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Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
I Surrender All
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Guitare
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INTERMÉDIAIRE
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J
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Janderson Gomes
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I Surrender All
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JANDERSON GOMES DA SILVA
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1130430 Composed by J.W. Van DeVenter and W. S.Weeden. Arranged by Janderson Gomes. Christian,Classical,Religious,Tradit...
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Solo Guitar - Level 3 - SKU: A0.1130430 Composed by J.W. Van DeVenter and W. S.Weeden. Arranged by Janderson Gomes. Christian,Classical,Religious,Traditional. Individual part. 6 pages. JANDERSON GOMES DA SILVA #730798. Published by JANDERSON GOMES DA SILVA (A0.1130430). This is a tablature version of the homonymous title material: “I Surrender Allâ€; traditional Christian hymn arranged for solo guitar with classical music elements and dissonant chords. The objective of this variant is to reach music lovers who do not have the theoretical knowledge of musical reading (score). The arrangement was created freely according to the arranger's sensibility and instrumental experience. Although created by a professional, in this version the work can be appropriated by amateurs who basically contemplate reading tablature.
$1.99
Jolene
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Guitare
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INTERMÉDIAIRE
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Country
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Dolly Parton
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Lynne Morley
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Jolene
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Lynne Morley
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SheetMusicPlus
Solo Guitar - Intermediate - SKU: A0.505587 By Dolly Parton. By Dolly Parton. Arranged by Lynne Morley. Country. Individual part. 2 pages. Published by ...
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Solo Guitar - Intermediate - SKU: A0.505587 By Dolly Parton. By Dolly Parton. Arranged by Lynne Morley. Country. Individual part. 2 pages. Published by Lynne Morley (A0.505587). Arrangement for solo classical guitar.For players of intermediate standard, this is arranged in a simple melody and bass style in a minor. Mostly first position, with occasional reaches to fret 5 and 5th position at the end.
$4.99
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Wonderwall
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Guitare
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INTERMÉDIAIRE
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Rock
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Oasis
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David Jaggs
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Wonderwall
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David Jaggs
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SheetMusicPlus
Guitar - Intermediate - By Oasis. Arranged by David Jaggs. Solo Part. 4 pages. Published by David Jaggs...
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Guitar - Intermediate - By Oasis. Arranged by David Jaggs. Solo Part. 4 pages. Published by David Jaggs
A Superb arrangement of the 1995 Oasis hit, "Wonderwall". Surely the most detailed out there. Some very interesting textures, including rasgueado, tambora and playing four parts at once at the end of the arrangement. Certainly not a beginners piece, but within the reach of the intermediate player, very impressive when mastered. This version of the arrangement does not include tablature. There is a second version with tablature for those who prefer.
$7.99
CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS
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Guitare
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INTERMÉDIAIRE
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Classique
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CLASSICAL GUITAR TUNES - ENGLI
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - Classical. E-book. 49 pages. Mel Bay Publications - Digital Sheet Music #30947EB. Published by Mel Bay Publications - Digita...
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Guitar - Intermediate - Classical. E-book. 49 pages. Mel Bay Publications - Digital Sheet Music #30947EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459844. 8.75x11.75 inches.
This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barre chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. Its an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition. Gerald Garcia.
$12.99
20 Microestudios
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Guitare
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INTERMÉDIAIRE
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Classique
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Abel Carlevaro
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20 Microestudios
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Chanterelle
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SheetMusicPlus
Guitar - easy to intermediate - Composed by Abel Carlevaro (1916-2001). This edition: Sheet music. Downloadable. Duration 32 minutes. Chanterelle #Q...
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Guitar - easy to intermediate - Composed by Abel Carlevaro (1916-2001). This edition: Sheet music. Downloadable. Duration 32 minutes. Chanterelle #Q50390. Published by Chanterelle
German - English.
NOW IN ONE VOLUME! Since their first publication in 1992 the Microstudies of Abel Carlevaro have become firmly established among the most important sets of didactic studies for the guitar from the 20th century. Composed at the suggestion of Chanterelle, these studies, twenty in all, cover practically every aspect of guitar technique. Although they constitute an essential complement to Carlevaro's theoretical works, the Escuela de Guitarraand the legendary Cuadernos, his four volume series of technical exercises, they can be used on their own. The music is of the consistent high quality and originality we have to come to expect from Carlevaro and, as with many of his works, the essence of Tango and Milonga can be felt throughout the entire collection. These short yet compact miniatures, many of which are barely a minute in duration, are arranged in a progressive order of difficulty following the same time-honoured structure as used by Fernando Sor, Leo Brouwer and others. Until now the Microstudies were available in four separate volumes published between 1992-2000. The present new revised edition in one single volume offers great value for money and will put them within easy reach of guitarists and students everywhere.
$13.99
Danzas Cubanas of Ignacio Cervantes
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Guitare
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INTERMÉDIAIRE
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Latin/Musique du monde
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Elias Barreiro
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Danzas Cubanas of Ignacio Cerv
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Elias Barreiro. For Guitar (Classical). Latin American. 78 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Elias Barreiro. For Guitar (Classical). Latin American. 78 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609745936. The thirty-eight Danzas Cubanas of Ignacio Cervantes (1847-1905) were originally written for the piano and conceived as "a page in the album of the Romantic Century". Together with improvised components, this music reflects the popular melodic and rhythmic unity which reached its apex in Cuban dances as performed at dance academies. This edition presents all 38 engaging pieces in standard notation for solo guitar.
$17.99
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