ISBN 9781609745578. This anthology contains nineteen of the most popular Gilbert and Sullivan classics arranged in easily sight-readable versions for beginning to intermediate classical guitarists. All the favorites are here, ranging from sentimental ballads such as 'Little Buttercup', 'Willow, Tit-Willow' and 'There Grew a Little Flower', to more up-tempo 'patter' type pieces such as 'Oh! A Private Buffoon', 'Kind Sir You Cannot Have the Heart' and 'A Policeman's Lot'. The aim has been to provide both a useful teaching resource and a light-hearted alternative to the more 'serious' music of the classical guitar repertoire. All the pieces lend themselves extremely well to the common idiomatic textures of the classical guitar. A variety of melody and accompaniment styles are employed, including block chords, arpeggio patterns and passages of double-stopped thirds and sixths. A number of the pieces are in easy first position format, while others explore the common higher positions. The standard guitar keys are utilized (C, G, D, A, E) but there are occasional more challenging temporary modulations to 'difficult' keys, such as E flat major. There are also instances of drop-D tuning, which is often required in classical guitar playing.

ISBN 9781610656139.

The guitar's entrance into American culture began in the early 1800s, introduced primarily by visiting and immigrant Spanish guitarists. Many of these newly arrived Spaniards exerted great influence on the guitar's development in 19th century America. The works in this book contain the compositions and arrangements of eight noted 19th century Hispanic American guitarist / composers with an emphasis on their works that reflect Latin themes or rhythms. Rounding out this anthology are dance forms such as the Habanera, Jota, Cachucha, Sevillano, Spanish Mazurka, and other Spanish dance related works along with extended concert pieces such as Theme and Variations, Serenades, Polonaises and a delightful arrangement of The Celebrated Spanish Retreat, a programmatic work with an unusual 'C' tuning and novel harmonic effects crafted to imitate the bugles, horns and drums as heard on the battlefield. The book features twenty-one solos and two duets which range in difficulty from easy to advanced. An extensive and well researched text along with photos and a companion recording by acclaimed guitarist/scholar Douglas Back help to make this a landmark book.

ISBN 9781609744434. A collection of chansons printed in various collections between 1529 and 1543 by Pierre Attaingnant, the inventor of single-impression printing. The arrangement of chansons for lute or keyboard was an important source of instrumental music in the sixteenth century. The chansons in the present anthology, the fruits of a particularly rich period in French music, are modern arrangements for guitar or lute made in accordance with procedures found in French prints of the time. The musical styles range from the serious, imitative Franco-Flemish chanson of northern composers to the charming, light-hearted, and often ribald chansons that furnished musical entertainment in early sixteenth-century Paris. Although the arrangements are instrumental, text translations are furnished to aid in interpretation of the music and to amuse the modern reader as they amused the listener in the 1530s and 1540s. Standard notation only.

Song List: Aura Lee Beautiful Dreamer Black is the Color of My True Love's Hair Black Sunday Darling Nellie Gray Hard Times, Come Again No More I Dream of Jeanie With the Light Brown Hair In The Pines Johnny Has Gone For a Soldier Just A-Wearyn' for You Just Before The Battle, Mother Land of Rest Lorena Mighty Lak' A Rose Paper Of Pins Prairie Sunset Pretty Peggy � O Shady Grove Shenandoah The Lonesome Dove The Long Road The Old Country The Old Homestead TO a Wild Rose Trail Of Tears

This is the seventh volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.

Song List:

Adoro Devote

All My Trials

All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks

Balm in Gilead

Benediction

Bread of the World Eucharistic Hymn

Canticle #1

Canticle #2

Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby

Come to the Feast

Compline

Consecration

Deep River

Evening Prayer

Gloria

God Unseen Yet Ever Near St Flavian

Have Thine Own Way, Lord Adelaide

He Hideth My Soul Kirkpatrick Crosby

Here, O My Lord, I See Thee Face to Face Penitentia

Higher Ground Gabriel Oatman

Hold to God?s Unchanging Hand Eiland

Holy Is The Lord

I Love to Tell the Story Fischer Hankey

At the Cross Hudson Watts

I Will Arise and Go to Jesus Arise

I Will Praise Him Harris More Love to Thee Doane Prentiss

Jesu, Joy of Man?s Desiring

Jesus Paid It All Grape HallI Am Coming, Lord Hartsough

Jesus Spreads His Banner O?er Us Autumn

Just As I Am Woodworth

Kyrie Eleison

Lamb Of God

Lenten Meditation

Let All Mortal Flesh Keep Silence Picardy

Let Us Break Bread Together

Light Of The World

Litany

Lonesome Valley

Look Down That Lonesome Road

Lord, I?m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby

Lord, Speak to Me Canonbury

Meditation on Psalm

My Faith Looks Up to Thee Olivet

My Lord, My God

My Shepherd Will Supply My Need

Resignation

Nearer, My God, to Thee Bethany

Never Alone Anon

Night Prayer

Nobody Knows The Trouble I?ve Seen

O Esca Viatorum

Pass Me Not Doane Crosby

Only Trust Him Stockton

Peace

Praxis Pietatis Melica

Prayer

Prayer of Simeon

Psalm 102:1 Hear My Prayer, O Lord

Psalm 118:24 This Is the Day That the Lord Hath Made

Psalm 119:28 My Soul Is Heavy with Sorrow

Psalm 126:6 They That Sow in Tears

Psalm 128:1 Blessed Are They That Fear the Lord

Psalm 139:7 Where Shall I Go From Thy Spirit

Psalm 142:3 When My Spirit Grows Faint Within Me

Psalm 144:3 Lord, What Is Man

Psalm 16:1 Keep Me Safe, O God

Psalm 19:1 The Heavens Declare the Glory of God

Psalm 34:18 The Lord Is Close to the Broken Hearted

Psalm 65:2 Thou That Hearest Prayer

Psalm 88:13 Unto Thee Have I Cried, O Lord

Rendez a Dieu

Sanctus

Shall We Gather at the River Lowry

Softly And Tenderly

Sometimes I Feel Like a Motherless Child

St Gregory Chorale

Steal Away

Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman

Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman

Swing Low, Sweet Chariot

The Lord?s Supper Way

To God Be the Glory Doane Crosby

Turn Your Eyes Upon Jesus He Is Lord

Wade In The Water

Wayfaring Stranger

We Give Thee Thanks

Were You There

What a Friend We Have in Jesus Converse

When I Lay My Burdens Down