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AUTRES INST…
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CITHARE
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COR ANGLAIS
CORNEMUSE
CORNET
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Note4Piano
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Non classifié
1374
PIANO & CLAVIERS
Piano seul
931
Piano, Voix et Guitare
594
Piano, Voix
365
Orgue
70
Instruments en Do
37
1 Piano, 4 mains
33
Piano Facile
31
Piano Trio: piano, violon, violoncelle
12
Accordéon
11
Accompagnement Piano
4
Orgue, Piano (duo)
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 8 mains
1
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
295
Ligne De Mélodie, (Paroles) et Accords
159
Guitare
122
Paroles et Accords
119
Ukulele
71
Basse electrique
69
2 Guitares (duo)
11
Banjo
5
Basse électrique (partie séparée)
4
Mandoline
4
2 Dulcimers (duo)
3
Piano, Guitare (duo)
3
Dulcimer
3
Ensemble de guitares
3
4 Guitares (Quatuor)
3
Ukulele Baryton
2
Guitare, Violon, Violoncelle (trio)
2
Partitions De Groupes
1
Guitare Pedal Steel
1
3 Guitares (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
573
Chorale 3 parties
268
Chorale TTBB
260
Chorale SSAA
83
Chorale 2 parties
79
Chorale
70
Chorale Unison
21
Voix duo, Piano
15
Voix seule
11
Voix Soprano, Piano
9
Voix Alto, Piano
8
Voix duo
5
Voix basse, Piano
4
Voix haute
4
Voix moyenne, Piano
3
Male Voice
2
Voix basse
2
Chorale SSATB
2
Voix Soprano
2
Voix Soprano, Orchestre
1
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB, Piano
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
125
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
100
Clarinette
88
Quatuor de Clarinettes: 4 clarinettes
78
Flûte traversière et Piano
76
Quatuor de Saxophones: 4 saxophones
75
Flûte traversière
69
2 Clarinettes (duo)
64
2 Flûtes traversières (duo)
63
Saxophone (partie séparée)
54
Saxophone Alto et Piano
52
Flûte, Hautbois, Clarinette, Basson
52
Hautbois, Piano (duo)
50
Saxophone, Clarinette (duo)
49
Clarinette et Piano
43
Saxophone Alto
40
Clarinette, Violon (duo)
39
Quatuor de Flûtes : 4 flûtes
36
Saxophone Tenor et Piano
35
Saxophone
29
Quintette de Saxophone: 5 saxophones
29
Flûte et Guitare
29
Flûte, Violon
28
Ensemble de Flûtes
27
Saxophone Tenor
25
Flûte, Clarinette (duo)
25
Hautbois, Basson (duo)
24
Clarinette, Trompette (duo)
22
Flûte, Trompette (duo)
21
2 Hautbois (duo)
21
Hautbois, Clarinette (duo)
20
Hautbois, Flûte
20
Hautbois (partie séparée)
17
Ensemble de saxophones
17
Flûte, Saxophone (duo)
17
Saxophone Soprano et Piano
15
Ensemble de Clarinettes
15
3 Clarinettes (trio)
14
Quintette de Clarinettes: 5 clarinettes
14
Trio de Flûtes: 3 flûtes
14
Clarinette et Alto
14
Flûte, Alto (duo)
12
3 Saxophones (trio)
11
Cor anglais, Piano
10
Saxophone Baryton, Piano
10
Clarinette, Guitare (duo)
9
Clarinette (partie séparée)
8
Clarinette Basse, Piano
8
Flûte, Hautbois, Clarinette (trio)
7
Clarinette, Basson (duo)
6
Flute (partie séparée)
6
Flûte, Hautbois (duo)
6
Quintette de Flûte : 5 flûtes
6
Flûte, Clarinette et Basson
5
Flûte à Bec
5
Hautbois
4
Saxophone Soprano
4
Flûte, Violoncelle, Piano (trio)
4
Cor anglais, Guitare (duo)
4
Flûte, Clarinette, Violon (trio)
4
2 Flûte à bec (duo)
4
Flûte, Violon, Violoncelle et Piano
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Harpe (duo)
3
Instruments en Mib
3
2 Flûtes traversières, Piano
3
Flûte, Hautbois, Violon
3
2 Clarinettes, Piano
3
Flûte, Violoncelle
3
Hautbois, Harpe
3
Hautbois, Violoncelle
2
Flûte à bec Soprano
2
Flute, harpe et violon
2
Flûte, Basson et Piano
2
Harmonica
2
Flûte à bec Alto
2
Saxophone et Guitare
2
Hautbois, Guitare (duo)
2
Flûte à bec Soprano, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Alto, Piano
1
Flûte, trombone et piano
1
Clarinette Basse
1
Hautbois, violon (duo)
1
2 Hautbois, Piano
1
Clarinette, trompette et piano
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
2 Clarinettes, Basson
1
Flûte, Harpe et Violoncelle
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Trombone (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon et Violoncelle
1
Ocarina
1
Cor Anglais
1
2 Saxophones, Piano
1
Flûte, Violon, Piano
1
Saxophone Baryton
1
Piccolo, Piano
1
Flûte à bec Tenor
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
89
Trompette
72
Trombone
60
Quatuor de Cuivres : 2 trompettes, trombone, tuba
58
Trompette, Saxophone (duo)
42
Trompette, Piano
41
Trombone et Piano
40
2 Trombones (duo)
37
Cor
35
Cor et Piano
33
Trompette (partie séparée)
31
2 Trompettes (duo)
27
Trombone (partie séparée)
20
Trompette, Trombone (duo)
19
Tuba
16
2 Cors (duo)
16
Quatuor de Cuivres
14
Tuba et Piano
12
Euphonium, Piano (duo)
12
Quatuor de cuivres: 4 cors
11
Cor anglais, Piano
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de cuivres: 4 trombones
8
Cor (partie séparée)
7
Bass Clef Instruments
4
Trio de Cuivres
4
Cor anglais, Guitare (duo)
4
3 Trompettes (trio)
4
3 Trombones (trio)
4
4 Tubas
3
Quatuor de cuivres: 4 trompettes
3
Instruments en Sib
3
2 Tubas (duo)
3
Euphonium
2
Cor et Harpe
2
Tuba (partie séparée)
2
2 Euphoniums (duo)
2
2 Euphoniums et 2 Tubas
2
Ensemble de Tubas
1
2 Cors, Piano
1
Trombone, Orgue
1
Ensemble de Cors
1
Cor Anglais
1
Ensemble de Trompettes
1
Trompette, Euphonium (duo)
1
Ensemble de Trombones
1
Trompette, Harpe
1
Trompette, Basson (duo)
1
Cornet et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
228
Violon et Piano
89
Violon
81
Harpe
77
Violoncelle, Piano
65
Violon, Violoncelle (duo)
52
2 Violons (duo)
47
Violoncelle
44
Alto seul
43
Violoncelle (partie séparée)
40
2 Violoncelles (duo)
39
Alto, Piano
38
Violon, Alto (duo)
30
Trio à Cordes: violon, alto, violoncelle
29
Trio à Cordes: 2 violons, violoncelle
28
2 Altos (duo)
23
2 Harpes (duo)
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Contrebasse, Piano (duo)
14
Alto (partie séparée)
10
Contre Basse
9
Alto, Violoncelle (duo)
8
Harpe, Flûte (duo)
8
Violon (partie séparée)
7
Trio à cordes: 3 violins
6
4 Violoncelles
5
Harpe, Violon (duo)
3
Harpe, Voix
3
Contrebasse (partie séparée)
3
Ensemble de Violoncelles
2
Trio à cordes: 3 altos
2
Harpe et Piano
2
2 Contrebasses (duo)
2
Alto et Harpe
2
2 Altos, Piano
2
Harpe, Violon, Violoncelle
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
2
4 Contrebasses
1
Flûte, Contrebasse (duo)
1
Violon, Guitare (duo)
1
Violoncelle, Orgue
1
Alto, Guitare (duo)
1
Violon, Basson (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Harpe et mandoline
1
Piano Trio: Violon, Alto, Piano
1
3 Harpes
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
248
Ensemble Jazz
226
Orchestre
159
Fanfare
120
Ensemble de cuivres
104
Cloches
96
Orchestre à Cordes
78
Batterie
56
Orchestre de chambre
49
Jazz combo
46
Ensemble de Percussions
19
Batterie (partie séparée)
9
Percussion (partie séparée)
8
Vibraphone
4
Percussion
3
Xylophone
3
Marimba
2
Big band
1
Quintette à Vent
1
Xylophone, Piano
1
Quintette de Cuivres: autres combinaisons
1
Bodhran
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Up!
intermédiaire
Guitare
Partitions à imprimer
122 partitions trouvées
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101
Green Day : Wake Me Up When September Ends (niveau intermédiaire, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Wake Me Up When September E…
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Téléchargez la tablature et la partition Guitare Wake Me Up When September Ends (niveau intermédiaire, guitare d'accompagnement) de Green Day. Tab pour Guitare d'accompagnement -- Pop/rock
5.99 €
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Guitare
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Green Day
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Wake Me Up When September Ends
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Tomplay
The Rolling Stones : Start Me Up (niveau intermédiaire, guitare électrique 1)
Guitare
Téléchargez la tablature et la partition Guitare Start Me Up (niveau interm&…
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Téléchargez la tablature et la partition Guitare Start Me Up (niveau intermédiaire, guitare électrique 1) de The Rolling Stones. Tab pour Guitare mélodique avec band/orchestre -- Pop/rock
5.99 €
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Guitare
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The Rolling Stones
#
Start Me Up
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Tomplay
The Rolling Stones : Start Me Up (niveau intermédiaire, guitare électrique 2)
Guitare
Téléchargez la tablature et la partition Guitare Start Me Up (niveau interm&…
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Téléchargez la tablature et la partition Guitare Start Me Up (niveau intermédiaire, guitare électrique 2) de The Rolling Stones. Tab pour Guitare mélodique avec band/orchestre -- Pop/rock
5.99 €
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Guitare
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The Rolling Stones
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Start Me Up
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Tomplay
When the Roll is Called Up Yonder, I'll Be There
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1463275 Composed by Traditional. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1463275 Composed by Traditional. Arranged by Chris Richter. Christian,Religious,Spiritual. Individual part. 3 pages. Chris Richter #1041970. Published by Chris Richter (A0.1463275). A solo fingerstyle guitar arrangement of the hymn When the Roll Is Called Up Yonder.
$5.99
5.53 €
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Guitare
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Traditional
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Chris Richter
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When the Roll is Called Up Yonder, I'll Be There
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Chris Richter
#
SheetMusicPlus
Up Around The Bend
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1438232 By Creedence Clearwater Re…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1438232 By Creedence Clearwater Revival. By John Fogerty. Arranged by Chris Richter. Rock. Individual part. 4 pages. Chris Richter #1018287. Published by Chris Richter (A0.1438232). Creedence Clearwater Revival Up Around the Bend arranged for solo fingerstyle guitar.
$7.99
7.37 €
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Guitare
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Creedence Clearwater Revival
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Chris Richter
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Up Around The Bend
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Chris Richter
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SheetMusicPlus
Running Up That Hill
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1437526 By Kate Bush. By Kate Bush…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1437526 By Kate Bush. By Kate Bush. Arranged by Chris Richter. Film/TV,Pop,Rock. Individual part. 7 pages. Chris Richter #1017634. Published by Chris Richter (A0.1437526). Running Up That Hill (A Deal With God by Kate Bush arranged for solo fingerstyle guitar.
$7.99
7.37 €
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Guitare
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Kate Bush
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Chris Richter
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Running Up That Hill
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Chris Richter
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SheetMusicPlus
You Raise Me Up
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1439068 By Josh Groban. By Brendan…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1439068 By Josh Groban. By Brendan Graham and Rolf Lovland. Arranged by Chris Richter. 21st Century,Standards. Individual part. 4 pages. Chris Richter #1019098. Published by Chris Richter (A0.1439068). You Raise Me Up by Josh Groban arranged for solo fingerstyle guitar.
$7.99
7.37 €
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Guitare
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Josh Groban
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Chris Richter
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You Raise Me Up
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Chris Richter
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SheetMusicPlus
I Won't Give Up
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.788242 By Jason Mraz. By Jason Mra…
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Solo Guitar - Level 3 - Digital Download SKU: A0.788242 By Jason Mraz. By Jason Mraz and Michael Natter. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 5 pages. Antonius Agung Setiawan #5205217. Published by Antonius Agung Setiawan (A0.788242). I Won't Give Up by Jason MrazSolo guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playTo see more of my work, please visit https://linktr.ee/pakagung
$5.50
5.08 €
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Guitare
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Jason Mraz
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Antonius Agung Setiawan
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I Won't Give Up
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Antonius Agung Setiawan
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SheetMusicPlus
Make-Up : Saint Seiya - Pegasus Fantasy (niveau intermédiaire, lead guitar)
Guitare
Téléchargez la tablature et la partition Guitare Saint Seiya - Pegasus Fanta…
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Téléchargez la tablature et la partition Guitare Saint Seiya - Pegasus Fantasy (niveau intermédiaire, lead guitar) de Make-Up. Tab pour Lead Guitar -- Musique de film
5.99 €
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Guitare
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Make-Up
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Saint Seiya
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Tomplay
Make-Up : Saint Seiya - Pegasus Fantasy (niveau intermédiaire, rhythm guitar)
Guitare
Téléchargez la tablature et la partition Guitare Saint Seiya - Pegasus Fanta…
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Téléchargez la tablature et la partition Guitare Saint Seiya - Pegasus Fantasy (niveau intermédiaire, rhythm guitar) de Make-Up. Tab pour Rhythm Guitar -- Musique de film
5.99 €
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Guitare
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Make-Up
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Saint Seiya
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Tomplay
What's Up
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1299580 By 4 Non Blondes. By Linda…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1299580 By 4 Non Blondes. By Linda Perry. Arranged by Cleber Correia. Rock. Individual part. 5 pages. Cleber Domingues #889432. Published by Cleber Domingues (A0.1299580).
$10.00
9.23 €
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Guitare
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4 Non Blondes
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Cleber Correia
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What's Up
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Cleber Domingues
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SheetMusicPlus
You Raise Me Up
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.960497 By Josh Groban & The Africa…
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Solo Guitar - Level 3 - Digital Download SKU: A0.960497 By Josh Groban & The African Children's Choir. By Brendan Graham and Rolf Lovland. Arranged by Hiroshi Yasuda. Pop. Individual part. 1 pages. Soul&Funk StandardLibrary #6412179. Published by Soul&Funk StandardLibrary (A0.960497). Performed by : Celtic Woman
$4.99
4.61 €
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Guitare
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Josh Groban & The African Children's Choir
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Hiroshi Yasuda
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You Raise Me Up
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Soul&Funk StandardLibrary
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SheetMusicPlus
Running Up That Hill (a Deal With God) 2012 Remix
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1045047 Composed by Kate Bush. Arr…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1045047 Composed by Kate Bush. Arranged by Damien Roy. Pop. Individual part. 5 pages. 42 Fingers Publishing #649610. Published by 42 Fingers Publishing (A0.1045047). Arrangement in Dm for fingerstyle guitar (Drop D).
$4.99
4.61 €
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Guitare
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Kate Bush
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Damien Roy
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Running Up That Hill
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42 Fingers Publishing
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SheetMusicPlus
Warming up
Guitare
Guitar - intermediate - Digital Download SKU: S9.Q2968 9 little Studies for youn…
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Guitar - intermediate - Digital Download SKU: S9.Q2968 9 little Studies for young Guitarists. Composed by Dieter Kreidler. This edition: Sheet music. Downloadable. Schott Music - Digital #Q2968. Published by Schott Music - Digital (S9.Q2968).
$11.99
11.07 €
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Guitare
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Dieter Kreidler
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Warming up
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Schott Music - Digital
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SheetMusicPlus
Warm up
Guitare
Composed by Atanas Ourkouzounov (1970-). Score. 17 pages. Les Editions Doberman-Yppa…
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Composed by Atanas Ourkouzounov (1970-). Score. 17 pages. Les Editions Doberman-Yppan (digital) #DO 1316. Published by Les Editions Doberman-Yppan (digital)
$8.95
8.26 €
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Guitare
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Atanas Ourkouzounov
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Warm up
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Les Editions Doberman-Yppan (digital)
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SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
11.07 €
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Guitare
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
Angels We Have Heard on High
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1292094 Composed by Music:Traditio…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1292094 Composed by Music:Traditional / Words by: James Chadwick. Arranged by John Chamley. Christian,Christmas,Classical,Folk,Traditional. Individual part. 3 pages. John Chamley #882686. Published by John Chamley (A0.1292094). This is a festive and fun piece. It will probably take some preparing to play this up to speed if you want to play it fast. The chorus has a nice counterÂmelody in the bass. The main melody also switches octaves as you might hear a choir exchange parts between the different voices. The first verse stays in the main voice, then the 2nd verse moves up an octave, then down to the bass strings. A certain amount of syncopation will keep the fingers busy on the right hand. The left will need to handle a few stretches but nothing outrageous. A 1/2 barre is required at one point along the way.
$2.99
2.76 €
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Guitare
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Music:Traditional / Words by: James Chadwick
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John Chamley
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Angels We Have Heard on High
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John Chamley
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.46 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Seek and You Shall Find
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1460092 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1460092 By The Candlelight Guitarist. By Bradley Powell. Classical,Jazz,Praise & Worship,Religious,Sacred. Individual part. 4 pages. Geofonica Artistworks #1039015. Published by Geofonica Artistworks (A0.1460092). A soothing and reflective fingerstyle classical guitar solo by Bradley Powell (The Candlelight Guitarist), from his album Beatitude Bridge. It is a moderate tempo, intermediate classical guitar level piece (though perhaps sounding more advanced). With classical style chord voicings in a modern folk-jazz chord progression. It switches between the keys of E major and E minor, then the bridge passes through E, D, and C major keys, returning to E minor/major. This sheet music is in Standard notation... (a version with TAB and Standard notation is also available). Hear Brad's recording at the YouTube link below--NOTE: this piece is the FIRST of the three pieces in that video. ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$3.99
3.68 €
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Guitare
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The Candlelight Guitarist
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Seek and You Shall Find
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Geofonica Artistworks
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SheetMusicPlus
Mother's Way
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1434548 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1434548 By The Candlelight Guitarist. By Bradley Powell. Classical,Country,Folk,Holiday,Jazz. Individual part. 8 pages. Geofonica Artistworks #1014684. Published by Geofonica Artistworks (A0.1434548). In honor and tribute to a mother, this is an instrumental guitar solo (with optional lyrics included), as recorded by The Candlelight Guitarist, with music and lyrics composed by Bradley Powell. The piece seemlessly blends country, jazz, folk and classical guitar styles, and the lyrics are heartfelt, warm, loving and positive.It's an intermediate level fingerstyle-classical guitar solo (comparable in difficulty to an easier Sor or Carcassi etude, or Beatle song played as intrumental solo). This sheet music is in Standard notation... (a version in Standard notation with TAB is also available). You can see Brad Powell's performance of the piece on the YouTube link provided below.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$4.99
4.61 €
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Guitare
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The Candlelight Guitarist
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Mother's Way
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Geofonica Artistworks
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.65 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Ode to Jane
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1408004 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1408004 By The Candlelight Guitarist. By Bradley Powell. Classical,Contemporary,Folk,Jazz,New Age. Individual part. 5 pages. Geofonica Artistworks #990570. Published by Geofonica Artistworks (A0.1408004). Ode to Jane is an intermediate level classical guitar solo, composed by Bradley Powell, in honor of Dame Jane Goodall's 90th birthday celebration (4/3/24). Jane Goodall is a world-famous primatologist and anthropologist, considered the world's foremost expert on chimpanzees. She has changed the world with her studies, and continues to do so with environmental and educational activism. Brad Powell met Ms. Goodall in the early 1990s, and has composed this piece in her honor. It is a relaxing waltz style, using intermediate-level classical guitar technique, with both folk and modern jazz guitar chord voicings. This is in STANDARD NOTATION (without TAB). (A version that includes TAB will be available separately, very soon.)ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.
$3.99
3.68 €
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Guitare
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The Candlelight Guitarist
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Ode to Jane
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Geofonica Artistworks
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SheetMusicPlus
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