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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
BASS
Non classifié
5 872
Piano & claviers
Piano seul
272
Piano, Voix
121
Piano, Voix et Guitare
57
Instruments en Do
28
Orgue
16
Accordéon
11
Piano Quatuor: piano, violon, alto, violoncelle
8
Accompagnement Piano
8
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
5
2 Pianos, 4 mains
5
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Facile
2
Orgue, Piano (duo)
2
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
+ 12 instrumentations
Retracter
Guitares
Basse electrique
627
Guitare
61
Guitare notes et tablatures
36
Basse électrique (partie séparée)
9
4 Guitares (Quatuor)
8
Ligne De Mélodie, (Paroles) et Accords
6
Piano, Guitare (duo)
5
Dulcimer
4
2 Dulcimers (duo)
3
Ukulele
3
Ensemble de guitares
3
Mandoline
2
2 Guitares (duo)
2
Paroles et Accords
2
Mandoline, Guitare (duo)
1
2 Ukuleles
1
3 Guitares (trio)
1
Guitare, Orchestre
1
+ 13 instrumentations
Retracter
Voix
Voix seule
352
Chorale SATB
321
Chorale TTBB
157
Chorale SSAA
103
Voix basse, Piano
46
Chorale 3 parties
43
Voix basse
11
Chorale 2 parties
10
Voix duo, Piano
8
Voix Tenor, Piano
6
Chorale Unison
5
Voix Alto, Piano
5
Voix haute
5
Voix duo
4
Voix Baryton, Piano
3
Voix Soprano, Piano
3
Voix Tenor
2
Voix moyenne, Piano
2
Chorale SATBB
1
Voix Baryton
1
Chorale SSAATTBB
1
Pack Instrumental pour Chorale
1
+ 17 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 356
Flûte, Hautbois, Clarinette, Basson
734
Quatuor de Clarinettes: 4 clarinettes
443
Ensemble de Clarinettes
253
3 Clarinettes (trio)
168
2 Clarinettes (duo)
160
Ensemble de Flûtes
149
Hautbois, Basson (duo)
131
Ensemble de saxophones
129
Quintette de Clarinettes: 5 clarinettes
121
Flûte, Clarinette et Basson
108
Flûte, Hautbois, Basson
101
Quatuor de Flûtes : 4 flûtes
74
Quatuor de Saxophones: 4 saxophones
63
Hautbois, Clarinette, Basson (trio d'anches)
62
Flûte traversière et Piano
58
Clarinette Basse, Piano
57
Hautbois, Piano (duo)
56
Clarinette, Basson (duo)
56
Saxophone Tenor et Piano
52
2 Flûtes traversières (duo)
48
Clarinette (partie séparée)
39
Clarinette et Piano
37
Quintette de Saxophone: 5 saxophones
35
Saxophone Alto et Piano
33
Clarinette
29
3 Saxophones (trio)
27
Quintette de Flûte : 5 flûtes
26
Trio de Flûtes: 3 flûtes
23
Quatuor de Flûtes à bec
17
Flûte, Basson et Piano
16
Flûte traversière
15
2 Saxophones (duo)
15
Ensemble De Flûte à bec
12
Saxophone Soprano et Piano
11
Flûte à Bec
9
Saxophone Baryton, Piano
9
2 Clarinettes, Basson
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Saxophone (partie séparée)
6
Saxophone Alto
6
2 Flûte à bec (duo)
6
Flute (partie séparée)
5
Flûte traversière, Basse continue
4
Flûte, Clarinette (duo)
4
Ensemble à vent
4
Hautbois (partie séparée)
4
5 Flûtes à bec
4
Cor anglais, Piano
3
Saxophone, Clarinette (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
2 Hautbois (duo)
3
Clarinette, Violoncelle (duo)
3
Flûte, Violon
2
Flûte et Guitare
2
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
2 Hautbois et Basson
2
Saxophone Tenor
2
Clarinette et Alto
2
Clarinette, Guitare (duo)
2
2 Clarinettes, Piano
2
Clarinette Basse
2
Flûte, Violon et Violoncelle
2
Hautbois, Flûte
2
Clarinette, Basson, Piano (trio)
2
Hautbois, Clarinette (duo)
2
Flûte traversière, Orgue (duo)
1
Saxophone, Basson (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
Flûte, Harpe et Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone Baryton
1
Saxophone et Guitare
1
2 clarinettes, 2 bassons
1
Flûte à bec Tenor
1
3 Flûtes à bec (trio)
1
Saxophone
1
Flûte, Trompette (duo)
1
Hautbois, Basson et Piano
1
Flûte, Saxophone (duo)
1
Flûte à bec Alto, Piano
1
Flûte à bec Soprano
1
Harmonica
1
+ 80 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
139
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
136
Quatuor de Cuivres : 2 trompettes, trombone, tuba
61
Ensemble de Trombones
60
Trombone et Piano
58
Tuba et Piano
34
Cor et Piano
29
2 Trombones (duo)
24
2 Euphoniums et 2 Tubas
22
Trombone
21
Quatuor de cuivres: 4 cors
21
3 Trombones (trio)
20
Euphonium, Tuba (duo)
16
Euphonium, Piano (duo)
15
Trompette, Piano
15
Trombone basse
12
Trompette
11
Quatuor de Cuivres
10
Trombone (partie séparée)
8
Trombone basse et Piano
8
2 Cors (duo)
8
Cor et Basson (duo)
6
Trompette, Trombone (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba
5
Trompette (partie séparée)
5
Cor (partie séparée)
4
Cor
4
Cor anglais, Piano
3
Ensemble de Trompettes
3
Trompette, Tuba (duo)
3
4 Tubas
3
Ensemble de Cors
3
Trombone, Tuba (duo)
3
Trompette, Saxophone (duo)
2
Euphonium
2
Bass Clef Instruments
2
Trio de Cuivres
2
2 Trompettes (duo)
1
Cor, Trompette, Trombone (trio)
1
Tuba (partie séparée)
1
3 Tubas (trio)
1
3 Cors (trio)
1
Cornet et orchestre
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
265
Quintette à cordes: 2 violons, alto, violoncelle, basse
157
Contre Basse
113
Contrebasse, Piano (duo)
76
Contrebasse (partie séparée)
54
2 Violoncelles (duo)
48
Violon et Piano
48
Violoncelle, Piano
42
Alto, Piano
39
Trio à Cordes: violon, alto, violoncelle
39
Violon, Violoncelle (duo)
35
2 Contrebasses (duo)
29
Violoncelle, Contrebasse (duo)
28
Violoncelle
23
Violon
17
4 Violoncelles
13
Harpe
13
Violon, Alto (duo)
12
Trio à Cordes: 2 violons, violoncelle
11
Violon, Basse continue
11
4 Contrebasses
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Harpe, Violoncelle (duo)
8
Alto et Harpe
7
Harpe, Violon (duo)
7
3 Contrebasses
6
Harpe, Flûte (duo)
6
2 Violons (duo)
6
Alto, Violoncelle (duo)
5
Alto et Basson
4
2 Altos (duo)
4
Trio à Cordes: 3 violoncelles
4
Alto seul
4
Violoncelle, Basse continue
3
Violoncelle , Guitare (duo)
3
2 Harpes (duo)
2
Trio à cordes: 3 altos
2
Violoncelle (partie séparée)
2
Ensemble d'Altos
2
Harpe, Voix
2
Ensemble de Violoncelles
2
Alto (partie séparée)
2
Ensemble de Violons
2
Flûte, Contrebasse (duo)
1
2 Violons et Basse continue
1
Trio à Cordes: 2 violons, alto
1
Violon, Basson (duo)
1
Violon, Guitare (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 019
Ensemble Jazz
1 018
Orchestre
746
Ensemble de cuivres
238
Jazz combo
228
Orchestre à Cordes
208
Fanfare
197
Orchestre de chambre
180
Batterie
52
Cloches
50
Ensemble de Percussions
30
Batterie (partie séparée)
11
Percussion (partie séparée)
7
Marimba
5
Vibraphone
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Orchestre, Violon
2
Vibraphone et Marimba
1
Piano et Orchestre
1
Voix et Orchestre
1
Big band
1
Timbales (partie séparée)
1
+ 17 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
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Partitions Gratuites
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
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avec audio
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Vous avez sélectionné:
BASS
avancé
Guitare
Partitions à imprimer
61 partitions trouvées
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1
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51
Smooth Talkin' Bass
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Doug Smith
#
Smooth Talkin' Bass
#
Doug Smith Guitar Studio
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1253432 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Sm...
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Solo Guitar - Level 4 - SKU: A0.1253432 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #847093. Published by Doug Smith Guitar Studio (A0.1253432). Smooth Talkin' Bass brings out the special character of the 6th, low E string. The bass line imitates the melodic phrasing of an upright jazz bass solo. The pizzicato ormuffled sound is used throughout while the accompaniment is played with treble string. chords or harmonics.
$1.99
Le Mans (For Fingerstyle Guitar Tuned Modified Std. Tuning, with F in the Bass)
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Folklorique/Traditionel
#
Ellsworth McMeen
#
Le Mans
#
Ellsworth McMeen
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.806222 Composed by Ellsworth McMeen. Folk. Individual part. 9 pages. Ellsworth McMeen #4356197. Published by Ellsworth M...
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Solo Guitar - Level 4 - SKU: A0.806222 Composed by Ellsworth McMeen. Folk. Individual part. 9 pages. Ellsworth McMeen #4356197. Published by Ellsworth McMeen (A0.806222). El McMeen's First-Prize winning instrumental tune in the 6th Annual International Acoustic Music Awards competition, and among Digitaldreamdoor's top 100 greatest acoustic guitar instrumentals of all time (https://digitaldreamdoor.com/pages/best_songs-acoustic.html) . El has taken the original and arranged it in a more standard guitar tuning (with the bass E string tuned up a half-step to F).El is included in the Digitaldreamdoor listingof the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitaristsLe Mans was recorded (in CGDGAD tuning) on El's CD called Breakout.El's website: http://www.elmcmeen.com
$6.99
LACRIMOSA FOR BASSOON AND GUITAR DUET
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
BONAN FAUSTIN
#
LACRIMOSA FOR BASSOON AND GUIT
#
Bonan Faustin
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.1354951 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by BONAN FAUSTIN. Classical. 10 pages. Bonan Faustin...
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Guitar - Level 4 - SKU: A0.1354951 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by BONAN FAUSTIN. Classical. 10 pages. Bonan Faustin #939665. Published by Bonan Faustin (A0.1354951). ARRANGEMENT FOR BASSOON AND GUITAR DUET.
$7.99
Bridge Over Troubled Water
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Simon And Garfunkel
#
Joseph M
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Bridge Over Troubled Water
#
Joseph Henson
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1415655 By Simon And Garfunkel. By Paul Simon. Arranged by Joseph M. Henson. 20th Century,Pop,Singer/Songwriter,Standard...
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Solo Guitar - Level 4 - SKU: A0.1415655 By Simon And Garfunkel. By Paul Simon. Arranged by Joseph M. Henson. 20th Century,Pop,Singer/Songwriter,Standards,Wedding. Individual part. 6 pages. Joseph Henson #997371. Published by Joseph Henson (A0.1415655). Arranged in D Major for Fingerstyle Solo Guitar. Original Recording is in Eb Major and can be matched by capoing at first fret. This arrangement considers piano harmony, sung melody, and bassline to the extent they can be played simulteneously on acoustic guitar. This arrangement includes ALL original song sections with chord and bass nuances to capture the accurate intro and iconic interlude, bridge, and outro sections. Enjoy!
$9.99
Rush
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Tulio Cremisini
#
Rush
#
Tulio Cremisini
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.987607 Composed by Tulio Cremisini. Contemporary,Standards. Individual part. 4 pages. Tulio Cremisini (TC Note by Note/A...
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Solo Guitar - Level 4 - SKU: A0.987607 Composed by Tulio Cremisini. Contemporary,Standards. Individual part. 4 pages. Tulio Cremisini (TC Note by Note/ASCAP) #6717. Published by Tulio Cremisini (TC Note by Note/ASCAP) (A0.987607). Altered tuning: 2nd in C, 6th in D. 9/8 rhythm at 125bpm This piece has an interesting use of harmonics and open air strings in its intro. Then the melody line is carried by the mid basses (5th, 4th and 3rd strings), while low 6th string plays the actual bass line. Upper strings play continuous eight note ostinato movement while also defining harmony.
$8.99
Jesu Joy Of Man's Desiring BWV 147
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
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Simon James
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Jesu Joy Of Man's Desiring BWV
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DML
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages...
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Guitar - Level 4 - SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages. DML #906815. Published by DML (A0.1318113). Jesu, Joy of Man's Desiring is the popular English title of the chorale from the 1723 Advent cantata Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. This arrangement for guitar quartet follows Bach’s original orchestration as far as possible so the choral sections co-exist with the string parts and basso continuo. It does involve a certain amount of reduction in the original voicings but has retained the cross rhythms in the choral section and bass. It makes this arrangement quite complex to perform but very definitely worth it. The 2nd guitar and 1st guitar do cross over each other but that is in Bach’s original writing and I have not changed it.
$6.99
Watcher Of The Skies
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Genesis
#
P Welsh
#
Watcher Of The Skies
#
Accubass
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.997700 By Genesis. By Mike Rutherford, Peter Gabriel, Phil Collins, Steve Hackett, and Tony Banks. Arranged by P Welsh. ...
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Solo Guitar - Level 4 - SKU: A0.997700 By Genesis. By Mike Rutherford, Peter Gabriel, Phil Collins, Steve Hackett, and Tony Banks. Arranged by P Welsh. Rock. Individual part. 10 pages. Accubass #603362. Published by Accubass (A0.997700). Mike Rutherford's complete part from the studio original.
$6.99
Summertime
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Dorothy Heyward, Du Bose Heywa
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Roger Wallace
#
Summertime
#
Roger Wallace
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1289606 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Roger Wallace. Blue...
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Solo Guitar - Level 4 - SKU: A0.1289606 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Roger Wallace. Blues,Broadway,Film/TV,Jazz,Musical/Show. Individual part. 15 pages. Roger Wallace #880315. Published by Roger Wallace (A0.1289606). Guitar Solo with Piano Accompaniment in A Minor. Blues Ballad. From Porgy and Bess.Solo parts included in this set:Piano & Voice: TenorVoice: TenorBass Clarinet/Tenor Sax/TromboneBaritone SaxBassoon/Trombone/CelloGuitarNOTE: Audio sample clip begins at pickup to Letter A.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
He's A Pirate
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Geoffrey Zanelli, Hans Zimmer,
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André Nusa
#
He's A Pirate
#
Andre_Nusa
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1201117 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by André Nusa. Film/TV. Individual part...
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Solo Guitar - Level 4 - SKU: A0.1201117 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by André Nusa. Film/TV. Individual part. 3 pages. Andre_Nusa #799762. Published by Andre_Nusa (A0.1201117). An arrangement for solo guitar of He's a Pirate by Hans Zimmer is a dynamic and exciting interpretation of the original composition. This arrangement is designed for a skilled guitarist with advanced technical abilities. The arrangement captures the iconic melody of He's a Pirate on the higher register of the guitar, while the lower strings provide a driving bassline, the performer may incorporate changes in tempo, dynamics, and phrasing to add excitement and depth to the arrangement. Overall, the arrangement of He's a Pirate is a thrilling and challenging interpretation of the original composition. It showcases the performer's technical and musical abilities and is a valuable addition to any guitarist's repertoire.
$5.99
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Auld Lang Syne
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Robert Burns
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Barry McCormick
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Auld Lang Syne
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B. McCormick
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1476015 Composed by Robert Burns. Arranged by Barry McCormick. Celtic,Folk,Irish,Multicultural,Traditional,World. Indivi...
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Solo Guitar - Level 4 - SKU: A0.1476015 Composed by Robert Burns. Arranged by Barry McCormick. Celtic,Folk,Irish,Multicultural,Traditional,World. Individual part. 2 pages. B. McCormick #1053583. Published by B. McCormick (A0.1476015). “Auld Lang Syne” Fingerstyle Guitar Arrangement Discover the magic of “Auld Lang Syne” with our fingerstyle guitar arrangement. Whether you’re a seasoned fingerstyle guitarist or an intermediate to upper-intermediate player, this arrangement combines music notation and tab to bring out the timeless beauty of the Scottish traditional melody. Features: Music Notation and Tab: The arrangement provides both standard music notation and tablature, allowing you to choose your preferred way of reading the music. Emphasized Melody: Play freely in a flowing arpeggiated style, emphasizing the melody over the bass and harmony notes. Improvised Feel: Deviate slightly from the score to add your personal touch. No need to play it exactly the same way every time. Learners’ Notes: Spread Chords: Some chords are played ‘spread,’ where the notes are slightly separated. Feel free to choose which chords you want to spread out. Fretting Hand: A number of position shifts are required for this arrangement aswell as barring. Picking Hand: Use your thumb for bass notes and convenient fingers for melody and harmony. Consider using the classical guitar technique of ‘rest stroke’ (apoyando) for emphasis. Let your fingers dance across the strings with ‘Auld Lang Syne.’ Explore our fingerstyle arrangement and make this timeless melody your own!
$2.49
Obsession (guitar quintet or guitar orchestra)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Clive Lane
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Clive Lane
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Obsession
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Clive Lane
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1322943 By Clive Lane. By Clive Lane. Arranged by Clive Lane. 21st Century,Classical. 19 pages. Clive Lane #911215. Published...
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Guitar - Level 4 - SKU: A0.1322943 By Clive Lane. By Clive Lane. Arranged by Clive Lane. 21st Century,Classical. 19 pages. Clive Lane #911215. Published by Clive Lane (A0.1322943). Obsession is a piece for guitar quintet (four guitars & bass guitar, or requinto, three guitars & bass guitar)The title refers to the obsessive 7/8 rhythm in Guitar 4.Duration: 2' 35Score and parts(See also my version for guitar quartet - four standard guitars).
$3.99
Spanish Nocturne
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Doug Smith
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Spanish Nocturne
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1253431 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Latin. Individual part. 6 pages. Doug S...
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Solo Guitar - Level 4 - SKU: A0.1253431 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Latin. Individual part. 6 pages. Doug Smith Guitar Studio #847092. Published by Doug Smith Guitar Studio (A0.1253431). Spanish Nocturne is a guitar solo that brings out the special character of the A or 5th string. The melody sets the mood as it begins in the bass and then gently moves to the trebles and develops into an extended arpeggio section before returning in ornamental fashion to highlight the bass strings.
$2.99
Prelude No 3 in C (Streams)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Simon James
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Prelude No 3 in C
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DML
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published ...
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Solo Guitar - Level 4 - SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published by DML (A0.1189167). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece makes extensive use of open strings but is essentially a set of variations. The melody keeps returning but with small alterations as does the accompaniment. There is also a B section in E minor before a return to the opening melody. The return to the opening section has, as a variation, a change in bass and harmony. The original C major7 chord becomes E minor by changing the bass and the E minor chord becomes C major7 in the same fashion. The effect is subtle but attractive and is no harder to play.
$2.99
He's A Pirate
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Geoffrey Zanelli, Hans Zimmer,
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Dan Jones www
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He's A Pirate
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DanJonesGuitarist
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1326741 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Dan Jones www.danjonesguitarist.com. Classic...
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Guitar - Level 4 - SKU: A0.1326741 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Contemporary,Film/TV. 31 pages. DanJonesGuitarist #914884. Published by DanJonesGuitarist (A0.1326741). The Theme from Pirates of the CaribbeanArranged for Guitar Ensemble by Dan Jones www.danjonesguitarist.comArrangé pour ensemble de guitares par Dan Jones www.danjonesguitarist.comThe Theme from Pirates of the Caribbean is arranged for l'Ensemble Guitare de Basse-Goulaine. I would like to thank them for asking me to make the arrangement and for their hard work.Le thème de Pirates des Caraïbes est arrangé pour l'Ensemble Guitare de Basse-Goulaine. Je voudrais les remercier de m'avoir demandé de faire l'arrangement et pour leur travail.A single download of the sheet music will give you:(1) A title page(2) A score in notes and TAB(3) A score with notes only (to help directors with page turns)(4) All parts in notes and TAB(5) All parts with notes only.Un seul téléchargement de la partition vous donnera :(1) Une page de titre(2) Une partition en notes et TAB(3) Une partition avec notes uniquement (pour aider les réalisateurs à tourner les pages)(4) Toutes les parties avec les notes et TAB(5) Toutes les parties avec notes uniquement.www.danjonesguitarist.com.
$7.95
Grauna (for 8 string guitar)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Joao Pernambuco
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Tim Rushworth
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Grauna
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Tim Rushworth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1381418 Composed by Joao Pernambuco. Arranged by Tim Rushworth. 20th Century,Latin. Individual part. 4 pages. Tim Rushwo...
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Solo Guitar - Level 4 - SKU: A0.1381418 Composed by Joao Pernambuco. Arranged by Tim Rushworth. 20th Century,Latin. Individual part. 4 pages. Tim Rushworth #966130. Published by Tim Rushworth (A0.1381418). This arrangement is from one of the greatest guitarists of 20th Century Brazilian guitar choro music. This is for 8 string guitar, but can also be played on 7 strings without the lowest A's in the bass! Enjoy.
$4.99
Morning in the City - Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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J
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Morning in the City - Guitar
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Musician Place
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.948485 Composed by J.W. Heidebrecht. Jazz. Individual part. 2 pages. Musician Place #3451721. Published by Musician Plac...
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Solo Guitar - Level 4 - SKU: A0.948485 Composed by J.W. Heidebrecht. Jazz. Individual part. 2 pages. Musician Place #3451721. Published by Musician Place (A0.948485). This is is a slow bebop like ballad, for piano, classical guitar, upright bass, and drums. It has a very lyrical and steady feel, which makes it quite relaxing.Watch the videoscore here: https://www.youtube.com/watch?v=wanRHi3ruZY
$2.00
Misty
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Erroll Louis Garner
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Esteban Peretz
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Misty
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Esteban Peretz
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1081651 Composed by Erroll Louis Garner. Arranged by Esteban Peretz. Jazz,Standards. Individual part. 1 pages. Esteban P...
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Solo Guitar - Level 4 - SKU: A0.1081651 Composed by Erroll Louis Garner. Arranged by Esteban Peretz. Jazz,Standards. Individual part. 1 pages. Esteban Peretz #685768. Published by Esteban Peretz (A0.1081651). This is my Classical Guitar arrangement for the instrument. The chord disposition and progressions have been changed slightly from the original, and the walking bass on the guitar had been added as well. I hope you enjoy my adaptation of that beautiful Jazz Classic theme.
$4.99
TAHOE DREAMS
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Gilbert Piger
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a rhy guitar
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TAHOE DREAMS
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GJP Productions
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1018762 Composed by Gilbert Piger. Contemporary,Jazz,Latin,World. Individual part. 4 pages. GJP Productions #2072517. Pu...
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Solo Guitar - Level 4 - SKU: A0.1018762 Composed by Gilbert Piger. Contemporary,Jazz,Latin,World. Individual part. 4 pages. GJP Productions #2072517. Published by GJP Productions (A0.1018762). TAHOE DREAMS is the first piece that Gil wrote in his new style that was very jazz like in that it should be played with a group; a rhy guitar; bass and drums. Tahoe was also the first recording that went National.
$8.45
It's About Time, guitar.
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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George Arvola, Virginia Mathew
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It's About Time, guitar.
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George Arvola and Virginia Mathews
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.947501 Composed by George Arvola, Virginia Mathews. Blues,Instructional,Pop,Standards,Wedding. Individual part. 8 pages....
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Solo Guitar - Level 4 - SKU: A0.947501 Composed by George Arvola, Virginia Mathews. Blues,Instructional,Pop,Standards,Wedding. Individual part. 8 pages. George Arvola and Virginia Mathews #504833. Published by George Arvola and Virginia Mathews (A0.947501). New release,2015, filling the need for INSPIRING arpeggio studies. Piano accompaniment and bass parts included. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggio studies from our book, Delicious Licorice. Arrangements for other instruments are available. It's About Time is a slow, sophisticated arpeggio study in the style of a pop blues ballad. This beautiful melody would be suitable for a wedding prelude or a recital.
$5.99
Tune That Thang. Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
George Arvola, Virginia Mathew
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Tune That Thang. Guitar
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George Arvola and Virginia Mathews
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.947516 Composed by George Arvola, Virginia Mathews. Concert,Holiday,Instructional,Jazz,Standards. Individual part. 9 pag...
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Solo Guitar - Level 4 - SKU: A0.947516 Composed by George Arvola, Virginia Mathews. Concert,Holiday,Instructional,Jazz,Standards. Individual part. 9 pages. George Arvola and Virginia Mathews #512573. Published by George Arvola and Virginia Mathews (A0.947516). New release,late 2015, this arpeggio study is 2:36 in length. With piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of titles of INSPIRING arpeggio studies from our book, Delicious Licorice for multi-instruments. Tired of all of the standard Latin favourites? Here is an arpeggio exercise which can be used as a fun substitute for some of the old tired melodies. This tune has a sophisticated chord progression and an off the beaten path melody to suit.
$5.99
In the Outhouse Blues, guitar.
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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George Arvola, Virginia Mathew
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In the Outhouse Blues, guitar.
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George Arvola and Virginia Mathews
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.947497 Composed by George Arvola, Virginia Mathews. Blues,Concert,Holiday,Instructional,Standards. Individual part. 7 pa...
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Solo Guitar - Level 4 - SKU: A0.947497 Composed by George Arvola, Virginia Mathews. Blues,Concert,Holiday,Instructional,Standards. Individual part. 7 pages. George Arvola and Virginia Mathews #496617. Published by George Arvola and Virginia Mathews (A0.947497). Includes piano accompaniment and bass parts. arpeggioartistry.com shows all 12 inspiring arpeggio studies and full recordings from our book, Delicious Licorice. A 2015 new release, 2:30 in length, In the Outhouse Blues is a fun, relaxed 12 bar blues which explores the outer fringes of the standard chords. Each verse is slightly farther removed from the basic 7th chords. Roll up the newspaper and take careful aim at the flies!
$5.99
Blue Moon
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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The Marcels
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John Butler
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Blue Moon
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John Butler
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1194055 By The Marcels. By Lorenz Hart and Richard Rodgers. Arranged by John Butler. Broadway,Jazz,Musical/Show,Standard...
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Solo Guitar - Level 4 - SKU: A0.1194055 By The Marcels. By Lorenz Hart and Richard Rodgers. Arranged by John Butler. Broadway,Jazz,Musical/Show,Standards. Individual part. 3 pages. John Butler #793532. Published by John Butler (A0.1194055). This arrangemt of Blue Moon was written for solo Jazz Guitar. It was influenced by the solo guitar work of Joe Pass and emphasizes many chromatic harmonies with a consistent walking bass line. It was written for the intermediate-advanced player. Hope you enjoy!
$4.99
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