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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ain
Non classifié
2 508
Piano & claviers
Piano seul
2 289
1 Piano, 4 mains
474
Piano, Voix
269
Piano, Voix et Guitare
183
2 Pianos, 4 mains
174
Orgue
163
Instruments en Do
111
Piano Trio: piano, violon, violoncelle
36
Piano Quatuor: piano, violon, alto, violoncelle
24
2 Pianos, 8 mains
18
Piano Facile
13
1 Piano, 6 mains
11
Accompagnement Piano
5
Orgue, Piano (duo)
5
Orgue, Trompette (duo)
5
Accordéon
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavecin
2
2 Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 15 instrumentations
Retracter
Guitares
Guitare
238
Guitare notes et tablatures
145
Dulcimer
64
Piano, Guitare (duo)
45
Basse electrique
40
2 Guitares (duo)
33
Ligne De Mélodie, (Paroles) et Accords
20
Ukulele
20
4 Guitares (Quatuor)
11
3 Guitares (trio)
9
2 Dulcimers (duo)
8
Mandoline
6
Banjo
4
2 Ukuleles
3
Paroles et Accords
3
Ensemble de guitares
3
Basse électrique (partie séparée)
1
Ensemble de Ukulélés
1
Guitare, Orchestre
1
Ukulele Baryton
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
804
Chorale TTBB
141
Chorale 3 parties
100
Chorale SSAA
98
Voix seule
40
Voix Soprano, Piano
27
Chorale Unison
25
Voix haute
20
Voix duo
19
Chorale 2 parties
16
Voix Tenor, Piano
16
Voix duo, Piano
15
Voix Tenor
7
Voix basse, Piano
6
Voix Alto, Piano
6
Voix Baryton, Piano
5
Voix moyenne, Piano
4
Voix basse
4
Chorale
2
Voix Mezzo-Soprano, Piano
2
Chorale SSAATTBB
2
Chorale SSATTB
1
Voix Soprano
1
Voix Moyenne
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
226
Flûte traversière et Piano
222
Clarinette et Piano
185
Quatuor de Saxophones: 4 saxophones
184
Hautbois, Piano (duo)
143
Saxophone Alto et Piano
134
Flûte traversière
109
Clarinette
108
Quatuor de Clarinettes: 4 clarinettes
106
2 Saxophones (duo)
103
Quintette de Saxophone: 5 saxophones
102
Saxophone Tenor et Piano
96
Ensemble de Clarinettes
86
Ensemble de saxophones
85
Flûte, Hautbois, Clarinette, Basson
83
Saxophone (partie séparée)
76
Clarinette (partie séparée)
68
2 Flûtes traversières (duo)
65
Saxophone Alto
62
2 Clarinettes (duo)
60
3 Saxophones (trio)
57
Quatuor de Flûtes : 4 flûtes
56
Saxophone Tenor
52
3 Clarinettes (trio)
52
Hautbois (partie séparée)
51
Flûte, Clarinette (duo)
40
Ensemble de Flûtes
40
Quintette de Clarinettes: 5 clarinettes
40
Flute (partie séparée)
39
Saxophone Soprano et Piano
37
Flûte et Guitare
29
Saxophone, Clarinette (duo)
27
Trio de Flûtes: 3 flûtes
26
Clarinette, Guitare (duo)
24
Hautbois, Basson (duo)
22
Saxophone Baryton, Piano
22
Saxophone
20
Flûte, Clarinette et Basson
17
Clarinette, Basson (duo)
17
Quintette de Flûte : 5 flûtes
16
Cor anglais, Piano
13
Hautbois, Flûte
9
2 Hautbois (duo)
9
Flûte à Bec
8
Clarinette, Violon (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Clarinette, Trompette (duo)
7
Hautbois
7
Hautbois, Guitare (duo)
7
Flûte, Violon
7
Flûte à bec Soprano
7
Flûte, Hautbois, Basson
6
Clarinette Basse, Piano
6
Flûte, Saxophone (duo)
5
2 Flûtes traversières, Piano
4
Flûte, Hautbois (duo)
4
2 Flûte à bec (duo)
4
Flûte, Alto (duo)
4
Clarinette et Alto
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone Soprano
3
Flûte à bec Alto
3
Flute, harpe et violon
3
Flûte, alto et harpe
3
Piccolo, Piano
3
Flûte, Violon, Piano
3
Clarinette, Tuba
3
Flûte à bec Alto, Piano
2
Piccolo
2
Clarinette, Trombone (duo)
2
Flûte, Harpe et Violoncelle
2
Saxophone et Guitare
2
Flûte, Trompette (duo)
2
Ensemble De Flûte à bec
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone et Orgue
2
Flûte à bec Tenor
2
Hautbois, Clarinette (duo)
2
3 Hautbois
2
Flûte, Violoncelle
2
Quatuor de Flûtes à bec
2
Flûte, Hautbois, Piano (trio)
1
2 Saxophones, Piano
1
Flûte, Violon, Guitare
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violon, Piano
1
Flûte à bec Alto, Basse continue
1
Ensemble à vent
1
Flûte traversière, Orgue (duo)
1
Flûte, Clarinette, Piano (trio)
1
Cor Anglais
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte et Quatuor à Cordes
1
3 Flûtes à bec, Piano
1
Clarinette, Basson, Piano (trio)
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Violoncelle et Piano
1
Cornemuse
1
Cor anglais, Guitare (duo)
1
5 Flûtes à bec
1
4 Hautbois
1
2 Clarinettes, Basson
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Basson et Piano
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Basse continue
1
Saxophone Baryton
1
Clarinette, Harpe (duo)
1
Ocarina
1
Saxophone, Tuba (duo)
1
+ 107 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
258
Quatuor de Cuivres : 2 trompettes, trombone, tuba
136
Trombone et Piano
112
Trompette
111
Trompette, Piano
75
Trombone
74
Quatuor de cuivres: 4 trombones
57
Trompette (partie séparée)
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
44
Cor et Piano
41
Cor (partie séparée)
40
Trombone (partie séparée)
39
Quatuor de Cuivres
36
Ensemble de Trombones
34
2 Trompettes (duo)
29
Tuba et Piano
28
Ensemble de Trompettes
24
Trompette, Trombone (duo)
22
Quatuor de cuivres: 4 cors
21
Cor
21
2 Euphoniums et 2 Tubas
21
2 Trombones (duo)
19
2 Cors (duo)
16
Euphonium, Piano (duo)
15
Cor anglais, Piano
13
Tuba
13
Ensemble de Cors
12
Trompette, Tuba (duo)
12
Clarinette, Cor (duo)
11
Trio de Cuivres
10
Tuba (partie séparée)
10
Euphonium (partie séparée)
9
Trompette, Saxophone (duo)
9
3 Trombones (trio)
7
Euphonium, Tuba (duo)
6
Euphonium
6
Quatuor de cuivres: 4 trompettes
4
4 Tubas
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Bugle
3
Trompette, Cor (duo)
3
Cor, Tuba (duo)
2
Trompette, Orchestre
2
Cor et Harpe
2
Bass Clef Instruments
1
3 Cors (trio)
1
Trombone et orchestre
1
Trombone, Cor (duo)
1
Cor Anglais
1
Trompette, Violoncelle et Piano
1
Trombone, Orgue
1
Cor, Violoncelle (duo)
1
Trombone, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Cor et Orgue
1
3 Trompettes (trio)
1
2 Tubas (duo)
1
3 Euphoniums
1
Cor, Trompette, Trombone (trio)
1
Trombone basse
1
Cor et Basson (duo)
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
646
Violon et Piano
306
Violoncelle, Piano
217
Violon, Violoncelle (duo)
181
Alto, Piano
139
Violon
127
Trio à Cordes: violon, alto, violoncelle
124
Violoncelle
107
Harpe
94
2 Violoncelles (duo)
70
2 Violons (duo)
63
Alto seul
46
Violon, Alto (duo)
42
Trio à Cordes: 2 violons, violoncelle
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Alto, Violoncelle (duo)
27
2 Altos (duo)
24
Violon, Guitare (duo)
23
Violoncelle , Guitare (duo)
21
Contrebasse, Piano (duo)
15
Alto (partie séparée)
15
Ensemble de Violons
13
Ensemble d'Altos
13
4 Violoncelles
13
Alto, Guitare (duo)
13
Harpe, Flûte (duo)
12
Contre Basse
12
Contrebasse (partie séparée)
9
Trio à Cordes: 3 violoncelles
9
Trio à Cordes: 2 violons, alto
7
Quatuor à cordes: 4 violons
6
Ensemble de Violoncelles
4
Violoncelle, Orgue
4
Harpe, Voix
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Contrebasses (duo)
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 violins
3
Piano Trio: Violon, Alto, Piano
3
Violon (partie séparée)
3
Trio à cordes: 3 altos
3
2 Harpes (duo)
3
Violoncelle (partie séparée)
2
Violoncelle, Orchestre
2
Harpe, Violoncelle (duo)
2
Violoncelle, Contrebasse (duo)
2
Harpe et Piano
1
Harpe et mandoline
1
Harpe, Quatuor à cordes
1
Autoharp
1
4 Contrebasses
1
Harpe, Violon (duo)
1
Alto et Basson
1
Trio à cordes
1
Alto et Harpe
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
487
Orchestre
375
Orchestre à Cordes
331
Ensemble Jazz
216
Ensemble de cuivres
209
Orchestre de chambre
131
Jazz combo
63
Cloches
52
Batterie
40
Fanfare
37
Percussion (partie séparée)
17
Marimba
15
Ensemble de Percussions
12
Vibraphone
11
Timbales (partie séparée)
8
Batterie (partie séparée)
6
2 Xylophones
4
Xylophone, Piano
2
Instrumentation Flexible
2
Xylophone (partie séparée)
1
Xylophone
1
Orchestre, Violon
1
Piano et Orchestre
1
Vibraphone et Marimba
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
4
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Ain
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Guitare
Partitions à imprimer
238 partitions trouvées
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226
Ain't Nobody
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Soul/R&B
#
Chaka Khan
#
Michael Pilley
#
Ain't Nobody
#
Michael Pilley Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.746230 By Chaka Khan. By David Wolinski. Arranged by Michael Pilley. R & B. Individual part. 3 pages. Michael Pilley Mus...
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Solo Guitar - Level 4 - SKU: A0.746230 By Chaka Khan. By David Wolinski. Arranged by Michael Pilley. R & B. Individual part. 3 pages. Michael Pilley Music #5354301. Published by Michael Pilley Music (A0.746230). One of Chaka Khan's most loved songs, Ain't Nobody is a Grammy award winning synth fueled funk tune every cover band must have in their arsenal. This is a direct transcription of the guitar part on the recording, and engraved professionally to easily read down in a session.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$5.00
It Ain't Necessarily So
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Dorothy Heyward, Du Bose Heywa
#
Viktoriia Kulykovska
#
It Ain't Necessarily So
#
Viktoriia Kulykovska
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1148988 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Viktoriia Kulykovsk...
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Solo Guitar - Level 4 - SKU: A0.1148988 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Viktoriia Kulykovska. 20th Century,Blues,Jazz,Opera,Spiritual. Individual part. 2 pages. Viktoriia Kulykovska #749111. Published by Viktoriia Kulykovska (A0.1148988). The famous theme It Ain't Necessarily So arranged for solo guitar by Viktoriia Kulykovska. Medium level of difficulty. 2 pages.
$5.00
Dulce dolor del amor , sweet love pains , classic guitar
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Alfred Feenstra
#
Dulce dolor del amor , sweet l
#
Alfred Feenstra
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.978002 Composed by Alfred Feenstra. 20th Century,Concert,Holiday,Love,World. Individual part. 4 pages. Alfred Feenstra #...
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Solo Guitar - Level 4 - SKU: A0.978002 Composed by Alfred Feenstra. 20th Century,Concert,Holiday,Love,World. Individual part. 4 pages. Alfred Feenstra #4983205. Published by Alfred Feenstra (A0.978002). This romantic classical guitar piece is very suitable for people in love.Dulce dolor del amor , sweet love pains. Above all, if the person that they love does not respond.Maybe playing nicely this piece she might pay attention to you, that dream is the sweetness of the pain.
$4.00
Over The Rainbow
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
#
Film/TV
#
Judy Garland
#
Richard Hirsch
#
and 3&
#
Over The Rainbow
#
Richard Hirsch
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicu...
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Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
The Entertainer
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Ragtime
#
Scott Joplin
#
Rui Namora
#
The Entertainer
#
Rui Namora
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.920976 Composed by Scott Joplin. Arranged by Rui Namora. Ragtime. Individual part. 7 pages. Rui Namora #4595387. Publish...
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Solo Guitar - Level 4 - SKU: A0.920976 Composed by Scott Joplin. Arranged by Rui Namora. Ragtime. Individual part. 7 pages. Rui Namora #4595387. Published by Rui Namora (A0.920976). This guitar arrangement, maintains the features of the piano original, but in the resonant key of D major (drop D tuning).
$4.99
Kid on the Mountain Jig (For Fingerstyle Guitar Tuned CGDGAD)
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Celtique/Irlandais
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Folklorique/Traditionel
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Public Domain
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Ellsworth McMeen
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Kid on the Mountain Jig
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Ellsworth McMeen
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.806173 Composed by Public Domain. Arranged by Ellsworth McMeen. Celtic,Folk. Individual part. 7 pages. Ellsworth McMeen ...
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Solo Guitar - Level 4 - SKU: A0.806173 Composed by Public Domain. Arranged by Ellsworth McMeen. Celtic,Folk. Individual part. 7 pages. Ellsworth McMeen #4350083. Published by Ellsworth McMeen (A0.806173). Powerful arrangement of El McMeen's favorite Irish jig as a solo fingerstyle guitar piece in an open tuning (CGDGAD). El is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitarists Many of El's recordings are described here: https://store.cdbaby.com/Artist/ElMcMeenThis piece is included on El's recording called Celtic Guitar Treasures. https://store.cdbaby.com/cd/elmcmeen6.
$5.99
Brazilian music for solo guitar by Rainer Patriota
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rainer Patriota
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Brazilian music for solo guita
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ArrangeMe
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1035891 Composed by Rainer Patriota. Contemporary,Jazz,Latin. Individual part. 16 pages. ArrangeMe #6448531. Published b...
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Solo Guitar - Level 4 - SKU: A0.1035891 Composed by Rainer Patriota. Contemporary,Jazz,Latin. Individual part. 16 pages. ArrangeMe #6448531. Published by ArrangeMe (A0.1035891). Original Brazilian music for solo classical guitar .
$7.00
Great Fairy's Fountain Variations
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Jonathan Valenzuela
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Jonathan Valenzuela
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Great Fairy's Fountain Variati
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Jonathan Valenzuela
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1095735 By Jonathan Valenzuela. By Jonathan Valenzuela. Arranged by Jonathan Valenzuela. Pop,Video Game. Individual part...
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Solo Guitar - Level 4 - SKU: A0.1095735 By Jonathan Valenzuela. By Jonathan Valenzuela. Arranged by Jonathan Valenzuela. Pop,Video Game. Individual part. 6 pages. Jonathan Valenzuela #699696. Published by Jonathan Valenzuela (A0.1095735). Variations on Koji Kondo's Fairy Fountain theme for classical guitar.
$5.99
Southern Ukrainian Gypsy Love Song
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Andrei Krylov
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Andrei Krylov
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Southern Ukrainian Gypsy Love
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Andrei Krylov
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1173658 By Andrei Krylov. By Andrei Krylov. Arranged by Andrei Krylov. Folk,New Age,Traditional. Individual part. 2 page...
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Solo Guitar - Level 4 - SKU: A0.1173658 By Andrei Krylov. By Andrei Krylov. Arranged by Andrei Krylov. Folk,New Age,Traditional. Individual part. 2 pages. Andrei Krylov #773806. Published by Andrei Krylov (A0.1173658). Southern Ukrainian Gypsy Love Song, Fantasy for the classical guitar.
$6.00
Jolly Old Saint Nicholas
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Traditional 19th Century Ameri
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Keith Stevens
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Jolly Old Saint Nicholas
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Andemil
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1325164 Composed by Traditional 19th Century American Carol. Arranged by Keith Stevens. 19th Century,Christmas,Holiday,S...
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Solo Guitar - Level 4 - SKU: A0.1325164 Composed by Traditional 19th Century American Carol. Arranged by Keith Stevens. 19th Century,Christmas,Holiday,Standards,Traditional. Individual part. 5 pages. Andemil #913391. Published by Andemil (A0.1325164). An arrangement for solo fingerstyle guitar in DADGAD tuning of the traditional American Christmas Carol, Jolly Old Saint Nicholas.
$4.99
Paris In The Rain
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ari Leff, Michael Matosic, and
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Antonius Agung Setiawan
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Paris In The Rain
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Antonius Agung Setiawan
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.788300 Composed by Ari Leff, Michael Matosic, and Michael Pollack. Arranged by Antonius Agung Setiawan. Contemporary. In...
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Solo Guitar - Level 4 - SKU: A0.788300 Composed by Ari Leff, Michael Matosic, and Michael Pollack. Arranged by Antonius Agung Setiawan. Contemporary. Individual part. 5 pages. Antonius Agung Setiawan #5303693. Published by Antonius Agung Setiawan (A0.788300). Paris In The Rain by Lauv Solo guitar arrangement by Antonius Agung Setiawan Fingerstyle guitar arrangement, Easy to play, Tablature include instagram @ https://www.instagram.com/pakagung/ youtube @ https://www.youtube.com/channel/UC8INfTcYhpBnMZrekYtC_jg #guitaronlybypakagung
$5.75
Midnight Rain
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Pop musique
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Taylor Swift
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D
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Midnight Rain
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McVeigh Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1221649 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by D. McVeigh. 20th Century,Classical,Pop,Singer/So...
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Solo Guitar - Level 4 - SKU: A0.1221649 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by D. McVeigh. 20th Century,Classical,Pop,Singer/Songwriter. Individual part. 5 pages. McVeigh Music #817959. Published by McVeigh Music (A0.1221649). A beautiful guitar arrangement of Midnight Rain as performed by Taylor Swift. This guitar cover is for intermediate to advanced classical and acoustic guitarists looking to expand their repertoire with a slow, relaxing, almost melancholic mood flowing through the whole song. Techniques include drop D Tuning, right hand percussion (nothing crazy though) and artificial harmonics!PDF includes Notation and Tab together (as previewed)visit me at:www.davidmcveigh.com.
$4.99
Mahalia Jackson : Lord Don't Move The Mountain (niveau intermédiaire/difficile)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Mahalia Jackson
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Lord Don't Move The Mountain
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Tomplay
Telechargez la tablature et la partition Guitare Lord Don't Move The Mountain (niveau intermediaire/difficile) de Mahalia Jackson. Tab pour Lead Guitar -- ...
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Telechargez la tablature et la partition Guitare Lord Don't Move The Mountain (niveau intermediaire/difficile) de Mahalia Jackson. Tab pour Lead Guitar -- Jazz
5.99€
See You Again from FURIOUS 7
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Pop musique
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Wiz Khalifa Feat
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Antonius Agung Setiawan
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See You Again from FURIOUS 7
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Antonius Agung Setiawan
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.788162 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arranged by ...
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Solo Guitar - Level 4 - SKU: A0.788162 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arranged by Antonius Agung Setiawan. Pop. Individual part. 5 pages. Antonius Agung Setiawan #4991211. Published by Antonius Agung Setiawan (A0.788162). See You Again fro Furious 7 by Wiz KhalifaSolo guitar arrangement by Antonius Agung SetiawanFinger style guitar arrangement, Easy to playinstagram @pakagung#guitaronlybypakagung.
$5.50
There and Back Again
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
John David Morgan
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John David Morgan
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There and Back Again
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John David Morgan
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.525316 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Contemporary,Folk,Jazz. Individual par...
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Solo Guitar - Level 4 - SKU: A0.525316 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Contemporary,Folk,Jazz. Individual part. 11 pages. John David Morgan #135855. Published by John David Morgan (A0.525316). A piece in the style of One Step Closer to Cool. If you pair the two titles the chuckle is: I was uncool. I got one step closer to cool. Now I'm back to uncool again:-) Musically there is some fun syncopation and plenty of harmonic twists and turns. It may even expand your harmonic vocabularly.
$4.00
See You Again from FURIOUS 7
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
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Wiz Khalifa Feat
#
Antonius Agung Setiawan
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See You Again from FURIOUS 7
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Antonius Agung Setiawan
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.788164 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arranged by ...
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Solo Guitar - Level 4 - SKU: A0.788164 By Wiz Khalifa Feat. Charlie Puth. By Andrew Cedar, Cameron Thomaz, Charlie Puth, and Justin Franks. Arranged by Antonius Agung Setiawan. Pop. Individual part. 7 pages. Antonius Agung Setiawan #4991215. Published by Antonius Agung Setiawan (A0.788164). See You Again fro Furious 7 by Wiz KhalifaDuet guitar arrangement by Antonius Agung SetiawanFinger style guitar arrangement, Easy to play, Tablature includeinstagram @pakagung#guitaronlybypakagung.
$5.50
One Day... Once Again
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Marcos Vinicius
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One Day... Once Again
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Preludio s.r.l.
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.808961 Composed by Marcos Vinicius. 20th Century,Contemporary. Individual part. 12 pages. Preludio s.r.l. #6140935. Publ...
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Solo Guitar - Level 4 - SKU: A0.808961 Composed by Marcos Vinicius. 20th Century,Contemporary. Individual part. 12 pages. Preludio s.r.l. #6140935. Published by Preludio s.r.l. (A0.808961). One Day... Once Again is a guitar piece written by the brazilian guitarist Marcos Vinicius.
$8.99
Leguizamón : La Pomeña (Main Guitar 1)
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Leguizamón
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La Pomeña
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Tomplay
Téléchargez la tablature et la partition Guitare La Pomeña (Main Guitar 1) de Leguizamón. Tab pour Trio -- Classique...
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Téléchargez la tablature et la partition Guitare La Pomeña (Main Guitar 1) de Leguizamón. Tab pour Trio -- Classique
5.99€
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
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Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Overture from Ariadne auf Naxos
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxo
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Blue Wizard (guitar)
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Jeffrey Hoover
#
Blue Wizard
#
Musicart Publications
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.971659 Composed by Jeffrey Hoover. 20th Century,Contemporary. Individual part. 11 pages. Musicart Publications #5793861....
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Solo Guitar - Level 4 - SKU: A0.971659 Composed by Jeffrey Hoover. 20th Century,Contemporary. Individual part. 11 pages. Musicart Publications #5793861. Published by Musicart Publications (A0.971659). Blue Wizard is inspired by American Jazz, Blues, and Flamenco traditions. For solo classical guitar, it is 6 minutes in length. The work begins as a Blues, with its familiar twelve-measure form and phrasing, but rapidly moves into a musical fantasy based on five-tone and modal scales heard in jazz. The music continues to travel through a variety of moods, colors, and textures. Ideas return and are transformed. The closing section of Blue Wizard possesses a dancing quality, with a final push to the end. As with other compositions by Jeffrey Hoover, there is an interpretive painting Blue Wizard, painted by the composer.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysite
$9.95
4 pieces inspirees de poemes de Verlaine
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Jacques Chandonnet
#
4 pieces inspirees de poemes d
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
By Jacques Chandonnet. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital ...
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By Jacques Chandonnet. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital
$5.95
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