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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Virtualsheetmusic
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Prix + au -
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difficulté (tous)
débutant
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intermédiaire
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avec audio
avec vidéo
avec play-along
Non classifié
3207
PIANO & CLAVIERS
Piano seul
2628
Piano, Voix
343
Orgue
217
Piano, Voix et Guitare
212
Instruments en Do
150
1 Piano, 4 mains
69
Piano Trio: piano, violon, violoncelle
41
2 Pianos, 4 mains
36
Orgue, Piano (duo)
18
Piano Quintette: piano, 2 violons, alto, violoncelle
18
Piano Facile
17
Piano Quatuor: piano, violon, alto, violoncelle
13
Accompagnement Piano
10
Accordéon
7
Orgue, Trompette (duo)
6
2 Accordéons
4
2 Pianos, 8 mains
3
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare
266
Guitare notes et tablatures
138
Piano, Guitare (duo)
81
2 Guitares (duo)
36
Ligne De Mélodie, (Paroles) et Accords
18
Ukulele
15
Basse electrique
14
4 Guitares (Quatuor)
13
Ensemble de guitares
5
Dulcimer
5
Banjo
4
2 Ukuleles
3
Paroles et Accords
2
Mandoline, Guitare (duo)
2
3 Guitares (trio)
2
Guitare, Violon, Violoncelle (trio)
2
Mandoline
1
Guitare (partie séparée)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1428
Chorale TTBB
193
Chorale 3 parties
189
Chorale SSAA
148
Voix Soprano, Piano
61
Voix haute
60
Voix seule
45
Voix duo, Piano
34
Chorale Unison
33
Voix Alto, Piano
30
Chorale 2 parties
25
Voix moyenne, Piano
18
Voix duo
18
Voix Baryton, Piano
11
Voix Tenor, Piano
10
Voix basse
8
Voix Tenor
7
Voix Soprano
5
Voix basse, Piano
5
Chorale
3
Voix Mezzo-Soprano, Piano
2
Chorale SSATB
2
Voix, Guitare
1
Chorale SSAATTBB
1
Chorale SSATTB
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
330
Quatuor de Saxophones: 4 saxophones
292
Flûte traversière et Piano
267
Clarinette et Piano
220
Flûte, Hautbois, Clarinette, Basson
206
Quatuor de Clarinettes: 4 clarinettes
196
Saxophone Alto et Piano
189
Hautbois, Piano (duo)
186
2 Saxophones (duo)
163
Quintette de Saxophone: 5 saxophones
142
Saxophone Tenor et Piano
140
Ensemble de Clarinettes
92
Ensemble de saxophones
89
2 Flûtes traversières (duo)
86
2 Clarinettes (duo)
83
Quatuor de Flûtes : 4 flûtes
75
Saxophone, Clarinette (duo)
74
Flûte traversière
67
Ensemble de Flûtes
58
Flûte, Clarinette (duo)
58
Clarinette
52
Saxophone Alto
48
Quintette de Clarinettes: 5 clarinettes
44
Clarinette, Violon (duo)
43
Saxophone Soprano et Piano
41
3 Clarinettes (trio)
37
Saxophone Tenor
35
Clarinette, Trompette (duo)
33
Trio de Flûtes: 3 flûtes
31
Hautbois, Basson (duo)
30
Flûte, Violon
28
2 Hautbois (duo)
26
Flûte, Saxophone (duo)
23
Hautbois (partie séparée)
23
3 Saxophones (trio)
21
Flûte, Alto (duo)
21
Flûte et Guitare
21
Clarinette et Alto
21
Clarinette, Guitare (duo)
20
Hautbois, Flûte
19
Saxophone Baryton, Piano
19
Hautbois, Clarinette (duo)
19
Clarinette, Basson (duo)
18
Quintette de Flûte : 5 flûtes
18
Flûte, Trompette (duo)
17
Clarinette Basse, Piano
14
Cor anglais, Piano
13
Saxophone (partie séparée)
10
Flûte, Clarinette et Basson
10
Flûte, Hautbois, Basson
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte, Violon, Piano
6
2 Clarinettes, Piano
6
Clarinette (partie séparée)
6
2 Saxophones, Piano
5
Flûte, Violoncelle
5
Flûte à Bec
4
Flûte, Violoncelle, Piano (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
2 Flûtes traversières, Piano
4
Flûte à bec Soprano
4
2 Flûte à bec (duo)
3
Saxophone Soprano
3
Clarinette, Violoncelle (duo)
3
Hautbois
3
2 Clarinettes, Basson
3
Clarinette, Tuba
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Ensemble à vent
3
5 Flûtes à bec
2
Saxophone
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Trombone (duo)
2
Flûte, Alto et Piano
2
Flûte traversière, Orgue (duo)
2
Cor Anglais
2
Flûte à bec Tenor
2
Saxophone et Orgue
2
Flûte à bec Alto
2
Quatuor de Flûtes à bec
2
Saxophone Baryton
2
Flûte, Clarinette, Piano (trio)
2
Saxophone et Guitare
2
Ensemble De Flûte à bec
2
4 Hautbois
2
Flûte, Harpe et Violoncelle
2
Flûte à bec Alto, Piano
1
Flûte, Basson et Piano
1
Flûte, Violon et Violoncelle
1
Cor anglais, Guitare (duo)
1
Hautbois, violon (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, alto et harpe
1
Flûte, Hautbois, Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Piccolo
1
Clarinette, Harpe (duo)
1
Flûte et Quatuor à Cordes
1
Hautbois, Guitare (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, trombone et piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois (duo)
1
Ocarina
1
Harmonica
1
Flûte, Violon, Guitare
1
Flûte, Trombone (duo)
1
Piccolo, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
344
Quatuor de Cuivres : 2 trompettes, trombone, tuba
233
Trombone et Piano
156
Trompette, Piano
138
Trompette
106
Quatuor de cuivres: 4 trombones
85
Quatuor de cuivres: 4 cors
57
Ensemble de Trombones
46
Quatuor de Cuivres
43
Trompette, Saxophone (duo)
41
Quatuor de Cuivres: 2 trompettes, Cor, trombone
40
Cor et Piano
37
2 Trompettes (duo)
35
2 Trombones (duo)
32
Trompette, Trombone (duo)
29
Trombone
28
Tuba et Piano
28
Ensemble de Trompettes
27
Trompette (partie séparée)
23
Euphonium, Piano (duo)
16
Ensemble de Cors
15
Cor anglais, Piano
13
Trompette, Tuba (duo)
12
2 Euphoniums et 2 Tubas
12
3 Trombones (trio)
11
Clarinette, Cor (duo)
11
Cor
10
2 Cors (duo)
10
Trio de Cuivres
9
Euphonium, Tuba (duo)
9
Trombone (partie séparée)
8
Tuba
6
Euphonium
6
Trompette, Violoncelle et Piano
5
4 Tubas
5
2 Tubas (duo)
4
Cor (partie séparée)
4
Quatuor de cuivres: 4 trompettes
4
3 Cors (trio)
4
Trombone, Tuba (duo)
3
Trombone basse
2
Trombone basse et Piano
2
Cor Anglais
2
Bass Clef Instruments
1
2 Euphoniums (duo)
1
Cor anglais, Guitare (duo)
1
Cor et Orgue
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Trompettes (trio)
1
Trombone, Orgue
1
Trombone, Violon (duo)
1
3 Euphoniums
1
Cor, Violoncelle (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
735
Violon et Piano
378
Violoncelle, Piano
222
Alto, Piano
196
Violon, Violoncelle (duo)
170
Trio à Cordes: violon, alto, violoncelle
120
Violon
120
2 Violons (duo)
83
Harpe
83
Violoncelle
79
2 Violoncelles (duo)
66
Violon, Alto (duo)
56
Trio à Cordes: 2 violons, violoncelle
53
2 Altos (duo)
42
2 Harpes (duo)
34
Alto seul
31
Violon, Guitare (duo)
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Alto, Violoncelle (duo)
18
Alto (partie séparée)
16
4 Violoncelles
15
Trio à cordes
14
Contrebasse, Piano (duo)
12
Violoncelle , Guitare (duo)
10
Ensemble de Violons
10
Ensemble d'Altos
10
Contre Basse
9
Trio à Cordes: 2 violons, alto
8
Alto, Guitare (duo)
8
Violon (partie séparée)
8
Trio à cordes: 3 violins
7
Piano Trio: Violon, Alto, Piano
7
Ensemble de Violoncelles
6
4 Contrebasses
5
Trio à Cordes: 3 violoncelles
5
2 Contrebasses (duo)
4
Quatuor à cordes: 4 violons
4
Alto et Harpe
4
Harpe, Flûte (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
3 Contrebasses
4
Harpe, Violoncelle (duo)
3
Harpe, Violon, Violoncelle
3
Quatuor à cordes : 4 altos
3
Harpe, Violon (duo)
3
Violoncelle, Contrebasse (duo)
3
2 Violoncelles, Piano
2
Harpe, Voix
2
Violon, Clarinette, Piano (trio)
2
Harpe et mandoline
1
Harpe, Trombone (duo)
1
Trio à cordes: 3 altos
1
Alto et Basson
1
2 Altos, Piano
1
Violon, Orgue
1
Violoncelle, Orgue
1
Violoncelle (partie séparée)
1
Harpe et Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
438
Orchestre
401
Orchestre à Cordes
339
Ensemble Jazz
294
Ensemble de cuivres
252
Orchestre de chambre
194
Jazz combo
91
Cloches
83
Fanfare
68
Ensemble de Percussions
32
Marimba
11
Batterie
9
Percussion (partie séparée)
8
Vibraphone
8
Piano et Orchestre
2
Vibraphone et Marimba
2
Xylophone
1
Voix et Orchestre
1
Quintette à Vent
1
Xylophone, Piano
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
1
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Partitions à imprimer
266 partitions trouvées
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Dip an fall back
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.894195 Composed by Traditional Son…
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Solo Guitar - Level 4 - Digital Download SKU: A0.894195 Composed by Traditional Song. Arranged by Milan Mitic. Instructional,Latin,Standards. Individual part. 1 pages. Milan Mitic #33085. Published by Milan Mitic (A0.894195).
$1.99
1.79 €
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Guitare
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Traditional Song
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Milan Mitic
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Dip an fall back
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Milan Mitic
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1308525 By Nat Cole With N. Riddle…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1308525 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kenny Campbell. Christmas,Jazz. Individual part. 3 pages. Kenny Campbell #897764. Published by Kenny Campbell (A0.1308525). Solo Jazz Guitar.
$4.99
4.5 €
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Guitare
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Nat Cole With N
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Kenny Campbell
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The Christmas Song
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Kenny Campbell
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SheetMusicPlus
Ich spring an diesem Ringe
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1321939 Composed by Anonym. Arrang…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1321939 Composed by Anonym. Arranged by Bettina Schipp. Early Music,Historic,Medieval,Renaissance. Individual part. 3 pages. Songbooks.info #910356. Published by songbooks.info (A0.1321939). These Medieval and Renaissance Songs were arranged for Guitar fingerpicking. They were written in the well-known tablature for string instruments as well as in classical musical notation - for slightly intermediate and advanced guitarists. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!Diese Lieder aus dem Mittelalter und der Renaissance wurden für das Fingerpicking mit der Gitarre arrangiert. Sie wurden in der bekannten Tabulatur für Saiteninstrumente sowie in der klassischen Notenschrift notiert - für leicht fortgeschrittene und fortgeschrittene GitarristInnen. Die Lieder wurden in einem langsamen Tempo und mit einem Metronom im Hintergrund aufgenommen. Viel Spaß beim Musizieren...!
$2.49
2.24 €
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Guitare
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Anonym
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Bettina Schipp
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Ich spring an diesem Ringe
#
songbooks.info
#
SheetMusicPlus
pimami - an etude for solo guitar in the mixolydian mode
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.923974 Composed by Ted Stanley. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.923974 Composed by Ted Stanley. 20th Century. Individual part. 4 pages. Ted Stanley #5791539. Published by Ted Stanley (A0.923974). A quasi-minimalist piece for solo guitar. From my series of diatonic pieces for guitar that employ no accidentals, other than those in the key signature. The right hand plays the same pattern throughout (pimami) with each successive note on a different string. The recording was made on a cheap cassette player in the late 1980's; thus the authentic hiss and wobble. The meditative aspect of the piece can be enhanced by the burning of incense: a secondary title is Raga Nag Champa.Contact: tstanley@fsu.edu (email).
$2.99
2.69 €
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Guitare
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Ted Stanley
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pimami - an etude for solo guitar in the mixolydian mode
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Ted Stanley
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SheetMusicPlus
An die Engel - De Angelis
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1321917 Composed by Hildegard Von …
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Solo Guitar - Level 4 - Digital Download SKU: A0.1321917 Composed by Hildegard Von Bingen. Arranged by Bettina Schipp. Early Music,Historic,Medieval,Renaissance. Individual part. 2 pages. Songbooks.info #910334. Published by songbooks.info (A0.1321917). These Medieval and Renaissance Songs were arranged for Guitar fingerpicking. They were written in the well-known tablature for string instruments as well as in classical musical notation - for slightly intermediate and advanced guitarists. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!Diese Lieder aus dem Mittelalter und der Renaissance wurden für das Fingerpicking mit der Gitarre arrangiert. Sie wurden in der bekannten Tabulatur für Saiteninstrumente sowie in der klassischen Notenschrift notiert - für leicht fortgeschrittene und fortgeschrittene GitarristInnen. Die Lieder wurden in einem langsamen Tempo und mit einem Metronom im Hintergrund aufgenommen. Viel Spaß beim Musizieren...!
$2.49
2.24 €
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Guitare
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Hildegard Von Bingen
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Bettina Schipp
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An die Engel - De Angelis
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songbooks.info
#
SheetMusicPlus
Lullaby for an Enemy
Guitare
Composed by Oleg Boyko. 20th Century, Classical, Contemporary. Individual part. 5 pa…
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Composed by Oleg Boyko. 20th Century, Classical, Contemporary. Individual part. 5 pages. Oleg Boyko #647469. Published by Oleg Boyko
$9.00
8.11 €
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Guitare
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Oleg Boyko
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Lullaby for an Enemy
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Oleg Boyko
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SheetMusicPlus
The Contemporary Guitar: An Anthology of New Music
Guitare
Composed by Stanley Yates. Stanley Yates Guitar. Jazz and Contemporary. E-book. Mel Ba…
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Composed by Stanley Yates. Stanley Yates Guitar. Jazz and Contemporary. E-book. Mel Bay Publications - Digital Sheet Music #99527EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609740825.<br> <br> This collection of new music, written by composers who are or who have been performing guitarists themselves, presents intermediate to advanced concert works that explore the musical and technical diversity of the contemporary guitar. Each composer offers a unique musical and technical perspective of what the contemporary guitar is. The harmonic language ranges from jazz to atonality, the styles vary from blues to minimalism, and the cultural influences span from Eastern European to Celtic. The composers include Delpriora, Gilardino, Hudson, Johanson, Kenyon, Marron, Mearns, Ourkouzounov, Piorkowsky, and Van der Veen. The music is standard notation only.
$19.99
18.01 €
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Guitare
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Stanley Yates
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The Contemporary Guitar: An Anthology of New Music
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Parenting, An Improvisation
Guitare
By Tod Dorozio. For solo guitar. Level 4. 8 pages. Published by Les Productions d'OZ - Dig…
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By Tod Dorozio. For solo guitar. Level 4. 8 pages. Published by Les Productions d'OZ - Digital
$5.95
5.36 €
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Guitare
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Tod Dorozio
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Parenting, An Improvisation
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Les Productions d'OZ - Digital
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.51 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.51 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Passacaglia
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by Eric J Roth (A0.914738). (7 pages. 3 pages of music)This Passacaglia is the first of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming, but the Passacaglia is offered here as a single, standalone work. I have performed the Passacaglia in my own concert programs both on its own and as part of the larger sonata. I believe that it works equally well both ways. The Passacaglia form originated in 17th-century Spain. It started as a series of strummed chords that served as an interlude between dances. The term itself translates as street song. Over time, it evolved to become a series of variations set over an ostinato or ground bass, usually in triple meter. It is often indistinguishable from a Chaconne. In character, the Passacaglia is often serious, or even grave. The Passacaglia offered here adheres to this tradition in most ways, except that it is in 5/4 instead of triple meter. The ostinato phrase is five measures long and set in quarter notes. Variations usually occur in pairs and are distinguished by texture. Beginning simply, the variations build in complexity throughout the piece. The main theme, introduced in the second pair of variations, recurs later in a fuller texture. One final statement of the ostinato in bare octaves ends the piece. The tonality stems from an E harmonic minor scale, although an added B flat serves to blur any sense of strict tonality.Please note that there are some minor differences between the score and the YouTube video of a live performance from 2018.
$2.99
2.69 €
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Guitare
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Eric J Roth
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Passacaglia
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Eric J Roth
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SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.5 €
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Guitare
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Yesterday
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1095456 By The Beatles. By John Le…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1095456 By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th Century,Instructional,Pop,Renaissance,Standards. Individual part. 5 pages. Richard Hirsch #699472. Published by Richard Hirsch (A0.1095456). An arrangement of the Beatles classic for solo acoustic guitar. The arrangement tries to capture the sense of remorse and loss expressed in the song using arpeggio-like minor chords with many open strings and the same note played on different strings. The arrangement is inspired by a similarity I find in the melody to older pieces by John Dowland and the folk melody Greensleeves. I strive to give the piece an old-fashioned, almost Renaissance, character in accord with its basic modal nature. Some parts of the arrangement may be interpreted as a sort of Fantasia based on the original melody. A nice piece for an encore to a program of early music for the guitar! As the notation is accompanied by tablature, I refrain from giving left-hand fingering and leave the right-hand fingering to the taste and discretion of the performer. The piece is within reach of intermediate to advanced guitarists. The piece also works well as an introduction to locating notes in the higher, seventh, ninth, and tenth positions and could therefore serve as instruction for less advanced guitarists, especially since the piece is played at a slow to moderate tempo.
$6.99
6.3 €
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Guitare
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The Beatles
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Richard Hirsch
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Yesterday
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Richard Hirsch
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SheetMusicPlus
Making Friends
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.948712 Composed by Bradley Powell …
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Solo Guitar - Level 4 - Digital Download SKU: A0.948712 Composed by Bradley Powell (The Candlelight Guitarist). Concert,Folk,Sacred,Spiritual. Individual part. 5 pages. Geofonica Artistworks #6856481. Published by Geofonica Artistworks (A0.948712). Guitar solo (in standard notation) composed by Bradley Powell (The Candlelight Guitarist), from his CD Beatitude Bridge. Intermediate to advanced level blend of folk-jazz and classical finger-style guitar (a trademark style blend of The Classical Guitarist.) It's a positive, moving, yet reflective guitar instrumental, inspired by the many biblical verses about friendship (incl. Ecclesiastes 4:9-10, John 15:15, John 15:12-15, Job 6:14, Proverbs 18:24, Proverbs 27:10, John 15:13). Wonderful for an offertory or musical interlude in a church service, spiritual gathering, concert or recital.ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventuire at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.COMMENTS FROM ESTABLISHED REVIEWERS...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!
$3.99
3.6 €
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Guitare
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Bradley Powell
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Making Friends
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Geofonica Artistworks
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SheetMusicPlus
Momentum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.987606 Composed by Tulio Cremisini…
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Solo Guitar - Level 4 - Digital Download SKU: A0.987606 Composed by Tulio Cremisini. Contemporary,Country,Pop,Standards. Individual part. 4 pages. Tulio Cremisini (TC Note by Note/ASCAP) #6715. Published by Tulio Cremisini (TC Note by Note/ASCAP) (A0.987606). Momentum is the title piece of my new solo album Momentum distributed by CD Baby everywhere online and physical formats. It is an energetic piece of music with an uplifting melodic theme in E major at 120 bpm tempo in 4/4. The piece has an always increasingly happy feel to it. Enjoy!
$8.99
8.1 €
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Guitare
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Tulio Cremisini
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Momentum
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Tulio Cremisini
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SheetMusicPlus
Be Our Guest
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1369887 Composed by Alan Menken an…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1369887 Composed by Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadway,Children,Classical,Film/TV,Jazz,Musical/Show. Individual part. 5 pages. Geofonica Artistworks #954257. Published by Geofonica Artistworks (A0.1369887). This is the solo arrangement of Be Our Guest created by Brad Powell for his performances in Disney's Princess Breakfast Adventure at the Disneyland Resort's Grand Californian hotel (Napa Rose restaurant), from 2019 to early 2024. It's an intermediate-to-advanced solo arrangement, mixing jazz and classical techniques and chord voicings. You can hear the full arrangement performed in the YouTube link provided. NOTE: This arrangement is in standard notation. It is also available as standard notation with TAB.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.
$4.99
4.5 €
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Guitare
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Alan Menken and Howard Ashman
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Brad Powell
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Be Our Guest
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Geofonica Artistworks
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SheetMusicPlus
Amigo do peito Op. 30
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202604 Composed by Ivan Lyran. 21…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202604 Composed by Ivan Lyran. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. IVAN LYRAN #801364. Published by IVAN LYRAN (A0.1202604). Amigo do peito (Friend of the chest) is a declared tribute by the composer to the guitar, his friend and faithful companion in many good and bad moments of adolescence. The piece is characterized by a mixture of rhythm and lyricism well distributed among the movements. The first of them Guitar companion uses a rhythmic motif in sixteenth and eighth notes combined with ripped lines in most of the movement, in addition to our most famous rhythm, samba. In part B, we find a slightly more lyrical melody that develops until the initial rhythmic theme is resumed. The second movement Interlúdio has a more romantic character, well singable, a simple and succinct melody that conveys a feeling of nostalgia. The third movement is an Etude in E minor, the initial idea came about as an exercise for the index and middle fingers making a downward movement from the first to the sixth string in an E minor chord.
$4.99
4.5 €
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Guitare
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Ivan Lyran
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Amigo do peito Op. 30
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IVAN LYRAN
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SheetMusicPlus
Stars and Stripes Forever
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1080715 By The Candlelight Guitari…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1080715 By The Candlelight Guitarist. By John Philip Sousa. Arranged by Bradley Powell. Classical,Contest,Festival,Holiday,Patriotic,Traditional. Individual part. 6 pages. Geofonica Artistworks #684944. Published by Geofonica Artistworks (A0.1080715). The very popular official march of the United States, composed by John Philip Sousa, arranged for solo classical guitar (in standard notation) by Bradley Powell, aka The Candlelight Guitarist. It is an advanced intermediate to advanced level of finger-style classical guitar. NOTE: This same arrangement is also available in Standard Notation WITH TAB). ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventure at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs. COMMENTS FROM ESTABLISHED REVIEWERS... Dr. Beth - Amazon.com #1 Hall of Fame reviewer Brad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack. Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age Retailer The Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals. Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWER Bradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences. Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell. Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer. The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard. Bob McKillop, founder and publisher, MaineFolkMusic.com Brad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender. Grady Harp - HALL OF FAME TOP 100 REVIEWER music to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!.
$3.76
3.39 €
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Guitare
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The Candlelight Guitarist
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Bradley Powell
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Stars and Stripes Forever
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Geofonica Artistworks
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SheetMusicPlus
Kapsberger
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1263239 Composed by GIOVANNI GIROL…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1263239 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme Oliveira e Alexandre Ribeiro. Baroque,Early Music,Renaissance. Individual part. 4 pages. Joabe Guilherme Oliveira #856198. Published by Joabe Guilherme Oliveira (A0.1263239). It is with great pleasure that we present the piece entitled Kapsberger. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Kapsberger showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Kapsberger is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Kapsberger provides.
$1.99
1.79 €
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Guitare
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GIOVANNI GIROLAMO KAPSBERGER
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Kapsberger
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Joabe Guilherme Oliveira
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.31 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Big Drum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.5 €
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Guitare
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.31 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.31 €
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Guitare
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Richard Strauss
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Rod Whittle
#
for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
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