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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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Chorale SATB
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43
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19
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18
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14
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Flûte traversière
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9
3 Clarinettes (trio)
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Clarinette
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Saxophone Alto
7
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3 Saxophones (trio)
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Quintette de Clarinettes: 5 clarinettes
5
Quatuor de Flûtes : 4 flûtes
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Flûte et Guitare
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Saxophone Soprano et Piano
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Trio de Flûtes: 3 flûtes
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Saxophone Tenor et Piano
4
2 Cors Anglais Et Pianoforte
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Clarinette, Guitare (duo)
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Flûte, Hautbois, Basson
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Ensemble de Flûtes
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Flûte, Clarinette (duo)
3
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Flûte, Clarinette, Piano (trio)
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2 Hautbois (duo)
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Quintette de Saxophone: 5 saxophones
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1
Hautbois, Guitare (duo)
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Flûte à bec Soprano
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Harmonica
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Saxophone Tenor
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2 Flûtes traversières, Piano
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3 Hautbois
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Saxophone
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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2 Trombones (duo)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette
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Trompette, Piano
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Quatuor de Cuivres
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2 Cors Anglais Et Pianoforte
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2 Trompettes (duo)
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2 Euphoniums (duo)
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Quatuor de cuivres: 4 trombones
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Trombone
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3 Trombones (trio)
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2 Cors (duo)
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Quatuor de cuivres: 4 cors
2
Trombone et Piano
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Trompette, Trombone (duo)
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Cor et Piano
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2 Euphoniums et 2 Tubas
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Cor anglais, Piano
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Ensemble de Trompettes
1
Euphonium, Piano (duo)
1
Trombone, Tuba (duo)
1
Euphonium
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Euphonium, Tuba (duo)
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Trombone, Cor (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon, Violoncelle (duo)
27
2 Violoncelles (duo)
22
Violoncelle, Piano
19
Alto, Piano
18
Violon
17
Violoncelle (partie séparée)
16
Violon et Piano
15
Harpe
11
Trio à Cordes: violon, alto, violoncelle
11
2 Violons (duo)
10
Violon, Guitare (duo)
9
Trio à Cordes: 3 violoncelles
6
Trio à cordes
4
Violoncelle
4
Alto seul
4
Contrebasse, Piano (duo)
4
2 Altos (duo)
4
Trio à cordes: 3 violins
3
Trio à Cordes: 2 violons, violoncelle
3
Ensemble de Violoncelles
3
Quatuor à cordes: 4 violons
3
Violon, Alto (duo)
3
Alto (partie séparée)
2
Violoncelle , Guitare (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Violoncelles, Piano
2
Violon (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Alto, Violoncelle (duo)
2
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
4 Violoncelles
1
Quatuor à cordes : 4 altos
1
Piano Trio: Violon, Alto, Piano
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
23
Orchestre d'harmonie
11
Orchestre de chambre
9
Orchestre
8
Ensemble Jazz
3
Ensemble de cuivres
3
Fanfare
2
Vibraphone
1
Jazz combo
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Bach Classical
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Guitare
Partitions à imprimer
52 partitions trouvées
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Bach - Lute Suite in A minor (BWV 995) for classical guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.917111 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.917111 Composed by Johann Sebastian Bach. Arranged by James Chiang. Baroque,Classical,Renaissance,World. Individual part. 20 pages. James Chiang #4822547. Published by James Chiang (A0.917111). Lute Suite in A minor composed by J.S. Bach (1685-1750). Edited and arranged for classical guitar, a combination of BWV 995 and BWV 1011 (Cello) by James Chiang.
$12.00
11.08 €
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Guitare
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Johann Sebastian Bach
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James Chiang
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Bach - Lute Suite in A minor
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James Chiang
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SheetMusicPlus
Bach - Prelude in D minor - BWV 999
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1385238 By Johann Sebastian Bach. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.1385238 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Individual part. 4 pages. Ygor Nunes #969249. Published by Ygor Nunes (A0.1385238). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo.
$3.99
3.68 €
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Guitare
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Johann Sebastian Bach
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Ygor Nunes
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Bach - Prelude in D minor - BWV 999
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Ygor Nunes
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SheetMusicPlus
Bach - Prelude in D minor - BWV 999
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1385243 By Johann Sebastian Bach. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.1385243 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Individual part. 3 pages. Ygor Nunes #969254. Published by Ygor Nunes (A0.1385243). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo.
$3.99
3.68 €
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Guitare
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Johann Sebastian Bach
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Ygor Nunes
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Bach - Prelude in D minor - BWV 999
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Ygor Nunes
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SheetMusicPlus
Jesu, Joy of Man's Desiring (solo classical guitar)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.775435 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.775435 Composed by Johann Sebastian Bach. Arranged by John Pinno. Christmas,Concert,Easter,Sacred,Wedding. Individual part. 5 pages. John Pinno #3096241. Published by John Pinno (A0.775435). An arrangement for solo classical guitar of the great work by J.S. Bach, Jesu, Joy of Man's Desiring, from his cantata # 147. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745.
$9.00
8.31 €
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Guitare
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Johann Sebastian Bach
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John Pinno
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Jesu, Joy of Man's Desiring
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John Pinno
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SheetMusicPlus
Bach Cello Suite No 1 - solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1320915 Composed by Joh. Seb. Bach…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual part. 13 pages. Georg Mertens #909357. Published by Georg Mertens (A0.1320915). Having grown up as a cellist, who played the Suite since I am 11 years of age, I sometimes imagined or even hummed suitable bass notes, which you can't reach on the cello. Also, I imagined certain harmonies, completed in imagination when playing the Suite for years. - With many arrangements by guitarists, who didn't play the Suite on cello, I can hear, they are not going the right way! - Bach himself arranged cello Suite No 5 for lute - as lute Suite No 3 - giving us an example of how he himself went about when adding accompaniment notes - and he certainly did!Good examples are Gavotte 2 and the Gigue from Cello Suite No 5 - or lute Suite No 3. Bach also arranged the violin Partita No 3 in E major for lute - as lute Suite No 4, another example of how he himself went about. - In the arrangement here, I tried also to transfer the slurs on the cello sometimes to the guitar - e.g. in the Gigue - when I found it brings better the intended articulation better out.I hope you thoroughly enjoy the arrangement!Â
$9.99
9.23 €
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Guitare
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Joh
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Georg Mertens
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Bach Cello Suite No 1 - solo guitar
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Georg Mertens
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SheetMusicPlus
BACH – Two Cantata's Arias – BWV140-208 | Guitar | PDF
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1458179 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1458179 Composed by Johann Sebastian Bach. Arranged by Maël Fauvy. Baroque,Classical,Sacred. Individual part. 12 pages. Mfp Éditions #1037154. Published by Mfp Éditions (A0.1458179). Composer : Johann Sebastian BachArrangement & fingerings : Maël FauvyLevel : Advanced - Grades III & highterTwo pieces : Zion Hört Die Wächter Singen, Schafe Können Sicher Weiden — 10 pagesTwo great cantata arias arranged for solo guitar.Zion Hört Die Wächter Singen:6th string in D – (Capo I). From cycle II.Schafe Können Sicher Weiden:6th string in C.
$30.00
27.71 €
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Guitare
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Johann Sebastian Bach
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Maël Fauvy
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BACH – Two Cantata's Arias – BWV140-208 | Guitar | PDF
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Mfp Éditions
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SheetMusicPlus
PRELUDE [ from BWV 998 by J.S.Bach ] solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.941919 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.941919 Composed by Johann Sebastian Bach. Arranged by Cristiano Sousa. Baroque,Instructional,Standards,World. Individual part. 3 pages. Cristiano Sousa #5771565. Published by Cristiano Sousa (A0.941919). J.S Bach composed Prelude, from Prelude, Fugue and Allegro (BWV 998), originally for lute or harpsichord in Eb major key.Transcription: D major key with a drop D tunning in sixth string is required.Level: Advanced guitar skills are required, although Prelude is easier than Fugue and Allegro from the same set. Some devices are listed below:-- embellishments: some of them are indicated;-- Full and half bars (barré or capotasto);-- Jumps;-- Guide fingers;-- Distencions;-- Contractions;-- Slurs (they can be dropped to keep control);-- Memorizing: the whole piece.Fingering: As a classical guitarist, I understand the fingering indication value. Despite I tried to mark clear and confortable fingerings, it is always possible to modify them.You can contact me at cristiano.sousa.santos@gmail.com .
$8.99
8.3 €
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Guitare
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Johann Sebastian Bach
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Cristiano Sousa
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PRELUDE [ from BWV 998 by J.S.Bach ] solo guitar
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Cristiano Sousa
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SheetMusicPlus
ALLEGRO [ from BWV 998 by J.S.Bach ] solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.941920 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.941920 Composed by Johann Sebastian Bach. Arranged by Cristiano Sousa. Baroque,Concert,Standards,World. Individual part. 3 pages. Cristiano Sousa #5772399. Published by Cristiano Sousa (A0.941920). J.S Bach composed Allegro, from Prelude, Fugue and Allegro (BWV 998), originally for lute or harpsichord in Eb major key.Transcription: D major key with a drop D tunning in sixth string is required.Level: Advanced guitar skills are required. Some devices are listed below:-- embellishments: some of them are indicated;-- Full and half bars (barré or capotasto);-- Jumps;-- Guide fingers;-- Distencions;-- Contractions;-- Slurs (they can be dropped to keep control);-- Memorizing: the whole piece.Fingering: As a classical guitarist, I understand the fingering indication value. Despite I tried to mark clear and confortable fingerings, it is always possible to modify them.You can contact me at cristiano.sousa.santos@gmail.com
$8.99
8.3 €
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Guitare
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Johann Sebastian Bach
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Cristiano Sousa
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ALLEGRO [ from BWV 998 by J.S.Bach ] solo guitar
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Cristiano Sousa
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SheetMusicPlus
MINUET I AND II (CELLO SUITE Nº1) - BWV 1007 - J.S.BACH
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.594526 By FALLAHIN SCORE EDITIONS.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.594526 By FALLAHIN SCORE EDITIONS. By Johann Sebastian Bach. Arranged by Marcelo Fallahin. Baroque,Classical. Individual part. 3 pages. Fallahin Score Editions #203788. Published by Fallahin Score Editions (A0.594526). TRANSCRIPTION FOR GUITAR SOLO.
$5.00
4.62 €
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Guitare
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FALLAHIN SCORE EDITIONS
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Marcelo Fallahin
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MINUET I AND II
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Fallahin Score Editions
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SheetMusicPlus
Offenbach : Orphée aux Enfers (Galop from Overture)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1460362 Composed by Jacques Offenb…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1460362 Composed by Jacques Offenbach. Arranged by Daisuke Minamizawa. Classical. Individual part. 9 pages. Big South Valley Music #1039295. Published by Big South Valley Music (A0.1460362). Fingerpicking & strumming arrangement for solo acoustic guitar.------ [tuning] Drop D tuning------ [capotasto] 5th fret.
$5.99
5.53 €
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Guitare
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Jacques Offenbach
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Daisuke Minamizawa
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Offenbach : Orphée aux Enfers
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Big South Valley Music
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SheetMusicPlus
Gavotte en Rondeau for classical guitar
Guitare
Composed by Johann Sebastian Bach (1685-1750). Arranged by John Oliver. Baroque. Ind…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by John Oliver. Baroque. Individual part. 3 pages. Johnolivermusic #5721573. Published by johnolivermusic
$1.99
1.84 €
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Guitare
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Johann Sebastian Bach
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John Oliver
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Gavotte en Rondeau for classical guitar
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johnolivermusic
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SheetMusicPlus
Essential Bach: Arranged for the Guitar
Guitare
By Lily Afshar. For Guitar (Classical). Classic. 116 pages. Published by Mel Bay Publicati…
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By Lily Afshar. For Guitar (Classical). Classic. 116 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619113565. Essential Bach Arranged for Guitar provides guitarists with a new approach to many of Bach's masterpieces. The fingerings in the arrangements make the guitar sound rich and full, as if the pieces were written for the instrument. Attention is given to the musical line by using cross-string fingerings in a consistent manner. This approach allows the harmonies to become more evident as well. By using a more musical approach for the fingerings, playing Bach on the guitar no longer feels cumbersome. Suggested dynamics and articulations are also included. Fingerings and slurs are notated close to the notes for easy reading.
$19.99
18.46 €
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Guitare
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Lily Afshar
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Essential Bach: Arranged for the Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Classical Guitarist's Gig Book, Volume 2
Guitare
Creative Transcriptions for Today\'s Guitarist. Christian. World. E-book. 129 pag…
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Creative Transcriptions for Today\'s Guitarist. Christian. World. E-book. 129 pages. Mel Bay Publications - Digital Sheet Music #30977EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513470320. 8.75x11.75 inches.<br> <br> This second volume of The Classical Guitarists Gig Book contains 63 intermediate to advanced solo arrangements of pieces in various styles. From The Water Is Wide and Christmas and patriotic favorites to opera arias, Julia Florida by Agustin Barrios and Cello Suite No. 1 by J. S. Bach, all of the music in this book is written in standard notation only. Award-winning composer, university professor, 2013 Winfield Fingerstyle Champion and 2022 Indiana State Fingerstyle Guitar Competition winner, Mark Cruz, has added a few of his own engaging compositions to this exceptional collectionideal for the performing classic guitarist.
$19.99
18.46 €
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Guitare
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The Classical Guitarist's Gig Book, Volume 2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Bourée in Twelve Keys (for Solo Guitar)
Guitare
Guitar, classical guitar, fingerstyle guitar - Advanced Intermediate - Digital Downl…
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Guitar, classical guitar, fingerstyle guitar - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Etudes and Exercises, Repertoire, Recital. 15 pages. Published by Kenneth Pasciak
Boureé in Twelve Keys is a harmonic and technical study for classical guitar based on transpositions of Johann Sebastian Bach's Boureé from Suite in E minor (BWV 996). Boureé in Twelve Keys presents 12 versions of the original piece, each in a different minor key, transporting the performer through the circle of fifths. An excellent resource for sight reading or for practice working in a particular key, the realization of each transposition poses unique challenges and leads the player to explore a range of possibilities for the guitar. Includes the original piece plus eleven transpositions with suggested fingerings and string designations. Note: Retuning required for two of the studies (6=D or 6=D# for the keys of D and D# minor). Some transpositions have been modified slightly to accommodate the range of the guitar.
$5.99
5.53 €
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Guitare
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Johann Sebastian Bach
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Kenneth Pasciak
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Bourée in Twelve Keys
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Kenneth Pasciak
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SheetMusicPlus
Air On The G String
Guitare
Composed by Johann Sebastian Bach (1685-1750). Arranged by Viktoriia Kulykovska. Baroq…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Viktoriia Kulykovska. Baroque, Classical. Individual part. 2 pages. Viktoriia Kulykovska #686375. Published by Viktoriia Kulykovska
Arrangement for solo guitar of the world-famous Bach Aria. Medium level of difficulty.
$5.00
4.62 €
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Guitare
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Johann Sebastian Bach
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Viktoriia Kulykovska
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Air On The G String
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Viktoriia Kulykovska
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SheetMusicPlus
Graded Guitar Duos, Volume 3
Guitare
By Mark Small. For Guitar (Classical). Classic. 136 pages. Published by Mel Bay Publicatio…
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By Mark Small. For Guitar (Classical). Classic. 136 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742874. This volume is for the advanced guitar duo that is seeking concert-worthy music and a technical challenge. The works transcribed here include selections by Beethoven, de Falla, Bach, Mozart, Handel, Gounod, and others. Much effort was exerted to find works that work well as guitar duos, are not available elsewhere, and yet will be well known to audiences. Like all of the volumes in this series, the works chosen come from the Renaissance, Baroque, Classical, Romantic, and 20th Century style periods. Standard notation only.
$19.99
18.46 €
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Guitare
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Mark Small
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Graded Guitar Duos, Volume 3
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Achieving Guitar Artistry - Contemporary Baroque Etudes
Guitare
Guitar (classical and lute) - Intermediate-Advanced - Digital Download Composed by Wi…
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Guitar (classical and lute) - Intermediate-Advanced - Digital Download Composed by William Bay. Achieving Guitar Artistry. Baroque. E-book. 76 pages. Mel Bay Publications - Digital Sheet Music #WBM26EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117549.<br> <br> The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the common or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670).In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate.In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay Achieving Guitar Artistry series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed.
$17.99
16.61 €
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Guitare
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William Bay
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Achieving Guitar Artistry - Contemporary Baroque Etudes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Domenico Scarlatti: 30 Sonatas
Guitare
Edited by Fabio Zanon. For Guitar (Classical). Classic. Intermediate-Advanced. E-book. 100…
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Edited by Fabio Zanon. For Guitar (Classical). Classic. Intermediate-Advanced. E-book. 100 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619113060. An exact contemporary of Bach and Handel, Domenico Scarlatti was already a celebrated composer in Italy by the time he moved to Portugal. Later he traveled to Spain, where he worked as a harpsichord instructor for Princess Maria Barbara. The lessons he wrote for her are among the most imaginative and unpredictable pieces from the whole baroque period. His music translates very well to the guitar, an instrument where his style is completely at home. This set of 30 sonatas transcribed by acclaimed guitarist Fabio Zanon includes new transcriptions of all-time favorites and some rarer ones as well.
$19.99
18.46 €
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Guitare
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Domenico Scarlatti: 30 Sonatas
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Menuet (from the Anna Magdalena notebooks)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1444681 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1444681 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024546. Published by Rodrigo Faleiros (A0.1444681). Elevate your classical guitar skills with this intermediate-advanced level arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks. This sheet music intricately incorporates specific techniques such as ascending and descending slurs, chords, and barres, offering a comprehensive learning experience. Complete with fingerings, this arrangement is designed to challenge and refine your technical prowess and musicality.Key Features: Intermediate-Advanced Level: A step up for those ready to tackle more demanding guitar techniques and complex musical phrases. Advanced Techniques: Master the art of slurs, chords, and barres with an arrangement that emphasizes these essential guitar skills. Fingerings Included: Detailed fingerings are provided to ensure precision and ease of play, allowing you to focus on the execution of advanced techniques. This “Menuet” arrangement is a testament to the depth and versatility of the classical guitar, inviting you to push your boundaries and discover the nuances of Bach’s celebrated composition.For more arrangements that incorporate advanced guitar techniques, click here to further your mastery of the instrument.
$3.99
3.68 €
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Guitare
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Johann Sebastian Bach
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Rodrigo Faleiros
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Menuet
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Rodrigo Faleiros
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SheetMusicPlus
Jesus, Joy of Man's Desiring
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
4.61 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
Bourrée in E MInor
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Individual part. 3 pages. Richard Hirsch #925741. Published by Richard Hirsch (A0.1340077). I offer the famous Bourrée from Bach’s First Suite for Lute in E minor notated for solo acoustic guitar. The notation is accompanied by tablature and extensive left and right hand fingering as an aid to the student. The fingering aims to be as economical and as ergonomic as possible. If played according to the tablature and left hand fingering, the left hand flows smoothly from one position to another over the fretboard. This is especially important in the second part of the piece where Bach takes us on a tour of the harmonic space related to the key of E minor. The piece is a good introduction to the full potential of the fretboard as there are many alternative left hand fingerings, among which I have chosen those I feel fit together and enable flow best. Notice especially how the little finger plays an important role in guiding the left hand from one position to another. The fingering for the right hand is also good for the practice of alternating the index and middle fingers in the melody while the thumb plays the bases.This piece has become part of the standard repertoire for classical guitar, but is also a piece that sounds equally good on a steel string acoustic guitar. The steel strings make the piece sound like it is being played on a harpsichord. I first heard the piece as a boy of 15 back in 1960 in a recording by Chet Atkins playing on a steel string electric guitar!The piece has been transcribed from the original score for Lute and notated for guitar by many guitarists over the years. I hope my version contributes to its continued popularity, making the piece even more accessible and relevant to intermediate students of acoustic guitar.I have chosen a tempo of 130bpm for the notation which I think gives the piece a lively but not overly stressed quickness appropriate for a courtly dance.
$4.99
4.61 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Bourrée in E MInor
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Richard Hirsch
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SheetMusicPlus
Deep, Deep Love
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.993715 Composed by Herb Frombach a…
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Solo Guitar - Level 4 - Digital Download SKU: A0.993715 Composed by Herb Frombach and Lee Dengler. Arranged by Billy Peters. Contemporary. Individual part. 3 pages. Publish by Billy Peters #4354681. Published by Publish by Billy Peters (A0.993715). Deeper than the nails driven into His handsIs the love of a Father who gives His only Son.This guitar arrangement is based on the beautiful choral work of Herb Frombach and Lee Dengler. It is intended for classical guitarists. Unique to this arrangement is the drop (G) on the 5th string, and the drop (C) on the 6th. The 6th string C will sound and give a harmonic drone when the first chord is played. Be careful to let that harmonic tone ring as it will help tie the music together during the difficult shifts in the left hand.
$4.99
4.61 €
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Guitare
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Herb Frombach and Lee Dengler
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Billy Peters
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Deep, Deep Love
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Publish by Billy Peters
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SheetMusicPlus
Prelude in D minor - BWV 999
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1385235 By Johann Sebastian Bach. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.1385235 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Individual part. 4 pages. Ygor Nunes #969246. Published by Ygor Nunes (A0.1385235). BWV 999, Johann Sebastian Bach's Prelude in D minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo.
$3.99
3.68 €
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Guitare
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Johann Sebastian Bach
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Ygor Nunes
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Prelude in D minor - BWV 999
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Ygor Nunes
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.46 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.46 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
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