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PARTITIONS GRATUITES
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AUTRES INST…
BALALAIKA
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix - au +
Prix + au -
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
3328
PIANO & CLAVIERS
Piano seul
4746
Piano, Voix
431
Piano, Voix et Guitare
285
Instruments en Do
225
Orgue
169
1 Piano, 4 mains
73
2 Pianos, 4 mains
34
Piano Trio: piano, violon, violoncelle
33
Piano Quatuor: piano, violon, alto, violoncelle
22
Piano Facile
17
Orgue, Trompette (duo)
16
Orgue, Piano (duo)
11
Clavecin
8
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Accordéon
5
Accompagnement Piano
4
2 Pianos, 8 mains
3
Ensemble d'Accordéons
1
Instrumentations suivantes
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GUITARES
Guitare
422
Basse electrique
267
Guitare notes et tablatures
251
Piano, Guitare (duo)
46
Ligne De Mélodie, (Paroles) et Accords
33
Ukulele
26
2 Guitares (duo)
21
Dulcimer
16
4 Guitares (Quatuor)
7
Mandoline
4
3 Guitares (trio)
4
Basse électrique (partie séparée)
4
Paroles et Accords
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
Guitare (partie séparée)
1
Ukulele Baryton
1
Banjo
1
Instrumentations suivantes
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VOIX
Voix seule
2377
Chorale SATB
1458
Chorale TTBB
471
Chorale SSAA
274
Chorale 3 parties
180
Voix Soprano, Piano
42
Chorale 2 parties
33
Voix duo, Piano
19
Chorale Unison
18
Chorale
14
Voix duo
14
Voix haute
6
Voix moyenne, Piano
5
Voix basse, Piano
4
Voix Tenor, Piano
4
Voix Soprano
3
Chorale SSAATTBB
3
Voix Tenor
3
Chorale SSAATB A Cappella
2
Voix, Guitare
2
Voix Mezzo-Soprano, Piano
1
Voix Alto, Piano
1
Voix Baryton
1
Chorale SSATB
1
Chorale SSATTB
1
Chorale SATBB
1
Voix Moyenne
1
Chorale SSAATB
1
Instrumentations suivantes
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VENTS
Flûte traversière
605
Saxophone
537
Clarinette
499
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
299
Quatuor de Saxophones: 4 saxophones
247
Saxophone Alto
238
Saxophone Tenor
228
Flûte traversière et Piano
176
Clarinette et Piano
174
Quatuor de Clarinettes: 4 clarinettes
145
Hautbois, Piano (duo)
134
Saxophone Alto et Piano
131
Quintette de Saxophone: 5 saxophones
126
2 Saxophones (duo)
124
Saxophone (partie séparée)
118
Flûte, Hautbois, Clarinette, Basson
108
Ensemble de saxophones
96
Ensemble de Clarinettes
94
Saxophone Tenor et Piano
91
Hautbois
79
Quatuor de Flûtes : 4 flûtes
58
Saxophone Soprano
58
Hautbois (partie séparée)
51
2 Clarinettes (duo)
51
2 Flûtes traversières (duo)
51
Quintette de Clarinettes: 5 clarinettes
45
Flûte à Bec
45
Saxophone Soprano et Piano
44
Flûte, Clarinette (duo)
41
Ensemble de Flûtes
39
Saxophone, Clarinette (duo)
35
3 Clarinettes (trio)
30
Clarinette (partie séparée)
29
3 Saxophones (trio)
27
Hautbois, Basson (duo)
26
Flûte, alto et harpe
24
Quintette de Flûte : 5 flûtes
23
Trio de Flûtes: 3 flûtes
22
Saxophone Baryton, Piano
21
Clarinette, Basson (duo)
17
Flûte, Clarinette et Basson
16
Clarinette, Violon (duo)
15
Quatuor de Flûtes à bec
15
Hautbois, Flûte
14
Flûte, Violon
13
Flûte et Guitare
12
Flute, harpe et violon
12
Clarinette Basse, Piano
12
Clarinette, Harpe (duo)
10
Clarinette, Trompette (duo)
10
2 Hautbois (duo)
9
Flûte, Alto (duo)
9
Flûte, Violoncelle
8
Flûte, Saxophone (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Hautbois, Clarinette (duo)
8
Cor anglais, Piano
8
Flûte, Clarinette, Piano (trio)
8
Clarinette, Guitare (duo)
7
Clarinette et Alto
7
Cor anglais et Harpe (duo)
6
Flûte, Hautbois, Basson
6
Flûte, Trompette (duo)
6
Saxophone et Harpe
5
Saxophone et Orgue
5
5 Flûtes à bec
4
Harmonica
4
Flûte traversière, Orgue (duo)
4
Clarinette, Tuba
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Violon, Violoncelle et Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
2 Flûtes traversières, Piano
4
Hautbois, Harpe
3
Flûte, Harpe et Violoncelle
3
Flûte, Trombone (duo)
3
Flûte, Basson et Piano
3
Piccolo, Piano
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
3 Hautbois
2
Flute (partie séparée)
2
Flûte irlandaise
2
Hautbois, Guitare (duo)
2
Saxophone et Guitare
2
2 Clarinettes, Basson
2
Clarinette, Violoncelle (duo)
2
2 Saxophones, Piano
2
Flûte à bec Soprano
2
Hautbois, trombone (duo)
1
Hautbois, Orgue
1
Flûte et Trio à cordes
1
Ensemble De Flûte à bec
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone, Tuba (duo)
1
Ensemble de Hautbois
1
Cornemuse
1
Flûte, Hautbois (duo)
1
Flûte, Violon, Piano
1
2 Flûte à bec (duo)
1
Flûte, Alto et Piano
1
Flûte, Violon et Violoncelle
1
Cor Anglais
1
Hautbois, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Piccolo
1
Saxophone et violoncelle
1
Saxophone, Basson (duo)
1
Flûte à bec Alto, Basse continue
1
Harmonica, Piano
1
3 Flûtes à bec (trio)
1
Flûte à bec Alto
1
Flûte et Quatuor à Cordes
1
Ensemble à vent
1
Hautbois, Violon, Piano
1
Instrumentations suivantes
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CUIVRES
Trompette
481
Trombone
363
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
305
Quatuor de Cuivres : 2 trompettes, trombone, tuba
198
Trompette (partie séparée)
115
Trombone et Piano
112
Trombone (partie séparée)
93
Trompette, Piano
90
Cor
79
Quatuor de cuivres: 4 trombones
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
47
Cor et Piano
44
Ensemble de Trompettes
42
Ensemble de Trombones
41
2 Euphoniums et 2 Tubas
31
Quatuor de cuivres: 4 cors
31
Quatuor de Cuivres
28
Euphonium, Piano (duo)
27
Euphonium
23
Cor (partie séparée)
23
2 Trompettes (duo)
22
Trompette, Trombone (duo)
20
Tuba
20
Tuba et Piano
19
2 Trombones (duo)
19
Trompette, Saxophone (duo)
19
Ensemble de Cors
18
Trompette, Tuba (duo)
13
Clarinette, Cor (duo)
12
Trio de Cuivres
9
Cor anglais, Piano
8
2 Cors (duo)
7
Cor anglais et Harpe (duo)
6
Quatuor de cuivres: 4 trompettes
5
2 Trompettes, Clavier (piano ou orgue)
5
Cor et Harpe
5
4 Tubas
4
3 Trombones (trio)
4
Trompette, Harpe
3
Trompette, Cor (duo)
3
Euphonium, Tuba (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor, Tuba (duo)
3
Tuba (partie séparée)
3
Cor et Orgue
2
Trombone, Violon (duo)
2
3 Cors (trio)
2
Cor, Orchestre
1
3 Euphoniums
1
Bass Clef Instruments
1
Cor et Basson (duo)
1
Trombone, Alto (duo)
1
Trombone, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Trombone, Cor (duo)
1
Tuba et Orgue
1
Cor Anglais
1
Trombone, Orgue
1
Trombone basse et Piano
1
Trombone basse
1
Trompette, Violoncelle (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
916
Harpe
786
Violon
491
Violoncelle
446
Violon et Piano
250
Violon, Violoncelle (duo)
221
Alto seul
160
Violoncelle, Piano
160
Trio à Cordes: violon, alto, violoncelle
153
Alto, Piano
141
2 Harpes (duo)
63
Trio à Cordes: 2 violons, violoncelle
58
2 Violoncelles (duo)
55
2 Violons (duo)
55
Violon, Alto (duo)
48
Harpe, Violon (duo)
43
Harpe, Flûte (duo)
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
Alto, Violoncelle (duo)
37
Contre Basse
34
2 Altos (duo)
24
Alto (partie séparée)
21
Harpe, Violoncelle (duo)
19
4 Violoncelles
18
Contrebasse, Piano (duo)
16
Ensemble de Violons
15
Alto et Harpe
15
Trio à Cordes: 2 violons, alto
15
Ensemble d'Altos
13
Trio à Cordes: 3 violoncelles
10
Harpe, Voix
8
Piano Trio: Violon, Alto, Piano
6
Harpe, Violon, Violoncelle
6
Violoncelle, Contrebasse (duo)
6
Harpe et Piano
6
Violon, Guitare (duo)
6
Violon, Orgue
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violoncelle, Orgue
4
Violoncelle , Guitare (duo)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Alto, Guitare (duo)
4
Quatuor à cordes: 4 violons
4
Ensemble de Violoncelles
4
2 Contrebasses (duo)
3
Trio à cordes
3
Quatuor à cordes : 4 altos
3
Harpe, Orchestre
2
Trio à cordes: 3 altos
2
Harpe, Trombone (duo)
2
2 Altos, Piano
2
Harpe et mandoline
2
Alto et Basson
2
4 Contrebasses
2
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
Violoncelle, Orchestre
1
Harpe, Quatuor à cordes
1
Autoharp
1
Violon (partie séparée)
1
3 Harpes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4036
Orchestre
802
Ensemble Jazz
518
Batterie
376
Orchestre à Cordes
313
Ensemble de cuivres
284
Jazz combo
134
Orchestre de chambre
133
Fanfare
111
Cloches
60
Ensemble de Percussions
32
Percussion (partie séparée)
24
Marimba
18
Vibraphone
14
Batterie (partie séparée)
13
Percussion
8
Quintette à Vent
1
Xylophone, Piano
1
Big band
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
7
Théorie de la musique
1
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401
Crystal Harmonics for Guitar
Guitare
Classical guitar - Intermediate-Advanced - Digital Download Composed by Gohar Vardany…
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Classical guitar - Intermediate-Advanced - Digital Download Composed by Gohar Vardanyan. Flamenco. E-book. 24 pages. Mel Bay Publications - Digital Sheet Music #30499EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619115842. 8.5 X 11 inches.<br> <br> Crystal Harmonics for Guitar provides the guitarist with practical advice on playing harmonics and how to perform them with a crystal-clear tone. The material also covers various notation systems used by composers and publishers and includes examples of harmonics from regular guitar repertoire. Natural harmonic pitches and positions (by string and fret) are presented along with right-hand artificial harmonic techniques. In addition, you will learn how to tune the guitar with harmonics and how to practice passages which include them. This book can help guitarists interpret harmonics and provides composers with notational information to facilitate the reading process.
$9.99
9.01 €
#
Guitare
#
Gohar Vardanyan
#
Crystal Harmonics for Guitar
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Share Your Dream (for solo guitar)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1021172 Composed by Mary C W Hardy…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1021172 Composed by Mary C W Hardy. Contemporary,Standards. Individual part. 3 pages. Mary C W Hardy #5797151. Published by Mary C W Hardy (A0.1021172). A reflective little study for a competent solo classical guitarist.
$3.50
3.16 €
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Guitare
#
Mary C W Hardy
#
Share Your Dream
#
Mary C W Hardy
#
SheetMusicPlus
God Defend New Zealand (played using Natural Harmonics)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1096660 By Thomas Henry Smith and …
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Solo Guitar - Level 4 - Digital Download SKU: A0.1096660 By Thomas Henry Smith and Thomas Bracken. By John Joseph Woods. Arranged by Danny Crocome. 19th Century,Holiday,Multicultural,Patriotic,Traditional,World. Individual part. 2 pages. Danny Crocome Music #700649. Published by Danny Crocome Music (A0.1096660). In this solo guitar arrangement of New Zealand's national anthem, guitarists will learn how to play the entire melody using only natural (and harp) harmonics - a chiming bell-like sound that has a different tone to that of a regular guitar note.
$3.99
3.6 €
#
Guitare
#
Thomas Henry Smith and Thomas Bracken
#
Danny Crocome
#
God Defend New Zealand
#
Danny Crocome Music
#
SheetMusicPlus
Elton John : Sorry Seems to Be the Hardest Word (niveau intermédiaire/difficile, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare Sorry Seems to Be the Harde…
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Téléchargez la tablature et la partition Guitare Sorry Seems to Be the Hardest Word (niveau intermédiaire/difficile, guitare seule) de Elton John. Tab pour Guitare seule -- Pop/rock
5.99 €
#
Guitare
#
Elton John
#
Sorry Seems to Be the Hardest
#
Tomplay
Elton John : Sorry Seems to Be the Hardest Word (niveau intermédiaire/difficile, avec Band)
Guitare
Téléchargez la tablature et la partition Guitare Sorry Seems to Be the Harde…
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Téléchargez la tablature et la partition Guitare Sorry Seems to Be the Hardest Word (niveau intermédiaire/difficile, avec Band) de Elton John. Tab pour Guitare mélodique avec band/orchestre -- Pop/rock
5.99 €
#
Guitare
#
Elton John
#
Sorry Seems to Be the Hardest
#
Tomplay
Charley's Waltz
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1315833 By Sibelius 7 Software. By…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315833 By Sibelius 7 Software. By Andrew Howes. 19th Century,20th Century,Chamber,Classical,Romantic Period. Individual part. 3 pages. Andrew Howes #904608. Published by Andrew Howes (A0.1315833). A waltz I wrote for my first grand-daughter Charley on her 13th birthday. Originally for piano, I present it here for classical guitarists. It is very much in the style of Chopin and makes an excellent salon piece.
$4.00
3.61 €
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Guitare
#
Sibelius 7 Software
#
Charley's Waltz
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Andrew Howes
#
SheetMusicPlus
Cheer Up, Charlie
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.985017 Composed by Anthony Newley …
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Solo Guitar - Level 4 - Digital Download SKU: A0.985017 Composed by Anthony Newley and Leslie Bricusse. Arranged by Michael New. Contemporary. Individual part. 3 pages. Winterbee Music Company #6527825. Published by Winterbee Music Company (A0.985017). Cheer Up, Charlie from the 1971 motion picture Willy Wonka and the Chocolate Factory, arranged for guitar solo.
$4.99
4.5 €
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Guitare
#
Anthony Newley and Leslie Bricusse
#
Michael New
#
Cheer Up, Charlie
#
Winterbee Music Company
#
SheetMusicPlus
Am hardanger fjord
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.965877 Composed by Fritz Zierau. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.965877 Composed by Fritz Zierau. Arranged by John Trie. 20th Century,Classical,Romantic Period. Individual part. 3 pages. John Trie #2014857. Published by john Trie (A0.965877). Am hardanger fjord by Fritz Zierau. Guitar arrangement by John Trie.
$4.99
4.5 €
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Guitare
#
Fritz Zierau
#
John Trie
#
Am hardanger fjord
#
john Trie
#
SheetMusicPlus
Django Reinhardt : Nuages (niveau intermédiaire/difficile)
Guitare
Téléchargez la tablature et la partition Guitare Nuages (niveau interm&eacut…
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Téléchargez la tablature et la partition Guitare Nuages (niveau intermédiaire/difficile) de Django Reinhardt. Tab pour Guitare mélodique avec band/orchestre -- Jazz
5.99 €
#
Guitare
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Django Reinhardt
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Nuages
#
Tomplay
George Van Eps Harmonic Mechanisms for Guitar, Volume 1
Guitare
Theory and reference - guitar - Multiple Levels - Digital Download Composed by George…
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Theory and reference - guitar - Multiple Levels - Digital Download Composed by George Van Eps. Guitar: Classical and Lute. E-book. 328 pages. Mel Bay Publications - Digital Sheet Music #93667EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609748760.<br> <br> The most in-depth, revolutionary presentation of the harmonic framework of music is applied to the guitar fingerboard ever presented. Leads to total mastery of harmonic and technical aspects of the guitar. The material in this landmark series of 3 massive volumes address virtually every aspect of playing jazz guitar representing the fruits of years of the author's investigation of harmony and fingerboard mobility. This series of books leads to total mastery of the harmonic and technical aspects of the guitar. In notation only.
$34.99
31.57 €
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Guitare
#
George Van Eps
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George Van Eps Harmonic Mechanisms for Guitar, Volume 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Sorry Seems To Be The Hardest Word
Guitare
Guitar, Classical Guitar - Advanced Intermediate - Digital Download By Elton John. Ar…
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Guitar, Classical Guitar - Advanced Intermediate - Digital Download By Elton John. Arranged by David Jaggs. Solo Part. 5 pages. Published by David Jaggs
Here is a unique arrangement of Elton John's hit, "Sorry Seems to be the Hardest Word" arranged for classical guitar by David Jaggs. Some arrangements don't come easily but this one seems to sit perfectly on the guitar, from the melody line to the piano instrumental part and gels together into a great arrangement. Due to popular demand, as with all of David's new arrangements it also comes in a version with tablature available on this website. Both right and left hands are fingered in the trickier passages.
$7.99
7.21 €
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Guitare
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Elton John
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David Jaggs
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Sorry Seems To Be The Hardest Word
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David Jaggs
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SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.5 €
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Guitare
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
George Van Eps Harmonic Mechanisms for Guitar, Volume 3
Guitare
Composed by George Van Eps. Guitar: Classical and Lute. E- book. Mel Bay Publications -…
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Composed by George Van Eps. Guitar: Classical and Lute. E- book. Mel Bay Publications - Digital Sheet Music #93716EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609749880.<br> <br> The most in-depth, revolutionary of the harmonic framework of music as applied to the guitar fingerboard ever presented. Leads to total mastery of harmonic and technical aspects of the guitar.
$29.99
27.06 €
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Guitare
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George Van Eps
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George Van Eps Harmonic Mechanisms for Guitar, Volume 3
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Contemporary Anthology of Solo Guitar Music
Guitare
Guitar (classical) - Intermediate-Advanced - Digital Download For Five Fingers of the…
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Guitar (classical) - Intermediate-Advanced - Digital Download For Five Fingers of the Right Hand. Composed by Charles Postlewate. Contemporary. Classic. E-book. 158 pages. Mel Bay Publications - Digital Sheet Music #21290EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609746599.<br> <br> This is the first compilation of guitar music specifically composed for right-hand technique that includes the little finger. The 57 compositions include original pieces in the Easy-Intermediate to Intermediate -Advanced levels by renowned guitarist/composers from Europe, North America, South America and the Caribbean. Music by Ernesto Cordero, Carlos Dorado, Jim Ferguson, David Flynn, Gerald Garcia, John Hall, Ricardo Iznaola, James Lentini, John Oliver, Charles Postlewate, Mirko Schrader, Burkhard Buck Wolters and Luis Zea show the advantages of a five-finger technique in the playing of scales, chords, arpeggios, tremolos and harmonics. They also show the advantages of using the little finger for speed, accuracy, strength and balance. All of these compositions are edited and fingered by Postlewate, pioneer in the use of a five-finger technique. This book is a companion to Anthology of Nineteenth Century Guitar Studies for Five Fingers of the Right Hand (MB21153), compiled and fingered by Leonhard Beck and edited by Charles Postlewate. Standard notation only. In English and Spanish.
$22.99
20.74 €
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Guitare
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Charles Postlewate
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Contemporary Anthology of Solo Guitar Music
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.51 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.51 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Five Popular Persian Ballads for Solo Classic Guitar
Guitare
By Lily Afshar. For Guitar (Classical). World Music. 16 pages. Published by Mel Bay Public…
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By Lily Afshar. For Guitar (Classical). World Music. 16 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743376. Here, for the first time, Mel Bay Publications offers Persian folk music arranged for the guitar by the Iranian-born, award winning international concert guitarist, Lily Afshar. This collection includes four love songs and a lullaby. These arrangements are extremely lyrical as they depict a singer's nuances and embellishments. Tremolo, harmonic, and muted strumming techniques are used in these tasteful arrangements. Of these five short pieces, four begin with an introduction that establishes the tempo and mood of the piece. These works are ideal for guitarists interested in international programming, those who have never heard Persian music, or for those who are familiar with it and simply love it. Written in standard notation only for the intermediate to advanced guitarist.
$9.99
9.01 €
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Guitare
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Lily Afshar
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Five Popular Persian Ballads for Solo Classic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fandango de Huelva
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.5 €
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Guitare
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Traditional
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Richard Hirsch
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
Chariots Of Fire
Guitare
By Vangelis. Arranged by Andrew Howes. Solo Part. 3 pages. Published by Andrew Howes
By Vangelis. Arranged by Andrew Howes. Solo Part. 3 pages. Published by Andrew Howes
$5.00
4.51 €
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Guitare
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Vangelis
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Andrew Howes
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Chariots Of Fire
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Andrew Howes
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SheetMusicPlus
Swing low, swing chariot
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1322036 Composed by Traditional. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1322036 Composed by Traditional. Arranged by Bettina Schipp. Blues,Country,Folk,Traditional. Individual part. 2 pages. Songbooks.info #910454. Published by songbooks.info (A0.1322036). These Folk and Gospel Songs and Traditionals were arranged for Guitar fingerpicking. They were written in the well-known tablature for string instruments as well as in classical musical notation - for slightly intermediate and advanced guitarists. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!Diese Folk und Gospel Songs und Traditionals wurden für das Fingerpicking mit der Gitarre arrangiert. Sie wurden in der bekannten Tabulatur für Saiteninstrumente sowie in der klassischen Notenschrift notiert - für leicht fortgeschrittene und fortgeschrittene GitarristInnen. Die Lieder wurden in einem langsamen Tempo und mit einem Metronom im Hintergrund aufgenommen. Viel Spaß beim Musizieren...!
$1.99
1.8 €
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Guitare
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Traditional
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Bettina Schipp
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Swing low, swing chariot
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songbooks.info
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SheetMusicPlus
Essential Bach: Arranged for the Guitar
Guitare
By Lily Afshar. For Guitar (Classical). Classic. 116 pages. Published by Mel Bay Publicati…
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By Lily Afshar. For Guitar (Classical). Classic. 116 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619113565. Essential Bach Arranged for Guitar provides guitarists with a new approach to many of Bach's masterpieces. The fingerings in the arrangements make the guitar sound rich and full, as if the pieces were written for the instrument. Attention is given to the musical line by using cross-string fingerings in a consistent manner. This approach allows the harmonies to become more evident as well. By using a more musical approach for the fingerings, playing Bach on the guitar no longer feels cumbersome. Suggested dynamics and articulations are also included. Fingerings and slurs are notated close to the notes for easy reading.
$19.99
18.04 €
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Guitare
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Lily Afshar
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Essential Bach: Arranged for the Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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