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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
If
Non classifié
920
Piano & claviers
Piano seul
555
Piano, Voix
203
Piano, Voix et Guitare
72
Instruments en Do
32
Orgue
18
2 Pianos, 4 mains
14
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
11
Orgue, Piano (duo)
7
Accompagnement Piano
4
Piano Facile
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
64
Guitare
42
Basse electrique
9
2 Guitares (duo)
7
Dulcimer
5
Ligne De Mélodie, (Paroles) et Accords
3
Ukulele
3
Ensemble de guitares
2
4 Guitares (Quatuor)
1
Paroles et Accords
1
Mandoline
1
Piano, Guitare (duo)
1
Banjo
1
Mandoline, Piano (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
267
Chorale TTBB
67
Chorale SSAA
53
Chorale 3 parties
37
Voix haute
7
Voix duo
5
Chorale Unison
5
Voix basse
4
Voix basse, Piano
4
Voix Soprano, Piano
4
Voix Baryton, Piano
3
Voix duo, Piano
2
Voix seule
2
Voix Alto, Piano
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor, Piano
1
Voix Tenor
1
Chorale 2 parties
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
Ensemble de Clarinettes
51
Quatuor de Saxophones: 4 saxophones
47
Quintette de Saxophone: 5 saxophones
47
Ensemble de saxophones
41
Quatuor de Clarinettes: 4 clarinettes
28
Saxophone Tenor
27
2 Saxophones (duo)
25
2 Flûtes traversières, Piano
24
Ensemble de Flûtes
24
Flûte, Hautbois, Clarinette, Basson
21
Flûte traversière
20
Saxophone Alto
18
Flûte traversière et Piano
16
Clarinette
16
Clarinette et Piano
13
Saxophone, Clarinette (duo)
12
2 Flûtes traversières (duo)
12
Saxophone Alto et Piano
9
2 Clarinettes (duo)
9
Quintette de Clarinettes: 5 clarinettes
8
Quintette de Flûte : 5 flûtes
8
Quatuor de Flûtes : 4 flûtes
8
Hautbois, Piano (duo)
8
Saxophone
8
Clarinette, Trompette (duo)
7
Clarinette, Violon (duo)
7
Flûte, Clarinette (duo)
6
Flûte et Guitare
6
Trio de Flûtes: 3 flûtes
6
Flûte, Violon
5
Saxophone (partie séparée)
5
3 Saxophones (trio)
4
Clarinette et Alto
4
Flûte, Saxophone (duo)
4
2 Hautbois (duo)
4
Flûte, Trompette (duo)
4
Saxophone Tenor et Piano
4
Hautbois (partie séparée)
4
Hautbois, Flûte
4
Hautbois, Clarinette (duo)
4
Saxophone Soprano et Piano
4
Hautbois, Basson (duo)
4
Flûte, Alto (duo)
3
Hautbois
3
Hautbois, Clarinette, Basson (trio d'anches)
3
3 Clarinettes (trio)
2
Flûte irlandaise
2
Clarinette, Guitare (duo)
2
Flûte à bec Tenor
2
Clarinette, Violoncelle (duo)
2
5 Flûtes à bec
2
Clarinette, Basson (duo)
2
Cor anglais, Piano
1
Quatuor de Flûtes à bec
1
Flûte traversière, Orgue (duo)
1
Clarinette, Trombone (duo)
1
Piccolo
1
Cor Anglais
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Soprano
1
Flûte, Violoncelle
1
Saxophone Soprano
1
Flute, harpe et violon
1
Flûte, Clarinette, Piano (trio)
1
+ 60 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Quatuor de Cuivres : 2 trompettes, trombone, tuba
77
Trompette
22
Ensemble de Trombones
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trombone
16
Ensemble de Trompettes
12
2 Trombones (duo)
10
Trompette, Saxophone (duo)
9
Quatuor de cuivres: 4 trombones
9
Trompette (partie séparée)
9
Cor et Piano
8
2 Trompettes (duo)
7
Trompette, Piano
7
Quatuor de cuivres: 4 cors
6
Trombone et Piano
5
Trompette, Trombone (duo)
4
Trombone (partie séparée)
4
Euphonium
3
Quatuor de Cuivres
2
Cor
2
Tuba
2
Ensemble de Cors
2
2 Cors (duo)
1
Cor anglais, Piano
1
3 Euphoniums
1
Tuba et Piano
1
Euphonium, Piano (duo)
1
Bass Clef Instruments
1
Cor Anglais
1
4 Tubas
1
2 Euphoniums et 2 Tubas
1
3 Trompettes (trio)
1
2 Tubas (duo)
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
211
Violon, Violoncelle (duo)
55
Violon et Piano
42
Trio à Cordes: violon, alto, violoncelle
36
Violon
28
Harpe
26
Violoncelle
25
Violoncelle, Piano
12
2 Violoncelles (duo)
11
2 Violons (duo)
10
Ensemble de Violons
10
Alto, Piano
9
Ensemble d'Altos
9
2 Altos (duo)
8
Violon, Alto (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
2 Harpes (duo)
6
Alto seul
6
Violon, Guitare (duo)
6
Trio à Cordes: 3 violoncelles
5
4 Violoncelles
4
Violoncelle , Guitare (duo)
4
Trio à Cordes: 2 violons, alto
4
Alto, Violoncelle (duo)
3
Contrebasse, Piano (duo)
3
Alto (partie séparée)
3
Violon, Tuba (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
Violon (partie séparée)
1
Ensemble de Violoncelles
1
Harpe, Trombone (duo)
1
Contre Basse
1
Alto, Guitare (duo)
1
Harpe, Voix
1
Violoncelle, Contrebasse (duo)
1
Alto et Basson
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
125
Orchestre
89
Orchestre d'harmonie
88
Ensemble de cuivres
80
Orchestre à Cordes
59
Orchestre de chambre
40
Jazz combo
23
Fanfare
21
Cloches
12
Ensemble de Percussions
11
Batterie
7
Marimba
4
Batterie (partie séparée)
1
+ 8 instrumentations
Retracter
Autres
Instruments
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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VIELLE A RO…
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VIOLON
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XYLOPHONE
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Partitions Gratuites
60
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
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Theorie de la musique
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Christian
Eglise/Religion
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Hassidique
Israeli
Hymnes Africains
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Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
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TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
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INSTRUMENTATIONS
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|
Partitions Numériques
42
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
77
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
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New Age
Noël
Patriotique
Pop
Reggae
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VIDEO
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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FLUTE A BEC
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FORMATION MUSI…
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HARPE
HAUTBOIS
LIVRES
LUTH
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ORCHESTRE
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PERCUSSION
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
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JEUX VIDEOS
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Guitare
Partitions à imprimer
42 partitions trouvées
<
1
26
Wonderful Words: What if Today?
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Public Domain
#
Gordon Wolfe
#
Wonderful Words: What if Today
#
Gordon Wolfe
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1003253 Composed by Public Domain. Arranged by Gordon Wolfe. Christian. Individual part. 2 pages. Gordon Wolfe #3033663....
(+)
Solo Guitar - Level 4 - SKU: A0.1003253 Composed by Public Domain. Arranged by Gordon Wolfe. Christian. Individual part. 2 pages. Gordon Wolfe #3033663. Published by Gordon Wolfe (A0.1003253). An arrangement for Guitar of the two hymns: Wonderful Words of Life and What if it Were Today?
$2.40
If It's Magic
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Stevie Wonder
#
Alexander Elliott Miller
#
If It's Magic
#
Alexander Elliott Miller
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1356930 Composed by Stevie Wonder. Arranged by Alexander Elliott Miller. 20th Century,Contemporary,R & B,Singer/Songwrit...
(+)
Solo Guitar - Level 4 - SKU: A0.1356930 Composed by Stevie Wonder. Arranged by Alexander Elliott Miller. 20th Century,Contemporary,R & B,Singer/Songwriter,Soul. Individual part. 6 pages. Alexander Elliott Miller #941567. Published by Alexander Elliott Miller (A0.1356930). This arrangements aims to capture Stevie Wonder's If It's Magic on a solo guitar as a chord melody arrangement representing both Stevie Wonder's vocal melody and the original harp accompaniment.
$4.99
If Ever You're In My Arms Again
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Peabo Bryson
#
Antonius Agung Setiawan
#
If Ever You're In My Arms Agai
#
Antonius Agung Setiawan
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1492824 By Peabo Bryson. By Cynthia Weil, Michael Masser, and Tom Snow. Arranged by Antonius Agung Setiawan. Contemporar...
(+)
Solo Guitar - Level 4 - SKU: A0.1492824 By Peabo Bryson. By Cynthia Weil, Michael Masser, and Tom Snow. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 8 pages. Antonius Agung Setiawan #1069510. Published by Antonius Agung Setiawan (A0.1492824). Solo guitar arrangementFingerstyle guitar arrangementEasy to playTablature includedTo see more of my work, please visit https://linktr.ee/pakagung
$6.25
If Ever You're In My Arms Again
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Peabo Bryson
#
Antonius Agung Setiawan
#
If Ever You're In My Arms Agai
#
Antonius Agung Setiawan
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1492825 By Peabo Bryson. By Cynthia Weil, Michael Masser, and Tom Snow. Arranged by Antonius Agung Setiawan. Contemporar...
(+)
Solo Guitar - Level 4 - SKU: A0.1492825 By Peabo Bryson. By Cynthia Weil, Michael Masser, and Tom Snow. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 5 pages. Antonius Agung Setiawan #1069511. Published by Antonius Agung Setiawan (A0.1492825). Solo guitar arrangementFingerstyle guitar arrangementEasy to playTo see more of my work, please visit https://linktr.ee/pakagung
$6.25
If you‘ve only got a Moustache
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Stephen Foster
#
Bettina Schipp
#
If you‘ve only got a Mou
#
songbooks.info
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1315231 Composed by Stephen Foster. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 3 p...
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Solo Guitar - Level 4 - SKU: A0.1315231 Composed by Stephen Foster. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 3 pages. Songbooks.info #903979. Published by songbooks.info (A0.1315231). These Evergreens come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
If you knew Susie, like I know Susie
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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B
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Bettina Schipp
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If you knew Susie, like I know
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songbooks.info
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1315230 Composed by B. G. DeSylva. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 3 pa...
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Solo Guitar - Level 4 - SKU: A0.1315230 Composed by B. G. DeSylva. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 3 pages. Songbooks.info #903978. Published by songbooks.info (A0.1315230). These Evergreens come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
'Change of scene' from Act III of Wozzeck
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Asturias (Leyenda) - Classical Guitar Ver.
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Isaac Albeniz
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Padet Netpakdee
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Asturias
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Padet NEtpakdee
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1124819 Composed by Isaac Albeniz. Arranged by Padet Netpakdee. 19th Century,Classical,Traditional. Individual part. 8 p...
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Solo Guitar - Level 4 - SKU: A0.1124819 Composed by Isaac Albeniz. Arranged by Padet Netpakdee. 19th Century,Classical,Traditional. Individual part. 8 pages. Padet NEtpakdee #725590. Published by Padet NEtpakdee (A0.1124819). Asturias (Leyenda) - Classical Guitar Ver. If you're looking for a newer & fresh interpretation on this iconic repertoire, you are in the right place. This Asturias version is arranged based on the original piano version without changing the typical guitar version's key, Em. Therefore, if you have already learnt the regular version of the piece, you wouldn't have to do much more of the extra work in order to play this version. The overall concept of this specific version is to capture the impressionism aspect of the piece rather than the guitaristic stand point. This, when played properly, gives you a serenity and impressionistic atmospheric aspect of Albeniz music in general.
$4.99
Don't Get Around Much Anymore
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Bob Russell and Duke Ellington
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Christopher J
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Don't Get Around Much Anymore
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Indiv...
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Solo Guitar - Level 4 - SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #915991. Published by Christopher J. Malin (A0.1327985). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington's finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I realise there are 90 versions of this piece. But for the solo jazz guitarist this is the coolest out there! Hand written and tried and true. Sweep the Fmaj.7th and your guitar will get the right feeling of the clarinet line!
$7.00
Alfie
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Cher
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John Fries
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Alfie
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individua...
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Solo Guitar - Level 4 - SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. John Fries #863904. Published by John Fries (A0.1271506). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US).
$4.99
Solitude
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
40s Instrumental Music
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Christopher J
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Solitude
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1328873 By 40s Instrumental Music. By Duke Ellington, Eddie De Lange, and Irving Mills. Arranged by Christopher J. Malin...
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Solo Guitar - Level 4 - SKU: A0.1328873 By 40s Instrumental Music. By Duke Ellington, Eddie De Lange, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #916882. Published by Christopher J. Malin (A0.1328873). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the A section in free time, adding improvisation. Then almost like a modern Power Ballad I play the B' section in a strong swing time. I repeat measures 11 to 14 three times! Then, I pull in the reins and slow her down towards the end and improvise freely at the bitter end. I love this tune! Hope you will too.
$7.00
Until I Found You
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Stephen Sanchez
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Antonius Agung Setiawan
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Until I Found You
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Antonius Agung Setiawan
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1402632 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Antonius Agung Setiawan. Contemporary,Pop....
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Solo Guitar - Level 4 - SKU: A0.1402632 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 4 pages. Antonius Agung Setiawan #985856. Published by Antonius Agung Setiawan (A0.1402632). Until I Found YouBy Stephen SanchezSolo guitar arrangement by Antonius Agung SetiawanUse a capo on the 10th fret (can be lowered if necessary)This arrangement is suitable for playing on electric guitar or steel string cutaway acoustic guitarFingerstyle guitar arrangement, Easy to playTo see more of my work, please visit https://linktr.ee/pakagung
$5.75
Ain't Nobody
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Soul/R&B
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Chaka Khan
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Michael Pilley
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Ain't Nobody
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Michael Pilley Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.746230 By Chaka Khan. By David Wolinski. Arranged by Michael Pilley. R & B. Individual part. 3 pages. Michael Pilley Mus...
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Solo Guitar - Level 4 - SKU: A0.746230 By Chaka Khan. By David Wolinski. Arranged by Michael Pilley. R & B. Individual part. 3 pages. Michael Pilley Music #5354301. Published by Michael Pilley Music (A0.746230). One of Chaka Khan's most loved songs, Ain't Nobody is a Grammy award winning synth fueled funk tune every cover band must have in their arsenal. This is a direct transcription of the guitar part on the recording, and engraved professionally to easily read down in a session.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$5.00
There and Back Again
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
John David Morgan
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John David Morgan
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There and Back Again
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John David Morgan
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.525316 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Contemporary,Folk,Jazz. Individual par...
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Solo Guitar - Level 4 - SKU: A0.525316 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Contemporary,Folk,Jazz. Individual part. 11 pages. John David Morgan #135855. Published by John David Morgan (A0.525316). A piece in the style of One Step Closer to Cool. If you pair the two titles the chuckle is: I was uncool. I got one step closer to cool. Now I'm back to uncool again:-) Musically there is some fun syncopation and plenty of harmonic twists and turns. It may even expand your harmonic vocabularly.
$4.00
Dulce dolor del amor , sweet love pains , classic guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Alfred Feenstra
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Dulce dolor del amor , sweet l
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.978002 Composed by Alfred Feenstra. 20th Century,Concert,Holiday,Love,World. Individual part. 4 pages. Alfred Feenstra #...
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Solo Guitar - Level 4 - SKU: A0.978002 Composed by Alfred Feenstra. 20th Century,Concert,Holiday,Love,World. Individual part. 4 pages. Alfred Feenstra #4983205. Published by Alfred Feenstra (A0.978002). This romantic classical guitar piece is very suitable for people in love.Dulce dolor del amor , sweet love pains. Above all, if the person that they love does not respond.Maybe playing nicely this piece she might pay attention to you, that dream is the sweetness of the pain.
$4.00
KriyÄ (Direction, Goal) for 10-String Guitar
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Julian Bertino
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KriyÄ
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Julian Bertino
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1187094 By Julian Bertino. By Julian Bertino. Classical,Contemporary. Individual part. 10 pages. Julian Bertino #786726....
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Solo Guitar - Level 4 - SKU: A0.1187094 By Julian Bertino. By Julian Bertino. Classical,Contemporary. Individual part. 10 pages. Julian Bertino #786726. Published by Julian Bertino (A0.1187094). Kriyā is a Sanskrit word meaning to do, make, perform, accomplish, cause, effect, prepare, undertake†toward something specific. We often live our lives hiding from ourselves, usually because of an artificial sense of fear, embarassment, shame or guilt that we may have acquired because of social pressures. This is why we many people have a mid-life crisis and suddenly change the way they have lived their lives into how they wished to live all along. This piece represents the unraveling of previously held ideals into one which is synchronous with the world around us, beginning with a vision reminding us of mortality, progressing through the difficulties and cognitive dissonances which occur when we must change our lives to find happiness. Kriya began originally as a tremolo etude on the 2nd and 3rd strings, but quickly evolved into a musical composition. Practicing Tremolo on strings other than the first develops control and discipline in the right hand, which was my original intention in writing it- but I felt as if the material that was generated required more and more variation and contrast- and quite quickly I realized that I had to complete it with the intention of performing it as a piece of music rather than simply a technical exercise.**This version is for 10-string guitar. There is a 6-string guitar version available also.
$9.99
TIENTO PARA UN PENSADOR for guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Daniel Cueto
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TIENTO PARA UN PENSADOR for gu
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Daniel Cueto
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.876582 Composed by Daniel Cueto. 20th Century,Contemporary,Latin,World. Individual part. 8 pages. Daniel Cueto #6119401....
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Solo Guitar - Level 4 - SKU: A0.876582 Composed by Daniel Cueto. 20th Century,Contemporary,Latin,World. Individual part. 8 pages. Daniel Cueto #6119401. Published by Daniel Cueto (A0.876582). To write Tiento para un pensador, I found inspiration in an experience that I had many years ago, when I was a student in Dusseldorf, Germany. I was spending time one night with my friend Rafael Aguirre, a virtuoso classical guitarist, as he was casually playing through some of his repertoire. He asked me if I thought that it was possible to play a Baroque fugue - one of the most complex of musical genres - on the guitar. Before I had time to think about the question, he started playing his own arrangement of a fugue by J.S. Bach, talking me through it as the fugue theme appeared in different registers and the counterpoint got more and more intricate.The effectiveness and beauty of the contrapuntal sounds I experienced that night stayed with me. So in 2020, when I was invited to attend the Twisted Spruce Symposium and had a chance to compose my first piece for the guitar, I quickly decided that I would take up the challenge of writing my own fugue for the instrument. Looking to find a more specific context for the new work, I discovered the early Spanish genre of the tiento, essentially an early Hispanic form of the fugue. I came up with a melody which, I sensed, featured elements of that early style combined with a touch of Andean melancholy. As I composed, I strived to follow this basic affect throughout, letting the lines evolve organically as the piece seemed to engage in a long, continued search for its cultural and temporal identity.Para un pensador means for a thinker in Spanish. It is my homage to the intellectual guitarist, to the reflective and discerning performer of intricate contrapuntal music.I would like to extend special thanks to Nathan Fischer for producing this valuable edition of Tiento para un pensador.
$9.99
Homenaje a Tárrega
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Joaquin Turina
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Homenaje a Tárrega
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Schott Music - Digital
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SheetMusicPlus
Guitar - intermediate to advanced - SKU: S9.Q11370 Urtext. Composed by Joaquin Turina. This edition: Sheet music. Guitar Archive. Downloadable. O...
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Guitar - intermediate to advanced - SKU: S9.Q11370 Urtext. Composed by Joaquin Turina. This edition: Sheet music. Guitar Archive. Downloadable. Op. 69. Duration 5:30. Schott Music - Digital #Q11370. Published by Schott Music - Digital (S9.Q11370). The Spaniard Joaquin Turina (1882-1949) was one of the first contemporary composers who, addressed by the outstanding guitarist Andrés Segovia, wrote contemporary original works for the guitar, thus paving the way for this instrument onto the international concert stages in the 20th century. Meanwhile, it is a known fact that Segovia often edited the musical text of the compositions written for him and arranged it according to his personal style of interpretation. Our new editions of Turina's most important works are therefore based on both the first editions and the original autograph versions, thus presenting for the first time the original text. Today, no performer can get around these new editions if he/she wants to deal with Turina's artistic legacy in a responsible manner.
$9.99
Largo from Keyboard Concerto no. 5, BWV 1056
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Nick Mordal
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Largo from Keyboard Concerto n
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Nick Mordal
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.946412 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Nick Mordal. Advent,Baroque,Classical,Folk,Sacred...
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Solo Guitar - Level 4 - SKU: A0.946412 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Nick Mordal. Advent,Baroque,Classical,Folk,Sacred. Individual part. 2 pages. Nick Mordal #6274981. Published by Nick Mordal (A0.946412). This is one of Bach's great melodies and the way that it is preserved in this guitar arrangement is done very specifically. If played with a capo on 1st fret, it will be in the original key of Ab. Techniques used in the arrangement include many slurs, cross string trills and barres.
$6.00
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Lil Darlin'
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jon Hendricks and Neal Hefti
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Christopher J
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Lil Darlin'
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1297734 Composed by Jon Hendricks and Neal Hefti. Arranged by Christopher J. Malin. 20th Century,Jazz,Pop,Standards. Ind...
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Solo Guitar - Level 4 - SKU: A0.1297734 Composed by Jon Hendricks and Neal Hefti. Arranged by Christopher J. Malin. 20th Century,Jazz,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #887706. Published by Christopher J. Malin (A0.1297734). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Striking, unusual melody. One of Hefti's finer pieces.Very few solo guitarists play this one. Neal Hefti's is probably best known for The Odd Couple theme. This piece should be played in delibrate style of a straight 4/4 time. Around 62 BPM. Non-swung, if that makes sense? This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.
$4.99
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