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It's You I Like
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9
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Orgue
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3
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3
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1
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15
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5
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55
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44
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25
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22
Quintette de Flûte : 5 flûtes
9
Ensemble de Flûtes
9
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4
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4
Saxophone Tenor
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Clarinette
3
Trio de Flûtes: 3 flûtes
3
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3
Hautbois, Piano (duo)
3
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3
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2
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2
Clarinette, Guitare (duo)
2
Saxophone Soprano et Piano
2
Clarinette, Basson (duo)
1
3 Clarinettes (trio)
1
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1
Quatuor de Flûtes : 4 flûtes
1
Saxophone
1
Clarinette et Piano
1
3 Saxophones (trio)
1
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42
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Ensemble de Trombones
20
Ensemble de Trompettes
15
Quatuor de Cuivres
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Ensemble de Cors
5
Trompette
3
Trombone
3
Trio de Cuivres
2
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2
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Cor et Piano
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Trompette (partie séparée)
2
2 Trombones (duo)
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1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
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Trompette, Piano
1
2 Trompettes (duo)
1
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Quatuor à cordes: 2 violons, alto, violoncelle
26
Ensemble d'Altos
12
Ensemble de Violons
12
Trio à Cordes: violon, alto, violoncelle
11
Violon, Violoncelle (duo)
7
Violon et Piano
6
Violon
4
Trio à Cordes: 2 violons, violoncelle
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 2 violons, alto
2
Piano Trio: Violon, Alto, Piano
1
Harpe
1
Ensemble de Violoncelles
1
4 Violoncelles
1
Harpe, Voix
1
Trio à cordes: 3 violins
1
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15
Orchestre
15
Ensemble Jazz
13
Ensemble de cuivres
4
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3
Jazz combo
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Fanfare
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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CHORALE - CHAN…
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Vous avez sélectionné:
It's You I Like
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Guitare
Partitions à imprimer
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Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Solitude
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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40s Instrumental Music
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Christopher J
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Solitude
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1328873 By 40s Instrumental Music. By Duke Ellington, Eddie De Lange, and Irving Mills. Arranged by Christopher J. Malin...
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Solo Guitar - Level 4 - SKU: A0.1328873 By 40s Instrumental Music. By Duke Ellington, Eddie De Lange, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #916882. Published by Christopher J. Malin (A0.1328873). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the A section in free time, adding improvisation. Then almost like a modern Power Ballad I play the B' section in a strong swing time. I repeat measures 11 to 14 three times! Then, I pull in the reins and slow her down towards the end and improvise freely at the bitter end. I love this tune! Hope you will too.
$7.00
Neve
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eric J Roth
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Neve
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914745 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 6 pages. Eric J Roth #5733799. Published by ...
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Solo Guitar - Level 4 - SKU: A0.914745 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 6 pages. Eric J Roth #5733799. Published by Eric J Roth (A0.914745). Two pages of music.Neve (pronounced NEEV) is an ancestral name within my family, to whom this piece is dedicated. The word appears in multiple languages and has a variety of meanings. In British English, Neve has two definitions, both of which have long been out of common usage. The first definition refers to a younger male relative such as a nephew or grandson. The second refers to a spendthrift. Neve is also found in Irish as a girl’s name. In various Latin and Romance languages, it refers to snow or glaciers. Neve is one of a set of four pieces composed in late 2019 and early 2020. The publication of the entire set is forthcoming, but I am also offering Neve here as a short standalone work. Composed for guitar solo, Neve evokes a young boy’s leisurely daydream. The 3/2 time signature, marked andante, and opening G major tonality convey the sense of a lazy weekend day outside in the woods or by the water. Like many daydreams, Neve starts out simply before wandering off into different moods and ideas. A recurring transitional passage (set as a quasi hemiola) serves to modulate to new tonal areas, each of which has its own distinct character. The brief section in A Dorian is marked con moto and evokes the thoughts of excitement and adventure. This is followed by a contrapuntal section in E minor with hints of Dorian. The mood here is more subdued and perhaps even melancholy. The penultimate section in C# minor (with hints of pentatonic and Phrygian) suggests a longing for faraway exotic places before returning to G major to end the piece.
$2.99
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