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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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31
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7
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6
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49
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20
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11
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2
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1
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1
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1
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1
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1
Saxophone Alto
1
3 Clarinettes (trio)
1
2 Hautbois (duo)
1
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1
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1
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Flûte à bec Tenor
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1
Clarinette et Alto
1
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1
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45
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
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24
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22
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17
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11
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4
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2
2 Trombones (duo)
2
2 Trompettes (duo)
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Cor et Orgue
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2 Euphoniums et 2 Tubas
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
22
Ensemble de Violons
12
Ensemble d'Altos
12
Trio à Cordes: violon, alto, violoncelle
11
Violon et Piano
7
Violon, Violoncelle (duo)
5
2 Violoncelles (duo)
4
Violoncelle
3
Violoncelle, Piano
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe
2
2 Harpes (duo)
1
2 Contrebasses (duo)
1
2 Violons (duo)
1
4 Violoncelles
1
Contre Basse
1
4 Contrebasses
1
Ensemble de Violoncelles
1
Violon, Alto (duo)
1
2 Altos (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre
23
Ensemble de cuivres
16
Orchestre à Cordes
15
Ensemble Jazz
14
Orchestre d'harmonie
13
Orchestre de chambre
4
Jazz combo
4
Ensemble de Percussions
3
Cloches
2
Fanfare
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AUTRES
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It Would Be You
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Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.25 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
#
SheetMusicPlus
Making Friends
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.948712 Composed by Bradley Powell …
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Solo Guitar - Level 4 - Digital Download SKU: A0.948712 Composed by Bradley Powell (The Candlelight Guitarist). Concert,Folk,Sacred,Spiritual. Individual part. 5 pages. Geofonica Artistworks #6856481. Published by Geofonica Artistworks (A0.948712). Guitar solo (in standard notation) composed by Bradley Powell (The Candlelight Guitarist), from his CD Beatitude Bridge. Intermediate to advanced level blend of folk-jazz and classical finger-style guitar (a trademark style blend of The Classical Guitarist.) It's a positive, moving, yet reflective guitar instrumental, inspired by the many biblical verses about friendship (incl. Ecclesiastes 4:9-10, John 15:15, John 15:12-15, Job 6:14, Proverbs 18:24, Proverbs 27:10, John 15:13). Wonderful for an offertory or musical interlude in a church service, spiritual gathering, concert or recital.ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventuire at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.COMMENTS FROM ESTABLISHED REVIEWERS...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!
$3.99
3.64 €
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Guitare
#
Bradley Powell
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Making Friends
#
Geofonica Artistworks
#
SheetMusicPlus
Stars and Stripes Forever
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1080715 By The Candlelight Guitari…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1080715 By The Candlelight Guitarist. By John Philip Sousa. Arranged by Bradley Powell. Classical,Contest,Festival,Holiday,Patriotic,Traditional. Individual part. 6 pages. Geofonica Artistworks #684944. Published by Geofonica Artistworks (A0.1080715). The very popular official march of the United States, composed by John Philip Sousa, arranged for solo classical guitar (in standard notation) by Bradley Powell, aka The Candlelight Guitarist. It is an advanced intermediate to advanced level of finger-style classical guitar. NOTE: This same arrangement is also available in Standard Notation WITH TAB). ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventure at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs. COMMENTS FROM ESTABLISHED REVIEWERS... Dr. Beth - Amazon.com #1 Hall of Fame reviewer Brad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack. Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age Retailer The Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals. Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWER Bradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences. Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell. Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer. The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard. Bob McKillop, founder and publisher, MaineFolkMusic.com Brad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender. Grady Harp - HALL OF FAME TOP 100 REVIEWER music to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!.
$3.76
3.43 €
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Guitare
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The Candlelight Guitarist
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Bradley Powell
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Stars and Stripes Forever
#
Geofonica Artistworks
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.39 €
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Guitare
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Richard Strauss
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Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.39 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.39 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Prelude No 4 in Em (Fire In The Sky)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1189647 Composed by Simon James. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1189647 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 5 pages. DML #789280. Published by DML (A0.1189647). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. This Prelude is based on the use of thirds and sixths on the guitar. These intervals are the easiest to play on guitar and the sweetest sounding though they can still be used dramatically as in this work. The middle section, or B section if you prefer, uses chords with dissonance built into the chord shape and which are also not too difficult to play.
$2.99
2.73 €
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Guitare
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Simon James
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Prelude No 4 in Em
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DML
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SheetMusicPlus
Heartbeats
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1268428 By Jose Gonzalez. By Karin…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21st Century,Pop,Singer/Songwriter,Wedding. Individual part. 6 pages. Pablo Alcázar #860970. Published by Pablo Alcázar (A0.1268428). Arrangement for solo guitar of the famous song Heartbeats. This arrange by Pablo Alcázar, professional guitarist arranger and composer, is for intermediate players that want a challenge to play or for professional guitarist that want some new repertoire for wedding gigs or concerts. It includes the full voice melody line aswell as the full guitar line from the original song. This arrangement uses the 3º string on F# and the 6º string on D and the reading doesn't include the real notes you are playing but the translation of a normal tuning reading to make things easier. Also you can check the strings on the tablature in case you need to play in different positions.This is the Lyrics of the song:One night to be confusedOne night to speed up truthWe had a promise, babeFour hands and then awayBoth under influenceWe had divine senseTo know what to sayMind is a razor bladeTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noOne night of magic rushThe start a simple touchOne night to push and screamAnd then reliefTen days of perfect huesThe colors red and blueWe had a promise, babeWe were in loveTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enoughAnd youYou knew the hand of the devilAnd youKept us awake with wolves teethSharing different heartbeatsIn one nightTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enough.
$4.99
4.55 €
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Guitare
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Jose Gonzalez
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Pablo Alcázar
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Heartbeats
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Pablo Alcázar
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SheetMusicPlus
Alfie
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1271506 By Cher. By Burt Bacharach…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. John Fries #863904. Published by John Fries (A0.1271506). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US).
$4.99
4.55 €
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Guitare
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Cher
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John Fries
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Alfie
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John Fries
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SheetMusicPlus
Mood Indigo
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1295010 By Duke Ellington. By Alba…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1295010 By Duke Ellington. By Albany Bigard, Duke Ellington, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,R & B,Soul,Standards. Individual part. 1 pages. Christopher J. Malin #885330. Published by Christopher J. Malin (A0.1295010). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of the Duke's      finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. This piece needs to be swung hard. It don't mean a thing, if it ain't got that swing! Very danceable piece. Legend has it that Ellington's orchestra would play this rhythm as long as the floor was filled with dancers! Another tried and true arrangement. Have fun with it! Sounds great on acoustic and electric guitars.
$4.99
4.55 €
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Guitare
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Duke Ellington
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Christopher J
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Mood Indigo
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Christopher J. Malin
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SheetMusicPlus
Achieving Guitar Artistry - Linear Guitar Etudes
Guitare
Composed by William Bay. Solos. Achieving Guitar Artistry. Style. E-book. 104 pages.…
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Composed by William Bay. Solos. Achieving Guitar Artistry. Style. E-book. 104 pages. Mel Bay Publications - Digital Sheet Music #WBM23EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117143.<br> <br> This is the flagship book in Mel Bay's Achieving Guitar Artistry series. Herein you will find an extensive collection of linear pieces with interesting melodic content. Frequent performance of these etudes will not only enhance technique, but offer the guitarist a wonderful opportunity to improve tone, touch and lyrical phrasing.We suggest playing each etude at a slow tempo at first, the goal being to achieve a clear and beautiful tone on every note. The next objective is to develop a sense of lyrical completeness to each musical phrase. Make the phrases sing! Once you have achieved the desired quality of tone and expression, increase the tempo to work on the technique.Mel Bay's Guitar Journals - Mastering the Fingerboard: The Reading Book (MB20903) would make an ideal supplement to Linear Guitar Etudes as it presents etudes in all keys and positions.The pieces in Linear Guitar Etudes are multi-positional. That is, the player will be required to move from position to position on the fingerboard. The music is presented in standard notation only, with left-hand fingering included on the more complex passages, and circled numbers to indicate the strings where certainnotes and passages are to be played.These etudes sound good on both nylon and steel-string guitars, and will be a valuable addition to the music library of any guitarist, enhancing their abilities regardless of the style of music played.ISBN 9781619117143.<br> <br> This is the flagship book in Mel Bay's Achieving Guitar Artistry series. Herein you will find an extensive collection of linear pieces with interesting melodic content. Frequent performance of these etudes will not only enhance technique, but offer the guitarist a wonderful opportunity to improve tone, touch and lyrical phrasing.We suggest playing each etude at a slow tempo at first, the goal being to achieve a clear and beautiful tone on every note. The next objective is to develop a sense of lyrical completeness to each musical phrase. Make the phrases sing! Once you have achieved the desired quality of tone and expression, increase the tempo to work on the technique.Mel Bay's Guitar Journals - Mastering the Fingerboard: The Reading Book (MB20903) would make an ideal supplement to Linear Guitar Etudes as it presents etudes in all keys and positions.The pieces in Linear Guitar Etudes are multi-positional. That is, the player will be required to move from position to position on the fingerboard. The music is presented in standard notation only, with left-hand fingering included on the more complex passages, and circled numbers to indicate the strings where certainnotes and passages are to be played.These etudes sound good on both nylon and steel-string guitars, and will be a valuable addition to the music library of any guitarist, enhancing their abilities regardless of the style of music played.
$17.99
16.42 €
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Guitare
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William Bay
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Achieving Guitar Artistry - Linear Guitar Etudes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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