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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It don
Non classifié
443
Piano & claviers
Piano, Voix
314
Piano seul
224
Piano, Voix et Guitare
186
Instruments en Do
43
Orgue
13
2 Pianos, 4 mains
8
1 Piano, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
Orgue, Trompette (duo)
1
+ 7 instrumentations
Retracter
Guitares
Guitare
25
Guitare notes et tablatures
11
Basse electrique
8
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
Piano, Guitare (duo)
1
Banjo
1
Dulcimer
1
2 Dulcimers (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Guitare, Orchestre
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
108
Chorale TTBB
36
Chorale SSAA
18
Chorale 3 parties
13
Voix haute
9
Voix Soprano, Piano
4
Chorale Unison
3
Chorale 2 parties
3
Voix Baryton, Piano
2
Voix basse, Piano
1
Voix moyenne, Piano
1
Voix Tenor, Piano
1
+ 7 instrumentations
Retracter
Vents
Ensemble de saxophones
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Quatuor de Saxophones: 4 saxophones
20
Saxophone Alto et Piano
19
Clarinette et Piano
18
Saxophone Tenor et Piano
16
Flûte, Hautbois, Clarinette, Basson
15
Ensemble de Clarinettes
15
Quintette de Saxophone: 5 saxophones
15
Flûte traversière et Piano
15
Saxophone Soprano et Piano
13
Flûte traversière
10
Clarinette
9
Saxophone Alto
9
Saxophone (partie séparée)
8
Hautbois, Piano (duo)
8
Quintette de Clarinettes: 5 clarinettes
7
Ensemble de Flûtes
7
3 Clarinettes (trio)
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Tenor
6
Saxophone Baryton, Piano
5
Hautbois (partie séparée)
5
2 Flûtes traversières (duo)
5
Quatuor de Flûtes : 4 flûtes
4
2 Saxophones (duo)
4
Flûte, Clarinette (duo)
4
2 Clarinettes (duo)
3
Trio de Flûtes: 3 flûtes
3
3 Saxophones (trio)
2
Hautbois
2
Quintette de Flûte : 5 flûtes
2
Flûte et Guitare
2
Clarinette, Basson (duo)
2
Clarinette, Trombone (duo)
2
Hautbois, Guitare (duo)
1
Saxophone Soprano
1
Flûte, Clarinette et Basson
1
Saxophone, Tuba (duo)
1
Clarinette, Guitare (duo)
1
Flute, harpe et violon
1
Hautbois, Basson (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Alto (duo)
1
Quatuor de Flûtes à bec
1
Flûte à bec Tenor
1
Clarinette, Harpe (duo)
1
Clarinette, Violoncelle (duo)
1
Cor anglais, Piano
1
Flûte à bec Soprano
1
Flûte, Violon
1
Clarinette Basse, Piano
1
+ 47 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
57
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Trombone et Piano
25
Quatuor de cuivres: 4 trombones
22
Ensemble de Trombones
18
Trompette
14
Trombone
14
Tuba et Piano
11
Trompette, Piano
11
Quatuor de Cuivres
11
Tuba
8
Cor et Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Cor
5
Ensemble de Trompettes
5
2 Euphoniums et 2 Tubas
5
2 Trompettes (duo)
4
Ensemble de Cors
3
Euphonium
2
2 Trombones (duo)
2
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 cors
2
Trombone, Violon (duo)
1
Cor et Harpe
1
Bass Clef Instruments
1
Trompette, Harpe
1
3 Trombones (trio)
1
3 Euphoniums
1
Trompette, Trombone (duo)
1
Cor anglais, Piano
1
Trompette, Saxophone (duo)
1
Cor et Orgue
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
80
Violon et Piano
24
Trio à Cordes: violon, alto, violoncelle
16
Violoncelle, Piano
12
Violon, Violoncelle (duo)
12
Violoncelle
12
Violon
11
Alto, Piano
10
Alto seul
9
Contrebasse, Piano (duo)
5
Harpe
5
Contre Basse
4
Violon, Alto (duo)
4
2 Violons (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Harpes (duo)
3
Ensemble d'Altos
2
Trio à Cordes: 2 violons, violoncelle
2
Ensemble de Violons
2
Alto et Harpe
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto (partie séparée)
1
Violon (partie séparée)
1
Violoncelle (partie séparée)
1
2 Contrebasses (duo)
1
Alto et Basson
1
Trio à Cordes: 2 violons, alto
1
Violoncelle , Guitare (duo)
1
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violoncelles
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Harpe, Voix
1
2 Violoncelles (duo)
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
54
Orchestre
47
Ensemble Jazz
36
Ensemble de cuivres
35
Orchestre de chambre
22
Orchestre à Cordes
21
Jazz combo
8
Fanfare
7
Cloches
7
Ensemble de Percussions
3
Batterie
2
Marimba
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
It don
avancé
Guitare
Partitions à imprimer
25 partitions trouvées
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1
Don't Get Around Much Anymore
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Bob Russell and Duke Ellington
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Christopher J
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Don't Get Around Much Anymore
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Indiv...
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Solo Guitar - Level 4 - SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #915991. Published by Christopher J. Malin (A0.1327985). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington's finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I realise there are 90 versions of this piece. But for the solo jazz guitarist this is the coolest out there! Hand written and tried and true. Sweep the Fmaj.7th and your guitar will get the right feeling of the clarinet line!
$7.00
Don't Give Up
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Gabriel And Kate Bush
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Colin Tommis
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Don't Give Up
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Colin Tommis
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.961510 By Peter Gabriel And Kate Bush. By Peter Gabriel. Arranged by Colin Tommis. Contemporary. Individual part. 3 page...
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Solo Guitar - Level 4 - SKU: A0.961510 By Peter Gabriel And Kate Bush. By Peter Gabriel. Arranged by Colin Tommis. Contemporary. Individual part. 3 pages. Colin Tommis #6103219. Published by Colin Tommis (A0.961510). This is a notation only version of my arrangement of Peter Gabriel's song. It is unusual in that the 6th string is tuned down to C, and the 5th string is tuned down to G. .
$4.99
Streets Of London
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Ralph McTell
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Tim Rushworth
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Streets Of London
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Tim Rushworth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.943113 Composed by Ralph McTell. Arranged by Tim Rushworth. Contemporary. Individual part. 2 pages. Tim Rushworth #42980...
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Solo Guitar - Level 4 - SKU: A0.943113 Composed by Ralph McTell. Arranged by Tim Rushworth. Contemporary. Individual part. 2 pages. Tim Rushworth #4298095. Published by Tim Rushworth (A0.943113). This arrangement for solo guitar, does something which I have not seen before for this well known song. It includes the melody of the song words as well as the guitar accompaniment which is faithful to the original recording. These have been woven together to create a complete version for classical or acoustic steel string guitar. I have omitted tablature in order to eliminate page turns, whilst including enough repeat markings to include all verses, intro, bridge and ending.
$4.99
Mood Indigo
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Duke Ellington
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Christopher J
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Mood Indigo
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1295010 By Duke Ellington. By Albany Bigard, Duke Ellington, and Irving Mills. Arranged by Christopher J. Malin. 20th Ce...
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Solo Guitar - Level 4 - SKU: A0.1295010 By Duke Ellington. By Albany Bigard, Duke Ellington, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,R & B,Soul,Standards. Individual part. 1 pages. Christopher J. Malin #885330. Published by Christopher J. Malin (A0.1295010). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of the Duke's      finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. This piece needs to be swung hard. It don't mean a thing, if it ain't got that swing! Very danceable piece. Legend has it that Ellington's orchestra would play this rhythm as long as the floor was filled with dancers! Another tried and true arrangement. Have fun with it! Sounds great on acoustic and electric guitars.
$4.99
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Waltz For Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Frank Zappa
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Andrew Pattinson
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Waltz For Guitar
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Andrew Pattinson
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1042421 Composed by Frank Zappa. Arranged by Andrew Pattinson. Classical,Contemporary. Individual part. 1 pages. Andrew ...
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Solo Guitar - Level 4 - SKU: A0.1042421 Composed by Frank Zappa. Arranged by Andrew Pattinson. Classical,Contemporary. Individual part. 1 pages. Andrew Pattinson #647206. Published by Andrew Pattinson (A0.1042421). Zappa Quote: This is a 12-tone crab canon written when I was 18. There's actually another version for two guitars, so it's a double crab canon. I don't know where it is though. I'd been doing 12-tone music for quite some time before I did this, but it was the first time I'd tried to write something for the guitar. I couldn't play it, and I never got to hear it until I got the Synclavier. And because it's printed on the Synclavier, that also means I got to push the button and listen to it..
$4.99
Hotel California
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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The Eagles
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Ron Calabrese
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Hotel California
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Ron Calabrese
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1302452 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. Classical,Country,Pop,Rock. 39 p...
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Guitar - Level 4 - SKU: A0.1302452 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. Classical,Country,Pop,Rock. 39 pages. Ron Calabrese #892072. Published by Ron Calabrese (A0.1302452). Arrangement by Ron Calabrese: Score, 5 Guitar Parts, Guitar Tablature: 39 pages. Introduction: Hotel California is a guitar arrangement created for beginners as well as intermediate and advanced players.  The guitar harmonies or the piece brings a special blending that is enjoyable to play and perform for any occasion.  The iconic guitar solo includes smooth harmonies across multiple guitar parts.   Part Descriptions: Guitar 1:  The Guitar 1 Part is written to showcase the tune’s main melody and chorus.  This part should be played by an advanced player, mainly due to the advanced guitar soloing toward the end of the piece.  All fingering and tabulator are included for convenience. Guitar 2:  The Guitar 2 Part provides adds a fingerstyle chord technique that is unmistakable.  Toward the end of the piece, Guitar 2 plays harmony with Guitar 1 for the iconic solo.  This part can be played by an intermediate player.  All fingering and tabulator are included for convenience. Guitar 3 & 4:  The Guitar 3 and Guitar 4 Parts provide contrasting melodic sequences to the melody and solo sections.  These parts can be challenging, but are intended to be played by a beginner to intermediate player. Guitar 5:  The Guitar 5 Part is the bass guitar part (written in G clef).  From time to time, the part includes key rhythmic phrases used to complement the other parts.  The Guitar 5 Part also includes the chords as a potential 6th Part. I wrote this arrangement of Hotel California to fill a void in contemporary guitar ensemble arrangements.  I hope you enjoy playing it.  Ron.
$19.98
Stories
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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John David Morgan
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John David Morgan
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Stories
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John David Morgan
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.532685 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Classical,Contemporary,Folk,New Age. I...
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Solo Guitar - Level 4 - SKU: A0.532685 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Classical,Contemporary,Folk,New Age. Individual part. 13 pages. John David Morgan #142916. Published by John David Morgan (A0.532685). This is the title track of my second CD. The official recording includes bass and percusion. This is the guitar part. The concept of the album is that our lives are made up of many converging stories. I asked frineds to write stories to accompany the music you can find their stories at www.morganguitar.com. PS You don't need to play it as fast as I did on the recrding. It works better slower:-).
$4.00
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Rumores de la Caleta
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Isaac Albeniz
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Nick Mordal
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Rumores de la Caleta
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Nick Mordal
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1329558 By Isaac Albeniz. By Isaac Albeniz. Arranged by Nick Mordal. 20th Century,Classical,Latin,Multicultural,Romantic...
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Solo Guitar - Level 4 - SKU: A0.1329558 By Isaac Albeniz. By Isaac Albeniz. Arranged by Nick Mordal. 20th Century,Classical,Latin,Multicultural,Romantic Period,World. Individual part. 3 pages. Nick Mordal #917541. Published by Nick Mordal (A0.1329558). This brilliantly rhythmic piano piece by Albéniz has been transposed up a fifth for guitar. Albéniz wrote this music with the percussion of a guitar in mind. Like another famous Albéniz guitar transcription, Asturias (Leyenda), it fits very nicely on the classical guitar. It is fairly difficult with some quick position shifts and is worth putting time into. Its' sound is a mix between classical and flamenco guitar. This piece has been done by several classical guitarists like Christopher Parkening, and this is my take on it. It features two contrasting sections. The A section is harsh, percussive and very Spanish. The B section is a melodically driven change of pace, before it finishes in a repeat of the A section.
$5.00
Livery Stable Blues
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Kyle Gray Young
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Kyle Gray Young
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Livery Stable Blues
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Kyle Gray Young
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1093128 By Kyle Gray Young. By Alcide Nunez and Ray Lopez. Arranged by Kyle Gray Young. 20th Century,Blues,Jazz,Standard...
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Solo Guitar - Level 4 - SKU: A0.1093128 By Kyle Gray Young. By Alcide Nunez and Ray Lopez. Arranged by Kyle Gray Young. 20th Century,Blues,Jazz,Standards. Individual part. 3 pages. Kyle Gray Young #697225. Published by Kyle Gray Young (A0.1093128). Here's a wonderful adaptation for guitar from the original 1917 sheet music of Livery Stable Blues. This was the first commercially released jazz record, which came out the same year. This arrangement is for intermediate players and up. It is presented in crystal clear tablature and standard notation. A constant driving bass line keeps this one moving along. This one will sure to be a favorite of yours to play for many years to come. Don't forget to swing the eighths!
$1.99
IL SATIRO DANZANTE - Solo Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guit
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LINCOLN BRADY
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985...
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Solo Guitar - Level 4 - SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985881. Published by LINCOLN BRADY (A0.802998). Inspired by the true story of the ancient greek statue - 'DANCING SATYR' (in Mazara del Vallo) - discovered by fishermen off the coast of Sicily in 1998 after having lain on the Mediterranean ocean floor for over 2,000 years. Following five years of careful refurbishment in Rome's 'Istituto Centrale per il Restauro' this amazing bronze statue, probably from the school of Praxiteles, was restored almost to its former glory with its head and torso remaining largely intact, incredibly! The 'Dancing Satyr' was then taken on a global tour, including Japan and the Louvre in Paris, where it drew very large crowds capturing the world's imagination. It is now housed in a purpose-built museum in Sicily - 'Museo del Satiro'. The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$9.99
Alfie
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Cher
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John Fries
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Alfie
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individua...
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Solo Guitar - Level 4 - SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. John Fries #863904. Published by John Fries (A0.1271506). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US).
$4.99
Wonderful Words: What if Today?
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Public Domain
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Gordon Wolfe
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Wonderful Words: What if Today
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Gordon Wolfe
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1003253 Composed by Public Domain. Arranged by Gordon Wolfe. Christian. Individual part. 2 pages. Gordon Wolfe #3033663....
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Solo Guitar - Level 4 - SKU: A0.1003253 Composed by Public Domain. Arranged by Gordon Wolfe. Christian. Individual part. 2 pages. Gordon Wolfe #3033663. Published by Gordon Wolfe (A0.1003253). An arrangement for Guitar of the two hymns: Wonderful Words of Life and What if it Were Today?
$2.40
Largo from Keyboard Concerto no. 5, BWV 1056
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Nick Mordal
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Largo from Keyboard Concerto n
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Nick Mordal
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.946412 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Nick Mordal. Advent,Baroque,Classical,Folk,Sacred...
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Solo Guitar - Level 4 - SKU: A0.946412 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Nick Mordal. Advent,Baroque,Classical,Folk,Sacred. Individual part. 2 pages. Nick Mordal #6274981. Published by Nick Mordal (A0.946412). This is one of Bach's great melodies and the way that it is preserved in this guitar arrangement is done very specifically. If played with a capo on 1st fret, it will be in the original key of Ab. Techniques used in the arrangement include many slurs, cross string trills and barres.
$6.00
Suite in D Lydian Mixed Mode
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Classique
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Socrates Arvanitakis
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Suite in D Lydian Mixed Mode
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1421220 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 14 pages. Socrates Arvanitakis #10026...
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Solo Guitar - Level 4 - SKU: A0.1421220 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 14 pages. Socrates Arvanitakis #1002611. Published by Socrates Arvanitakis (A0.1421220). This suite utilises the ancient Lydian Mode (Present day Ionian) in its lower diatonic and upper chromatic tetrachords,containing the notes:D-E-F#-GandA-Bb-C#-Dtherefore it can be termed as in Lydian Mixed Mode but not as Mixolydian mode to which it bears no relation. Â The upper chromatic tetrachord gives the music a bitter-sweet minor feeling and the time signatures are mainly based on Rebetiko Music dance rhythms.The six movements are1 Zeibekikos2 Hassapikos3 Valse4 Tsifteteli5 Kamilieriko6 Hassaposervikosand are here listed as active links to the relevant music pages, from which you can come back to this page by clicking on the title of each piece.Socrates ArvanitakisLondon 2024.
$12.00
The Shadow Of Your Smile
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Jazz
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Johnny Mandel and Paul Francis
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John Fries
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The Shadow Of Your Smile
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271573 Composed by Johnny Mandel and Paul Francis Webster. Arranged by John Fries. 20th Century,Film/TV,Jazz,Latin,Stan...
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Solo Guitar - Level 4 - SKU: A0.1271573 Composed by Johnny Mandel and Paul Francis Webster. Arranged by John Fries. 20th Century,Film/TV,Jazz,Latin,Standards. Individual part. 2 pages. John Fries #863974. Published by John Fries (A0.1271573). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. The Shadow of Your Smile, also known as Love Theme from The Sandpiper, is a popular song.  The song was introduced in the 1965 film The Sandpiper, with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well). It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song. In 2004 the song finished at number 77 in AFI's 100 Years.
$4.99
IL SATIRO DANZANTE - Solo Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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LINCOLN BRADY
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guit
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LINCOLN BRADY
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1135186 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Classical,Multicultural,World. Full Performance. Durat...
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Guitar - Level 4 - SKU: A0.1135186 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Classical,Multicultural,World. Full Performance. Duration 403. LINCOLN BRADY #735224. Published by LINCOLN BRADY (A0.1135186). Http://www.sheetmusicplus.com/title/il-satiro-danzante-digital-sheet-music/20229001?ac=1&_requestid=2340691 The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$2.99
Time On My Hands (you In My Arms)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Ana Zingoni
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Christopher J
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Time On My Hands
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1292699 By Ana Zingoni. By Harold Adamson, Mack Gordon, and Vincent Youmans. Arranged by Christopher J. Malin. 20th Cent...
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Solo Guitar - Level 4 - SKU: A0.1292699 By Ana Zingoni. By Harold Adamson, Mack Gordon, and Vincent Youmans. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #883262. Published by Christopher J. Malin (A0.1292699). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful slow swing tune that is danceable! Unusual for a solo piece but could be fun? Beautiful head and really interesting tag at the end. Should be repeated a few times.This piece will make you stand out from the rest. Takes a bit of practise to make it swing smoothly.Sounds great on acoustic and electric guitars.This is the song by Vincent Youmans written in 1930. An oldy, but for sure a goody!
$4.99
The Vampire: A Dramatic Theme
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 ...
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Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
Sorry Seems To Be The Hardest Word
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Rock
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Elton John
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David Jaggs
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Sorry Seems To Be The Hardest
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David Jaggs
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SheetMusicPlus
Guitar, Classical Guitar - Advanced Intermediate - By Elton John. Arranged by David Jaggs. Solo Part. 5 pages. Published by David Jaggs...
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Guitar, Classical Guitar - Advanced Intermediate - By Elton John. Arranged by David Jaggs. Solo Part. 5 pages. Published by David Jaggs
Here is a unique arrangement of Elton John's hit, "Sorry Seems to be the Hardest Word" arranged for classical guitar by David Jaggs. Some arrangements don't come easily but this one seems to sit perfectly on the guitar, from the melody line to the piano instrumental part and gels together into a great arrangement. Due to popular demand, as with all of David's new arrangements it also comes in a version with tablature available on this website. Both right and left hands are fingered in the trickier passages.
$7.99
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