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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Note4Piano
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
597
PIANO & CLAVIERS
Piano seul
496
Piano, Voix
87
Piano, Voix et Guitare
30
Accompagnement Piano
26
Instruments en Do
23
Orgue
21
1 Piano, 4 mains
12
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Facile
4
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
1
Accordéon
1
Clavecin
1
Instrumentations suivantes
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GUITARES
Guitare
44
Guitare notes et tablatures
11
Basse electrique
8
Dulcimer
5
2 Guitares (duo)
4
Ukulele
2
Piano, Guitare (duo)
1
Banjo
1
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
Instrumentations suivantes
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VOIX
Chorale SATB
197
Chorale TTBB
41
Chorale 3 parties
21
Chorale SSAA
15
Voix seule
6
Voix Soprano, Piano
5
Chorale Unison
2
Voix haute
2
Chorale 2 parties
2
Voix Tenor
2
Voix duo, Piano
2
Voix duo
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Quatuor de Saxophones: 4 saxophones
36
Quatuor de Clarinettes: 4 clarinettes
29
Clarinette et Piano
27
Ensemble de saxophones
24
Saxophone Alto et Piano
22
Flûte, Hautbois, Clarinette, Basson
20
Ensemble de Clarinettes
20
Saxophone Tenor
19
3 Saxophones (trio)
16
Hautbois, Piano (duo)
16
Quintette de Saxophone: 5 saxophones
15
Clarinette
15
Flûte traversière
14
2 Saxophones (duo)
14
Saxophone Tenor et Piano
14
Saxophone Alto
14
2 Flûtes traversières (duo)
13
Ensemble de Flûtes
10
2 Clarinettes (duo)
10
3 Clarinettes (trio)
8
Quintette de Clarinettes: 5 clarinettes
8
Saxophone Soprano et Piano
7
Saxophone Baryton, Piano
7
Saxophone (partie séparée)
7
Quatuor de Flûtes : 4 flûtes
6
Trio de Flûtes: 3 flûtes
6
2 Clarinettes, Piano
5
Saxophone et Harpe
5
Clarinette, Harpe (duo)
5
Clarinette Basse, Piano
4
Clarinette, Basson (duo)
3
Hautbois, Harpe
3
Clarinette, Guitare (duo)
3
Cor anglais, Piano
3
Flûte, Clarinette et Basson
3
Flûte, Clarinette (duo)
3
Hautbois, Basson (duo)
2
Quintette de Flûte : 5 flûtes
2
Hautbois (partie séparée)
2
Flûte et Guitare
2
Flûte, Violon, Piano
2
5 Flûtes à bec
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Flûte
1
Flûte, Hautbois, Basson
1
Flûte, Trombone (duo)
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto
1
Flûte à bec Soprano
1
Saxophone, Clarinette (duo)
1
Clarinette, Violoncelle (duo)
1
Piccolo
1
Flûte, Basson et Piano
1
Flûte, Violon
1
Flûte, Alto et Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone et Orgue
1
Clarinette, Trombone (duo)
1
Clarinette, Tuba
1
3 Hautbois
1
2 Hautbois (duo)
1
Cor Anglais
1
Saxophone Soprano
1
Clarinette, Violoncelle, Piano (trio)
1
Flute (partie séparée)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trompette, Piano
21
Trompette
15
Ensemble de Trombones
14
Cor et Piano
14
Trombone et Piano
12
Quatuor de cuivres: 4 trombones
11
2 Trompettes (duo)
11
Trompette (partie séparée)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Cor
9
Quatuor de cuivres: 4 cors
6
Cor et Harpe
5
Euphonium, Piano (duo)
5
Trombone
4
Trombone (partie séparée)
4
2 Cors (duo)
4
Ensemble de Cors
4
Trompette, Trombone (duo)
3
Trompette, Harpe
3
Cor anglais, Piano
3
2 Trombones (duo)
3
Tuba
3
Ensemble de Trompettes
3
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres
2
Trio de Cuivres
2
Tuba et Piano
2
Trombone et orchestre
1
Trombone basse
1
3 Trombones (trio)
1
Trompette, Tuba (duo)
1
4 Tubas
1
Euphonium
1
Quatuor de cuivres: 4 trompettes
1
Euphonium, Tuba (duo)
1
Clarinette, Cor (duo)
1
3 Trompettes (trio)
1
Cor Anglais
1
3 Euphoniums
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
108
2 Harpes (duo)
52
Violon et Piano
46
Harpe
41
Violoncelle, Piano
32
Alto, Piano
27
Trio à Cordes: violon, alto, violoncelle
26
Violon
18
Violoncelle
18
Harpe, Violon (duo)
15
2 Violons (duo)
12
Violon, Violoncelle (duo)
10
Harpe, Flûte (duo)
8
Harpe, Violoncelle (duo)
7
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
Trio à Cordes: 3 violoncelles
4
Alto seul
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
4 Violoncelles
3
Alto et Harpe
3
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
3
2 Altos (duo)
3
Ensemble d'Altos
3
Ensemble de Violons
3
Alto, Violoncelle (duo)
3
Violoncelle , Guitare (duo)
2
Harpe et mandoline
2
Violon, Orgue
1
Quatuor à cordes: 4 violons
1
Harpe, Trombone (duo)
1
Trio à cordes: 3 altos
1
Contre Basse
1
Trio à cordes: 3 violins
1
Violon, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Ensemble de Violoncelles
1
Alto, Guitare (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
97
Ensemble de cuivres
67
Orchestre
66
Cloches
65
Ensemble Jazz
58
Orchestre à Cordes
48
Orchestre de chambre
19
Marimba
11
Fanfare
11
Jazz combo
8
Vibraphone
7
Batterie
5
Ensemble de Percussions
5
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
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Guitare
Partitions à imprimer
44 partitions trouvées
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26
Stevie Wonder : What Christmas Means to Me (niveau intermédiaire/difficile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare What Christmas Means to Me …
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Téléchargez la tablature et la partition Guitare What Christmas Means to Me (niveau intermédiaire/difficile, guitare d'accompagnement) de Stevie Wonder. Tab pour Guitare d'accompagnement -- Musique de Noël,R&B et Soul
5.99 €
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Guitare
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Stevie Wonder
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What Christmas Means to Me
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Tomplay
IV. Bucsumí tánc / Buciumeana (Dance from Bucsum) - Béla Bartók for Guitar.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.882819 Composed by Bela Bartok. Ar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.882819 Composed by Bela Bartok. Arranged by Roberto Pugliese. 20th Century,Contemporary. Individual part. 7 pages. Roberto Pugliese #1920323. Published by Roberto Pugliese (A0.882819). The fourth song of the fantastic work of Béla Bartók, Romanian folk dances in an arrangement and classical guitar transcription by Argentine master: Roberto Pugliese. Watch all suite here: https://www.youtube.com/watch?v=g7aA6QouJy4.
$2.99
2.72 €
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Guitare
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Bela Bartok
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Roberto Pugliese
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IV. Bucsumí tánc / Buciumeana
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Roberto Pugliese
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SheetMusicPlus
Variations by means of Bachcabachab
Guitare
By Jerzy Bauer. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital
By Jerzy Bauer. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital
$5.95
5.42 €
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Guitare
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Jerzy Bauer
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Variations by means of Bachcabachab
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Les Productions d'OZ - Digital
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SheetMusicPlus
Flibbertigibbet (or Flippertygibbet) for solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.576080 Composed by David Warin Sol…
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Solo Guitar - Level 4 - Digital Download SKU: A0.576080 Composed by David Warin Solomons. 20th Century. Individual part. 3 pages. David Warin Solomons #2030463. Published by David Warin Solomons (A0.576080). Flibbertigibbet is one of many incarnations of the Middle English word flepergebet, meaning gossip scandalmongerer or chatterer (others include flybbergybe, flibber de' Jibb, and flipperty-gibbet). It is a word of onomatopoeic origin, created from sounds that were intended to represent meaningless chatter. Performed here by András Csáki.
$7.00
6.37 €
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Guitare
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David Warin Solomons
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Flibbertigibbet
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David Warin Solomons
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SheetMusicPlus
Lenten Music for solo Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.930386 Composed by Eugene Astapov.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.930386 Composed by Eugene Astapov. Contemporary. Individual part. 8 pages. EAMUSIC #5363. Published by EAMUSIC (A0.930386). Lenten Music, for solo guitar, is a work that reflects the various types of musical material that are the fundamental structures of each of the four movements, and these are clearly stated in the titles of each movement. The titles are in Russian and most of them correspond to their Latin equivalent; yet the language that I grew up with adds a special meaning for every musical unit: I. Phráza (Phrase); II. Ouzór (Pattern); III. Achórd (Chord); IV. Melódia (Melody). The technical aspects of the compositional process of this work are partly defined by the technical limitations that the guitar imposes on the composer. The title of the work also suggests that structural and expressive character of each piece would be very modest and simple: Lenten. Apart from this, each piece is meant to represent a certain mood or a state of mind that is influenced by personal and extramusical factors. The piece runs 4.5 minutes in performance, works great as an encore and the full recording can be found here: https://soundcloud.com/eugene-astapov/lenten-music.
$8.99
8.19 €
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Guitare
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Eugene Astapov
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Lenten Music for solo Guitar
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EAMUSIC
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SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.54 €
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Guitare
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Neve
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914745 Composed by Eric J Roth. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914745 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 6 pages. Eric J Roth #5733799. Published by Eric J Roth (A0.914745). Two pages of music.Neve (pronounced NEEV) is an ancestral name within my family, to whom this piece is dedicated. The word appears in multiple languages and has a variety of meanings. In British English, Neve has two definitions, both of which have long been out of common usage. The first definition refers to a younger male relative such as a nephew or grandson. The second refers to a spendthrift. Neve is also found in Irish as a girl’s name. In various Latin and Romance languages, it refers to snow or glaciers. Neve is one of a set of four pieces composed in late 2019 and early 2020. The publication of the entire set is forthcoming, but I am also offering Neve here as a short standalone work. Composed for guitar solo, Neve evokes a young boy’s leisurely daydream. The 3/2 time signature, marked andante, and opening G major tonality convey the sense of a lazy weekend day outside in the woods or by the water. Like many daydreams, Neve starts out simply before wandering off into different moods and ideas. A recurring transitional passage (set as a quasi hemiola) serves to modulate to new tonal areas, each of which has its own distinct character. The brief section in A Dorian is marked con moto and evokes the thoughts of excitement and adventure. This is followed by a contrapuntal section in E minor with hints of Dorian. The mood here is more subdued and perhaps even melancholy. The penultimate section in C# minor (with hints of pentatonic and Phrygian) suggests a longing for faraway exotic places before returning to G major to end the piece.
$2.99
2.72 €
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Guitare
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Eric J Roth
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Neve
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Eric J Roth
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SheetMusicPlus
American Patrol
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1315221 Composed by F. White Meach…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315221 Composed by F. White Meacham. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 3 pages. Songbooks.info #903968. Published by songbooks.info (A0.1315221). These Evergreens come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
2.27 €
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Guitare
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F
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Bettina Schipp
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American Patrol
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songbooks.info
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SheetMusicPlus
Big Drum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.54 €
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Guitare
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Pieces Froides : No. 1. Airs a faire fuir: I. D'une maniere particuliere (In a Very Unusual Manner)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1243618 By Brad Rau. By Erik Satie…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1243618 By Brad Rau. By Erik Satie. Arranged by Brad Rau. 20th Century. Individual part. 3 pages. Brad Rau #838582. Published by Brad Rau (A0.1243618). D'une Manière Très Particulière was originally written for solo piano and has been arranged for solo guitar by Brad Rau. Fingering suggestions have been added to make it easier to play. The original piece was notated without measures; however, measures have been added to make learning easier. The pieces also do not have a key signature. However, it seems to begin in C minor. It has been transposed to A minor to make it easier to play. This is from a set of pieces Erik Satie wrote in 1897 called Pieces Froides or Cold Pieces. The first set of pieces is called Airs à faire fuir or Tunes to Make You Run Away. This movement is called D'une manière très particulière or In a Very Unusual Manner. In these sets of pieces, Satie writes in the enigmatic he used to compose the Gymnopedies and Gnossienne composed earlier. This little-known piece is rarely played on guitar but works really well.
$4.99
4.54 €
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Guitare
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Brad Rau
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Brad Rau
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Pieces Froides : No. 1. Airs a faire fuir: I. D'une maniere particuliere
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Brad Rau
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SheetMusicPlus
Homenaje a Tárrega
Guitare
Guitar - intermediate to advanced - Digital Download SKU: S9.Q11370 Urtext. …
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Guitar - intermediate to advanced - Digital Download SKU: S9.Q11370 Urtext. Composed by Joaquin Turina. This edition: Sheet music. Guitar Archive. Downloadable. Op. 69. Duration 5:30. Schott Music - Digital #Q11370. Published by Schott Music - Digital (S9.Q11370). The Spaniard Joaquin Turina (1882-1949) was one of the first contemporary composers who, addressed by the outstanding guitarist Andrés Segovia, wrote contemporary original works for the guitar, thus paving the way for this instrument onto the international concert stages in the 20th century. Meanwhile, it is a known fact that Segovia often edited the musical text of the compositions written for him and arranged it according to his personal style of interpretation. Our new editions of Turina's most important works are therefore based on both the first editions and the original autograph versions, thus presenting for the first time the original text. Today, no performer can get around these new editions if he/she wants to deal with Turina's artistic legacy in a responsible manner.
$9.99
9.1 €
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Guitare
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Joaquin Turina
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Homenaje a Tárrega
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Schott Music - Digital
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SheetMusicPlus
The Evening Bell - Granados - for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.797675 Composed by Enrique Granado…
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Solo Guitar - Level 4 - Digital Download SKU: A0.797675 Composed by Enrique Granados. Arranged by Derek Hasted. Romantic Period. Individual part. 5 pages. Derek Hasted #2881539. Published by Derek Hasted (A0.797675). THE EVENING BELL (Granados) - CLASSICAL GUITAR SOLODerek Hasted writes Enrique Granados is well-known amongst guitarists for his Danzas Españolas, but this piece is seldom heard on guitar, and it really deserves to be!This is number 4 in his Bocetos or Sketches.Originally set in F for piano this arrangement is in D with the bottom string tuned down to give a wonderful sustain over which the gentle music slowly meanders. The piece has wonderful key changes and fits the guitar well.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$2.99
2.72 €
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Guitare
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Enrique Granados
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Derek Hasted
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The Evening Bell - Granados - for Classical Guitar
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Derek Hasted
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SheetMusicPlus
Fandanguillo
Guitare
Guitar - intermediate to advanced - Digital Download SKU: S9.Q11366 Urtext. …
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Guitar - intermediate to advanced - Digital Download SKU: S9.Q11366 Urtext. Composed by Joaquin Turina. This edition: Sheet music. Guitar Archive. Downloadable. Op. 36. Duration 3 minutes. Schott Music - Digital #Q11366. Published by Schott Music - Digital (S9.Q11366). The Spaniard Joaquin Turina (1882-1949) was one of the first contemporary composers who, addressed by the outstanding guitarist Andrés Segovia, wrote contemporary original works for the guitar, thus paving the way for this instrument onto the international concert stages in the 20th century. Meanwhile, it is a known fact that Segovia often edited the musical text of the compositions written for him and arranged it according to his personal style of interpretation. Our new editions of Turina's most important works are therefore based on both the first editions and the original autograph versions, thus presenting for the first time the original text. Today, no performer can get around these new editions if he/she wants to deal with Turina's artistic legacy in a responsible manner.
$9.99
9.1 €
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Guitare
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Joaquin Turina
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Fandanguillo
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Schott Music - Digital
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SheetMusicPlus
Xanadu
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.827207 By Oliva Newton-John/Electr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.827207 By Oliva Newton-John/Electric Light Orchestra. By Jeff Lynne. Arranged by Fiona Caldarevic. 20th Century,Film/TV,Pop,Rock. Individual part. 3 pages. Fiona Caldarevic #3545105. Published by Fiona Caldarevic (A0.827207). Xanadu, the classic super hit from 1980, written by Jeff Lynne and performed by Olivia Newton-John and ELO, is arranged here for solo finger-style guitar by Fiona Caldarevic.This arrangement is a calmer version of the song and is meant for intermediate-advanced players. There are a number of position changes and one or two finger-stretching arpeggiated chords, but most of the time the fingering is straightforward. This would be a perfect addition to a guitarist's repertoire for any event or performance.A version with TAB is available from here: https://www.sheetmusicplus.com/title/20754061Â www.fionacaldamusic.com
$4.99
4.54 €
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Guitare
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Oliva Newton-John/Electric Light Orchestra
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Fiona Caldarevic
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Xanadu
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Fiona Caldarevic
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SheetMusicPlus
AL AJILLO
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1018713 Composed by Gilbert Piger.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1018713 Composed by Gilbert Piger. Contemporary,Latin,World. Individual part. 1 pages. GJP Productions #1911307. Published by GJP Productions (A0.1018713). Al Ajillo means [cooking] with garlic. This piece is hot and spicy just like the title. Could be played with a group but is a hot number all by itself.
$10.00
9.11 €
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Guitare
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Gilbert Piger
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AL AJILLO
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GJP Productions
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SheetMusicPlus
David Warin Solomons: Plappermäulchen for solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.533922 Composed by David Warin Sol…
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Solo Guitar - Level 4 - Digital Download SKU: A0.533922 Composed by David Warin Solomons. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3074557. Published by Musik Fabrik Music Publishing (A0.533922). Plappermäulchen means chatterbox in German. This amusing work takes advantage of the chattering abilities of the guitar
$7.75
7.06 €
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Guitare
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David Warin Solomons
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David Warin Solomons: Plappermäulchen for solo guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
TIENTO PARA UN PENSADOR for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.876582 Composed by Daniel Cueto. 2…
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Solo Guitar - Level 4 - Digital Download SKU: A0.876582 Composed by Daniel Cueto. 20th Century,Contemporary,Latin,World. Individual part. 8 pages. Daniel Cueto #6119401. Published by Daniel Cueto (A0.876582). To write Tiento para un pensador, I found inspiration in an experience that I had many years ago, when I was a student in Dusseldorf, Germany. I was spending time one night with my friend Rafael Aguirre, a virtuoso classical guitarist, as he was casually playing through some of his repertoire. He asked me if I thought that it was possible to play a Baroque fugue - one of the most complex of musical genres - on the guitar. Before I had time to think about the question, he started playing his own arrangement of a fugue by J.S. Bach, talking me through it as the fugue theme appeared in different registers and the counterpoint got more and more intricate.The effectiveness and beauty of the contrapuntal sounds I experienced that night stayed with me. So in 2020, when I was invited to attend the Twisted Spruce Symposium and had a chance to compose my first piece for the guitar, I quickly decided that I would take up the challenge of writing my own fugue for the instrument. Looking to find a more specific context for the new work, I discovered the early Spanish genre of the tiento, essentially an early Hispanic form of the fugue. I came up with a melody which, I sensed, featured elements of that early style combined with a touch of Andean melancholy. As I composed, I strived to follow this basic affect throughout, letting the lines evolve organically as the piece seemed to engage in a long, continued search for its cultural and temporal identity.Para un pensador means for a thinker in Spanish. It is my homage to the intellectual guitarist, to the reflective and discerning performer of intricate contrapuntal music.I would like to extend special thanks to Nathan Fischer for producing this valuable edition of Tiento para un pensador.
$9.99
9.1 €
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Guitare
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Daniel Cueto
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TIENTO PARA UN PENSADOR for guitar
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Daniel Cueto
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SheetMusicPlus
Waltz For Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1042421 Composed by Frank Zappa. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1042421 Composed by Frank Zappa. Arranged by Andrew Pattinson. Classical,Contemporary. Individual part. 1 pages. Andrew Pattinson #647206. Published by Andrew Pattinson (A0.1042421). Zappa Quote: This is a 12-tone crab canon written when I was 18. There's actually another version for two guitars, so it's a double crab canon. I don't know where it is though. I'd been doing 12-tone music for quite some time before I did this, but it was the first time I'd tried to write something for the guitar. I couldn't play it, and I never got to hear it until I got the Synclavier. And because it's printed on the Synclavier, that also means I got to push the button and listen to it..
$4.99
4.54 €
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Guitare
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Frank Zappa
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Andrew Pattinson
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Waltz For Guitar
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Andrew Pattinson
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.37 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander Wilgos #5792131. Published by Aleksander Wilgos (A0.905205). Here is my transcription of Bach's Chorale Prelude BWV 639. The title Ich ruf zu Dir, Herr Jesu Christ means: I call to You, Lord Jesus Christ and is famous for it's simplicity and profoundness. Prelude is composed for organ and it's original tonality in F minor. I transposed it to more guitar friendly tonality D minor.I loved the way Paweł Pawlikowski used the piece in the last scene of his Oscar winning movie Ida, so I took the liberty to transcribe it. It is quite demanding but totally worth an effort. The music is beautiful! Enjoy!Listen my recording of the piece: htpps://www.youtube.com/watch?v=Ep-TqzUGwmACheck out my other transcriptions: htpps://www.youtube.com/user/aleksanderwilgosMore about me: htpps://www.facebook.com/wilgos.guitar/
$6.00
5.46 €
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Guitare
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Johann Sebastian Bach
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Aleksander Wilgos
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J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
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Aleksander Wilgos
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.37 €
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Guitare
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Richard Strauss
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Rod Whittle
#
for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.37 €
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Guitare
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Richard Strauss
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Rod Whittle
#
for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
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