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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Cor
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
72
Violon et Piano
14
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Violoncelle, Piano
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Harpe
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Alto, Piano
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Violon
9
2 Violoncelles (duo)
5
Violoncelle
5
Violon, Violoncelle (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Contre Basse
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4 Violoncelles
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2 Violons (duo)
3
Trio à Cordes: 3 violoncelles
3
Alto seul
2
Ensemble d'Altos
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Contrebasse, Piano (duo)
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4 Contrebasses
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Trio à Cordes: 2 violons, alto
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1
Quatuor à cordes: 4 violons
1
Ensemble de Violoncelles
1
Harpe, Voix
1
2 Altos (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
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Alto (partie séparée)
1
Violon, Alto (duo)
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
46
Orchestre
34
Ensemble Jazz
31
Orchestre d'harmonie
27
Ensemble de cuivres
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Orchestre de chambre
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Jazz combo
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Fanfare
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AUTRES
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Humoreske - Op. 19 No. 4
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.965846 Composed by Niels Vilhelm G…
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Solo Guitar - Level 4 - Digital Download SKU: A0.965846 Composed by Niels Vilhelm Gade. Arranged by John Trie. 20th Century,Classical,Romantic Period. Individual part. 3 pages. John Trie #2014485. Published by john Trie (A0.965846). Humoreske - Op. 19 No. 4 by Niels Gade. Classical guitar tab version. Arranged for guitar by John Trie.
$4.99
4.61 €
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Guitare
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Niels Vilhelm Gade
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John Trie
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Humoreske - Op. 19 No. 4
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john Trie
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SheetMusicPlus
Humoreske - Op. 19 No. 4
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.965847 Composed by Niels Vilhelm G…
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Solo Guitar - Level 4 - Digital Download SKU: A0.965847 Composed by Niels Vilhelm Gade. Arranged by John Trie. 20th Century,Classical,Romantic Period. Individual part. 3 pages. John Trie #2014483. Published by john Trie (A0.965847). Humoreske - Op. 19 No. 4. Guitar arrangement by John Trie.
$4.99
4.61 €
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Guitare
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Niels Vilhelm Gade
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John Trie
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Humoreske - Op. 19 No. 4
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john Trie
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SheetMusicPlus
Don't Get Around Much Anymore
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1271539 Composed by Bob Russell an…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1271539 Composed by Bob Russell and Duke Ellington. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Individual part. 2 pages. John Fries #863938. Published by John Fries (A0.1271539). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942. Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.
$4.99
4.61 €
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Guitare
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Bob Russell and Duke Ellington
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John Fries
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Don't Get Around Much Anymore
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John Fries
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SheetMusicPlus
No Time To Die
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.961511 By Billie Eilish. By Billie…
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Solo Guitar - Level 4 - Digital Download SKU: A0.961511 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Colin Tommis. Pop. Individual part. 4 pages. Colin Tommis #6114397. Published by Colin Tommis (A0.961511). This intermediate /advanced version of the new James Bond song lasts towards 4 minutes and is unusual in so much that the 3rd string is detuned to F#. This makes it trickier to read but much more fun to play. There are some large stretches and unusual hammer techniques. In the latter, the player creates a note from nothing by hammering a left-hand finger down on a string. I have employed a lot of off-beats, and the idea is to keep it licking along, almost like a piece of dance reggae-style music. This makes it wonderful for the listener and challenging for the player. This is offered in notation only, there is no tab.
$5.99
5.53 €
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Guitare
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Billie Eilish
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Colin Tommis
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No Time To Die
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Colin Tommis
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.48 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.62 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.62 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Mauro Giuliani: 24 Etudes Op.100 for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1250788 Composed by Mauro Giuliani…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1250788 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 93 pages. Socrates Arvanitakis #845053. Published by Socrates Arvanitakis (A0.1250788). PREFACE & Editorial NotesThe 24 studies op.100  by Mauro Giuliani are in general of a moderate difficulty and their didactic purposes can be perceived as the solid establishment of an intermediate level of technique and the advancement into a higher level, so some of them may be a little more difficult than the rest. At the same time, most of them are entertaining musical pieces with high aesthetic value and can also be studied and played for musical enjoyment.Notes1 Metronome marks are editorial suggestions and should not be taken too literally.2 Staff size has been reduced by different percentages for studies no. 11, 12, 13, 14, 15, 16 & 24 so that they can be rendered in a two-page view as the rest of the pieces.3 This volume is offered  with decorated and undecorated pages (as two books in one) so that the user can chose which version he prefers and construct his printed or digital book accordingly. Blank pages have been added to be used or omitted for the arrangement of left and right hand pages.
$15.00
13.86 €
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Guitare
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: 24 Etudes Op.100 for Classical Guitar
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Socrates Arvanitakis
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SheetMusicPlus
Essential Bach: Arranged for the Guitar
Guitare
By Lily Afshar. For Guitar (Classical). Classic. 116 pages. Published by Mel Bay Publicati…
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By Lily Afshar. For Guitar (Classical). Classic. 116 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619113565. Essential Bach Arranged for Guitar provides guitarists with a new approach to many of Bach's masterpieces. The fingerings in the arrangements make the guitar sound rich and full, as if the pieces were written for the instrument. Attention is given to the musical line by using cross-string fingerings in a consistent manner. This approach allows the harmonies to become more evident as well. By using a more musical approach for the fingerings, playing Bach on the guitar no longer feels cumbersome. Suggested dynamics and articulations are also included. Fingerings and slurs are notated close to the notes for easy reading.
$19.99
18.47 €
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Guitare
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Lily Afshar
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Essential Bach: Arranged for the Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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