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84 partitions trouvées
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51
76
Las Morillas de Jaen - Canciones españolas antiguas
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Flamenco
#
Federico Garcia Lorca
#
Nick Mordal
#
Las Morillas de Jaen - Cancion
#
Nick Mordal
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.946415 By Federico Garcia Lorca. By Federico Garcia Lorca. Arranged by Nick Mordal. 20th Century,Folk,Latin,Multicultura...
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Solo Guitar - Level 4 - SKU: A0.946415 By Federico Garcia Lorca. By Federico Garcia Lorca. Arranged by Nick Mordal. 20th Century,Folk,Latin,Multicultural,Romantic Period,World. Individual part. 1 pages. Nick Mordal #6285033. Published by Nick Mordal (A0.946415). Garcia Lorca is the most famous name in the flamenco songwriting tradition. His compositions have been covered by countless musicians in the classical and folk flamenco world. The pieces he wrote were often short and repetitive like a folk song, but full of the rhythmic energy that characterizes flamenco. This piece is right in between, as it is fairly rubato and can be interpreted in various ways. Techniques used include barre chords, right hand precision and bringing a melody out over dense chord voicings. This is a song from his collection titled Canciones españolas antiguas. The arrangement has full barre chords with melody. Its sound is a bridge between classical Spanish and flamenco folk Spanish musics. Listen to the album 12 Canciones De Garcia Lorca Para Guitarra by Paco de LucÃa and Ricardo Modrego to hear this music performed at its finest.Â
$4.00
Tarleton’s Riserrectione
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
John Dowland
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Tarleton’s Riserrectione
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Schott Music - Digital
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SheetMusicPlus
Guitar - intermediate to advanced - SKU: S9.Q42690 Jig. Composed by John Dowland. This edition: Sheet music. Copyright 2016 SCHOTT MUSIC GmbH & C...
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Guitar - intermediate to advanced - SKU: S9.Q42690 Jig. Composed by John Dowland. This edition: Sheet music. Copyright 2016 SCHOTT MUSIC GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q42690. Published by Schott Music - Digital (S9.Q42690). Digital publication of the piece found in the following print music collection: Best of Guitar Classics - 50 Famous Concert Pieces.
$2.99
One Day... Once Again
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Marcos Vinicius
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One Day... Once Again
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Preludio s.r.l.
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.808961 Composed by Marcos Vinicius. 20th Century,Contemporary. Individual part. 12 pages. Preludio s.r.l. #6140935. Publ...
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Solo Guitar - Level 4 - SKU: A0.808961 Composed by Marcos Vinicius. 20th Century,Contemporary. Individual part. 12 pages. Preludio s.r.l. #6140935. Published by Preludio s.r.l. (A0.808961). One Day... Once Again is a guitar piece written by the brazilian guitarist Marcos Vinicius.
$8.99
One Step Closer to Cool
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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John David Morgan
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John David Morgan
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One Step Closer to Cool
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John David Morgan
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.525315 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Contemporary,Folk,Jazz. Individual par...
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Solo Guitar - Level 4 - SKU: A0.525315 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Contemporary,Folk,Jazz. Individual part. 11 pages. John David Morgan #135854. Published by John David Morgan (A0.525315). A jazzy, fun solo guitar piece,.
$4.00
Auguste Franchomme - Three Cello Pieces Arranged for Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Auguste Franchomme
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Eric J Roth
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Auguste Franchomme - Three Cel
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914746 Composed by Auguste Franchomme (1808-1884). Arranged by Eric J Roth. Romantic Period. Individual part. 10 pages. ...
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Solo Guitar - Level 4 - SKU: A0.914746 Composed by Auguste Franchomme (1808-1884). Arranged by Eric J Roth. Romantic Period. Individual part. 10 pages. Eric J Roth #5178787. Published by Eric J Roth (A0.914746). Auguste Franchomme was one of the most well-known and respected cellists in 19th century France. He was born in 1808 in Lille and went on to have a long, celebrated career in Paris as a performer, teacher and composer. Of the three pieces arranged here for guitar, one is drawn from the Twelve Caprices, Op. 7 and two are from the Twelve Etudes, Op. 35. The Caprice, No. 9, Larghetto con dolore, retains its original key of B minor. Etudes, No. 5, Allegretto, and No. 6, Andante con moto, have been transposed to new keys. All transfer well to the guitar, offering novel textures while still seeming idiomatic to the instrument. .
$5.99
Last Waltz To Dance Alone for solo guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Omar Felipe Merchán
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Last Waltz To Dance Alone for
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Omar Felipe
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.922267 Composed by Omar Felipe Merchán. 20th Century,Jazz,New Age. Individual part. 2 pages. Omar Felipe #5852245. Pu...
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Solo Guitar - Level 4 - SKU: A0.922267 Composed by Omar Felipe Merchán. 20th Century,Jazz,New Age. Individual part. 2 pages. Omar Felipe #5852245. Published by Omar Felipe (A0.922267). Last waltz to dance alone is a little piece for solo guitar in the unusual key of G minor. Being a waltz it is impossible to avoid Chopin´s influence but you can also find reflects from the Impressionists like Debussy and Faure or from jazz musicians like Pat Metheny with a certain minimalist touch taken from the New Age.
$2.40
Two Pieces for Guitar - Left Hand Alone
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ted Stanley
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Two Pieces for Guitar - Left H
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Ted Stanley
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.923976 Composed by Ted Stanley. 20th Century. Individual part. 5 pages. Ted Stanley #5797257. Published by Ted Stanley (...
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Solo Guitar - Level 4 - SKU: A0.923976 Composed by Ted Stanley. 20th Century. Individual part. 5 pages. Ted Stanley #5797257. Published by Ted Stanley (A0.923976). Two short pieces for guitar - left hand alone. All hammer-ons, pull-offs, and left-hand pizzicatos. Written for classical guitar, but would work well for steel string acoustic and electric guitars as well.Contact: tstanley@fsu.edu (email).
$2.99
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Reflections: Ten Solos for Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Michael Reardon
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Reflections: Ten Solos for Gui
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Songburd Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Son...
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Solo Guitar - Level 4 - SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Songburd Music (A0.1411011). Reflections is a set of ten solo pieces for classical guitar that focuses on connecting compositional ideas and moments expressed in the framework of each piece of this collection.Vesta, Gaia and Lakshmi assume some connection to mythology as these titles take their names from three notable Roman, Greek and Hindu goddesses.  Vesta, Gaia and Lakshmi are classical pieces, but they are not without jazz influence, using the major scale modes to convey a sense of mood and atmosphere that is commonly found in impressionism.  Pulse No. 1 and No. 2 follow the idea of maintaining a steady beat over changing meter to influence the way the music is perceived.  The melody at the end of Pulse No. 1 creates the melodic material of Pulse No. 2, which can be thought of as an extension to No. 1.  Inspired by minimalist and popular music these pieces are not melodically and harmonically complex, and what makes them of interest is how the feeling of the beat is different in each piece.Chiasma Nos. 1, 2 and 3 are pieces that find common ground in “linking,†created by using similar compositional devices such as chord shapes and patterns, which gives the impression of crossing over or exchanging information from one piece to another.Sleeping Muse is a three-movement work inspired by the famous 1910 bronze sculpture of Constantin Brâncuși’s “Sleeping Muse,†with each movement expressing some reflection or meditation on Brâncuși’s work, illustrating the notion of drifting off to sleep, dreaming and waking, while characterizing the impact of our dreams on reality.Synesthesia is a highly chromatic piece with distantly related harmonic progressions that gives the listener the sense of seeing the different colors in the score and/or hearing the colors in the music.The abstract nature of these pieces encourages the performer to reflect and draw their own conclusions of imagery and story within the music.
$19.99
Prelude for Solo Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ted Stanley
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Prelude for Solo Guitar
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Ted Stanley
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.923973 Composed by Ted Stanley. 20th Century,Contemporary. Individual part. 2 pages. Ted Stanley #5023759. Published by ...
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Solo Guitar - Level 4 - SKU: A0.923973 Composed by Ted Stanley. 20th Century,Contemporary. Individual part. 2 pages. Ted Stanley #5023759. Published by Ted Stanley (A0.923973). A short, romantic work for classical guitar. Slow, lyrical and contemplative. Prelude would suggest that it comes before something else, as in a Bach suite, but it is a stand-alone piece more akin to the preludes of Chopin or Debussy. And even though it is not fast and flashy, it would work well as an encore - at the end (postlude?) of a recital. About 3 minutes.Contact: tstanley@fsu.edu (email).
$2.99
EL LIBRO DE ARTEMIDORO, Op.63, for guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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CÉSAR CANO
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EL LIBRO DE ARTEMIDORO, Op.63,
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POLYHYMNIA Ediciones musicales
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1029294 Composed by CÉSAR CANO. Contemporary,World. Individual part. 35 pages. POLYHYMNIA Ediciones musicales #47997...
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Solo Guitar - Level 4 - SKU: A0.1029294 Composed by CÉSAR CANO. Contemporary,World. Individual part. 35 pages. POLYHYMNIA Ediciones musicales #4799751. Published by POLYHYMNIA Ediciones musicales (A0.1029294). In the second century AD, Artemidoro de Daldis (135-200), a very cultured man who had traveled a lot, contemporary of Emperor Marco Aurelio, wrote in Ephesus his work Symbolism of Dreams (Oneirocritica). In it he tried to create a systematic theory for the interpretation of dreams, based on experience. Artemidoro claimed that he had written his work in five volumes by express order of the god Apollo, who had appeared several times in his dreams. In his fascinating book he distinguishes five kinds of dreams: Dream, Vision, Oracle, Appearance and Fantasy. Artemidoro’s book, Op. 63, is a work for guitar in five movements, which take their titles as the kinds of dreams mentioned above: Dream, Vision, Oracle, Appearance and Fantasy. It is an extensive composition, 19 minutes long, and with a great variety of compositional and instrumental techniques: the performer, who is asked for a lot of versatility and imagination, has to play glissandi, harmonics, pizzicati, bells, loops, metric modulations, ordinary and muted strokes, microtones, distortions, various kinds of bumps in the box, etc. The five movements share a special scordature and the same melodic, harmonic and rhythmic material, which is transformed according to the dreamlike atmosphere of the piece, but always maintaining each of the structural elements a recognizable identity. The multiple presences of these essential identities throughout the work articulate the complex form of the Book. I finished the composition of The Book of Artemidoro on April 24, 2006. The work is dedicated to guitarist José Guerola, who premiered it at the Vivanco Palace in Catarroja (Spain), on May 5, 2006.
$6.99
Big Drum
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568....
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Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
Kapsberger
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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GIOVANNI GIROLAMO KAPSBERGER
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Kapsberger
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Joabe Guilherme Oliveira
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1263239 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme Oliveira e Alexandre Ribeiro. Baroque,Earl...
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Solo Guitar - Level 4 - SKU: A0.1263239 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme Oliveira e Alexandre Ribeiro. Baroque,Early Music,Renaissance. Individual part. 4 pages. Joabe Guilherme Oliveira #856198. Published by Joabe Guilherme Oliveira (A0.1263239). It is with great pleasure that we present the piece entitled Kapsberger. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Kapsberger showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Kapsberger is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Kapsberger provides.
$1.99
Yesterday
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Richard Hirsch
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Yesterday
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1095456 By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th Century,Instructional,Pop,Re...
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Solo Guitar - Level 4 - SKU: A0.1095456 By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th Century,Instructional,Pop,Renaissance,Standards. Individual part. 5 pages. Richard Hirsch #699472. Published by Richard Hirsch (A0.1095456). An arrangement of the Beatles classic for solo acoustic guitar. The arrangement tries to capture the sense of remorse and loss expressed in the song using arpeggio-like minor chords with many open strings and the same note played on different strings. The arrangement is inspired by a similarity I find in the melody to older pieces by John Dowland and the folk melody Greensleeves. I strive to give the piece an old-fashioned, almost Renaissance, character in accord with its basic modal nature. Some parts of the arrangement may be interpreted as a sort of Fantasia based on the original melody. A nice piece for an encore to a program of early music for the guitar! As the notation is accompanied by tablature, I refrain from giving left-hand fingering and leave the right-hand fingering to the taste and discretion of the performer. The piece is within reach of intermediate to advanced guitarists. The piece also works well as an introduction to locating notes in the higher, seventh, ninth, and tenth positions and could therefore serve as instruction for less advanced guitarists, especially since the piece is played at a slow to moderate tempo.
$6.99
The Jig of Joy-dedicated to the memory of Cap't. Chris Adams
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dave Anthony Setteducati
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The Jig of Joy-dedicated to th
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Anthony David Setteducati
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1026670 Composed by Dave Anthony Setteducati. Contemporary. Individual part. 2 pages. Anthony David Setteducati #6339353...
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Solo Guitar - Level 4 - SKU: A0.1026670 Composed by Dave Anthony Setteducati. Contemporary. Individual part. 2 pages. Anthony David Setteducati #6339353. Published by Anthony David Setteducati (A0.1026670). A happy jig dedicated to the memory of one of my students, killed by terrorists while serving in the military in the middle east. I wanted the piece to be joyful, for that is how I want everyone to remember him. For fingerstyle guitar. Stream the entire piece on Spotify, or download at iTunes.com. From the album My Guitar.
$5.99
Lil Darlin'
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jon Hendricks and Neal Hefti
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Christopher J
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Lil Darlin'
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1297734 Composed by Jon Hendricks and Neal Hefti. Arranged by Christopher J. Malin. 20th Century,Jazz,Pop,Standards. Ind...
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Solo Guitar - Level 4 - SKU: A0.1297734 Composed by Jon Hendricks and Neal Hefti. Arranged by Christopher J. Malin. 20th Century,Jazz,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #887706. Published by Christopher J. Malin (A0.1297734). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Striking, unusual melody. One of Hefti's finer pieces.Very few solo guitarists play this one. Neal Hefti's is probably best known for The Odd Couple theme. This piece should be played in delibrate style of a straight 4/4 time. Around 62 BPM. Non-swung, if that makes sense? This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.
$4.99
The Look Of Love
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Sergio Mendes & Brasil '66
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Christopher J
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The Look Of Love
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1297727 By Sergio Mendes & Brasil '66. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,J...
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Solo Guitar - Level 4 - SKU: A0.1297727 By Sergio Mendes & Brasil '66. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,Jazz,Pop,Standards. Individual part. 2 pages. Christopher J. Malin #887699. Published by Christopher J. Malin (A0.1297727). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Bacharach/David's finer pieces. A sensual piece of music. Should be played as such. Play in a legato style with subtle finger vibrato on the long single notes. I like to play this on a guitar equiped with a vibrato to also add a little flair to the ending chords. Have fun with this one!This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.
$4.99
Hey Man Take Me With You
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Nick Clow
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Hey Man Take Me With You
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Nick Clow
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.940535 Composed by Nick Clow. Concert,Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow ...
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Solo Guitar - Level 4 - SKU: A0.940535 Composed by Nick Clow. Concert,Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow #3383785. Published by Nick Clow (A0.940535). This is an advanced intermediate piece for solo guitar. It's around Trinity Grade 7. You can find a performance on YouTube.My scores are intentionally devoid of expressive and dynamic markings (even tempo indications). Dynamics and other markings not only seem crude to me, but also imply there is just one interpretation of the piece. There should be significant development of dynamics, tempo and colour within my pieces, but I leave this up to the interpretation of the player.Notwithstanding the above, my fingerings are important. My pieces are 'guitaristic' in that certain notes need to be played at specific places on the fretboard in order to exploit resonances or harmonies only available when playing them there.
$2.99
The Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Nick Clow
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The Guitar
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Nick Clow
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.940536 Composed by Nick Clow. Contemporary,Instructional,Standards. Individual part. 2 pages. Nick Clow #3383783. Publis...
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Solo Guitar - Level 4 - SKU: A0.940536 Composed by Nick Clow. Contemporary,Instructional,Standards. Individual part. 2 pages. Nick Clow #3383783. Published by Nick Clow (A0.940536). This is an advanced intermediate solo guitar piece - around Trinity Grade 6. You can find a performance on YouTube.My scores are intentionally devoid of expressive and dynamic markings (even tempo indications). Dynamics and other markings not only seem crude to me, but also imply there is only one interpretation of the piece. There should be significant development of dynamics, tempo and colour within my pieces, but I leave this to the interpretation of the player.Notwithstanding the above, my fingerings are important. My pieces are 'guitaristic' in that certain notes need to be played at specific places on the fretboard in order to exploit resonances or harmonies only available when playing them there.
$2.99
Gebeth (Prayer)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Kaspar Mertz
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Erik Gibelyou
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Gebeth
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Erik Gibelyou
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1165626 By Johann Kaspar Mertz. By Johann Kaspar Mertz. Arranged by Erik Gibelyou. 19th Century,Classical,Romantic Perio...
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Solo Guitar - Level 4 - SKU: A0.1165626 By Johann Kaspar Mertz. By Johann Kaspar Mertz. Arranged by Erik Gibelyou. 19th Century,Classical,Romantic Period. Individual part. 3 pages. Erik Gibelyou #765991. Published by Erik Gibelyou (A0.1165626). “Gebeth†(Prayer) is one of the most beautiful and moving character pieces written by Johann Kaspar Mertz (1806–1856). Born in Pressburg (modern Bratislava), Mertz later established himself in Vienna as an excellent guitarist and guitar composer. This piece comes from his Bardenklänge (Bardic sounds) written in 1847, a series of short pieces written in the style of piano miniatures popular at the time. An angelic, harp-like introduction gives way to a unique and breathtaking arpeggio figuration in the second half. This modern edition in standard notation is easy to read and includes corrections to fingering and articulation compared to the original edition. To help with learning the piece, I have added my own fingerings and suggested articulations as well as performance notes.
$2.99
Serenata Española. New completely revised and fingered edition based on original sources,
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Joaquín Malats
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Serenata Española. New
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Pedro Jesús Gómez Lorente
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1449751 Composed by Joaquín Malats (1872 - 1912). Arranged by Pedro Jesús Gómez (arranger) & Juan Velázquez (editor)...
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Solo Guitar - Level 4 - SKU: A0.1449751 Composed by Joaquín Malats (1872 - 1912). Arranged by Pedro Jesús Gómez (arranger) & Juan Velázquez (editor). 19th Century,Romantic Period. Individual part. 12 pages. Pedro Jesús Gómez Lorente #1029511. Published by Pedro Jesús Gómez Lorente (A0.1449751). Joaquín Malats's Serenata Española was premiered at the Salon Érard in Barcelona on 22 September 1891,[1] and was published by Zozaya a year later. Despite what it may seem from the initial title on the cover of the Suite Impresiones de España, this work was never performed as a suite for orchestra. Originally conceived as a collection in which the Serenade was the second of the pieces, only this one was published in addition to the first one: Danza. Joaquim Malats performed these two compositions in numerous concerts as part of the Suite Impresiones de España,[2] however, he neither published them as a unitary corpus, nor did the ochestral version see the light. The suite was initially dedicated to the great writer Benito Pérez Galdós, who was also a personal friend of the composer. This edition aims to provide a new vision of the work by contrasting the first two arrangements that were made, by Tárrega and by his disciple Severino García Fortea, with the original piano source, paying special attention to include agogics, dynamics and phrasing arcs indications in the piano font and to the maintenance of the original structure of the work. [1] «Joaquín Malats i Miarons», Real Academia de la Historia (blog), Last accessed April 12th 2024, https://dbe.rah.es/biografias/12709/joaquin-malats-i-miarons 2024-04-12.[2] Joaquín Malats, Impresiones de España. Suite de orquesta (Madrid: Zozaya, 1892).
$8.50
Mood Indigo
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Duke Ellington
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Christopher J
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Mood Indigo
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1295010 By Duke Ellington. By Albany Bigard, Duke Ellington, and Irving Mills. Arranged by Christopher J. Malin. 20th Ce...
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Solo Guitar - Level 4 - SKU: A0.1295010 By Duke Ellington. By Albany Bigard, Duke Ellington, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,R & B,Soul,Standards. Individual part. 1 pages. Christopher J. Malin #885330. Published by Christopher J. Malin (A0.1295010). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of the Duke's      finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. This piece needs to be swung hard. It don't mean a thing, if it ain't got that swing! Very danceable piece. Legend has it that Ellington's orchestra would play this rhythm as long as the floor was filled with dancers! Another tried and true arrangement. Have fun with it! Sounds great on acoustic and electric guitars.
$4.99
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
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