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56
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7
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4
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2
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1
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1
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1
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9
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3
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1
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5
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4
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1
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1
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1
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
42
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20
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19
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19
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18
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17
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15
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11
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11
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9
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8
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6
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5
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5
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4
Saxophone Alto
4
Clarinette
4
2 Clarinettes (duo)
3
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2
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2
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2
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2
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2
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1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Baryton, Piano
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1
3 Clarinettes (trio)
1
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1
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1
Flute, harpe et violon
1
Saxophone Tenor et Piano
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Flûte à Bec
1
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CUIVRES
Trompette (partie séparée)
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trombone (partie séparée)
18
Cor (partie séparée)
16
Trompette
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Euphonium (partie séparée)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor
4
Trombone
4
2 Euphoniums et 2 Tubas
3
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2
Cor et Piano
2
Tuba (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres
1
Trompette, Cor (duo)
1
Cor et Orgue
1
Tuba
1
Quatuor de cuivres: 4 cors
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
31
2 Violons (duo)
9
Violon, Alto (duo)
6
Violoncelle
6
Violon
5
Violon, Violoncelle (duo)
4
4 Violoncelles
3
Violon et Piano
3
Trio à Cordes: violon, alto, violoncelle
3
Violon (partie séparée)
2
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Violoncelle, Piano
2
Alto seul
1
Contre Basse
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
146
Orchestre
80
Orchestre à Cordes
37
Orchestre de chambre
29
Ensemble de cuivres
16
Percussion (partie séparée)
13
Fanfare
2
Timbales (partie séparée)
2
Batterie
1
Quintette à Vent
1
Ensemble de Percussions
1
Cloches
1
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AUTRES
Vous avez sélectionné:
Overture
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Guitare
Partitions à imprimer
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1
Mauro Giuliani: Grand Overture, Op.61 for guitar solo
Guitare
Instantly downloadable sheet music by Mauro Giuliani for guitar solo of MEDIUM/HIGH skill …
(+)
Instantly downloadable sheet music by Mauro Giuliani for guitar solo of MEDIUM/HIGH skill level. Contents: opus 61, op. 61, grand ouverture, gran ouverture, gran overture / classical
$3.99
3.65 €
#
Guitare
#
Mauro Giuliani
#
Virtualsheetmusic
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.4 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture Miniature from "The Nutcracker Suite"
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1320266 Composed by Pyotr Tchaikovsky. …
(+)
Guitar - Level 4 - Digital Download SKU: A0.1320266 Composed by Pyotr Tchaikovsky. Arranged by Ian Deterling. Christmas,Classical,Holiday,Romantic Period. 33 pages. Ian Deterling #908779. Published by Ian Deterling (A0.1320266). This arrangement of Overture Miniature from The Nutcracker Suite is a faithful adaptation of the original with slight modifications to make it more accessible for guitar quartet. Full of rich colors and beautiful melodies, this overture will be a wonderful addition to your next holiday concert! Instrumentation: Guitars 1-4 (Guitar 4 is also available for Bass Guitar).
$18.00
16.46 €
#
Guitare
#
Pyotr Tchaikovsky
#
Ian Deterling
#
Overture Miniature from "The Nutcracker Suite"
#
Ian Deterling
#
SheetMusicPlus
La clemenza di tito (overture) - W. A. Mozart - for guitar quartet
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.909934 Composed by Wolfgang Amadeu…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.909934 Composed by Wolfgang Amadeus Mozart. Arranged by Guillermo J. Romano. Classical,Opera. Individual part. 20 pages. Guillermo josé romano #6480179. Published by guillermo josé romano (A0.909934). Obertura de la ópera La clemenza di tito en arreglo para cuatro guitarras / Overture of the opera La Clemenza di tito in arrangemet for guitar quartet
$8.99
8.22 €
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Guitare
#
Wolfgang Amadeus Mozart
#
Guillermo J
#
La clemenza di tito
#
guillermo josé romano
#
SheetMusicPlus
Offenbach : Orphée aux Enfers (Galop from Overture)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1460362 Composed by Jacques Offenb…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1460362 Composed by Jacques Offenbach. Arranged by Daisuke Minamizawa. Classical. Individual part. 9 pages. Big South Valley Music #1039295. Published by Big South Valley Music (A0.1460362). Fingerpicking & strumming arrangement for solo acoustic guitar.------ [tuning] Drop D tuning------ [capotasto] 5th fret.
$5.99
5.48 €
#
Guitare
#
Jacques Offenbach
#
Daisuke Minamizawa
#
Offenbach : Orphée aux Enfers
#
Big South Valley Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.4 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.4 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Beethoven Turkish March
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.985176 Composed by Ludwig van Beet…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.985176 Composed by Ludwig van Beethoven. Arranged by MC Trinh. Classical. Individual part. 4 pages. Cuong Trinh #6423871. Published by Cuong Trinh (A0.985176). The Turkish March (Marcia alla turca) is a well-known classical march theme by Ludwig van Beethoven. It was written in the Turkish style popular in music of the time. The theme was first used in Beethoven's Six Variations on an Original Theme, Op. 76, of 1809. [1] In 1811, Beethoven wrote an overture and incidental music to a play by August von Kotzebue called The Ruins of Athens (Op. 113), which premiered in Pest in 1812. .
$12.00
10.97 €
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Guitare
#
Ludwig van Beethoven
#
MC Trinh
#
Beethoven Turkish March
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Cuong Trinh
#
SheetMusicPlus
The Nutcracker Suite
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1322183 Composed by Pyotr Tchaikovsky. …
(+)
Guitar - Level 4 - Digital Download SKU: A0.1322183 Composed by Pyotr Tchaikovsky. Arranged by Ian Deterling. Christmas,Classical,Holiday,Romantic Period. 175 pages. Ian Deterling #910543. Published by Ian Deterling (A0.1322183). This arrangement of all eight movements from The Nutcracker Suite is a faithful adaptation of the original with slight modifications to make it more accessible for clarinet quartets. Full of rich colors and beautiful melodies, this memorable classic will be a wonderful addition to your next holiday concert! Includes: I. Overture Miniature; II. March; III. Dance of the Sugar Plum Fairy; IV. Trepak (Russian Dance); V. Arabian Dance; VI. Chinese Dance; VII. Dance of the Mirlitons (Dance of the Reed Pipes); and VIII. Waltz of the Flowers.Instrumentation: Guitars 1-4 (Guitar 4 also available for Bass Guitar).
$70.00
64 €
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Guitare
#
Pyotr Tchaikovsky
#
Ian Deterling
#
II. March
#
The Nutcracker Suite
#
Ian Deterling
#
SheetMusicPlus
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