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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Past
Non classifié
165
Piano & claviers
Piano seul
151
Orgue
22
Piano, Voix
18
Piano, Voix et Guitare
10
1 Piano, 4 mains
6
Instruments en Do
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Accompagnement Piano
2
2 Pianos, 4 mains
2
+ 5 instrumentations
Retracter
Guitares
Basse electrique
18
Guitare
10
4 Guitares (Quatuor)
1
Mandoline
1
Voix
Chorale SATB
53
Chorale 3 parties
9
Chorale TTBB
5
Voix Soprano, Piano
4
Chorale SSAA
3
Voix Baryton, Piano
2
Voix haute
1
Voix moyenne, Piano
1
Voix duo
1
Chorale 2 parties
1
+ 5 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Flûte traversière et Piano
15
Quatuor de Saxophones: 4 saxophones
10
Saxophone Alto et Piano
8
Flûte, Hautbois, Clarinette, Basson
6
Quintette de Saxophone: 5 saxophones
5
Clarinette et Piano
5
Hautbois, Piano (duo)
5
2 Flûtes traversières (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Quatuor de Flûtes : 4 flûtes
4
Flûte traversière
3
Ensemble de Flûtes
3
Flûte et Guitare
3
Clarinette, Guitare (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
3 Saxophones (trio)
2
Saxophone Tenor et Piano
2
Hautbois (partie séparée)
2
Saxophone Soprano et Piano
1
Saxophone, Tuba (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, alto et harpe
1
Saxophone Baryton, Piano
1
Quintette de Flûte : 5 flûtes
1
Saxophone Alto
1
3 Clarinettes (trio)
1
Ensemble de Clarinettes
1
Clarinette, Basson (duo)
1
Saxophone Tenor
1
Trio de Flûtes: 3 flûtes
1
2 Clarinettes (duo)
1
Flute (partie séparée)
1
Clarinette
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Flûte
1
Ensemble de saxophones
1
Clarinette Basse, Piano
1
Clarinette, Alto et Piano (trio)
1
Quatuor de Flûtes à bec
1
+ 35 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette, Piano
7
Trombone et Piano
5
Cor et Piano
3
Cor
3
Quatuor de cuivres: 4 trombones
2
Trompette (partie séparée)
2
Tuba et Piano
2
Trombone
2
Tuba
1
2 Trompettes (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums et 2 Tubas
1
+ 9 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
71
Violon et Piano
13
Violon
7
Harpe
6
Violoncelle
6
Alto, Piano
5
Violoncelle, Piano
4
Violon, Violoncelle (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Violon (partie séparée)
2
Contre Basse
2
2 Violons (duo)
2
2 Violoncelles (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violon, Alto (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
Harpe, Voix
1
Alto seul
1
Violon, Guitare (duo)
1
2 Altos (duo)
1
Alto, Violoncelle (duo)
1
Alto, Guitare (duo)
1
Alto et Harpe
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre
27
Orchestre d'harmonie
21
Orchestre à Cordes
18
Ensemble de cuivres
15
Ensemble Jazz
14
Orchestre de chambre
10
Percussion (partie séparée)
2
Jazz combo
1
Batterie
1
Cloches
1
+ 5 instrumentations
Retracter
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ACCORDEON
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FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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MARIMBA
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
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LATIN - BOSSA - WORL…
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Past
avancé
Guitare
Partitions à imprimer
10 partitions trouvées
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1
Andantino Pastoral
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Juan Crióstomo de Arriaga
#
Robert Adler
#
Andantino Pastoral
#
Robert Adler
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.938366 Composed by Juan Crióstomo de Arriaga. Arranged by Robert Adler. Classical. Individual part. 3 pages. Robert A...
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Solo Guitar - Level 4 - SKU: A0.938366 Composed by Juan Crióstomo de Arriaga. Arranged by Robert Adler. Classical. Individual part. 3 pages. Robert Adler #1671. Published by Robert Adler (A0.938366). Arrangement of Andantino Pastoral from the Obetrua to Basque composer Juan Crióstomo de Arriaga's opera: Los Esclavos Felices, arranged for classical guitar.
$1.99
Pastime with good company
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Henry VIII
#
Bettina Schipp
#
Pastime with good company
#
songbooks.info
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1321949 Composed by Henry VIII. Arranged by Bettina Schipp. Early Music,Historic,Medieval,Renaissance. Individual part. ...
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Solo Guitar - Level 4 - SKU: A0.1321949 Composed by Henry VIII. Arranged by Bettina Schipp. Early Music,Historic,Medieval,Renaissance. Individual part. 3 pages. Songbooks.info #910366. Published by songbooks.info (A0.1321949). These Medieval and Renaissance Songs were arranged for Guitar fingerpicking. They were written in the well-known tablature for string instruments as well as in classical musical notation - for slightly intermediate and advanced guitarists. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!Diese Lieder aus dem Mittelalter und der Renaissance wurden für das Fingerpicking mit der Gitarre arrangiert. Sie wurden in der bekannten Tabulatur für Saiteninstrumente sowie in der klassischen Notenschrift notiert - für leicht fortgeschrittene und fortgeschrittene GitarristInnen. Die Lieder wurden in einem langsamen Tempo und mit einem Metronom im Hintergrund aufgenommen. Viel Spaß beim Musizieren...!
$2.49
Spatula (a scrambled pastiche)
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
David Mallamud
#
Spatula
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
By David Mallamud. Edited by Frank Koonce. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital ...
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By David Mallamud. Edited by Frank Koonce. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital
$7.95
Air on the G string, Pastorale, Sinfonia
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
David Russell
#
Air on the G string, Pastorale
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Les Editions Doberman-Yppan
#
SheetMusicPlus
By Johann Sebastian Bach (1685-1750). Arranged by David Russell. For solo guitar. Level 4. 8 pages. Published by Les Editions Doberman-Yppan (digital) ...
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By Johann Sebastian Bach (1685-1750). Arranged by David Russell. For solo guitar. Level 4. 8 pages. Published by Les Editions Doberman-Yppan (digital)
$6.95
Pastorale
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
Bettina Schipp
#
Pastorale
#
songbooks.info
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1315359 Composed by Ludwig van Beethoven. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual pa...
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Solo Guitar - Level 4 - SKU: A0.1315359 Composed by Ludwig van Beethoven. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual part. 3 pages. Songbooks.info #904091. Published by songbooks.info (A0.1315359). These themes from classical music come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
Sonatina Pastorale
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Franz Joseph Haydn
#
José Tomás
#
Tomá
#
Sonatina Pastorale
#
Chanterelle
#
SheetMusicPlus
Composed by Franz Joseph Haydn (1732-1809). Arranged by Jose Tomás. Downloadable. Chanterelle #Q577335. Published by Chanterelle...
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Composed by Franz Joseph Haydn (1732-1809). Arranged by Jose Tomás. Downloadable. Chanterelle #Q577335. Published by Chanterelle
$3.99
Lullaby from distant memories for guitar solo
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
András Csáki
#
Lullaby from distant memories
#
David Warin Solomons
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1270858 By András Csáki. By David Warin Solomons. 20th Century,Contemporary. Individual part. 3 pages. David Warin...
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Solo Guitar - Level 4 - SKU: A0.1270858 By András Csáki. By David Warin Solomons. 20th Century,Contemporary. Individual part. 3 pages. David Warin Solomons #863237. Published by David Warin Solomons (A0.1270858). A nostalgic lullaby in which the composer enjoys finding memories from the distant past which he had temporarily misplaced.Performed by András Csáki.
$9.00
Excerpt from the Lyric Suite
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Alban Berg
#
Rod Whittle
#
4 pp
#
Excerpt from the Lyric Suite
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Interrupted Dance (He Who Sings is Not Always Happy)
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Rocco Di Pietro
#
Interrupted Dance
#
Rocco Di Pietro
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pie...
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Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00
'Change of scene' from Act III of Wozzeck
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Alban Berg
#
Rod Whittle
#
'Change of scene' from Act III
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
(+)
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
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