English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2
Partitions
Numériques
24
Librairie
Musicale
2
Matériel
de Musique
1 751
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
283
PIANO & CLAVIERS
Piano seul
258
Piano, Voix
34
Piano, Voix et Guitare
28
Instruments en Do
15
Orgue
13
1 Piano, 4 mains
7
Accompagnement Piano
3
Orgue, Piano (duo)
2
Piano Facile
2
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
24
Basse electrique
24
Guitare notes et tablatures
15
Dulcimer
4
Ligne De Mélodie, (Paroles) et Accords
3
2 Ukuleles
1
Piano, Guitare (duo)
1
Ukulele
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
163
Voix seule
41
Chorale 3 parties
25
Chorale TTBB
18
Chorale SSAA
16
Voix Soprano, Piano
5
Voix Baryton, Piano
3
Voix moyenne, Piano
3
Voix duo, Piano
2
Chorale
1
Voix haute
1
Voix Tenor
1
Voix Alto, Piano
1
Chorale Unison
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Flûte, Hautbois, Clarinette, Basson
20
Quatuor de Saxophones: 4 saxophones
19
Flûte traversière et Piano
17
Clarinette
16
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Alto
13
Saxophone Alto et Piano
12
2 Flûtes traversières (duo)
12
Clarinette et Piano
11
Quintette de Saxophone: 5 saxophones
11
Flûte traversière
11
Saxophone Tenor
10
Saxophone Tenor et Piano
7
3 Clarinettes (trio)
7
Ensemble de Clarinettes
6
Hautbois, Piano (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Quatuor de Flûtes : 4 flûtes
6
2 Saxophones (duo)
5
Ensemble de saxophones
4
Trio de Flûtes: 3 flûtes
4
Ensemble de Flûtes
4
Saxophone (partie séparée)
4
Flûte, Clarinette (duo)
3
Saxophone, Clarinette (duo)
3
Clarinette, Guitare (duo)
3
Flûte, Violon
3
Saxophone Soprano et Piano
3
2 Clarinettes, Basson
3
Flûte et Guitare
2
Clarinette (partie séparée)
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Violon (duo)
2
Flûte, Clarinette et Basson
2
Clarinette, Trompette (duo)
2
2 Clarinettes (duo)
1
2 Flûte à bec (duo)
1
Saxophone et Guitare
1
Ensemble De Flûte à bec
1
Flûte à Bec
1
Saxophone Baryton, Piano
1
Hautbois (partie séparée)
1
Hautbois, Basson (duo)
1
Flûte, Alto (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
2 Hautbois (duo)
1
Cor anglais, Piano
1
Cor anglais, Guitare (duo)
1
Hautbois, Flûte
1
Clarinette et Alto
1
Clarinette, Orgue
1
Flûte traversière, Orgue (duo)
1
Saxophone
1
4 Hautbois
1
Flûte, Trompette (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
38
Quatuor de cuivres: 4 trombones
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette
19
Trombone
18
Ensemble de Trombones
12
Ensemble de Trompettes
11
Trompette, Piano
8
Cor
8
Trombone et Piano
7
Quatuor de cuivres: 4 cors
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
4 Tubas
5
Quatuor de Cuivres
5
Ensemble de Cors
4
Trombone (partie séparée)
3
Trompette (partie séparée)
3
Tuba
3
Trio de Cuivres
3
2 Trombones (duo)
3
2 Trompettes (duo)
3
3 Trombones (trio)
3
Euphonium, Piano (duo)
3
2 Euphoniums et 2 Tubas
2
Cor (partie séparée)
2
Trompette, Saxophone (duo)
2
Cor et Piano
2
Tuba et Piano
1
Trompette, Trombone (duo)
1
3 Trompettes (trio)
1
Trombone basse
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais, Piano
1
Cor anglais, Guitare (duo)
1
Euphonium
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
72
Violon et Piano
21
Violon, Violoncelle (duo)
19
Trio à Cordes: violon, alto, violoncelle
13
Violon
10
Violoncelle, Piano
10
Violoncelle
10
Trio à Cordes: 2 violons, violoncelle
7
Alto, Piano
7
2 Violons (duo)
6
Harpe
6
Violon, Alto (duo)
5
Trio à Cordes: 3 violoncelles
4
Violon, Guitare (duo)
4
Alto seul
3
2 Violoncelles (duo)
2
Alto, Violoncelle (duo)
2
Ensemble d'Altos
2
Ensemble de Violons
2
Harpe, Voix
2
4 Violoncelles
1
Trio à cordes
1
Harpe, Trombone (duo)
1
Ensemble de Violoncelles
1
Contrebasse, Piano (duo)
1
Violoncelle, Orgue
1
Alto (partie séparée)
1
2 Altos (duo)
1
Violoncelle , Guitare (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
56
Ensemble de cuivres
41
Orchestre à Cordes
36
Orchestre
30
Ensemble Jazz
29
Orchestre de chambre
15
Jazz combo
12
Cloches
9
Ensemble de Percussions
7
Fanfare
5
Batterie
5
Vibraphone
2
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Still, Still, Still
avancé
Guitare
Partitions à imprimer
24 partitions trouvées
<
1
Momentos
Guitare
By Nico Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. Classical, Cont…
(+)
By Nico Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. Classical, Contemporary, Contest, Festival, Jazz, Multicultural, World. Individual part. 11 pages. Nico Mustillo #128676. Published by Nico Mustillo
La obra consta de 3 movimientos:1- Diadema2- Danza aerea3- SaltosEl lenguaje musical de la obra nos introduce en el siglo XX y XI, con reminiscencia al jazz, rock, flamenco, música clásica/contemporánea y rupturista, es ideal para los guitarristas que quieran incorporar nuevo material a su repertorio.(La grabación de youtube de la obra, pertenece a una versión anterior)www.nicomustillo.weebly.com.
$20.00
17.95 €
#
Guitare
#
Nico Mustillo
#
Nicolas Mustillo
#
Momentos
#
Nico Mustillo
#
SheetMusicPlus
Cinco Estudios
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1188034 By Nicolas Mustillo. By Ni…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1188034 By Nicolas Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. Classical,Contemporary. Individual part. 14 pages. Nico Mustillo #787649. Published by Nico Mustillo (A0.1188034). Cinco estudios modernos para guitarra clasica.
$20.00
17.95 €
#
Guitare
#
Nicolas Mustillo
#
Nicolas Mustillo
#
Cinco Estudios
#
Nico Mustillo
#
SheetMusicPlus
Sankalpa - Score Only
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1352880 By Nicolas Mustillo. By Nicolas…
(+)
Guitar - Level 4 - Digital Download SKU: A0.1352880 By Nicolas Mustillo. By Nicolas Mustillo. 20th Century,Chamber,Classical,Contemporary,Multicultural,World. 37 pages. Nico Mustillo #937701. Published by Nico Mustillo (A0.1352880). Rapsodia en cuatro movimientos para cuarteto de guitarras, de lenguaje moderno, contrapuntistico y paisajes novedosos.
$20.00
17.95 €
#
Guitare
#
Nicolas Mustillo
#
Sankalpa - Score Only
#
Nico Mustillo
#
SheetMusicPlus
Hymn For Peace
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1217218 Composed by Doug Smith. 20…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1217218 Composed by Doug Smith. 20th Century,Christian,Classical,Contemporary,Spiritual. Individual part. 6 pages. Doug Smith Guitar Studio #813756. Published by Doug Smith Guitar Studio (A0.1217218). Hymn for Peace is the second of nine guitar solos that make up the St. Croix RIver Sketches. With the Hymn of Peace ther river excursion begins and the canoe takes us downstream to Stillwater, MN where we look up over the skyline to see St. Michael’s Church steeple towering over the valley. The Holy Spirit guides our souls in meditation, and we rest, reflecting on the scenic beauty and serenity of the surroundings.
$1.99
1.79 €
#
Guitare
#
Doug Smith
#
Hymn For Peace
#
Doug Smith Guitar Studio
#
SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
17.95 €
#
Guitare
#
Larry Williams
#
Larry Williams Compositions- The Guitar Book
#
Larry Andrew Williams
#
SheetMusicPlus
Tala
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.978015 Composed by Alfred Feenstra…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.978015 Composed by Alfred Feenstra. Concert,World. Individual part. 2 pages. Alfred Feenstra #4984709. Published by Alfred Feenstra (A0.978015). Tala is a facebook girlfriend of me from Iraq where she lives. Through Facebook, we had and still have a quite special relation. For that reason, I composed this song for her. She sends me recordings of her singing in Arabic language, nice although I can not understand the meaning of the words and I wrote for her this song. Now she works in a hospital and supports with her friendship and good care young children with cancer.
$4.00
3.59 €
#
Guitare
#
Alfred Feenstra
#
Tala
#
Alfred Feenstra
#
SheetMusicPlus
Song And Dance
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.943117 Composed by Tim Rushworth. …
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.943117 Composed by Tim Rushworth. Contemporary,Latin,Standards. Individual part. 4 pages. Tim Rushworth #4321487. Published by Tim Rushworth (A0.943117). This piece was written in 2010, but I still enjoy playing it now. I hope you do to.
$4.50
4.04 €
#
Guitare
#
Tim Rushworth
#
Song And Dance
#
Tim Rushworth
#
SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.48 €
#
Guitare
#
Judy Garland
#
Richard Hirsch
#
and 3&
#
Over The Rainbow
#
Richard Hirsch
#
SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.49 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
4 pp
#
Excerpt from the Lyric Suite
#
Maggie Creek Music
#
SheetMusicPlus
Interrupted Dance (He Who Sings is Not Always Happy)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1291077 Composed by Rocco Di Pietr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00
10.77 €
#
Guitare
#
Rocco Di Pietro
#
Interrupted Dance
#
Rocco Di Pietro
#
SheetMusicPlus
Trio Sonata No.7
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1240757 By Spence Bundy. By William Boy…
(+)
Guitar - Level 4 - Digital Download SKU: A0.1240757 By Spence Bundy. By William Boyce. Arranged by Spence Bundy. Baroque,Chamber. 29 pages. Spencer Bundy #836147. Published by Spencer Bundy (A0.1240757). Boyce composed a set of twelve trio sonatas for string trio & continuo in the 'Italian' style. They were published in 1747 and proved to be very popular. They can still be enjoyed today, ideal for concerts but also very enjoyable for any group getting together to play.
$4.50
4.04 €
#
Guitare
#
Spence Bundy
#
Spence Bundy
#
Trio Sonata No.7
#
Spencer Bundy
#
SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.49 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
'Change of scene' from Act III of Wozzeck
#
Maggie Creek Music
#
SheetMusicPlus
Trio Sonata No.10
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1246359 By Spence Bundy. By William Boy…
(+)
Guitar - Level 4 - Digital Download SKU: A0.1246359 By Spence Bundy. By William Boyce. Arranged by Spence Bundy. Baroque,Chamber. 20 pages. Spencer Bundy #841110. Published by Spencer Bundy (A0.1246359). In 1747 Boyce's twelve trio sonatas were first published, he described them to have been composed in the 'Italian' style. They can still be enjoyed today, by the performers and any audience.
$4.50
4.04 €
#
Guitare
#
Spence Bundy
#
Spence Bundy
#
Trio Sonata No.10
#
Spencer Bundy
#
SheetMusicPlus
Trio Sonata No.6
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1239857 By Spence Bundy. By William Boy…
(+)
Guitar - Level 4 - Digital Download SKU: A0.1239857 By Spence Bundy. By William Boyce. Arranged by Spence Bundy. Baroque,Chamber. 20 pages. Spencer Bundy #835253. Published by Spencer Bundy (A0.1239857). In 1747 Boyce published a set of twelve trio sonatas he had composed in the 'Italian' style. They proved very popular and can still be enjoyed today. Ideal for any concert but also enjoyable for any group who play for fun.
$4.50
4.04 €
#
Guitare
#
Spence Bundy
#
Spence Bundy
#
Trio Sonata No.6
#
Spencer Bundy
#
SheetMusicPlus
Trio Sonata No.9
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1244929 By Spence Bundy. By William Boy…
(+)
Guitar - Level 4 - Digital Download SKU: A0.1244929 By Spence Bundy. By William Boyce. Arranged by Spence Bundy. Baroque,Chamber. 28 pages. Spencer Bundy #839852. Published by Spencer Bundy (A0.1244929). In 1747 Boyce published a set of twelve trio sonatas he described as having been composed in the 'Italian' style. They proved to be very popular and will still be enjoyed today by the performers and any audience.
$4.50
4.04 €
#
Guitare
#
Spence Bundy
#
Spence Bundy
#
Trio Sonata No.9
#
Spencer Bundy
#
SheetMusicPlus
Auguste Franchomme - Three Cello Pieces Arranged for Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914746 Composed by Auguste Francho…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.914746 Composed by Auguste Franchomme (1808-1884). Arranged by Eric J Roth. Romantic Period. Individual part. 10 pages. Eric J Roth #5178787. Published by Eric J Roth (A0.914746). Auguste Franchomme was one of the most well-known and respected cellists in 19th century France. He was born in 1808 in Lille and went on to have a long, celebrated career in Paris as a performer, teacher and composer. Of the three pieces arranged here for guitar, one is drawn from the Twelve Caprices, Op. 7 and two are from the Twelve Etudes, Op. 35. The Caprice, No. 9, Larghetto con dolore, retains its original key of B minor. Etudes, No. 5, Allegretto, and No. 6, Andante con moto, have been transposed to new keys. All transfer well to the guitar, offering novel textures while still seeming idiomatic to the instrument. .
$5.99
5.38 €
#
Guitare
#
Auguste Franchomme
#
Eric J Roth
#
Auguste Franchomme - Three Cello Pieces Arranged for Guitar
#
Eric J Roth
#
SheetMusicPlus
Trio Sonata No.8
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1244073 By Spence Bundy. By William Boy…
(+)
Guitar - Level 4 - Digital Download SKU: A0.1244073 By Spence Bundy. By William Boyce. Arranged by Spence Bundy. Baroque,Chamber. 15 pages. Spencer Bundy #839048. Published by Spencer Bundy (A0.1244073). In 1747 Boyce published a set of twelve trio sonatas he described as being composed in the 'Italian' style. They proved to be very popular and can still be enjoyed today by the performers and any audience.
$4.50
4.04 €
#
Guitare
#
Spence Bundy
#
Spence Bundy
#
Trio Sonata No.8
#
Spencer Bundy
#
SheetMusicPlus
Trio Sonata No.11
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1247860 By Spence Bundy. By William Boy…
(+)
Guitar - Level 4 - Digital Download SKU: A0.1247860 By Spence Bundy. By William Boyce. Arranged by Spence Bundy. Baroque,Chamber. 26 pages. Spencer Bundy #842416. Published by Spencer Bundy (A0.1247860). In 1747 Boyce had published a set of twelve trio sonatas for string trio & continuo. He described them as having been composed in the 'Italian' style, they proved to be very popular. They can still be enjoyed today, by the performers and any audience.
$4.50
4.04 €
#
Guitare
#
Spence Bundy
#
Spence Bundy
#
continuo
#
Trio Sonata No.11
#
Spencer Bundy
#
SheetMusicPlus
Prelude No 4 in Em (Fire In The Sky)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1189647 Composed by Simon James. C…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1189647 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 5 pages. DML #789280. Published by DML (A0.1189647). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. This Prelude is based on the use of thirds and sixths on the guitar. These intervals are the easiest to play on guitar and the sweetest sounding though they can still be used dramatically as in this work. The middle section, or B section if you prefer, uses chords with dissonance built into the chord shape and which are also not too difficult to play.
$2.99
2.68 €
#
Guitare
#
Simon James
#
Prelude No 4 in Em
#
DML
#
SheetMusicPlus
Trio Sonata No.5
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1239580 By Spence Bundy. By William Boy…
(+)
Guitar - Level 4 - Digital Download SKU: A0.1239580 By Spence Bundy. By William Boyce. Arranged by Spence Bundy. Baroque,Chamber. 27 pages. Spencer Bundy #834933. Published by Spencer Bundy (A0.1239580). Boyce composed a set of twelve trio sonatas in the 'Italian' style, they were published in 1747. They proved very popular and can still be enjoyed today by both the performers and any audience.
$4.50
4.04 €
#
Guitare
#
Spence Bundy
#
Spence Bundy
#
Trio Sonata No.5
#
Spencer Bundy
#
SheetMusicPlus
Romance Anonimo (tremolo) for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
1.79 €
#
Guitare
#
Anon
#
Keith Terrett
#
Romance Anonimo
#
Keith Terrett
#
SheetMusicPlus
26 Sonatas for Solo Guitar
Guitare
Composed by Domenico Scarlatti (1685-1757). Arranged by Rafa Guerrero. Baroque, Classi…
(+)
Composed by Domenico Scarlatti (1685-1757). Arranged by Rafa Guerrero. Baroque, Classical, Instructional. Individual part. 105 pages. Rafael Guerrero Verdugo #849332. Published by Rafael Guerrero Verdugo
Scarlatti has become part of the natural repertoire of classical guitar. Nowadays there are still many gems to discover inside the Scarlattian treasure, and this new collection intends to continue expanding the repertoire from Scarlatti adapted for guitar, searching among all the untranscribed sonatas. So, the most of the pieces from this book are unique transcriptions.<br> The transcriptions are fully fingered, to ease the student’s work.<br> Contains the sonatas: K26, K35, K45, K49, K97, K121, K141, K160, K189, K230, K234, K258, K281, K287, K294, K295, K298, K306, K311, K315, K351, K360, K418, K420, K425, K435.
$14.99
13.46 €
#
Guitare
#
Domenico Scarlatti (1685-1757)
#
Rafa Guerrero
#
26 Sonatas for Solo Guitar
#
Rafael Guerrero Verdugo
#
SheetMusicPlus
Achieving Guitar Artistry - Contemporary Baroque Etudes
Guitare
Guitar (classical and lute) - Intermediate-Advanced - Digital Download Composed by Wi…
(+)
Guitar (classical and lute) - Intermediate-Advanced - Digital Download Composed by William Bay. Achieving Guitar Artistry. Baroque. E-book. 76 pages. Mel Bay Publications - Digital Sheet Music #WBM26EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117549.<br> <br> The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the common or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670).In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate.In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay Achieving Guitar Artistry series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed.
$17.99
16.15 €
#
Guitare
#
William Bay
#
Achieving Guitar Artistry - Contemporary Baroque Etudes
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale