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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time:
Non classifié
2 111
Piano & claviers
Piano seul
3 996
Piano, Voix
276
Piano, Voix et Guitare
171
Instruments en Do
117
Orgue
71
1 Piano, 4 mains
33
Accompagnement Piano
28
Piano Trio: piano, violon, violoncelle
25
2 Pianos, 4 mains
22
Piano Facile
14
Piano Quatuor: piano, violon, alto, violoncelle
10
Orgue, Piano (duo)
7
Accordéon
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
2 Pianos, 8 mains
2
Clavecin
1
Orgue, Trompette (duo)
1
2 Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare
318
Basse electrique
237
Guitare notes et tablatures
157
2 Guitares (duo)
26
Ligne De Mélodie, (Paroles) et Accords
15
Mandoline
14
Ukulele
13
4 Guitares (Quatuor)
8
Piano, Guitare (duo)
7
Dulcimer
5
Banjo
5
Mandoline, Guitare (duo)
2
2 Dulcimers (duo)
2
3 Guitares (trio)
1
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de Ukulélés
1
Guitare, Orchestre
1
Ensemble de guitares
1
+ 14 instrumentations
Retracter
Voix
Voix seule
2 370
Chorale SATB
572
Chorale 3 parties
144
Chorale TTBB
106
Chorale SSAA
74
Voix Soprano, Piano
14
Voix duo, Piano
14
Chorale 2 parties
13
Voix Tenor, Piano
11
Chorale Unison
9
Voix duo
8
Voix haute
8
Voix Alto, Piano
5
Voix Baryton, Piano
3
Chorale
3
Voix moyenne, Piano
3
Voix Tenor
1
Voix basse, Piano
1
Chorale SATBB
1
Chorale SSAATTBB
1
Voix, Guitare
1
Voix Moyenne
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière
564
Saxophone
539
Clarinette
467
Quatuor de Saxophones: 4 saxophones
319
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
258
Flûte, Hautbois, Clarinette, Basson
187
Quatuor de Clarinettes: 4 clarinettes
180
Saxophone Tenor
177
Ensemble de saxophones
170
Saxophone Alto
166
Quintette de Saxophone: 5 saxophones
163
2 Saxophones (duo)
150
Flûte traversière et Piano
138
Clarinette et Piano
120
Ensemble de Clarinettes
102
Saxophone Alto et Piano
89
Hautbois
82
2 Clarinettes (duo)
80
2 Flûtes traversières (duo)
77
Hautbois, Piano (duo)
68
Saxophone, Clarinette (duo)
61
Saxophone Soprano
60
Quatuor de Flûtes : 4 flûtes
52
Saxophone Soprano et Piano
48
Saxophone Tenor et Piano
48
Flûte à Bec
42
Flûte, Clarinette (duo)
42
Clarinette, Violon (duo)
41
Ensemble de Flûtes
40
Clarinette, Trompette (duo)
33
3 Clarinettes (trio)
33
2 Hautbois (duo)
32
3 Saxophones (trio)
31
Quintette de Clarinettes: 5 clarinettes
29
Trio de Flûtes: 3 flûtes
27
Flûte, Violon
26
Saxophone (partie séparée)
24
Hautbois, Basson (duo)
23
Saxophone Baryton, Piano
23
Clarinette et Alto
22
Hautbois, Clarinette (duo)
21
Flûte, Saxophone (duo)
21
Hautbois (partie séparée)
20
Flûte, Alto (duo)
20
Hautbois, Flûte
18
Flûte, Trompette (duo)
17
Clarinette Basse, Piano
14
Quintette de Flûte : 5 flûtes
13
2 Flûte à bec (duo)
12
Clarinette, Guitare (duo)
12
Flûte et Guitare
10
Flûte, Clarinette et Basson
10
Cor anglais, Piano
9
2 Flûtes traversières, Piano
8
Hautbois, Clarinette, Basson (trio d'anches)
7
2 Cors Anglais Et Pianoforte
6
Flûte, Violoncelle
6
2 Clarinettes, Piano
6
Flûte, Hautbois, Clarinette (trio)
6
Cor Anglais
5
Flûte, Violon, Piano
5
5 Flûtes à bec
4
Flute (partie séparée)
4
Clarinette (partie séparée)
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Hautbois (duo)
4
Flûte, Hautbois, Basson
4
Piccolo, Piano
3
Flûte à bec Soprano
3
Clarinette, Basson (duo)
3
Ensemble De Flûte à bec
3
Saxophone et Guitare
2
Saxophone Baryton
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Basson et Piano
2
Flûte traversière, Orgue (duo)
2
Flûte, Alto et Piano
2
Flûte, Violon, Guitare
2
Quatuor de Flûtes à bec
2
Clarinette, Violoncelle (duo)
2
Flûte irlandaise
2
Flute, harpe et violon
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon, Violoncelle et Piano
2
2 Saxophones, Piano
2
Cor anglais, Guitare (duo)
2
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, trombone et piano
1
Flûte, Trombone (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Violon, Piano
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, violon (duo)
1
Flûte, alto et harpe
1
Hautbois, Guitare (duo)
1
Clarinette, Harpe (duo)
1
4 Hautbois
1
Piccolo
1
Flûte, Violon et Violoncelle
1
Clarinette, Tuba
1
3 Flûtes à bec (trio)
1
Flûte à bec Alto, Piano
1
+ 101 instrumentations
Retracter
Cuivres
Trompette
354
Trombone
304
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
303
Quatuor de Cuivres : 2 trompettes, trombone, tuba
169
Trombone et Piano
66
Cor
63
Trompette, Piano
57
2 Trompettes (duo)
43
Trompette, Saxophone (duo)
42
Quatuor de Cuivres: 2 trompettes, Cor, trombone
36
Ensemble de Trombones
33
Quatuor de cuivres: 4 trombones
32
2 Trombones (duo)
32
Quatuor de Cuivres
30
Ensemble de Trompettes
29
Trompette, Trombone (duo)
29
Euphonium
28
Trompette (partie séparée)
28
Cor et Piano
22
Quatuor de cuivres: 4 cors
22
Tuba
21
2 Euphoniums et 2 Tubas
19
Trombone (partie séparée)
18
Tuba et Piano
18
Euphonium, Piano (duo)
15
2 Cors (duo)
10
Ensemble de Cors
10
Trio de Cuivres
10
3 Trombones (trio)
10
Cor anglais, Piano
9
2 Cors Anglais Et Pianoforte
6
4 Tubas
6
2 Tubas (duo)
6
Cor Anglais
5
3 Trompettes (trio)
2
2 Euphoniums (duo)
2
Cor (partie séparée)
2
Trombone basse
2
Trompette, Violoncelle et Piano
2
Cor anglais, Guitare (duo)
2
Quatuor de cuivres: 4 trompettes
2
Cor et Harpe
1
Trombone basse et Piano
1
Trompette, Harpe
1
Clarinette, Cor (duo)
1
Trombone, Tuba (duo)
1
Trombone et orchestre
1
Euphonium, Tuba (duo)
1
Trompette, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Violoncelle (duo)
1
3 Cors (trio)
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
554
Violon
420
Violoncelle
348
Violon et Piano
168
Alto seul
137
Violon, Violoncelle (duo)
126
Violoncelle, Piano
103
Alto, Piano
97
Trio à Cordes: violon, alto, violoncelle
79
2 Violons (duo)
47
Harpe
46
Violon, Alto (duo)
40
2 Violoncelles (duo)
39
2 Altos (duo)
31
Contre Basse
26
Trio à Cordes: 2 violons, violoncelle
23
Trio à Cordes: 3 violoncelles
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Contrebasse, Piano (duo)
12
Ensemble de Violons
11
Alto (partie séparée)
10
Ensemble d'Altos
10
Trio à cordes: 3 violins
10
Violon, Guitare (duo)
9
2 Harpes (duo)
9
Violoncelle , Guitare (duo)
8
Trio à Cordes: 2 violons, alto
7
2 Contrebasses (duo)
5
4 Violoncelles
5
Harpe, Flûte (duo)
5
Alto, Violoncelle (duo)
5
Quatuor à cordes : 4 altos
5
Piano Trio: Violon, Alto, Piano
4
Quatuor à cordes: 4 violons
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon (partie séparée)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Alto, Guitare (duo)
3
4 Contrebasses
3
Harpe, Voix
2
Alto et orchestre
2
Violoncelle, Orgue
2
Alto, Orgue
2
Ensemble de Violoncelles
2
Harpe, Violon, Violoncelle
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
Harpe, Violon (duo)
1
Harpe et mandoline
1
Alto et Harpe
1
2 Altos, Piano
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violoncelle (duo)
1
Trio à cordes
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
384
Batterie
347
Orchestre
298
Ensemble Jazz
236
Ensemble de cuivres
195
Orchestre à Cordes
187
Orchestre de chambre
83
Fanfare
77
Jazz combo
43
Cloches
21
Ensemble de Percussions
17
Percussion
8
Marimba
8
Vibraphone
6
Percussion (partie séparée)
3
Quintette à Vent
2
Xylophone, Piano
2
Batterie (partie séparée)
1
Vibraphone et Marimba
1
Xylophone
1
Caisse Claire
1
+ 16 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Guitare
Partitions à imprimer
318 partitions trouvées
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301
Fernando Sor: Six Divertimentos Op.1 for guitar solo
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Fernando Sor
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Virtualsheetmusic
Instantly downloadable sheet music by Fernando Sor for guitar solo of MEDIUM/HIGH skill level. Contents: opus 9, op. 9, 6 divertimentos,[no.1-6] / classical,spanish...
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Instantly downloadable sheet music by Fernando Sor for guitar solo of MEDIUM/HIGH skill level. Contents: opus 9, op. 9, 6 divertimentos,[no.1-6] / classical,spanish
$3.75
Duke Ellington : In a Sentimental Mood (niveau intermédiaire/difficile, Ellington/Coltrane)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Duke Ellington
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In a Sentimental Mood
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Tomplay
Telechargez la tablature et la partition Guitare In a Sentimental Mood (niveau intermediaire/difficile, Ellington/Coltrane) de Ellington. Tab pour Lead Guitar -...
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Telechargez la tablature et la partition Guitare In a Sentimental Mood (niveau intermediaire/difficile, Ellington/Coltrane) de Ellington. Tab pour Lead Guitar -- Jazz
5.99€
Dinner time rag for guitar solo
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Dinner time rag for guitar sol
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David Warin Solomons
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.576084 Composed by David Warin Solomons. 20th Century. Individual part. 3 pages. David Warin Solomons #2030507. Publishe...
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Solo Guitar - Level 4 - SKU: A0.576084 Composed by David Warin Solomons. 20th Century. Individual part. 3 pages. David Warin Solomons #2030507. Published by David Warin Solomons (A0.576084). Dinner time rag for guitar solo One of my earliest crossover-classical-renaissance-ragtime pieces for guitar solo. I originally called it Tea Time rag, but, as the appetite grew, I renamed it Dinner Time rag. It is performed here by Andras Csaki.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Somewhere In Time
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Allen Comyns
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John Fries
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Somewhere In Time
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271471 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,Film/TV,Irish,Jaz...
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Solo Guitar - Level 4 - SKU: A0.1271471 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,Film/TV,Irish,Jazz,Standards. Individual part. 2 pages. John Fries #863872. Published by John Fries (A0.1271471). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour, and Christopher Plummer. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$4.99
Time On My Hands (you In My Arms)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Ana Zingoni
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Christopher J
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Time On My Hands
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1292699 By Ana Zingoni. By Harold Adamson, Mack Gordon, and Vincent Youmans. Arranged by Christopher J. Malin. 20th Cent...
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Solo Guitar - Level 4 - SKU: A0.1292699 By Ana Zingoni. By Harold Adamson, Mack Gordon, and Vincent Youmans. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #883262. Published by Christopher J. Malin (A0.1292699). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful slow swing tune that is danceable! Unusual for a solo piece but could be fun? Beautiful head and really interesting tag at the end. Should be repeated a few times.This piece will make you stand out from the rest. Takes a bit of practise to make it swing smoothly.Sounds great on acoustic and electric guitars.This is the song by Vincent Youmans written in 1930. An oldy, but for sure a goody!
$4.99
It's About Time, guitar.
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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George Arvola, Virginia Mathew
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It's About Time, guitar.
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George Arvola and Virginia Mathews
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.947501 Composed by George Arvola, Virginia Mathews. Blues,Instructional,Pop,Standards,Wedding. Individual part. 8 pages....
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Solo Guitar - Level 4 - SKU: A0.947501 Composed by George Arvola, Virginia Mathews. Blues,Instructional,Pop,Standards,Wedding. Individual part. 8 pages. George Arvola and Virginia Mathews #504833. Published by George Arvola and Virginia Mathews (A0.947501). New release,2015, filling the need for INSPIRING arpeggio studies. Piano accompaniment and bass parts included. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggio studies from our book, Delicious Licorice. Arrangements for other instruments are available. It's About Time is a slow, sophisticated arpeggio study in the style of a pop blues ballad. This beautiful melody would be suitable for a wedding prelude or a recital.
$5.99
Romance de Amor (in Compound Duplet Time) (Duet Guitar Score)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Traditional Spanish Song
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Antonius Agung Setiawan
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Romance de Amor
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Antonius Agung Setiawan
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.788345 Composed by Traditional Spanish Song. Arranged by Antonius Agung Setiawan. Contemporary. Individual part. 5 pages...
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Solo Guitar - Level 4 - SKU: A0.788345 Composed by Traditional Spanish Song. Arranged by Antonius Agung Setiawan. Contemporary. Individual part. 5 pages. Antonius Agung Setiawan #5719559. Published by Antonius Agung Setiawan (A0.788345). Romance de Amor Traditional Spanish SongIn Compound Duplet Time 6/8Duet guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playhttps://linktr.ee/pakagung
$5.50
As Time Goes
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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is a jazz song written by Herm
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Justin James Adu Acquah
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John Fries
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As Time Goes
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271465 Composed by Justin James Adu Acquah. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual par...
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Solo Guitar - Level 4 - SKU: A0.1271465 Composed by Justin James Adu Acquah. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. John Fries #863866. Published by John Fries (A0.1271465). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. As Time Goes By is a jazz song written by Herman Hupfeld in 1931. It became famous when it was featured in the 1942 Warner Bros. film Casablanca.
$4.99
Achieving Guitar Artistry - Odd-Time Etudes
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Methodes Etudes
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William Bay
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Achieving Guitar Artistry - Od
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by William Bay. Achieving Guitar Artistry. Style. E-book. Mel Bay Publications - Digital Sheet Music #WBM25EB. Published by Mel Bay Publicati...
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Composed by William Bay. Achieving Guitar Artistry. Style. E-book. Mel Bay Publications - Digital Sheet Music #WBM25EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117495.
Odd-time signatures are often an enigma to the Western musician and present specific challenges when it comes to phrasing and feeling. This book will improve any musician's ability to intuit odd-time signatures, through 48 etudes in 5/8, 7/8, 9/8, 10/8 and 11/8 time. Mixed etudes are also included, which feature different traditional and odd-time signatures within each piece. All of these studies will facilitate note-reading and position playing abilities, and are applicable to jazz, classical and contemporary guitar genres.The Mel Bay Achieving Guitar Artistry series is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed.
$17.99
Pastime with good company
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Henry VIII
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Bettina Schipp
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Pastime with good company
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songbooks.info
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1321949 Composed by Henry VIII. Arranged by Bettina Schipp. Early Music,Historic,Medieval,Renaissance. Individual part. ...
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Solo Guitar - Level 4 - SKU: A0.1321949 Composed by Henry VIII. Arranged by Bettina Schipp. Early Music,Historic,Medieval,Renaissance. Individual part. 3 pages. Songbooks.info #910366. Published by songbooks.info (A0.1321949). These Medieval and Renaissance Songs were arranged for Guitar fingerpicking. They were written in the well-known tablature for string instruments as well as in classical musical notation - for slightly intermediate and advanced guitarists. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!Diese Lieder aus dem Mittelalter und der Renaissance wurden für das Fingerpicking mit der Gitarre arrangiert. Sie wurden in der bekannten Tabulatur für Saiteninstrumente sowie in der klassischen Notenschrift notiert - für leicht fortgeschrittene und fortgeschrittene GitarristInnen. Die Lieder wurden in einem langsamen Tempo und mit einem Metronom im Hintergrund aufgenommen. Viel Spaß beim Musizieren...!
$2.49
Christmas Time Is Here
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Vince Guaraldi
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David Ochsner
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Film/TV
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Christmas Time Is Here
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David Ochsner
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1028102 Composed by Vince Guaraldi. Arranged by David Ochsner. Jazz. Individual part. 2 pages. David Ochsner #3366055. P...
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Solo Guitar - Level 4 - SKU: A0.1028102 Composed by Vince Guaraldi. Arranged by David Ochsner. Jazz. Individual part. 2 pages. David Ochsner #3366055. Published by David Ochsner (A0.1028102). Christmas; Film/TV; Jazz; Standards.
$4.99
Christmas Time Is Here
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Vince Guaraldi
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Justin Craig
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Christmas Time Is Here
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JCMuse
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.900039 Composed by Vince Guaraldi. Arranged by Justin Craig. Contemporary. Individual part. 1 pages. JCMuse #6645741. Pu...
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Solo Guitar - Level 4 - SKU: A0.900039 Composed by Vince Guaraldi. Arranged by Justin Craig. Contemporary. Individual part. 1 pages. JCMuse #6645741. Published by JCMuse (A0.900039). An intermediate/advanced guitar arrangement of this well known Christmas standard.
$4.99
No Time To Die
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Billie Eilish
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Colin Tommis
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No Time To Die
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Colin Tommis
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.961511 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Colin Tommis. Pop. Individual par...
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Solo Guitar - Level 4 - SKU: A0.961511 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Colin Tommis. Pop. Individual part. 4 pages. Colin Tommis #6114397. Published by Colin Tommis (A0.961511). This intermediate /advanced version of the new James Bond song lasts towards 4 minutes and is unusual in so much that the 3rd string is detuned to F#. This makes it trickier to read but much more fun to play. There are some large stretches and unusual hammer techniques. In the latter, the player creates a note from nothing by hammering a left-hand finger down on a string. I have employed a lot of off-beats, and the idea is to keep it licking along, almost like a piece of dance reggae-style music. This makes it wonderful for the listener and challenging for the player. This is offered in notation only, there is no tab.
$5.99
A time ago...
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Nedim Tinjic
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A time ago...
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akustikUm
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1001885 Composed by Nedim Tinjic. 20th Century,Standards. Individual part. 2 pages. AkustikUm #6317673. Published by aku...
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Solo Guitar - Level 4 - SKU: A0.1001885 Composed by Nedim Tinjic. 20th Century,Standards. Individual part. 2 pages. AkustikUm #6317673. Published by akustikUm (A0.1001885). Traditional Balkan song arranged for classical guitar. Encore piece. .
$4.00
As time goes by
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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H
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Bettina Schipp
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As time goes by
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songbooks.info
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1315222 Composed by H. Hupfeld. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 5 pages...
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Solo Guitar - Level 4 - SKU: A0.1315222 Composed by H. Hupfeld. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 5 pages. Songbooks.info #903969. Published by songbooks.info (A0.1315222). These Evergreens come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
A Time For Us (love Theme)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Nino Rota
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Ivan Paschoito
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A Time For Us
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Ivan Paschoito
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.900117 By Nino Rota. By Nino Rota. Arranged by Ivan Paschoito. 20th Century,Film/TV. Individual part. 4 pages. Ivan Pasc...
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Solo Guitar - Level 4 - SKU: A0.900117 By Nino Rota. By Nino Rota. Arranged by Ivan Paschoito. 20th Century,Film/TV. Individual part. 4 pages. Ivan Paschoito #4277949. Published by Ivan Paschoito (A0.900117). Even after half a century, this song remains as one of the most inspired love songs in film history. His romantic and melodic nature fits perfectly into the style of classical guitar.
$4.99
A time suite for guitar solo
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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A time suite for guitar solo
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David Warin Solomons
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.576082 Composed by David Warin Solomons. 20th Century. Individual part. 5 pages. David Warin Solomons #2030513. Publishe...
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Solo Guitar - Level 4 - SKU: A0.576082 Composed by David Warin Solomons. 20th Century. Individual part. 5 pages. David Warin Solomons #2030513. Published by David Warin Solomons (A0.576082). Solo for guitar with much use of right-hand harmonics. Performed here by András Csáki.
$7.00
Melodia Sentimental, Opus 10 (Tema)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Janilson fialho
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Melodia Sentimental, Opus 10
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Janilson Fialho
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.999392 Composed by Janilson fialho. Contemporary,Standards. Individual part. 3 pages. Janilson Fialho #6629003. Publishe...
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Solo Guitar - Level 4 - SKU: A0.999392 Composed by Janilson fialho. Contemporary,Standards. Individual part. 3 pages. Janilson Fialho #6629003. Published by Janilson Fialho (A0.999392).
$4.99
Sometimes I feel like a motherless child
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Bettina Schipp
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Sometimes I feel like a mother
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songbooks.info
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1322033 Composed by Traditional. Arranged by Bettina Schipp. Blues,Country,Folk,Traditional. Individual part. 2 pages. S...
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Solo Guitar - Level 4 - SKU: A0.1322033 Composed by Traditional. Arranged by Bettina Schipp. Blues,Country,Folk,Traditional. Individual part. 2 pages. Songbooks.info #910451. Published by songbooks.info (A0.1322033). These Folk and Gospel Songs and Traditionals were arranged for Guitar fingerpicking. They were written in the well-known tablature for string instruments as well as in classical musical notation - for slightly intermediate and advanced guitarists. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!Diese Folk und Gospel Songs und Traditionals wurden für das Fingerpicking mit der Gitarre arrangiert. Sie wurden in der bekannten Tabulatur für Saiteninstrumente sowie in der klassischen Notenschrift notiert - für leicht fortgeschrittene und fortgeschrittene GitarristInnen. Die Lieder wurden in einem langsamen Tempo und mit einem Metronom im Hintergrund aufgenommen. Viel Spaß beim Musizieren...!
$1.99
Ragtime Nightingale
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Joseph Lamb
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William Tiger Fitzhugh
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Ragtime Nightingale
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William Fitzhugh
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1013006 Composed by Joseph Lamb. Arranged by William Tiger Fitzhugh. Jazz. Individual part. 3 pages. William Fitzhugh #5...
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Solo Guitar - Level 4 - SKU: A0.1013006 Composed by Joseph Lamb. Arranged by William Tiger Fitzhugh. Jazz. Individual part. 3 pages. William Fitzhugh #5776371. Published by William Fitzhugh (A0.1013006). Classic rag arranged for solo guitar
$3.50
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Romance Anonimo (tremolo) for Classical Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Anon
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Keith Terrett
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Romance Anonimo
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural...
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Solo Guitar - Level 4 - SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
Jesus, Joy of Man's Desiring
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Hirsch
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individ...
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Solo Guitar - Level 4 - SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
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