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CONTREBASSE
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COR ANGLAIS
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CORNET
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
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Non classifié
348
PIANO & CLAVIERS
Piano seul
467
Piano, Voix
71
Instruments en Do
35
Piano, Voix et Guitare
31
Orgue
26
Piano Trio: piano, violon, violoncelle
11
1 Piano, 4 mains
7
2 Pianos, 4 mains
6
Accordéon
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
Piano Facile
1
Accompagnement Piano
1
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GUITARES
Guitare
25
Guitare notes et tablatures
10
Piano, Guitare (duo)
7
Ligne De Mélodie, (Paroles) et Accords
4
Basse electrique
3
Basse électrique (partie séparée)
2
Mandoline
2
Dulcimer
2
Ensemble de guitares
1
Ukulele
1
Guitare (partie séparée)
1
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VOIX
Chorale SATB
129
Chorale TTBB
17
Chorale 3 parties
16
Chorale SSAA
13
Voix Soprano, Piano
9
Chorale Unison
7
Voix Tenor, Piano
6
Voix duo
5
Voix Baryton, Piano
4
Voix duo, Piano
4
Chorale 2 parties
3
Voix Alto, Piano
2
Voix Soprano
2
Voix haute
2
Voix moyenne, Piano
2
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
41
Flûte traversière et Piano
32
Clarinette et Piano
28
Saxophone Alto et Piano
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Hautbois, Piano (duo)
25
Quatuor de Clarinettes: 4 clarinettes
22
Saxophone Soprano et Piano
20
Saxophone Tenor et Piano
16
Flûte, Hautbois, Clarinette, Basson
14
Flûte traversière
12
Quatuor de Flûtes : 4 flûtes
11
Quintette de Saxophone: 5 saxophones
9
Ensemble de Clarinettes
9
Clarinette
8
2 Flûtes traversières (duo)
6
2 Clarinettes (duo)
5
Saxophone Tenor
5
3 Saxophones (trio)
5
Ensemble de Flûtes
4
Flute (partie séparée)
3
Saxophone Baryton, Piano
3
Clarinette (partie séparée)
3
Clarinette Basse, Piano
3
3 Clarinettes (trio)
3
Saxophone Alto
3
Ensemble de saxophones
2
Cor anglais, Piano
2
Clarinette, Guitare (duo)
2
Trio de Flûtes: 3 flûtes
2
Quintette de Flûte : 5 flûtes
2
2 Saxophones (duo)
1
4 Hautbois
1
2 Flûte à bec (duo)
1
Clarinette, Basson (duo)
1
Flûte à bec Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Hautbois (partie séparée)
1
Flûte, alto et harpe
1
Flûte, Violoncelle
1
Flûte et Guitare
1
Saxophone (partie séparée)
1
Saxophone et Guitare
1
2 Flûtes traversières, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Cor et Piano
19
Trombone et Piano
16
Trompette, Piano
13
Trompette
10
Trombone
6
Trombone (partie séparée)
5
Quatuor de Cuivres
5
Trompette (partie séparée)
5
Cor (partie séparée)
4
Trompette, Violoncelle et Piano
4
2 Cors (duo)
4
2 Trombones (duo)
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba et Piano
4
Quatuor de cuivres: 4 trombones
4
Tuba (partie séparée)
3
Trombone basse
3
Ensemble de Trombones
3
2 Euphoniums et 2 Tubas
2
Cor anglais, Piano
2
Euphonium, Tuba (duo)
2
Cor et Orgue
1
Trompette, Trombone (duo)
1
2 Trompettes (duo)
1
3 Trombones (trio)
1
4 Tubas
1
Euphonium
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
108
Violon et Piano
54
Violoncelle, Piano
32
Alto, Piano
26
Trio à Cordes: violon, alto, violoncelle
19
Harpe
15
Violon
13
Violoncelle
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Trio à Cordes: 2 violons, violoncelle
8
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
6
Harpe, Violon (duo)
4
Trio à Cordes: 2 violons, alto
4
Alto et Harpe
4
Harpe, Violoncelle (duo)
4
Alto (partie séparée)
3
2 Violons (duo)
3
Harpe, Voix
3
4 Violoncelles
3
2 Altos (duo)
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Orgue
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 violins
1
Contre Basse
1
Alto seul
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Orchestre
1
2 Contrebasses (duo)
1
Contrebasse (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
105
Orchestre
82
Orchestre à Cordes
54
Ensemble Jazz
36
Orchestre de chambre
28
Ensemble de cuivres
19
Cloches
10
Batterie
8
Percussion (partie séparée)
8
Fanfare
7
Batterie (partie séparée)
4
Jazz combo
4
Ensemble de Percussions
3
Vibraphone
3
Marimba
3
Orchestre, Violon
2
Timbales (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
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Partitions à imprimer
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1
Love Story
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1163098 By Taylor Swift. By Taylor…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1163098 By Taylor Swift. By Taylor Swift. Arranged by Tyler Adams. Pop,Singer/Songwriter. Individual part. 4 pages. Adams Arrangements #763453. Published by Adams Arrangements (A0.1163098). Love Story by Taylor Swift arrangement for solo guitar. This arrangement is perfect for Taylor Swift fans looking to play both the melody and the chords at the same time for guitar, enjoy!Love Story Tabs, sheet music, and chords.
$4.99
4.54 €
#
Guitare
#
Taylor Swift
#
Tyler Adams
#
Love Story
#
Adams Arrangements
#
SheetMusicPlus
The Story Never Ends
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.788239 Composed by Ari Leff, Carlo…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.788239 Composed by Ari Leff, Carlos Cid, Michael Matosic, and Michael Pollack. Arranged by Antonius Agung Setiawan. Contemporary. Individual part. 3 pages. Antonius Agung Setiawan #5204739. Published by Antonius Agung Setiawan (A0.788239). The Story Never Ends by LauvSolo guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playinstagram @pakagung#guitaronlybypakagung.
$5.99
5.45 €
#
Guitare
#
Ari Leff, Carlos Cid, Michael Matosic, and Michael Pollack
#
Antonius Agung Setiawan
#
The Story Never Ends
#
Antonius Agung Setiawan
#
SheetMusicPlus
Love Story
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.900119 Composed by Frances Lai. Ar…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.900119 Composed by Frances Lai. Arranged by Ivan Paschoito. Contemporary. Individual part. 4 pages. Ivan Paschoito #4301977. Published by Ivan Paschoito (A0.900119). Main theme from the famous Love Story movie, arranged for classical guitar.
$4.99
4.54 €
#
Guitare
#
Frances Lai
#
Ivan Paschoito
#
Love Story
#
Ivan Paschoito
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.37 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.37 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.37 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Nocturne Opus 9, No. 2 for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1455855 By Keith Terrett. By Fryde…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1455855 By Keith Terrett. By Fryderyk Franciszek Chopin. Arranged by Keith Terrett. 20th Century,Chamber,Classical,Contest,Festival,Instructional. Individual part. 9 pages. Keith Terrett #1035005. Published by Keith Terrett (A0.1455855). An arrangement by Francisco de Asís Tárrega Eixea (21 November 1852 – 15 December 1909) of Chopin's Nocturne no. 2, op. 9. Tárrega was a Spanish composer and classical guitarist of the late Romantic period. He is known for such pieces as Capricho Árabe and Recuerdos de la Alhambra.He transcribed many works from the piano (he was a capable keyboard player), violin and the operatic repertory. As with several of his Spanish contemporaries, such as his friend Isaac Albéniz, he had an interest in combining the prevailing romantic style in classical music with Spanish folk elements, and transcribed several of Albéniz's piano pieces.
$2.50
2.28 €
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Guitare
#
Keith Terrett
#
Keith Terrett
#
Nocturne Opus 9, No. 2 for Classical Guitar
#
Keith Terrett
#
SheetMusicPlus
Mattinata for guitar solo
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.531186 Composed by R. Leoncavallo.…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.531186 Composed by R. Leoncavallo. Arranged by Klas Krantz. Classical,Romantic Period. Individual part. 2 pages. Amadeus Music #2032875. Published by Amadeus Music (A0.531186). Ruggiero Leoncavallo (1857–1919) was an Italian opera composer. His opera Pagliacci remains one of the most popular works in the operatic repertory, appearing as number 14 on Opera America's 2007 list of the 20 most-performed operas in North America.
$3.95
3.6 €
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Guitare
#
R
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Klas Krantz
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Mattinata for guitar solo
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Amadeus Music
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SheetMusicPlus
Big Drum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.54 €
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Guitare
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Cheer Up, Charlie
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.985017 Composed by Anthony Newley …
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Solo Guitar - Level 4 - Digital Download SKU: A0.985017 Composed by Anthony Newley and Leslie Bricusse. Arranged by Michael New. Contemporary. Individual part. 3 pages. Winterbee Music Company #6527825. Published by Winterbee Music Company (A0.985017). Cheer Up, Charlie from the 1971 motion picture Willy Wonka and the Chocolate Factory, arranged for guitar solo.
$4.99
4.54 €
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Guitare
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Anthony Newley and Leslie Bricusse
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Michael New
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Cheer Up, Charlie
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Winterbee Music Company
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SheetMusicPlus
Twilight on the Aristate
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1103429 Composed by Jose Guzman. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1103429 Composed by Jose Guzman. Arranged by Jose Guzman. Classical,Contemporary. Individual part. 6 pages. JGB Music #706697. Published by JGB Music (A0.1103429). Twilight on the Aristate is a composition commissioned by Chinese artists, Wang Lei & Yile, that was included in their album The Factory and Mine Dependents released on September 2020. The piece is a based on the opening song of the album.
$7.99
7.28 €
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Guitare
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Jose Guzman
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Jose Guzman
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Twilight on the Aristate
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JGB Music
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SheetMusicPlus
Making Friends
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.948712 Composed by Bradley Powell …
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Solo Guitar - Level 4 - Digital Download SKU: A0.948712 Composed by Bradley Powell (The Candlelight Guitarist). Concert,Folk,Sacred,Spiritual. Individual part. 5 pages. Geofonica Artistworks #6856481. Published by Geofonica Artistworks (A0.948712). Guitar solo (in standard notation) composed by Bradley Powell (The Candlelight Guitarist), from his CD Beatitude Bridge. Intermediate to advanced level blend of folk-jazz and classical finger-style guitar (a trademark style blend of The Classical Guitarist.) It's a positive, moving, yet reflective guitar instrumental, inspired by the many biblical verses about friendship (incl. Ecclesiastes 4:9-10, John 15:15, John 15:12-15, Job 6:14, Proverbs 18:24, Proverbs 27:10, John 15:13). Wonderful for an offertory or musical interlude in a church service, spiritual gathering, concert or recital.ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventuire at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.COMMENTS FROM ESTABLISHED REVIEWERS...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!
$3.99
3.63 €
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Guitare
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Bradley Powell
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Making Friends
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Geofonica Artistworks
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SheetMusicPlus
It Is Well
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.647594 Composed by Bliss, Philip. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.647594 Composed by Bliss, Philip. Arranged by Nick Lacanski. Praise and Worship,Sacred. Individual part. 3 pages. Theupperstaff #2076165. Published by theupperstaff (A0.647594). One of the all-time favorite hymns is arranged for solo guitar. This needs to be in your upcoming service as a special, an offertory or an invitational.
$3.99
3.63 €
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Guitare
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Bliss, Philip
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Nick Lacanski
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It Is Well
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theupperstaff
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SheetMusicPlus
The Walls of Jericho
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1402631 Composed by Traditional. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1402631 Composed by Traditional. Arranged by Richard Hirsch. Blues,Jazz,Multicultural,Ragtime,Spiritual,World. Individual part. 8 pages. Richard Hirsch #985855. Published by Richard Hirsch (A0.1402631). I offer an arrangement for solo acoustic guitar of the Spiritual “The Battle of Jericho†in a rendition that takes inspiration from Mississippi Delta Ragtime Blues and Django Reinhardt. The thumb pounds out a steady beat of alternating bases to a swing rhythm with the melody played by alternating middle and index fingers running over the top. There are lots of pull-offs and vibrato-bends in the melody line together with half-tone chord shifts, mutes, and holds (fermatas) that make for a lively and exciting musical rendering of the Old Testament story. However, as opposed to the message of the Old Testament story, I like to think of my arrangement as a message of hope that through music the walls of ignorance separating peoples will “come tumbling downâ€.The arrangement is within reach of advanced intermediate students of nylon or steel string acoustic guitar.
$4.99
4.54 €
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Guitare
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Traditional
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Richard Hirsch
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The Walls of Jericho
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Richard Hirsch
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SheetMusicPlus
When She Loved Me
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1155174 By Sarah McLachlan. By Ran…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1155174 By Sarah McLachlan. By Randy Newman. Arranged by Tyler Adams. Film/TV. Individual part. 2 pages. Adams Arrangements #755456. Published by Adams Arrangements (A0.1155174). Toy Story guitar sheet music and tabs. Tabs and sheet music for When She Loved Me from Toy Story 2. Enjoy!
$4.99
4.54 €
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Guitare
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Sarah McLachlan
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Tyler Adams
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When She Loved Me
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Adams Arrangements
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SheetMusicPlus
Collected Works for Guitar Vol. 8
Guitare
Guitar - intermediate to advanced - Digital Download SKU: S9.Q577141 Guitar Solo…
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Guitar - intermediate to advanced - Digital Download SKU: S9.Q577141 Guitar Solos. Composed by Fernando Sor. Fernando sor - guitar - collection. Downloadable. Op. 8. Schott Music - Digital #Q577141. Published by Schott Music - Digital (S9.Q577141). English.This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.
$22.99
20.93 €
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Guitare
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Fernando Sor
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Collected Works for Guitar Vol. 8
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Schott Music - Digital
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SheetMusicPlus
Romance Anonimo (tremolo) for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
1.81 €
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Guitare
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Anon
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Keith Terrett
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Romance Anonimo
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Keith Terrett
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SheetMusicPlus
Have You Ever Really Loved A Woman?
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1274042 By Bryan Adams. By Bryan A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1274042 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Tondi Rangkuti a.k.a Tondi. FR. 20th Century,21st Century,Classical,Standards,Traditional. Individual part. 9 pages. ToRa Swarna Diva #866177. Published by ToRa Swarna Diva (A0.1274042). Tondi Rangkuti A.K A Tondi. FR arranged 'Have You Ever Really Loved a Woman' by Bryan Adams for solo guitar. The original song featured Paco Delucia, a Maestro Flamenco in history. This arrangement manages to capture Rumba Flamenco very well. And we know that the arragement of guitar solo for this song is very rare. And very few are able to transcribe well into guitar instrumental.
$17.90
16.3 €
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Guitare
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Bryan Adams
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Tondi Rangkuti a
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Have You Ever Really Loved A Woman?
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ToRa Swarna Diva
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SheetMusicPlus
A Time For Us (love Theme)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.900117 By Nino Rota. By Nino Rota.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.900117 By Nino Rota. By Nino Rota. Arranged by Ivan Paschoito. 20th Century,Film/TV. Individual part. 4 pages. Ivan Paschoito #4277949. Published by Ivan Paschoito (A0.900117). Even after half a century, this song remains as one of the most inspired love songs in film history. His romantic and melodic nature fits perfectly into the style of classical guitar.
$4.99
4.54 €
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Guitare
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Nino Rota
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Ivan Paschoito
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A Time For Us
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Ivan Paschoito
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SheetMusicPlus
Reflections: Ten Solos for Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardo…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Songburd Music (A0.1411011). Reflections is a set of ten solo pieces for classical guitar that focuses on connecting compositional ideas and moments expressed in the framework of each piece of this collection.Vesta, Gaia and Lakshmi assume some connection to mythology as these titles take their names from three notable Roman, Greek and Hindu goddesses.  Vesta, Gaia and Lakshmi are classical pieces, but they are not without jazz influence, using the major scale modes to convey a sense of mood and atmosphere that is commonly found in impressionism.  Pulse No. 1 and No. 2 follow the idea of maintaining a steady beat over changing meter to influence the way the music is perceived.  The melody at the end of Pulse No. 1 creates the melodic material of Pulse No. 2, which can be thought of as an extension to No. 1.  Inspired by minimalist and popular music these pieces are not melodically and harmonically complex, and what makes them of interest is how the feeling of the beat is different in each piece.Chiasma Nos. 1, 2 and 3 are pieces that find common ground in “linking,†created by using similar compositional devices such as chord shapes and patterns, which gives the impression of crossing over or exchanging information from one piece to another.Sleeping Muse is a three-movement work inspired by the famous 1910 bronze sculpture of Constantin Brâncuși’s “Sleeping Muse,†with each movement expressing some reflection or meditation on Brâncuși’s work, illustrating the notion of drifting off to sleep, dreaming and waking, while characterizing the impact of our dreams on reality.Synesthesia is a highly chromatic piece with distantly related harmonic progressions that gives the listener the sense of seeing the different colors in the score and/or hearing the colors in the music.The abstract nature of these pieces encourages the performer to reflect and draw their own conclusions of imagery and story within the music.
$19.99
18.2 €
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Guitare
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Michael Reardon
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Reflections: Ten Solos for Guitar
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Songburd Music
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SheetMusicPlus
The Road From Home
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.843756 Composed by Brian S. Wilson…
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Solo Guitar - Level 4 - Digital Download SKU: A0.843756 Composed by Brian S. Wilson. Contemporary. Individual part. 6 pages. G. Meredith Publications #2024461. Published by G. Meredith Publications (A0.843756). The Road From Home is a piece for Solo Classical Guitar commissioned by guitarist Eric Cabalo. It is 12'. The title refers to the book by author David Kherdian, The Story of an Armenian Girl by David Kherdian, a biographical account of his mother's escape from the Armenian genocide and immigration to America as a mail order bride. See also Brian S. Wilson's song cycle, Kherdian Songs based on poems of the same author.
$15.00
13.66 €
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Guitare
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Brian S
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The Road From Home
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G. Meredith Publications
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SheetMusicPlus
IL SATIRO DANZANTE - Solo Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985881. Published by LINCOLN BRADY (A0.802998). Inspired by the true story of the ancient greek statue - 'DANCING SATYR' (in Mazara del Vallo) - discovered by fishermen off the coast of Sicily in 1998 after having lain on the Mediterranean ocean floor for over 2,000 years. Following five years of careful refurbishment in Rome's 'Istituto Centrale per il Restauro' this amazing bronze statue, probably from the school of Praxiteles, was restored almost to its former glory with its head and torso remaining largely intact, incredibly! The 'Dancing Satyr' was then taken on a global tour, including Japan and the Louvre in Paris, where it drew very large crowds capturing the world's imagination. It is now housed in a purpose-built museum in Sicily - 'Museo del Satiro'. The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$9.99
9.1 €
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Guitare
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guitar
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LINCOLN BRADY
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SheetMusicPlus
Professor Burble's 2nd Invention for guitar solo (mp3)
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1267923 By David Warin Solomons. By Dav…
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Guitar - Level 4 - Digital Download SKU: A0.1267923 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 296. David Warin Solomons #860474. Published by David Warin Solomons (A0.1267923). This is the second in the series of Inventions by my fictitious character Professor Burble whom I created back in the 1970s to cover my more adventurous compositions.In this case the original idea for the tune came from a scrap of paper given to me by the Princess of Pembroke Collegein Oxford in 1972.It appears in various subsequent compositions including a tuba quartet and a short story called the Duchess' Tune.
$4.50
4.1 €
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Guitare
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David Warin Solomons
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Professor Burble's 2nd Invention for guitar solo
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David Warin Solomons
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SheetMusicPlus
Clouds
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1267535 By Plamen Petrov. By Plame…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1267535 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Classical,Contemporary. Individual part. 4 pages. Plamen Petrov #860071. Published by Plamen Petrov (A0.1267535). Music will tell you as story.
$4.00
3.64 €
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Guitare
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Plamen Petrov
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Plamen Petrov
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Clouds
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Plamen Petrov
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SheetMusicPlus
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