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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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XYLOPHONE
Turning Page
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36
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56
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10
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4
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4
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2
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1
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1
Orgue
1
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1
Accordéon
1
+ 5 instrumentations
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11
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9
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2
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1
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25
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6
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4
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2
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1
Vents
2 Saxophones (duo)
7
3 Saxophones (trio)
7
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4
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4
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3
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2
2 Hautbois (duo)
2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
Hautbois, Basson (duo)
1
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1
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1
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1
Saxophone (partie séparée)
1
3 Hautbois
1
Ensemble de saxophones
1
2 Flûtes traversières (duo)
1
Piccolo, Piano
1
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1
Flûte, Violon et Violoncelle
1
Flûte traversière
1
Saxophone Alto
1
Saxophone Tenor
1
Flûte, Hautbois, Basson
1
+ 27 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de cuivres: 4 trombones
2
Trombone et Piano
2
Cor anglais, Piano
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
2 Trompettes (duo)
1
Cor et Piano
1
Trompette, Cor (duo)
1
Cor
1
2 Cors (duo)
1
Trompette (partie séparée)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trombones (duo)
1
Euphonium, Piano (duo)
1
Trompette
1
Tuba et Piano
1
Trombone
1
Quatuor de cuivres: 4 cors
1
+ 13 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon, Violoncelle (duo)
6
Violon et Piano
4
Harpe
4
Violoncelle
3
Trio à Cordes: violon, alto, violoncelle
3
Trio à Cordes: 3 violoncelles
2
Violon
2
Alto seul
2
Violoncelle, Piano
2
Violon, Alto (duo)
1
2 Violoncelles (duo)
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
2 Violons (duo)
1
2 Altos (duo)
1
Alto, Piano
1
Alto, Violoncelle (duo)
1
Alto (partie séparée)
1
Harpe, Flûte (duo)
1
+ 15 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
12
Ensemble Jazz
8
Cloches
6
Orchestre
6
Ensemble de cuivres
4
Orchestre de chambre
2
Orchestre à Cordes
2
Batterie
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Guitare
Partitions à imprimer
9 partitions trouvées
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1
Game Of Thrones
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Ramin Djawadi
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Viktoriia Kulykovska
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Game Of Thrones
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Viktoriia Kulykovska
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1191975 By Ramin Djawadi. By Ramin Djawadi. Arranged by Viktoriia Kulykovska. Film/TV. Individual part. 4 pages. Viktori...
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Solo Guitar - Level 4 - SKU: A0.1191975 By Ramin Djawadi. By Ramin Djawadi. Arranged by Viktoriia Kulykovska. Film/TV. Individual part. 4 pages. Viktoriia Kulykovska #791484. Published by Viktoriia Kulykovska (A0.1191975). Suite Games of Thrones, which includes the most famous themes from the work. Arrangement for guitar. Convenient page turning. Arranged by Viktoriia Kulykovska.
$6.00
Big Drum
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568....
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Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
Neve
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eric J Roth
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Neve
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914745 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 6 pages. Eric J Roth #5733799. Published by ...
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Solo Guitar - Level 4 - SKU: A0.914745 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 6 pages. Eric J Roth #5733799. Published by Eric J Roth (A0.914745). Two pages of music.Neve (pronounced NEEV) is an ancestral name within my family, to whom this piece is dedicated. The word appears in multiple languages and has a variety of meanings. In British English, Neve has two definitions, both of which have long been out of common usage. The first definition refers to a younger male relative such as a nephew or grandson. The second refers to a spendthrift. Neve is also found in Irish as a girl’s name. In various Latin and Romance languages, it refers to snow or glaciers. Neve is one of a set of four pieces composed in late 2019 and early 2020. The publication of the entire set is forthcoming, but I am also offering Neve here as a short standalone work. Composed for guitar solo, Neve evokes a young boy’s leisurely daydream. The 3/2 time signature, marked andante, and opening G major tonality convey the sense of a lazy weekend day outside in the woods or by the water. Like many daydreams, Neve starts out simply before wandering off into different moods and ideas. A recurring transitional passage (set as a quasi hemiola) serves to modulate to new tonal areas, each of which has its own distinct character. The brief section in A Dorian is marked con moto and evokes the thoughts of excitement and adventure. This is followed by a contrapuntal section in E minor with hints of Dorian. The mood here is more subdued and perhaps even melancholy. The penultimate section in C# minor (with hints of pentatonic and Phrygian) suggests a longing for faraway exotic places before returning to G major to end the piece.
$2.99
Rock My Soul
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Richard Hirsch
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Rock My Soul
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1444613 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Ragtime,Spiritual,World. I...
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Solo Guitar - Level 4 - SKU: A0.1444613 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Ragtime,Spiritual,World. Individual part. 13 pages. Richard Hirsch #1024507. Published by Richard Hirsch (A0.1444613). I offer an arrangement of the Spiritual “Rock My Soul in the Bosom of Abraham” for acoustic fingerstyle guitar. The arrangement is in the ragtime style of guitar playing reminiscent of Reverend Gary Davis. The melody is played with alternating middle, index, and ring fingers over alternating bases played by the thumb. The melody is repeated in different major keys starting in the key of D and moving through the keys of A , G, and C, returning at the end to D.The arrangement is intended as a fun instructional introduction to the various keys that are good for fingerstyle guitar with alternating bases in normal tuning. There are lots of little ornamentations like pulls-offs, slurs, and trills that liven up the piece and are good practice for the intermediate to advanced student of fingerstyle guitar.I have given Presto as the tempo as that is the tempo in which I first conceived of the arrangement, but the piece can also be played at a slower tempo, i.e. Allegro.In a number of instances in the notation harmonics are marked as sounding one or two octaves higher than notated. These notes are notated and tabulated at the position they are to be found on the fretboard. When played as harmonics they will sound one or two octaves higher.The piece would I think work well also in contexts where the guitarist might like to have some audience participation in the way of hand-clapping of the beat while moving through the various key changes. The piece also works well as a warm-up. I really enjoy playing the piece. It makes my day!
$6.99
Gigue
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eric J Roth
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Gigue
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by ...
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Solo Guitar - Level 4 - SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by Eric J Roth (A0.914743). This Gigue is the finale of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming. In the interim, I am offering three movements – the Passacaglia, Sarabande and Gigue – as single standalone works. I have performed them in my own concert programs both as part of the larger sonata and on their own. I believe that they work equally well both ways. The Gigue form is a lively dance in triple meter that stems from the Irish jig. It probably originated in England and Ireland in the 16th century. In the Baroque period and beyond, composers have often used gigues as the final movement of dance suites. The Gigue offered here is a galloping romp in 6/8 time with eighth notes running throughout most of the piece. It recalls similar gigues by the lutenist Sylvius Leopold Weiss (1687-1750) and the Tarantelle by Johann Kaspar Mertz (1806-1856). (The Tarantella is a similar lively dance form in triple time). Like the Passacaglia, the Gigue uses an E harmonic minor scale with an added (structural) B flat that helps to blur the sense of strict tonality. The second section includes hints of G and B tonal areas before returning to E minor to end the piece.
$2.99
Interrupted Dance (He Who Sings is Not Always Happy)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rocco Di Pietro
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Interrupted Dance
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Rocco Di Pietro
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pie...
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Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00
Spanish Nocturne
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Doug Smith
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Spanish Nocturne
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1253431 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Latin. Individual part. 6 pages. Doug S...
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Solo Guitar - Level 4 - SKU: A0.1253431 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Latin. Individual part. 6 pages. Doug Smith Guitar Studio #847092. Published by Doug Smith Guitar Studio (A0.1253431). Spanish Nocturne is a guitar solo that brings out the special character of the A or 5th string. The melody sets the mood as it begins in the bass and then gently moves to the trebles and develops into an extended arpeggio section before returning in ornamental fashion to highlight the bass strings.
$2.99
Prelude No 3 in C (Streams)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Simon James
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Prelude No 3 in C
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DML
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published ...
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Solo Guitar - Level 4 - SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published by DML (A0.1189167). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece makes extensive use of open strings but is essentially a set of variations. The melody keeps returning but with small alterations as does the accompaniment. There is also a B section in E minor before a return to the opening melody. The return to the opening section has, as a variation, a change in bass and harmony. The original C major7 chord becomes E minor by changing the bass and the E minor chord becomes C major7 in the same fashion. The effect is subtle but attractive and is no harder to play.
$2.99
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