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--INSTRUMENTS--
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42
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23
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5
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2
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Guitare
15
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3
Guitare notes et tablatures
3
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1
Voix
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28
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4
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2
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1
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Saxophone Alto
1
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8
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4
Ensemble de Trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon, Violoncelle (duo)
7
Trio à Cordes: violon, alto, violoncelle
3
Violon
2
Violoncelle, Piano
2
4 Violoncelles
2
Quatuor à cordes: 4 violons
1
Violon et Piano
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
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Harpe
1
Trio à cordes
1
Alto (partie séparée)
1
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Jazz combo
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Ensemble de cuivres
4
Orchestre
3
Orchestre d'harmonie
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNET
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Partitions à imprimer
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1
Jesu Joy Of Man's Desiring BWV 147
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Ba…
(+)
Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages. DML #906815. Published by DML (A0.1318113). Jesu, Joy of Man's Desiring is the popular English title of the chorale from the 1723 Advent cantata Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. This arrangement for guitar quartet follows Bach’s original orchestration as far as possible so the choral sections co-exist with the string parts and basso continuo. It does involve a certain amount of reduction in the original voicings but has retained the cross rhythms in the choral section and bass. It makes this arrangement quite complex to perform but very definitely worth it. The 2nd guitar and 1st guitar do cross over each other but that is in Bach’s original writing and I have not changed it.
$6.99
6.41 €
#
Guitare
#
Johann Sebastian Bach
#
Simon James
#
Jesu Joy Of Man's Desiring BWV 147
#
DML
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.42 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.42 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.42 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Rumores de la Caleta
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1329558 By Isaac Albeniz. By Isaac…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1329558 By Isaac Albeniz. By Isaac Albeniz. Arranged by Nick Mordal. 20th Century,Classical,Latin,Multicultural,Romantic Period,World. Individual part. 3 pages. Nick Mordal #917541. Published by Nick Mordal (A0.1329558). This brilliantly rhythmic piano piece by Albéniz has been transposed up a fifth for guitar. Albéniz wrote this music with the percussion of a guitar in mind. Like another famous Albéniz guitar transcription, Asturias (Leyenda), it fits very nicely on the classical guitar. It is fairly difficult with some quick position shifts and is worth putting time into. Its' sound is a mix between classical and flamenco guitar. This piece has been done by several classical guitarists like Christopher Parkening, and this is my take on it. It features two contrasting sections. The A section is harsh, percussive and very Spanish. The B section is a melodically driven change of pace, before it finishes in a repeat of the A section.
$5.00
4.59 €
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Guitare
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Isaac Albeniz
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Nick Mordal
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Rumores de la Caleta
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Nick Mordal
#
SheetMusicPlus
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander Wilgos #5792131. Published by Aleksander Wilgos (A0.905205). Here is my transcription of Bach's Chorale Prelude BWV 639. The title Ich ruf zu Dir, Herr Jesu Christ means: I call to You, Lord Jesus Christ and is famous for it's simplicity and profoundness. Prelude is composed for organ and it's original tonality in F minor. I transposed it to more guitar friendly tonality D minor.I loved the way Paweł Pawlikowski used the piece in the last scene of his Oscar winning movie Ida, so I took the liberty to transcribe it. It is quite demanding but totally worth an effort. The music is beautiful! Enjoy!Listen my recording of the piece: htpps://www.youtube.com/watch?v=Ep-TqzUGwmACheck out my other transcriptions: htpps://www.youtube.com/user/aleksanderwilgosMore about me: htpps://www.facebook.com/wilgos.guitar/
$6.00
5.51 €
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Guitare
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Johann Sebastian Bach
#
Aleksander Wilgos
#
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
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Aleksander Wilgos
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SheetMusicPlus
Le Mans (For Fingerstyle Guitar Tuned Modified Std. Tuning, with F in the Bass)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.806222 Composed by Ellsworth McMee…
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Solo Guitar - Level 4 - Digital Download SKU: A0.806222 Composed by Ellsworth McMeen. Folk. Individual part. 9 pages. Ellsworth McMeen #4356197. Published by Ellsworth McMeen (A0.806222). El McMeen's First-Prize winning instrumental tune in the 6th Annual International Acoustic Music Awards competition, and among Digitaldreamdoor's top 100 greatest acoustic guitar instrumentals of all time (https://digitaldreamdoor.com/pages/best_songs-acoustic.html) . El has taken the original and arranged it in a more standard guitar tuning (with the bass E string tuned up a half-step to F).El is included in the Digitaldreamdoor listingof the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitaristsLe Mans was recorded (in CGDGAD tuning) on El's CD called Breakout.El's website: http://www.elmcmeen.com
$6.99
6.41 €
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Guitare
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Ellsworth McMeen
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Le Mans
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Ellsworth McMeen
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SheetMusicPlus
Albatross
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1224669 By Fleetwood Mac. By Peter…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1224669 By Fleetwood Mac. By Peter Green. Arranged by Tim Rushworth. 20th Century,Pop,Rock. Individual part. 4 pages. Tim Rushworth #820777. Published by Tim Rushworth (A0.1224669). This is an arrangement of the classic Fleetwood Mac instrumental for solo acoustic guitar. (It also works well on electric guitar.)I have included tab for those who like it, but there is also a version without it available on here as well. (search under my name.)Enjoy.
$5.99
5.5 €
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Guitare
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Fleetwood Mac
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Tim Rushworth
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Albatross
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Tim Rushworth
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SheetMusicPlus
Black And White Rag - guitar duet
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.943128 Composed by George Botsford…
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Solo Guitar - Level 4 - Digital Download SKU: A0.943128 Composed by George Botsford. Arranged by Tim Rushworth. Jazz. Individual part. 7 pages. Tim Rushworth #6116335. Published by Tim Rushworth (A0.943128). This was the theme tune for the BBC TV snooker programme in the 1970's called Pot Black. Originally for piano, I have arranged it here for two guitars. Roughly grades 7 and 5 for parts 1 and 2 respectively. It's a fun piece and should be fun to play with a friend.
$3.99
3.66 €
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Guitare
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George Botsford
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Tim Rushworth
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Black And White Rag - guitar duet
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Tim Rushworth
#
SheetMusicPlus
Summer Idyll
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1236980 By Andrew Howes. By Andrew…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1236980 By Andrew Howes. By Andrew Howes. 20th Century,21st Century,Classical. Individual part. 2 pages. Andrew Howes #832517. Published by Andrew Howes (A0.1236980). This is the finale of my 'Eyeworth Suite' for the classical guitar, and it describes a tranquil, sunny afternoon by Eyeworth Pond in the New Forest, Hampshire, UK, and is written as a response to a seasonal cycle of four poems by my friend, the poet, David Dayson. The work is gentle and reflective but demands a high level of technique as a lot of it takes place around and above the twelfth fret. There will be no 'dusty bits' on your guitar after playing this one! :-)The whole suite is available either as single movements or as a complete work. The complete work is also available with tab. and consists of 'Prelude', 'Autumn', 'Winter', 'Spring' and this movement, the 'Summer Idyll' and intersperses two episocdic, lively movements between the two rhapsodic outer movements, with the doleful Winter in the middle - this does however, have a lively Yule Dance in 6/4 at its heart.
$4.00
3.67 €
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Guitare
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Andrew Howes
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Summer Idyll
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Andrew Howes
#
SheetMusicPlus
Streets Of London
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.943113 Composed by Ralph McTell. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.943113 Composed by Ralph McTell. Arranged by Tim Rushworth. Contemporary. Individual part. 2 pages. Tim Rushworth #4298095. Published by Tim Rushworth (A0.943113). This arrangement for solo guitar, does something which I have not seen before for this well known song. It includes the melody of the song words as well as the guitar accompaniment which is faithful to the original recording. These have been woven together to create a complete version for classical or acoustic steel string guitar. I have omitted tablature in order to eliminate page turns, whilst including enough repeat markings to include all verses, intro, bridge and ending.
$4.99
4.58 €
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Guitare
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Ralph McTell
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Tim Rushworth
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Streets Of London
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Tim Rushworth
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SheetMusicPlus
Song And Dance
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.943117 Composed by Tim Rushworth. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.943117 Composed by Tim Rushworth. Contemporary,Latin,Standards. Individual part. 4 pages. Tim Rushworth #4321487. Published by Tim Rushworth (A0.943117). This piece was written in 2010, but I still enjoy playing it now. I hope you do to.
$4.50
4.13 €
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Guitare
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Tim Rushworth
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Song And Dance
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Tim Rushworth
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SheetMusicPlus
Spring
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1236977 By Andrew Howes. By Andrew…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1236977 By Andrew Howes. By Andrew Howes. 21st Century,Classical,Contemporary. Individual part. 2 pages. Andrew Howes #832513. Published by Andrew Howes (A0.1236977). Spring: The fourth movement from my suite for classical guitar, written as a response to a seasonal cycle of poems by my friend David Dayson, centred on Eyeworth Pond at Fritham in the New Forest.This movement is energetic and capricious, episodic in nature, juxtaposing wind and rain, storm and quietude. It makes use of quartal and triadic harmonies, note-clusters. the remaining movements are available as single-sheet publications or as the complete work, in this case with or without tab.
$4.00
3.67 €
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Guitare
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Andrew Howes
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Spring
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Andrew Howes
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SheetMusicPlus
The Complete Laurindo Almeida Anthology of Guitar Solos
Guitare
Composed by Laurindo Almeida. Edited by Ron Purcell. For Guitar (Classical). Classic. Inte…
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Composed by Laurindo Almeida. Edited by Ron Purcell. For Guitar (Classical). Classic. Intermediate-Advanced. E-book. 176 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781609744083. Laurindo Almeida (1917-1995) belongs to an elite group of Brazilian/American guitarists, who by composing important works for the guitar reinstated the instrument in his native country as worthy of serious musical study. Stylistically, his compositions synthesize his classical background, Afro-Brazilian rhythms, traditional Brazilian music, and American jazz. This collection presents Almeida's solos preserving the original left and right hand fingerings. The fingering is unique and tells us something about his skills as a professional guitarist. It also reflects the Brazilian school of guitar technique in the 1930's. Written in standard notation only.ISBN 9781609744083. Laurindo Almeida (1917-1995) belongs to an elite group of Brazilian/American guitarists, who by composing important works for the guitar reinstated the instrument in his native country as worthy of serious musical study. Stylistically, his compositions synthesize his classical background, Afro-Brazilian rhythms, traditional Brazilian music, and American jazz. This collection presents Almeida's solos preserving the original left and right hand fingerings. The fingering is unique and tells us something about his skills as a professional guitarist. It also reflects the Brazilian school of guitar technique in the 1930's. Written in standard notation only.
$29.99
27.52 €
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Guitare
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Laurindo Almeida
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The Complete Laurindo Almeida Anthology of Guitar Solos
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
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