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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
951
PIANO & CLAVIERS
Piano seul
825
Piano, Voix
108
Piano, Voix et Guitare
64
Instruments en Do
47
Orgue
33
1 Piano, 4 mains
27
2 Pianos, 4 mains
16
Piano Trio: piano, violon, violoncelle
9
Accordéon
3
Piano Facile
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
2
Accompagnement Piano
1
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GUITARES
Guitare
94
Guitare notes et tablatures
72
Piano, Guitare (duo)
38
Basse electrique
21
Dulcimer
12
Ligne De Mélodie, (Paroles) et Accords
9
2 Guitares (duo)
7
Ukulele
5
Mandoline
3
Banjo
3
Ensemble de guitares
1
2 Dulcimers (duo)
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Paroles et Accords
1
Instrumentations suivantes
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VOIX
Chorale SATB
134
Chorale TTBB
20
Chorale 3 parties
18
Chorale SSAA
17
Voix Soprano, Piano
10
Chorale Unison
7
Voix duo
5
Voix seule
4
Voix Baryton, Piano
3
Chorale 2 parties
3
Voix Soprano
3
Voix Tenor
2
Voix duo, Piano
2
Voix haute
2
Voix Tenor, Piano
2
Voix Alto, Piano
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
147
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
144
Quintette de Saxophone: 5 saxophones
127
Flûte, Hautbois, Clarinette, Basson
127
Quatuor de Clarinettes: 4 clarinettes
113
Clarinette et Piano
95
Flûte traversière et Piano
88
2 Saxophones (duo)
78
Hautbois, Piano (duo)
75
Saxophone Alto et Piano
68
Ensemble de saxophones
55
Saxophone Tenor et Piano
50
Flûte traversière
37
Clarinette
31
Ensemble de Clarinettes
31
2 Clarinettes (duo)
28
2 Flûtes traversières (duo)
26
Quatuor de Flûtes : 4 flûtes
25
Saxophone Alto
23
Ensemble de Flûtes
21
Saxophone Tenor
21
Saxophone, Clarinette (duo)
17
Clarinette, Violon (duo)
13
Saxophone Soprano et Piano
13
Flûte, Clarinette (duo)
12
Quintette de Clarinettes: 5 clarinettes
10
Flûte, Violon
8
Trio de Flûtes: 3 flûtes
8
Quintette de Flûte : 5 flûtes
8
Hautbois (partie séparée)
7
Hautbois, Basson (duo)
7
Clarinette, Trompette (duo)
7
Flûte, Alto (duo)
7
3 Saxophones (trio)
6
Clarinette et Alto
6
Flûte, Saxophone (duo)
6
3 Clarinettes (trio)
6
2 Hautbois (duo)
6
Hautbois, Flûte
5
Flûte et Guitare
5
Flûte, Trompette (duo)
5
Flûte à Bec
4
Hautbois, Clarinette (duo)
4
Flûte, Clarinette et Basson
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Violoncelle
3
Clarinette, Guitare (duo)
3
Clarinette Basse, Piano
3
Flûte, Hautbois, Basson
2
Flûte, Violon, Piano
2
Flûte irlandaise
2
Clarinette (partie séparée)
2
Flute (partie séparée)
2
Saxophone Baryton, Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte à bec Soprano
2
Saxophone (partie séparée)
2
Saxophone et Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte traversière, Orgue (duo)
1
3 Flûtes à bec (trio)
1
4 Hautbois
1
Hautbois, Violon, Piano
1
2 Flûte à bec (duo)
1
Saxophone et Orgue
1
Cor anglais, Piano
1
Flûte, Clarinette, Violon (trio)
1
Saxophone Soprano
1
Clarinette, Violoncelle (duo)
1
Hautbois
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Alto
1
Clarinette Basse
1
Saxophone
1
Flûte et Quatuor à Cordes
1
Clarinette, Basson (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
111
Quatuor de Cuivres : 2 trompettes, trombone, tuba
75
Trombone et Piano
70
Trompette
60
Trompette, Piano
46
Trombone
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Ensemble de Trompettes
18
Quatuor de Cuivres
16
Ensemble de Trombones
16
Trompette (partie séparée)
13
Cor et Piano
13
Trompette, Saxophone (duo)
13
Quatuor de cuivres: 4 cors
11
2 Trombones (duo)
9
2 Trompettes (duo)
9
Trompette, Trombone (duo)
7
Quatuor de cuivres: 4 trombones
7
Tuba et Piano
6
Tuba
6
2 Cors (duo)
5
2 Euphoniums et 2 Tubas
5
3 Cors (trio)
4
Ensemble de Cors
4
3 Trombones (trio)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium, Piano (duo)
2
Cor
2
Quatuor de cuivres: 4 trompettes
2
Trombone (partie séparée)
2
Euphonium
2
Trompette, Tuba (duo)
1
Trombone, Tuba (duo)
1
Cor (partie séparée)
1
Tuba et Orgue
1
Trombone, Orgue
1
Cor anglais, Piano
1
2 Euphoniums (duo)
1
Euphonium, Tuba (duo)
1
4 Tubas
1
2 Tubas (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
283
Violon et Piano
100
Violon, Violoncelle (duo)
100
Violoncelle, Piano
66
Alto, Piano
66
Violoncelle
61
Harpe
58
Violon
55
Trio à Cordes: violon, alto, violoncelle
51
2 Violoncelles (duo)
40
Trio à Cordes: 2 violons, violoncelle
28
2 Violons (duo)
25
Violon, Alto (duo)
21
2 Harpes (duo)
14
Alto seul
12
2 Altos (duo)
10
Ensemble de Violons
8
Ensemble d'Altos
7
4 Violoncelles
7
Alto (partie séparée)
7
Trio à cordes: 3 violins
6
Trio à Cordes: 3 violoncelles
6
Contre Basse
5
Violon, Guitare (duo)
5
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe, Voix
4
Violon (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à cordes: 3 altos
3
Alto, Violoncelle (duo)
3
Violoncelle, Contrebasse (duo)
2
Alto, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Flûte (duo)
2
Violon, Tuba (duo)
1
2 Contrebasses (duo)
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes : 4 altos
1
2 Altos, Piano
1
Ensemble de Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
136
Orchestre à Cordes
119
Ensemble Jazz
87
Orchestre
72
Ensemble de cuivres
69
Orchestre de chambre
52
Fanfare
21
Jazz combo
16
Batterie
14
Ensemble de Percussions
14
Cloches
12
2 Xylophones
4
Vibraphone
4
Marimba
3
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
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Playing - The Guitar Styles & Techniques Of Noël Akchoté
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.926373 Composed by Noël Akchot…
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Solo Guitar - Level 4 - Digital Download SKU: A0.926373 Composed by Noël Akchoté. Instructional,Jazz,Standards. Individual part. 108 pages. Noel Akchote Downloads & Books #708311. Published by Noel Akchote Downloads & Books (A0.926373). Noël Akchoté : Playing (The Guitar Styles & Techniques Of ), (NA Books 001) 107 Pages, Music Transcriptions from Noël Akchoté's Guitar Solos as Played on The Albums Green Lands, Picture(s), Plays The Music Of Ornette Coleman, Lust Corner, I Never Meta Guitar, So Lucky, Meeting R.T., Alike Joseph, Now Playing (Contemporary Jazz Guitar - Plus Original Compositions, Texts, Interview and Selected Licks ⓒ Noël Akchoté Downloads / NA Books 001 - 2016.
$15.00
13.72 €
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Guitare
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Noël Akchoté
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Playing - The Guitar Styles & Techniques Of Noël Akchoté
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Noel Akchote Downloads & Books
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.29 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
A romance without the words "I'm trying to forget you."
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.978116 Composed by Valery Dzyabenk…
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Solo Guitar - Level 4 - Digital Download SKU: A0.978116 Composed by Valery Dzyabenko. Contemporary,Country,Standards,World. Individual part. 6 pages. Valery Dzyabenko #5347637. Published by Valery Dzyabenko (A0.978116). A romance without words. Composition for classical guitar in three small parts. Love theme.
$3.00
2.74 €
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Guitare
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Valery Dzyabenko
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A romance without the words "I'm trying to forget you."
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Valery Dzyabenko
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SheetMusicPlus
IL SATIRO DANZANTE - Solo Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985881. Published by LINCOLN BRADY (A0.802998). Inspired by the true story of the ancient greek statue - 'DANCING SATYR' (in Mazara del Vallo) - discovered by fishermen off the coast of Sicily in 1998 after having lain on the Mediterranean ocean floor for over 2,000 years. Following five years of careful refurbishment in Rome's 'Istituto Centrale per il Restauro' this amazing bronze statue, probably from the school of Praxiteles, was restored almost to its former glory with its head and torso remaining largely intact, incredibly! The 'Dancing Satyr' was then taken on a global tour, including Japan and the Louvre in Paris, where it drew very large crowds capturing the world's imagination. It is now housed in a purpose-built museum in Sicily - 'Museo del Satiro'. The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$9.99
9.14 €
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Guitare
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guitar
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LINCOLN BRADY
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SheetMusicPlus
IL SATIRO DANZANTE - Solo Guitar
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1135186 By LINCOLN BRADY. By LINCOLN BR…
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Guitar - Level 4 - Digital Download SKU: A0.1135186 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Classical,Multicultural,World. Full Performance. Duration 403. LINCOLN BRADY #735224. Published by LINCOLN BRADY (A0.1135186). Http://www.sheetmusicplus.com/title/il-satiro-danzante-digital-sheet-music/20229001?ac=1&_requestid=2340691 The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$2.99
2.74 €
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Guitare
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LINCOLN BRADY
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guitar
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LINCOLN BRADY
#
SheetMusicPlus
Kapsberger
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1263239 Composed by GIOVANNI GIROL…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1263239 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme Oliveira e Alexandre Ribeiro. Baroque,Early Music,Renaissance. Individual part. 4 pages. Joabe Guilherme Oliveira #856198. Published by Joabe Guilherme Oliveira (A0.1263239). It is with great pleasure that we present the piece entitled Kapsberger. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Kapsberger showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Kapsberger is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Kapsberger provides.
$1.99
1.82 €
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Guitare
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GIOVANNI GIROLAMO KAPSBERGER
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Kapsberger
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Joabe Guilherme Oliveira
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SheetMusicPlus
Deseo volar contigo , I wish to fly away with you
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.978000 Composed by Alfred Feenstra…
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Solo Guitar - Level 4 - Digital Download SKU: A0.978000 Composed by Alfred Feenstra. 20th Century,Concert,World. Individual part. 4 pages. Alfred Feenstra #4982235. Published by Alfred Feenstra (A0.978000). A romantic classical guitar piece, written by Alfred and played in the video clip by Thu Le (Vietnam).Tip for playing it with heart and soul is imagen to fly on top of a bird enjoying the smooth flight and movement of its wings and enjoying an amazing nice landscape from above.
$5.00
4.57 €
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Guitare
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Alfred Feenstra
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Deseo volar contigo , I wish to fly away with you
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Alfred Feenstra
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.4 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.4 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.4 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Carson Cooman: Giant Colored Bird (2004) for solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.533593 Composed by Carson Cooman. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.533593 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 5 pages. Musik Fabrik Music Publishing #3029403. Published by Musik Fabrik Music Publishing (A0.533593). Giant Colored Bird (2004) for solo guitar was written for and is dedicated to guitarist KarinSchaupp. It is inspired by her brilliant and creative playing of a wide range of guitarliterature.The title refers to a vivid mental image of a large, brilliantly colored bird in the wild: bothflying and unfurling its wings, while looking out over a beautiful landscape. Giant ColoredBird is thus a joyous celebration of color and warmth.Using the open strings of the guitar as a starting points for harmonic excursions, the piece iscast in three sections -- two moderate tempo sections, surrounding a slower and grandersection.
$11.95
10.93 €
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Guitare
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Carson Cooman
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Carson Cooman: Giant Colored Bird
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Musik Fabrik Music Publishing
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SheetMusicPlus
Serenata Española. New completely revised and fingered edition based on original sources,
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1449751 Composed by Joaquín Malat…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1449751 Composed by Joaquín Malats (1872 - 1912). Arranged by Pedro Jesús Gómez (arranger) & Juan Velázquez (editor). 19th Century,Romantic Period. Individual part. 12 pages. Pedro Jesús Gómez Lorente #1029511. Published by Pedro Jesús Gómez Lorente (A0.1449751). Joaquín Malats's Serenata Española was premiered at the Salon Érard in Barcelona on 22 September 1891,[1] and was published by Zozaya a year later. Despite what it may seem from the initial title on the cover of the Suite Impresiones de España, this work was never performed as a suite for orchestra. Originally conceived as a collection in which the Serenade was the second of the pieces, only this one was published in addition to the first one: Danza. Joaquim Malats performed these two compositions in numerous concerts as part of the Suite Impresiones de España,[2] however, he neither published them as a unitary corpus, nor did the ochestral version see the light. The suite was initially dedicated to the great writer Benito Pérez Galdós, who was also a personal friend of the composer. This edition aims to provide a new vision of the work by contrasting the first two arrangements that were made, by Tárrega and by his disciple Severino García Fortea, with the original piano source, paying special attention to include agogics, dynamics and phrasing arcs indications in the piano font and to the maintenance of the original structure of the work. [1] «Joaquín Malats i Miarons», Real Academia de la Historia (blog), Last accessed April 12th 2024, https://dbe.rah.es/biografias/12709/joaquin-malats-i-miarons 2024-04-12.[2] Joaquín Malats, Impresiones de España. Suite de orquesta (Madrid: Zozaya, 1892).
$8.50
7.78 €
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Guitare
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Joaquín Malats
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Serenata Española. New completely revised and fingered edition based on original sources,
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Pedro Jesús Gómez Lorente
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SheetMusicPlus
Romance Anonimo (tremolo) for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
1.82 €
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Guitare
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Anon
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Keith Terrett
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Romance Anonimo
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Keith Terrett
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SheetMusicPlus
Gnossienne No.1
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1285403 Composed by Erik Satie. Ar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1285403 Composed by Erik Satie. Arranged by Andrew Howes. 20th Century,Romantic Period,Standards. Individual part. 3 pages. Andrew Howes #876523. Published by Andrew Howes (A0.1285403). An arrangement of this famous piano solo for classical guitar, employing some very pleasant techniques. UK Grade VII or above. Also available with tab.
$3.00
2.74 €
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Guitare
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Erik Satie
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Andrew Howes
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Gnossienne No.1
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Andrew Howes
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SheetMusicPlus
Silent Night for Solo Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1110347 Composed by Franz Xaver Gr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1110347 Composed by Franz Xaver Gruber. Arranged by David F Wainwright. Christmas,Classical,Religious. Individual part. 1 pages. D F Wainwright #712683. Published by D F Wainwright (A0.1110347). This is a special arrangement for solo guitar which, while retaining the calm beauty of the original carol, gives the chance for the guitarist to display their talent. The first verse uses standard harmony with the second verse employing more lush chording.
$8.99
8.22 €
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Guitare
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Franz Xaver Gruber
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David F Wainwright
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Silent Night for Solo Guitar
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D F Wainwright
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SheetMusicPlus
Big Drum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.56 €
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Guitare
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Matmata de profundis for guitar solo
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.576088 Composed by David Warin Sol…
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Solo Guitar - Level 4 - Digital Download SKU: A0.576088 Composed by David Warin Solomons. 20th Century,Multicultural,World. Individual part. 2 pages. David Warin Solomons #2030527. Published by David Warin Solomons (A0.576088). A reflection for guitar solo composed while staying in one of the troglodyte dwellings (hotels!) in Matmata, Tunisia. The title De Profundis (= out of the depths) relates not only to the physical underground nature of the place but also to more personal feelings. Performed here by András Csáki.
$8.00
7.32 €
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Guitare
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David Warin Solomons
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Matmata de profundis for guitar solo
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David Warin Solomons
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SheetMusicPlus
The Old Rugged Cross
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.938080 Composed by George Bennard.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.938080 Composed by George Bennard. Arranged by Bruce J. Patterson. Christian,Gospel,Jewish,Sacred. Individual part. 3 pages. In His Name Music/SESAC #59105. Published by In His Name Music/SESAC (A0.938080). The Old Rugged Cross is arranged for classical guitar and is included in my book, Classic Hymns for Classical Guitar. The Old Rugged Cross is a favorite hymn arranged for solo classical guitar. This hymn is arranged to accommodate guitarists with a skill level of advanced intermediate to early advanced level. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. My arrangement preserves the unique style of the original composer and is adapted and modified for guitar to produce a worshipful expression of thanks to Jesus for dying on the Old Rugged Cross for us all.
$3.99
3.65 €
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Guitare
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George Bennard
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Bruce J
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The Old Rugged Cross
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In His Name Music/SESAC
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SheetMusicPlus
Tell My Wife I Love Her... a Soldier's Tale
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.942064 Composed by Apostolos Paras…
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Solo Guitar - Level 4 - Digital Download SKU: A0.942064 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Film/TV. Individual part. 6 pages. Silver Sickle Publications #4755271. Published by Silver Sickle Publications (A0.942064). The last words of a dying soldier, his last 5 minutes. A lament full of love, of beautiful memories and theeminent shadow of Death. His simple melody unfolds through variations of agony and ecstasy. The endcomes closer and closer as his heart beat ascends and descends until with its last beat says ...I love you...Lamentations are a eulogy to love not to death and we lament because we love life. Death needs life toexist but not vice versa.
$8.99
8.22 €
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Guitare
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Apostolos Paraskevas
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Tell My Wife I Love Her... a Soldier's Tale
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Silver Sickle Publications
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SheetMusicPlus
Ili ili, tulog anay for guitar solo
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1014957 Composed by Benedic Justin…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1014957 Composed by Benedic Justine Velasco. Children,Contemporary,Standards,World. Individual part. 3 pages. Benedic Justine Velasco #4574099. Published by Benedic Justine Velasco (A0.1014957). Ili ili, tulog anay is a Philippine folk song from the Visayan region. It talks about a crying infant being consoled because his mother just went out to buy bread.
$4.99
4.56 €
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Guitare
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Benedic Justine Velasco
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Ili ili, tulog anay for guitar solo
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Benedic Justine Velasco
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SheetMusicPlus
Autumn In New England
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1011239 Composed by Kevin Rees. Ar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1011239 Composed by Kevin Rees. Arranged by Kevin Rees. 20th Century,Contemporary. Individual part. 3 pages. Kevin Rees #3096155. Published by Kevin Rees (A0.1011239). Autumn In New England is a work for solo classical guitar. I originally composed this while studying at Berklee, after being inspired by the Fall scenery in Boston Public Gardens.
$2.99
2.74 €
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Guitare
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Kevin Rees
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Kevin Rees
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Autumn In New England
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Kevin Rees
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SheetMusicPlus
A Journey on Strings
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1159570 Composed by Geoff Sawyer. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.1159570 Composed by Geoff Sawyer. Classical,Contemporary. Individual part. 16 pages. Geoff Sawyer #759829. Published by Geoff Sawyer (A0.1159570). 7 original pieces for classical guitar. Â I received early inspiration for a few of these pieces while studying with John Marlow (AU), and more recently with Larry Snitzler (GMU), who were both mentored by Andres Segovia. Â My composition instructers included Russell Woolen (CU), and Glenn Smith (GMU).
$24.99
22.86 €
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Guitare
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Geoff Sawyer
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A Journey on Strings
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Geoff Sawyer
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SheetMusicPlus
Arpeggio upon the tempo of the lonely cricket
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1107753 By Angelos Tsoutsis. By Angelos…
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Guitar - Level 4 - Digital Download SKU: A0.1107753 By Angelos Tsoutsis. By Angelos Tsoutsis. Arranged by Angelos Tsoutsis. Classical,Contemporary. 18 pages. Angelos tsoutsis #710379. Published by angelos tsoutsis (A0.1107753). 4 guitars trying to represent what I experienced in late September a few years ago ,while listening the chant of the last cricket of my area.
$19.99
18.29 €
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Guitare
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Angelos Tsoutsis
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Angelos Tsoutsis
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Arpeggio upon the tempo of the lonely cricket
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angelos tsoutsis
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SheetMusicPlus
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