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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR ANGLAIS
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DEEJAY
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
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MANDOLINE
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1
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VOIX
Chorale SATB
77
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9
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4
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1
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1
Voix duo
1
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Chorale Unison
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VENTS
2 Saxophones (duo)
111
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62
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59
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41
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33
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28
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26
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23
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23
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21
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21
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20
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20
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20
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20
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19
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18
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17
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17
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17
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16
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16
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15
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15
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14
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13
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12
Hautbois, Piano (duo)
12
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10
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9
Quintette de Clarinettes: 5 clarinettes
9
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8
Saxophone Alto
5
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5
Clarinette
5
Flûte et Guitare
5
Saxophone Tenor
4
Flûte traversière
4
Clarinette Basse, Piano
4
Flûte à bec Soprano
3
Quintette de Flûte : 5 flûtes
3
Clarinette, Basson (duo)
2
Cor anglais, Piano
2
Hautbois
2
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2
Saxophone Baryton
2
Saxophone Soprano
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone et Orgue
2
Flûte à Bec
2
Flûte, Violoncelle
1
Hautbois, violon (duo)
1
Flûte à bec Alto, Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois (duo)
1
5 Flûtes à bec
1
Saxophone
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trompette, Saxophone (duo)
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Trompette, Trombone (duo)
26
2 Trompettes (duo)
24
2 Trombones (duo)
22
Trombone et Piano
13
Trompette
13
Cor et Piano
10
Ensemble de Trombones
9
Trompette, Piano
9
Tuba et Piano
9
Ensemble de Trompettes
8
Trombone
7
Quatuor de cuivres: 4 trombones
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Tuba
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 cors
3
Euphonium, Piano (duo)
3
Cor
2
Cor anglais, Piano
2
Quatuor de Cuivres
2
Trombone basse et Piano
1
Bass Clef Instruments
1
Euphonium, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
2 Cors (duo)
1
3 Trombones (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
123
Violon, Violoncelle (duo)
61
2 Violons (duo)
35
Violon, Alto (duo)
29
2 Violoncelles (duo)
27
Violon et Piano
22
Trio à Cordes: violon, alto, violoncelle
21
Harpe
19
2 Altos (duo)
19
Violoncelle
15
Violoncelle, Piano
14
Alto, Piano
12
Violon
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Trio à Cordes: 2 violons, violoncelle
10
Contrebasse, Piano (duo)
5
Alto seul
4
Ensemble d'Altos
3
Ensemble de Violons
3
Trio à cordes: 3 altos
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Contre Basse
2
Quatuor à cordes : 4 altos
2
Harpe, Voix
1
4 Contrebasses
1
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
Ensemble de Violoncelles
1
4 Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violon (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
56
Orchestre
39
Ensemble de cuivres
35
Orchestre de chambre
32
Orchestre à Cordes
31
Orchestre d'harmonie
29
Fanfare
8
Jazz combo
8
Batterie
3
Ensemble de Percussions
3
Cloches
2
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AUTRES
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Guitare
Partitions à imprimer
46 partitions trouvées
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26
Don't Get Around Much Anymore
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1327985 Composed by Bob Russell an…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #915991. Published by Christopher J. Malin (A0.1327985). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington's finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I realise there are 90 versions of this piece. But for the solo jazz guitarist this is the coolest out there! Hand written and tried and true. Sweep the Fmaj.7th and your guitar will get the right feeling of the clarinet line!
$7.00
6.4 €
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Guitare
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Bob Russell and Duke Ellington
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Christopher J
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Don't Get Around Much Anymore
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Christopher J. Malin
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SheetMusicPlus
Morenita Do Brazil
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1469463 Composed by Giuseppe Farra…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1469463 Composed by Giuseppe Farrauto. Arranged by Andrew Howes. 20th Century,Latin. Individual part. 2 pages. Andrew Howes #1047491. Published by Andrew Howes (A0.1469463). A reduction of this catchy Latin-American guitar duet for solo classical guitar in case you'd like to play it on your own. I arranged it for myself as a busking/café number for an upcoming gig.
$5.00
4.57 €
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Guitare
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Giuseppe Farrauto
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Andrew Howes
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Morenita Do Brazil
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Andrew Howes
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SheetMusicPlus
Don't Get Around Much Anymore
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1271539 Composed by Bob Russell an…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1271539 Composed by Bob Russell and Duke Ellington. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Individual part. 2 pages. John Fries #863938. Published by John Fries (A0.1271539). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942. Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.
$4.99
4.56 €
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Guitare
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Bob Russell and Duke Ellington
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John Fries
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Don't Get Around Much Anymore
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John Fries
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SheetMusicPlus
Until I Found You
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1402632 By Stephen Sanchez. By Emi…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1402632 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 4 pages. Antonius Agung Setiawan #985856. Published by Antonius Agung Setiawan (A0.1402632). Until I Found YouBy Stephen SanchezSolo guitar arrangement by Antonius Agung SetiawanUse a capo on the 10th fret (can be lowered if necessary)This arrangement is suitable for playing on electric guitar or steel string cutaway acoustic guitarFingerstyle guitar arrangement, Easy to playTo see more of my work, please visit https://linktr.ee/pakagung
$5.75
5.26 €
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Guitare
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Stephen Sanchez
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Antonius Agung Setiawan
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Until I Found You
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Antonius Agung Setiawan
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SheetMusicPlus
Say You Won't Let Go
Guitare
Guitar - Level 4 - Digital Download SKU: A0.787809 By James Arthur. By Andrew Framp…
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Guitar - Level 4 - Digital Download SKU: A0.787809 By James Arthur. By Andrew Frampton, Daniel O'Donoghue, James Arthur, Mark Sheehan, Neil Ormandy, Stephen Kipner, and Steve Solomon. Arranged by Antonius Agung Setiawan. Contemporary,Pop. 6 pages. Antonius Agung Setiawan #3693101. Published by Antonius Agung Setiawan (A0.787809). Say You Won't Let Go by James ArthurDuet guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to play, Tablature includedTo see more of my work, please visit https://linktr.ee/pakagung
$5.75
5.26 €
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Guitare
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James Arthur
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Antonius Agung Setiawan
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Say You Won't Let Go
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Antonius Agung Setiawan
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SheetMusicPlus
If Ever You're In My Arms Again
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1492824 By Peabo Bryson. By Cynthi…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1492824 By Peabo Bryson. By Cynthia Weil, Michael Masser, and Tom Snow. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 8 pages. Antonius Agung Setiawan #1069510. Published by Antonius Agung Setiawan (A0.1492824). Solo guitar arrangementFingerstyle guitar arrangementEasy to playTablature includedTo see more of my work, please visit https://linktr.ee/pakagung
$6.25
5.71 €
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Guitare
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Peabo Bryson
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Antonius Agung Setiawan
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If Ever You're In My Arms Again
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Antonius Agung Setiawan
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SheetMusicPlus
If Ever You're In My Arms Again
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1492825 By Peabo Bryson. By Cynthi…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1492825 By Peabo Bryson. By Cynthia Weil, Michael Masser, and Tom Snow. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 5 pages. Antonius Agung Setiawan #1069511. Published by Antonius Agung Setiawan (A0.1492825). Solo guitar arrangementFingerstyle guitar arrangementEasy to playTo see more of my work, please visit https://linktr.ee/pakagung
$6.25
5.71 €
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Guitare
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Peabo Bryson
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Antonius Agung Setiawan
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If Ever You're In My Arms Again
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Antonius Agung Setiawan
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SheetMusicPlus
Forever Young
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1497475 Composed by Bernhard Lloyd…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1497475 Composed by Bernhard Lloyd, Frank Mertens, and Marian Gold. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 4 pages. Antonius Agung Setiawan #1073888. Published by Antonius Agung Setiawan (A0.1497475). Solo guitar arrangementFingerstyle guitar arrangementEasy to playTo see more of my work, please visit https://linktr.ee/pakagung
$6.25
5.71 €
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Guitare
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Bernhard Lloyd, Frank Mertens, and Marian Gold
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Antonius Agung Setiawan
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Forever Young
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Antonius Agung Setiawan
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SheetMusicPlus
Forever Young
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1497474 Composed by Bernhard Lloyd…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1497474 Composed by Bernhard Lloyd, Frank Mertens, and Marian Gold. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 6 pages. Antonius Agung Setiawan #1073887. Published by Antonius Agung Setiawan (A0.1497474). Solo guitar arrangementFingerstyle guitar arrangementEasy to playTablature includedTo see more of my work, please visit https://linktr.ee/pakagung
$6.25
5.71 €
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Guitare
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Bernhard Lloyd, Frank Mertens, and Marian Gold
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Antonius Agung Setiawan
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Forever Young
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Antonius Agung Setiawan
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SheetMusicPlus
Heart From Your Hate
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1232412 By Trivium. By Corey Beaul…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1232412 By Trivium. By Corey Beaulieu, Matthew Heafy, and Paolo Gregoletto. Arranged by Patommavat Thammachard. 21st Century,Classical,Pop,Rock,Singer/Songwriter. Individual part. 5 pages. PTNote Music #828101. Published by PTNote Music (A0.1232412). The message of this piece is astonisting. Trivium absolutely one of favorites in my metal world. This arrangement is for solo guitar, which more suitable for intermediate and Advance players. Patommavat Thammachard (PTNoteMusic).
$13.90
12.71 €
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Guitare
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Trivium
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Patommavat Thammachard
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Heart From Your Hate
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PTNote Music
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.28 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.4 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.4 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.4 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Asturias (Leyenda) - Classical Guitar Ver.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1124819 Composed by Isaac Albeniz.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1124819 Composed by Isaac Albeniz. Arranged by Padet Netpakdee. 19th Century,Classical,Traditional. Individual part. 8 pages. Padet NEtpakdee #725590. Published by Padet NEtpakdee (A0.1124819). Asturias (Leyenda) - Classical Guitar Ver. If you're looking for a newer & fresh interpretation on this iconic repertoire, you are in the right place. This Asturias version is arranged based on the original piano version without changing the typical guitar version's key, Em. Therefore, if you have already learnt the regular version of the piece, you wouldn't have to do much more of the extra work in order to play this version. The overall concept of this specific version is to capture the impressionism aspect of the piece rather than the guitaristic stand point. This, when played properly, gives you a serenity and impressionistic atmospheric aspect of Albeniz music in general.
$4.99
4.56 €
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Guitare
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Isaac Albeniz
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Padet Netpakdee
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Asturias
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Padet NEtpakdee
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SheetMusicPlus
IL SATIRO DANZANTE - Solo Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985881. Published by LINCOLN BRADY (A0.802998). Inspired by the true story of the ancient greek statue - 'DANCING SATYR' (in Mazara del Vallo) - discovered by fishermen off the coast of Sicily in 1998 after having lain on the Mediterranean ocean floor for over 2,000 years. Following five years of careful refurbishment in Rome's 'Istituto Centrale per il Restauro' this amazing bronze statue, probably from the school of Praxiteles, was restored almost to its former glory with its head and torso remaining largely intact, incredibly! The 'Dancing Satyr' was then taken on a global tour, including Japan and the Louvre in Paris, where it drew very large crowds capturing the world's imagination. It is now housed in a purpose-built museum in Sicily - 'Museo del Satiro'. The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$9.99
9.13 €
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Guitare
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guitar
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LINCOLN BRADY
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SheetMusicPlus
The More I See You
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899346 Composed by Harry Warren. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899346 Composed by Harry Warren. Arranged by Gerald Schleicher. Contemporary. Individual part. 2 pages. Gerald Schleicher #4110785. Published by Gerald Schleicher (A0.899346).
$4.99
4.56 €
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Guitare
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Harry Warren
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Gerald Schleicher
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The More I See You
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Gerald Schleicher
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SheetMusicPlus
Neve
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914745 Composed by Eric J Roth. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914745 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 6 pages. Eric J Roth #5733799. Published by Eric J Roth (A0.914745). Two pages of music.Neve (pronounced NEEV) is an ancestral name within my family, to whom this piece is dedicated. The word appears in multiple languages and has a variety of meanings. In British English, Neve has two definitions, both of which have long been out of common usage. The first definition refers to a younger male relative such as a nephew or grandson. The second refers to a spendthrift. Neve is also found in Irish as a girl’s name. In various Latin and Romance languages, it refers to snow or glaciers. Neve is one of a set of four pieces composed in late 2019 and early 2020. The publication of the entire set is forthcoming, but I am also offering Neve here as a short standalone work. Composed for guitar solo, Neve evokes a young boy’s leisurely daydream. The 3/2 time signature, marked andante, and opening G major tonality convey the sense of a lazy weekend day outside in the woods or by the water. Like many daydreams, Neve starts out simply before wandering off into different moods and ideas. A recurring transitional passage (set as a quasi hemiola) serves to modulate to new tonal areas, each of which has its own distinct character. The brief section in A Dorian is marked con moto and evokes the thoughts of excitement and adventure. This is followed by a contrapuntal section in E minor with hints of Dorian. The mood here is more subdued and perhaps even melancholy. The penultimate section in C# minor (with hints of pentatonic and Phrygian) suggests a longing for faraway exotic places before returning to G major to end the piece.
$2.99
2.73 €
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Guitare
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Eric J Roth
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Neve
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Eric J Roth
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SheetMusicPlus
The Vampire: A Dramatic Theme
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
3.65 €
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Guitare
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
Menuet (from the Anna Magdalena notebooks)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1444681 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1444681 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024546. Published by Rodrigo Faleiros (A0.1444681). Elevate your classical guitar skills with this intermediate-advanced level arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks. This sheet music intricately incorporates specific techniques such as ascending and descending slurs, chords, and barres, offering a comprehensive learning experience. Complete with fingerings, this arrangement is designed to challenge and refine your technical prowess and musicality.Key Features: Intermediate-Advanced Level: A step up for those ready to tackle more demanding guitar techniques and complex musical phrases. Advanced Techniques: Master the art of slurs, chords, and barres with an arrangement that emphasizes these essential guitar skills. Fingerings Included: Detailed fingerings are provided to ensure precision and ease of play, allowing you to focus on the execution of advanced techniques. This “Menuet” arrangement is a testament to the depth and versatility of the classical guitar, inviting you to push your boundaries and discover the nuances of Bach’s celebrated composition.For more arrangements that incorporate advanced guitar techniques, click here to further your mastery of the instrument.
$3.99
3.65 €
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Guitare
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Johann Sebastian Bach
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Rodrigo Faleiros
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Menuet
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Rodrigo Faleiros
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SheetMusicPlus
My Love is Like a Red, Red Rose (Solo Guitar Version)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1135557 By Traditional Scotland (R…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1135557 By Traditional Scotland (Robert 'Rabbie' Burns). By Traditional (text by Robert 'Rabbie' Burns). Arranged by Dan Jones www.danjonesguitarist.com. Celtic,Classical,Irish,Traditional. Individual part. 6 pages. DanJonesGuitarist #735611. Published by DanJonesGuitarist (A0.1135557). My Love is Like a Red, Red Rose Traditional, Scotland - After Robert 'Rabbie' Burns Arranged for solo guitar by Dan Jones www.danjonesguitarist.com This iconic song, set here in an instrumental version for solo guitar, has a text by the great Scots poet, Robert 'Rabbie' Burns. The tune is believed to have been inspired by traditional sources. This version is suitable for more advanced players. The verses are set with the melody appearing in the top line, and then in the bass. A score is provided in notes and TAB, and in a version with just notes. It is perfect for concerts, background music, weddings and encores. I have also arranged this tune for easy guitar quartet. A YouTube video of this arrangement will be available before the end of 2022. For a wealth of music for solo guitar, guitar in ensemble, teaching material, writings and much more, please visit: www.danjonesguitarist.com Thank you, and I hope you enjoy My Love is Like a Red, Red Rose.
$4.95
4.53 €
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Guitare
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Traditional Scotland
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Dan Jones www
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My Love is Like a Red, Red Rose
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DanJonesGuitarist
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SheetMusicPlus
IL SATIRO DANZANTE - Solo Guitar
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1135186 By LINCOLN BRADY. By LINCOLN BR…
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Guitar - Level 4 - Digital Download SKU: A0.1135186 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Classical,Multicultural,World. Full Performance. Duration 403. LINCOLN BRADY #735224. Published by LINCOLN BRADY (A0.1135186). Http://www.sheetmusicplus.com/title/il-satiro-danzante-digital-sheet-music/20229001?ac=1&_requestid=2340691 The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$2.99
2.73 €
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Guitare
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LINCOLN BRADY
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guitar
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LINCOLN BRADY
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SheetMusicPlus
Ain't Nobody
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.746230 By Chaka Khan. By David Wol…
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Solo Guitar - Level 4 - Digital Download SKU: A0.746230 By Chaka Khan. By David Wolinski. Arranged by Michael Pilley. R & B. Individual part. 3 pages. Michael Pilley Music #5354301. Published by Michael Pilley Music (A0.746230). One of Chaka Khan's most loved songs, Ain't Nobody is a Grammy award winning synth fueled funk tune every cover band must have in their arsenal. This is a direct transcription of the guitar part on the recording, and engraved professionally to easily read down in a session.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$5.00
4.57 €
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Guitare
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Chaka Khan
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Michael Pilley
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Ain't Nobody
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Michael Pilley Music
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SheetMusicPlus
Be Our Guest
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1369887 Composed by Alan Menken an…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1369887 Composed by Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadway,Children,Classical,Film/TV,Jazz,Musical/Show. Individual part. 5 pages. Geofonica Artistworks #954257. Published by Geofonica Artistworks (A0.1369887). This is the solo arrangement of Be Our Guest created by Brad Powell for his performances in Disney's Princess Breakfast Adventure at the Disneyland Resort's Grand Californian hotel (Napa Rose restaurant), from 2019 to early 2024. It's an intermediate-to-advanced solo arrangement, mixing jazz and classical techniques and chord voicings. You can hear the full arrangement performed in the YouTube link provided. NOTE: This arrangement is in standard notation. It is also available as standard notation with TAB.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.
$4.99
4.56 €
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Guitare
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Alan Menken and Howard Ashman
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Brad Powell
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Be Our Guest
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Geofonica Artistworks
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SheetMusicPlus
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander Wilgos #5792131. Published by Aleksander Wilgos (A0.905205). Here is my transcription of Bach's Chorale Prelude BWV 639. The title Ich ruf zu Dir, Herr Jesu Christ means: I call to You, Lord Jesus Christ and is famous for it's simplicity and profoundness. Prelude is composed for organ and it's original tonality in F minor. I transposed it to more guitar friendly tonality D minor.I loved the way Paweł Pawlikowski used the piece in the last scene of his Oscar winning movie Ida, so I took the liberty to transcribe it. It is quite demanding but totally worth an effort. The music is beautiful! Enjoy!Listen my recording of the piece: htpps://www.youtube.com/watch?v=Ep-TqzUGwmACheck out my other transcriptions: htpps://www.youtube.com/user/aleksanderwilgosMore about me: htpps://www.facebook.com/wilgos.guitar/
$6.00
5.49 €
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Guitare
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Johann Sebastian Bach
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Aleksander Wilgos
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J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
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Aleksander Wilgos
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