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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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SAXOPHONE
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PIANO & CLAVIERS
1 Piano, 4 mains
90
Piano seul
62
Orgue, Piano (duo)
57
Piano Trio: piano, violon, violoncelle
43
Accompagnement Piano
39
Orgue, Trompette (duo)
35
Orgue
27
Piano, Voix
23
Instruments en Do
15
2 Pianos, 4 mains
14
Piano Quatuor: piano, 2 violons, violoncelle
10
Piano, Voix et Guitare
8
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
1
Clavecin
1
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GUITARES
2 Guitares (duo)
92
Guitare
12
4 Guitares (Quatuor)
10
Guitare notes et tablatures
3
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
3
2 Dulcimers (duo)
2
Mandoline, Guitare (duo)
2
2 Ukuleles
2
Dulcimer
1
3 Guitares (trio)
1
Basse electrique
1
Instrumentations suivantes
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VOIX
Chorale SATB
77
Chorale TTBB
41
Chorale SSAA
11
Chorale 3 parties
7
Chorale Unison
4
Voix duo, Piano
1
Voix haute
1
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VENTS
2 Saxophones (duo)
302
Saxophone Alto et Piano
147
Saxophone Tenor et Piano
146
Flûte, Clarinette (duo)
114
Hautbois, Basson (duo)
105
Saxophone, Clarinette (duo)
89
Hautbois, Flûte
89
Hautbois, Piano (duo)
79
Flûte et Guitare
75
2 Flûtes traversières (duo)
75
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
74
Ensemble de saxophones
65
Quintette de Saxophone: 5 saxophones
62
Flûte traversière et Piano
60
2 Clarinettes (duo)
57
Flûte, Clarinette, Piano (trio)
47
Clarinette, Violon (duo)
46
Flûte, Violon
44
Saxophone Soprano et Piano
39
Flûte, Hautbois, Clarinette, Basson
38
Quatuor de Saxophones: 4 saxophones
36
Ensemble de Clarinettes
36
Clarinette et Piano
36
Clarinette, Guitare (duo)
36
Clarinette, Basson (duo)
35
Clarinette, Trompette (duo)
33
Flûte, Alto (duo)
33
Flûte, Saxophone (duo)
27
Hautbois, Clarinette (duo)
27
Quatuor de Clarinettes: 4 clarinettes
27
Clarinette et Alto
26
Ensemble de Flûtes
26
Flûte, Violoncelle
22
3 Saxophones (trio)
22
3 Clarinettes (trio)
20
Flûte, Trompette (duo)
17
Flûte, Violoncelle, Piano (trio)
14
Flûte traversière, Orgue (duo)
12
Clarinette, Violoncelle (duo)
11
Quintette de Flûte : 5 flûtes
11
Quintette de Clarinettes: 5 clarinettes
10
Flûte, Basson et Piano
9
2 Clarinettes, Piano
9
2 Saxophones, Piano
9
2 Flûtes traversières, Piano
9
2 Cors Anglais Et Pianoforte
8
Saxophone et Orgue
8
Saxophone et Guitare
8
Clarinette, Tuba
7
Trio de Flûtes: 3 flûtes
7
Flûte, Trombone (duo)
7
Cor anglais, Guitare (duo)
7
Cor anglais et Harpe (duo)
6
Hautbois, Guitare (duo)
6
Flûte, Clarinette et Basson
5
Clarinette, Harpe (duo)
5
Clarinette, Trombone (duo)
4
Flûte, Hautbois (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Baryton, Piano
3
Clarinette Basse, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Violoncelle, Piano (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Flûte à bec (duo)
2
Flûte, Violon, Piano
2
Cor anglais, Piano
2
Saxophone (partie séparée)
2
Flûte à bec, Guitare (duo)
2
Flûte, Alto et Piano
1
Hautbois, Violon, Piano
1
Clarinette, Basson, Piano (trio)
1
Hautbois
1
3 Flûtes à bec (trio)
1
Flûte traversière
1
Saxophone et Harpe
1
Piccolo, Piano
1
Ensemble à vent
1
Quatuor de Flûtes à bec
1
Saxophone, Tuba (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Soprano, Piano
1
Saxophone Alto
1
Clarinette
1
Flûte, Clarinette, Violon (trio)
1
2 Hautbois (duo)
1
Clarinette, Orgue
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
130
Quatuor de Cuivres : 2 trompettes, trombone, tuba
96
Trompette, Trombone (duo)
74
Trompette, Saxophone (duo)
49
Trompette, Cor (duo)
44
2 Cors (duo)
39
Trompette, Piano
39
Trombone et Piano
36
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Ensemble de Trombones
27
Euphonium, Tuba (duo)
23
Quatuor de cuivres: 4 trombones
22
Trompette, Tuba (duo)
21
Ensemble de Trompettes
19
Quatuor de Cuivres
19
2 Euphoniums (duo)
18
Clarinette, Cor (duo)
16
Trombone, Tuba (duo)
15
Tuba et Piano
12
2 Tubas (duo)
10
Quatuor de cuivres: 4 cors
9
Cor et Piano
9
2 Cors Anglais Et Pianoforte
8
2 Trompettes (duo)
8
Euphonium, Piano (duo)
7
Trompette
7
Cor anglais, Guitare (duo)
7
Ensemble de Cors
7
2 Trombones (duo)
6
Cor anglais et Harpe (duo)
6
Cor et Orgue
4
Trombone, Orgue
4
Trio de Cuivres
4
Cor et Harpe
4
Cor et Basson (duo)
3
Trompette, Violoncelle (duo)
2
Cor, Violoncelle (duo)
2
3 Trombones (trio)
2
Cor anglais, Piano
2
Cor, Tuba (duo)
1
Trombone basse
1
Tuba et Orgue
1
Trombone
1
Cornet et orchestre
1
Trompette, Harpe
1
Trombone, Cor (duo)
1
Trombone basse et Piano
1
4 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Euphonium
1
Cor
1
Trombone, Violon (duo)
1
Trompette, violon (duo)
1
Instrumentations suivantes
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CORDES
Violon, Violoncelle (duo)
512
Quatuor à cordes: 2 violons, alto, violoncelle
244
Violon, Alto (duo)
217
Alto, Violoncelle (duo)
146
Violon et Piano
134
Violon, Guitare (duo)
72
Violoncelle , Guitare (duo)
49
Trio à Cordes: violon, alto, violoncelle
48
Violoncelle, Piano
47
Alto, Piano
41
2 Harpes (duo)
40
2 Violoncelles (duo)
35
Alto, Guitare (duo)
28
Harpe, Violon (duo)
26
Violoncelle, Contrebasse (duo)
23
Harpe, Flûte (duo)
21
Trio à Cordes: 2 violons, violoncelle
20
2 Violons (duo)
19
2 Contrebasses (duo)
17
Alto et Harpe
15
Harpe, Violoncelle (duo)
14
Piano Trio: Violon, Alto, Piano
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
2 Violons, Piano
13
Ensemble d'Altos
12
Ensemble de Violons
12
Harpe
11
2 Altos (duo)
8
Violoncelle, Orgue
7
Trio à Cordes: 3 violoncelles
6
Violon, Orgue
5
Violon
5
Trio à Cordes: 2 violons, alto
4
4 Violoncelles
4
Harpe et Piano
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle
2
Violoncelle (partie séparée)
2
Harpe et mandoline
2
Violon (partie séparée)
2
Harpe, Trombone (duo)
1
4 Contrebasses
1
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Alto, Orgue
1
Harpe, Voix
1
Alto et Basson
1
3 Contrebasses
1
Flûte, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
282
Orchestre d'harmonie
252
Ensemble Jazz
242
Ensemble de cuivres
199
Orchestre de chambre
148
Orchestre à Cordes
135
Jazz combo
60
Ensemble de Percussions
46
Batterie
29
Fanfare
28
Marimba
7
Instrumentation Flexible
5
Vibraphone et Marimba
5
Vibraphone
5
Cloches
3
Percussion (partie séparée)
1
Piano et Orchestre
1
Big band
1
Instrumentations suivantes
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AUTRES
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Guitare
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At Last
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1275899 By Celine Dion. By Harry W…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1275899 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Roger Wallace. Blues,Film/TV,Jazz,Pop,Wedding. Individual part. 13 pages. Roger Wallace #867670. Published by Roger Wallace (A0.1275899). Instrumental Solo (in F) with Piano Accompaniment. The 1941 classic written by Mack Gordon and Harry Warren is performed in a 12/8 Blues style. Solo Instrument parts included in this set:Clarinet/Flugelhorn (Low Range)Alto Sax (Low Range)Tenor Sax/Trombone (TC)French HornBassoon/Trombone/CelloViolaGuitarVibraphoneMarimbaThe Audio Sample features Guitar.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
4.61 €
#
Guitare
#
Celine Dion
#
Roger Wallace
#
At Last
#
Roger Wallace
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.46 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.46 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.46 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
It's About Time, guitar.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.947501 Composed by George Arvola, …
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Solo Guitar - Level 4 - Digital Download SKU: A0.947501 Composed by George Arvola, Virginia Mathews. Blues,Instructional,Pop,Standards,Wedding. Individual part. 8 pages. George Arvola and Virginia Mathews #504833. Published by George Arvola and Virginia Mathews (A0.947501). New release,2015, filling the need for INSPIRING arpeggio studies. Piano accompaniment and bass parts included. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggio studies from our book, Delicious Licorice. Arrangements for other instruments are available. It's About Time is a slow, sophisticated arpeggio study in the style of a pop blues ballad. This beautiful melody would be suitable for a wedding prelude or a recital.
$5.99
5.53 €
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Guitare
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George Arvola, Virginia Mathews
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It's About Time, guitar.
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George Arvola and Virginia Mathews
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SheetMusicPlus
Tune That Thang. Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.947516 Composed by George Arvola, …
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Solo Guitar - Level 4 - Digital Download SKU: A0.947516 Composed by George Arvola, Virginia Mathews. Concert,Holiday,Instructional,Jazz,Standards. Individual part. 9 pages. George Arvola and Virginia Mathews #512573. Published by George Arvola and Virginia Mathews (A0.947516). New release,late 2015, this arpeggio study is 2:36 in length. With piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of titles of INSPIRING arpeggio studies from our book, Delicious Licorice for multi-instruments. Tired of all of the standard Latin favourites? Here is an arpeggio exercise which can be used as a fun substitute for some of the old tired melodies. This tune has a sophisticated chord progression and an off the beaten path melody to suit.
$5.99
5.53 €
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Guitare
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George Arvola, Virginia Mathews
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Tune That Thang. Guitar
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George Arvola and Virginia Mathews
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SheetMusicPlus
At Last
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1277011 By Celine Dion. By Harry W…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1277011 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Roger Wallace. Blues,Film/TV,Jazz,Pop,Wedding. Individual part. 11 pages. Roger Wallace #868692. Published by Roger Wallace (A0.1277011). Vocal or Instrumental Solo (in G) with Piano Accompaniment. The 1941 classic written by Mack Gordon and Harry Warren is performed in a 12/8 Blues style. Solo parts included in this set:Piano & Voice: AltoViolin/VibesClarinet/Flugelhorn Alto Sax/Eb HornHorn in FViolaGuitarVibraphoneMarimbaThe Audio Sample features the Guitar.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
4.61 €
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Guitare
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Celine Dion
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Roger Wallace
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At Last
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Roger Wallace
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SheetMusicPlus
At Last
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1277197 By Celine Dion. By Harry W…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1277197 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Roger Wallace. Blues,Film/TV,Jazz,Pop,Wedding. Individual part. 9 pages. Roger Wallace #868873. Published by Roger Wallace (A0.1277197). Vocal or Instrumental Solo (in C) with Piano Accompaniment. The 1941 classic written by Mack Gordon and Harry Warren is performed in a 12/8 Blues style. Solo parts included in this set:Piano & Voice: SopranoFlute/Oboe/Violin/VibesClarinet/Soprano Sax/Trumpet Alto SaxGuitarVibraphoneMarimbaThe Audio Sample features the Guitar.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
4.61 €
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Guitare
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Celine Dion
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Roger Wallace
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At Last
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Roger Wallace
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SheetMusicPlus
Song of Praise/Hymn Song for guitar solo) K. 623a (Austrian National Anthem)
Guitare
Acoustic Guitar,Instrumental Solo - Level 4 - Digital Download SKU: A0.532383 Compo…
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Acoustic Guitar,Instrumental Solo - Level 4 - Digital Download SKU: A0.532383 Composed by Wolfgang Amadeus Mozart. Arranged by Klas Krantz. Classical,Patriotic. Individual part. 1 pages. Amadeus Music #6057299. Published by Amadeus Music (A0.532383). Nineteen days before his death on 5 December 1791, Wolfgang Amadeus Mozart composed his last complete work, the Freimaurerkantate, K. 623. In parts of the printed edition of this cantata there appeared the song K. 623a Lasst uns mit geschlungnen Händen (Let us with joined hands). To this melody the Austrian national anthem is sung.Wolfgang Amadeus Mozart (1756 - 1791) was a prolific and influential composer of the Classical era. His output of over 600 compositions includes works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
$3.50
3.23 €
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Guitare
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Wolfgang Amadeus Mozart
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Klas Krantz
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Song of Praise/Hymn Song for guitar solo) K. 623a
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Amadeus Music
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SheetMusicPlus
The Evening Bell - Granados - for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.797675 Composed by Enrique Granado…
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Solo Guitar - Level 4 - Digital Download SKU: A0.797675 Composed by Enrique Granados. Arranged by Derek Hasted. Romantic Period. Individual part. 5 pages. Derek Hasted #2881539. Published by Derek Hasted (A0.797675). THE EVENING BELL (Granados) - CLASSICAL GUITAR SOLODerek Hasted writes Enrique Granados is well-known amongst guitarists for his Danzas Españolas, but this piece is seldom heard on guitar, and it really deserves to be!This is number 4 in his Bocetos or Sketches.Originally set in F for piano this arrangement is in D with the bottom string tuned down to give a wonderful sustain over which the gentle music slowly meanders. The piece has wonderful key changes and fits the guitar well.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$2.99
2.76 €
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Guitare
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Enrique Granados
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Derek Hasted
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The Evening Bell - Granados - for Classical Guitar
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Derek Hasted
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SheetMusicPlus
Solitude
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1328873 By 40s Instrumental Music.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1328873 By 40s Instrumental Music. By Duke Ellington, Eddie De Lange, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #916882. Published by Christopher J. Malin (A0.1328873). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the A section in free time, adding improvisation. Then almost like a modern Power Ballad I play the B' section in a strong swing time. I repeat measures 11 to 14 three times! Then, I pull in the reins and slow her down towards the end and improvise freely at the bitter end. I love this tune! Hope you will too.
$7.00
6.46 €
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Guitare
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40s Instrumental Music
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Christopher J
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Solitude
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Christopher J. Malin
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SheetMusicPlus
Glossary of Guitar Terms
Guitare
By Collin Bay. For Guitar (All). All Styles. 12 pages. Published by Mel Bay Publications, …
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By Collin Bay. For Guitar (All). All Styles. 12 pages. Published by Mel Bay Publications, Inc
ISBN 9781619114043. Glossary of Guitar Terms is an informative addition to any musician's library. Included are a rundown of the parts of the instrument, a variety of helpful diagrams, and some of the most important terms and concepts for guitarists to be familiar with. Glossary of Guitar Terms is an excellent reference tool for players of all levels.
$9.99
9.22 €
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Guitare
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Collin Bay
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Glossary of Guitar Terms
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Mel Bay Publications, Inc
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SheetMusicPlus
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