English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
911
Partitions
Numériques
270
Librairie
Musicale
548
Matériel
de Musique
141 853
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
2988
PIANO & CLAVIERS
Piano seul
2756
Piano, Voix
611
Piano, Voix et Guitare
507
Instruments en Do
324
Orgue
140
1 Piano, 4 mains
64
Piano Trio: piano, violon, violoncelle
42
2 Pianos, 4 mains
31
Piano Facile
27
Orgue, Piano (duo)
15
Piano Quatuor: piano, violon, alto, violoncelle
14
Piano Quintette: piano, 2 violons, alto, violoncelle
13
Accompagnement Piano
13
Accordéon
9
Orgue, Trompette (duo)
8
Clavecin
4
2 Pianos, 8 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Accordéons
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
270
Guitare notes et tablatures
193
Ligne De Mélodie, (Paroles) et Accords
56
Basse electrique
42
Dulcimer
34
4 Guitares (Quatuor)
24
2 Guitares (duo)
22
Ukulele
14
Piano, Guitare (duo)
7
Ensemble de guitares
6
Paroles et Accords
4
Mandoline
4
Banjo
3
Basse électrique (partie séparée)
2
2 Dulcimers (duo)
2
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
Guitare, Orchestre
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1079
Chorale TTBB
221
Chorale 3 parties
175
Chorale SSAA
131
Voix Soprano, Piano
60
Chorale Unison
39
Voix haute
36
Voix Alto, Piano
29
Voix duo, Piano
28
Chorale 2 parties
24
Voix duo
23
Voix seule
19
Voix Baryton, Piano
14
Voix Tenor, Piano
11
Voix moyenne, Piano
11
Chorale
7
Voix Tenor
6
Voix basse
4
Voix basse, Piano
3
Voix Soprano
3
Chorale SSATTB
2
Chorale SATBB
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
383
Quatuor de Saxophones: 4 saxophones
291
Quatuor de Clarinettes: 4 clarinettes
197
Flûte traversière et Piano
168
Flûte, Hautbois, Clarinette, Basson
154
Ensemble de Clarinettes
125
Clarinette et Piano
124
Quintette de Saxophone: 5 saxophones
118
Flûte traversière
117
Ensemble de saxophones
114
Saxophone Alto et Piano
104
Quatuor de Flûtes : 4 flûtes
90
Hautbois, Piano (duo)
89
Saxophone Alto
83
Clarinette
81
Quintette de Clarinettes: 5 clarinettes
73
Saxophone Tenor et Piano
69
2 Flûtes traversières (duo)
66
2 Saxophones (duo)
66
Ensemble de Flûtes
63
Saxophone Tenor
54
2 Clarinettes (duo)
49
Saxophone Soprano et Piano
40
Trio de Flûtes: 3 flûtes
35
Saxophone (partie séparée)
32
3 Clarinettes (trio)
30
Hautbois (partie séparée)
28
2 Flûtes traversières, Piano
27
Flûte, Clarinette (duo)
27
Saxophone, Clarinette (duo)
25
Quintette de Flûte : 5 flûtes
24
3 Saxophones (trio)
23
Clarinette, Guitare (duo)
21
Flûte et Guitare
19
Clarinette, Violon (duo)
15
Saxophone Baryton, Piano
14
Hautbois, Basson (duo)
13
Flûte, Clarinette et Basson
13
Saxophone
12
2 Hautbois (duo)
12
Clarinette, Trompette (duo)
12
Clarinette Basse, Piano
11
Flûte, Violon
11
Clarinette, Basson (duo)
10
Cor anglais, Piano
9
Quatuor de Flûtes à bec
9
Hautbois, Flûte
8
Flûte, Alto (duo)
8
Clarinette et Alto
8
Flûte, Saxophone (duo)
7
Hautbois, Clarinette (duo)
7
Flûte, Violoncelle
6
Flûte à Bec
6
Flûte, Hautbois, Basson
6
Flûte, Trompette (duo)
6
Flûte à bec Soprano
6
Flûte, Violoncelle, Piano (trio)
5
Flûte, Clarinette, Piano (trio)
5
Flûte, Hautbois, Clarinette (trio)
5
5 Flûtes à bec
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Hautbois
4
Flûte, Violon et Violoncelle
3
4 Hautbois
3
Clarinette, Violoncelle (duo)
3
Flûte, Basson et Piano
3
2 Flûte à bec (duo)
3
Ensemble De Flûte à bec
3
Flûte à bec Alto
2
Saxophone Baryton
2
2 Saxophones, Piano
2
Cornemuse
2
2 Clarinettes, Piano
2
Clarinette, Trombone (duo)
2
Flûte irlandaise
2
Saxophone Soprano
2
Hautbois, Guitare (duo)
2
Flûte à bec Tenor
2
Piccolo, Piano
2
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Orgue (duo)
1
2 Clarinettes, Basson
1
Hautbois, Violon, Piano
1
Flûte à bec Alto, Basse continue
1
Flute (partie séparée)
1
Clarinette, Harpe (duo)
1
Saxophone, Tuba (duo)
1
Saxophone et Harpe
1
Cor Anglais
1
Clarinette, Orgue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Harpe et Violoncelle
1
Flûte à bec Alto, Piano
1
3 Hautbois
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Piccolo
1
Saxophone et Orgue
1
Flûte, Trombone (duo)
1
Flute, harpe et violon
1
Clarinette (partie séparée)
1
Flûte, alto et harpe
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
415
Quatuor de Cuivres : 2 trompettes, trombone, tuba
238
Trompette
94
Trompette, Piano
89
Trombone et Piano
85
Quatuor de Cuivres: 2 trompettes, Cor, trombone
76
Quatuor de cuivres: 4 trombones
63
Trombone
62
Cor et Piano
53
Ensemble de Trombones
49
2 Euphoniums et 2 Tubas
46
Tuba et Piano
41
Ensemble de Trompettes
33
Quatuor de Cuivres
33
Quatuor de cuivres: 4 cors
29
Trompette (partie séparée)
28
2 Trompettes (duo)
24
Cor
21
Euphonium, Piano (duo)
20
Trombone (partie séparée)
15
Trompette, Saxophone (duo)
15
Trompette, Trombone (duo)
13
Trio de Cuivres
12
2 Trombones (duo)
11
Tuba
10
Euphonium
9
Cor anglais, Piano
9
Ensemble de Cors
8
4 Tubas
7
2 Cors (duo)
5
Trombone basse
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Trombones (trio)
3
Euphonium, Tuba (duo)
2
Cor et Harpe
2
Trombone basse et Piano
2
Quatuor de cuivres: 4 trompettes
2
Trombone, Orgue
2
Trompette, Cor (duo)
2
Trompette, Tuba (duo)
2
Cor et Orgue
2
Trompette, Orchestre
1
2 Tubas (duo)
1
3 Euphoniums
1
Trombone, Violon (duo)
1
2 Euphoniums (duo)
1
Clarinette, Cor (duo)
1
3 Cors (trio)
1
Cor Anglais
1
Tuba et Orgue
1
Tuba (partie séparée)
1
Trompette, Harpe
1
Bass Clef Instruments
1
Trombone et orchestre
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
876
Violon et Piano
243
Violon, Violoncelle (duo)
197
Violoncelle, Piano
170
Violon
128
Trio à Cordes: violon, alto, violoncelle
116
Harpe
112
Alto, Piano
111
Violoncelle
99
2 Violons (duo)
57
Violon, Alto (duo)
44
Trio à Cordes: 2 violons, violoncelle
43
2 Violoncelles (duo)
42
2 Harpes (duo)
33
Alto seul
31
Contrebasse, Piano (duo)
20
4 Violoncelles
19
Contre Basse
17
Alto (partie séparée)
16
2 Altos (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Ensemble d'Altos
13
Ensemble de Violons
13
Alto, Violoncelle (duo)
13
Trio à Cordes: 2 violons, alto
12
Trio à Cordes: 3 violoncelles
12
Trio à cordes: 3 violins
11
Violon, Guitare (duo)
9
Piano Trio: Violon, Alto, Piano
8
Harpe, Flûte (duo)
7
Violoncelle , Guitare (duo)
7
Alto, Guitare (duo)
6
Violon (partie séparée)
5
Quatuor à cordes: 4 violons
5
Ensemble de Violoncelles
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto et Harpe
4
Harpe, Voix
4
Violoncelle, Orgue
4
Violoncelle, Contrebasse (duo)
3
Harpe, Violon (duo)
3
4 Contrebasses
3
Harpe, Violoncelle (duo)
2
Harpe et mandoline
2
Quatuor à cordes : 4 altos
2
Violoncelle (partie séparée)
2
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Trombone (duo)
1
Trio à cordes
1
Alto et Basson
1
Violoncelle, Orchestre
1
Trio à cordes: 3 altos
1
2 Contrebasses (duo)
1
Violon, Tuba (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
522
Orchestre
415
Ensemble Jazz
355
Orchestre à Cordes
316
Ensemble de cuivres
302
Orchestre de chambre
152
Jazz combo
106
Cloches
85
Fanfare
73
Batterie
45
Ensemble de Percussions
37
Marimba
11
Vibraphone
8
Batterie (partie séparée)
5
Percussion (partie séparée)
3
Orchestre, Violon
2
Xylophone, Piano
2
2 Xylophones
1
Xylophone
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
it
avancé
Guitare
Partitions à imprimer
270 partitions trouvées
<
1
26
51
....
251
Sting : Lethal Weapon 3 - It's Probably Me (niveau intermédiaire/difficile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Lethal Weapon 3 - It's…
(+)
Téléchargez la tablature et la partition Guitare Lethal Weapon 3 - It's Probably Me (niveau intermédiaire/difficile) de Sting. Tab pour Guitare d'accompagnement -- Musique de film
5.99 €
#
Guitare
#
Sting
#
Lethal Weapon 3
#
Tomplay
Mika : Relax, Take It Easy (niveau intermédiaire/difficile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Relax, Take It Easy (niveau…
(+)
Téléchargez la tablature et la partition Guitare Relax, Take It Easy (niveau intermédiaire/difficile, guitare d'accompagnement) de Mika. Tab pour Guitare d'accompagnement -- Pop/rock
5.99 €
#
Guitare
#
Mika
#
Relax, Take It Easy
#
Tomplay
Eric Clapton,Sting : It's Probably Me (niveau intermédiaire/difficile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare It's Probably Me (nive…
(+)
Téléchargez la tablature et la partition Guitare It's Probably Me (niveau intermédiaire/difficile, guitare d'accompagnement) de Eric Clapton. Tab pour Guitare d'accompagnement -- Pop/rock
5.99 €
#
Guitare
#
Eric Clapton,Sting
#
It's Probably Me
#
Tomplay
Wouldn't It Be Nice
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1263418 By The Beach Boys. By Bria…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1263418 By The Beach Boys. By Brian Wilson, Mike Love, and Tony Asher. Arranged by Gabriel Deutsch. Pop,Rock. Individual part. 5 pages. Gabriel Solo Guitar #856378. Published by Gabriel Solo Guitar (A0.1263418). Wouldn't it be nice for fingerstyle guitar.
$5.00
4.49 €
#
Guitare
#
The Beach Boys
#
Gabriel Deutsch
#
Wouldn't It Be Nice
#
Gabriel Solo Guitar
#
SheetMusicPlus
It's About Time, guitar.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.947501 Composed by George Arvola, …
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.947501 Composed by George Arvola, Virginia Mathews. Blues,Instructional,Pop,Standards,Wedding. Individual part. 8 pages. George Arvola and Virginia Mathews #504833. Published by George Arvola and Virginia Mathews (A0.947501). New release,2015, filling the need for INSPIRING arpeggio studies. Piano accompaniment and bass parts included. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggio studies from our book, Delicious Licorice. Arrangements for other instruments are available. It's About Time is a slow, sophisticated arpeggio study in the style of a pop blues ballad. This beautiful melody would be suitable for a wedding prelude or a recital.
$5.99
5.38 €
#
Guitare
#
George Arvola, Virginia Mathews
#
It's About Time, guitar.
#
George Arvola and Virginia Mathews
#
SheetMusicPlus
And So It Goes
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.946418 By Billy Joel. By Billy Joe…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.946418 By Billy Joel. By Billy Joel. Arranged by Nick Mordal. Classical,Folk,Pop,Rock,Singer/Songwriter. Individual part. 1 pages. Nick Mordal #6294925. Published by Nick Mordal (A0.946418). Transposed from C to D. Billy's piano chord voicings and counterpoint are preserved in this guitar arrangement. Techniques include a precise right hand for string selection of the thick chord voicings, barre and bringing out melodies amidst the chords. It works as accompaniment with a singer or by itself as a solo performance.
$15.00
13.47 €
#
Guitare
#
Billy Joel
#
Nick Mordal
#
And So It Goes
#
Nick Mordal
#
SheetMusicPlus
It Ain't Necessarily So
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1148988 Composed by Dorothy Heywar…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1148988 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Viktoriia Kulykovska. 20th Century,Blues,Jazz,Opera,Spiritual. Individual part. 2 pages. Viktoriia Kulykovska #749111. Published by Viktoriia Kulykovska (A0.1148988). The famous theme It Ain't Necessarily So arranged for solo guitar by Viktoriia Kulykovska. Medium level of difficulty. 2 pages.
$5.00
4.49 €
#
Guitare
#
Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin
#
Viktoriia Kulykovska
#
It Ain't Necessarily So
#
Viktoriia Kulykovska
#
SheetMusicPlus
If It's Magic
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1356930 Composed by Stevie Wonder.…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1356930 Composed by Stevie Wonder. Arranged by Alexander Elliott Miller. 20th Century,Contemporary,R & B,Singer/Songwriter,Soul. Individual part. 6 pages. Alexander Elliott Miller #941567. Published by Alexander Elliott Miller (A0.1356930). This arrangements aims to capture Stevie Wonder's If It's Magic on a solo guitar as a chord melody arrangement representing both Stevie Wonder's vocal melody and the original harp accompaniment.
$4.99
4.48 €
#
Guitare
#
Stevie Wonder
#
Alexander Elliott Miller
#
If It's Magic
#
Alexander Elliott Miller
#
SheetMusicPlus
It Is Well
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.647594 Composed by Bliss, Philip. …
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.647594 Composed by Bliss, Philip. Arranged by Nick Lacanski. Praise and Worship,Sacred. Individual part. 3 pages. Theupperstaff #2076165. Published by theupperstaff (A0.647594). One of the all-time favorite hymns is arranged for solo guitar. This needs to be in your upcoming service as a special, an offertory or an invitational.
$3.99
3.58 €
#
Guitare
#
Bliss, Philip
#
Nick Lacanski
#
It Is Well
#
theupperstaff
#
SheetMusicPlus
It's All Coming Back To Me Now
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1244512 By Celine Dion. By Jim Ste…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1244512 By Celine Dion. By Jim Steinman. Arranged by Ken Foo. Contemporary,Hip-Hop,Pop,R & B,Wedding. Individual part. 4 pages. Ken Foo #839456. Published by Ken Foo (A0.1244512). Beautiful love song by the one and only Celine Dion.Intermediate Advanced with standard notation & TAB.Check out my score, MP3 sample and YouTube video.
$5.99
5.38 €
#
Guitare
#
Celine Dion
#
Ken Foo
#
TAB
#
It's All Coming Back To Me Now
#
Ken Foo
#
SheetMusicPlus
Nobody Does It Better from THE SPY WHO LOVED ME
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.857026 By Carly Simon. By Marvin H…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.857026 By Carly Simon. By Marvin Hamlisch. Arranged by Jan Angermüller. Contemporary. Individual part. 2 pages. Elbsound.studio #3509265. Published by Elbsound.studio (A0.857026).
$4.99
4.48 €
#
Guitare
#
Carly Simon
#
Jan Angermüller
#
Nobody Does It Better from THE SPY WHO LOVED ME
#
Elbsound.studio
#
SheetMusicPlus
How Sweet It Is (to Be Loved By You)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.546097 By James Taylor. By Brian H…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.546097 By James Taylor. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Steven Joseph. 20th Century,Hip-Hop,Pop,R & B,Standards,Wedding. Individual part. 3 pages. Steven Joseph #156205. Published by Steven Joseph (A0.546097). Upbeat and jazzy arrangement for solo guitar. Includes notation and TAB. Inspired by the classic recordings by Marvin Gaye and James Taylor, this arrangement works well at both slow and up-tempo speeds and is a sure-fire crowd pleaser.
$5.00
4.49 €
#
Guitare
#
James Taylor
#
Steven Joseph
#
How Sweet It Is
#
Steven Joseph
#
SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
17.95 €
#
Guitare
#
Larry Williams
#
Larry Williams Compositions- The Guitar Book
#
Larry Andrew Williams
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.28 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.49 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
4 pp
#
Excerpt from the Lyric Suite
#
Maggie Creek Music
#
SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.49 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
'Change of scene' from Act III of Wozzeck
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.28 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.28 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Waltz For Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1042421 Composed by Frank Zappa. A…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1042421 Composed by Frank Zappa. Arranged by Andrew Pattinson. Classical,Contemporary. Individual part. 1 pages. Andrew Pattinson #647206. Published by Andrew Pattinson (A0.1042421). Zappa Quote: This is a 12-tone crab canon written when I was 18. There's actually another version for two guitars, so it's a double crab canon. I don't know where it is though. I'd been doing 12-tone music for quite some time before I did this, but it was the first time I'd tried to write something for the guitar. I couldn't play it, and I never got to hear it until I got the Synclavier. And because it's printed on the Synclavier, that also means I got to push the button and listen to it..
$4.99
4.48 €
#
Guitare
#
Frank Zappa
#
Andrew Pattinson
#
Waltz For Guitar
#
Andrew Pattinson
#
SheetMusicPlus
Romance Anonimo (tremolo) for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
1.79 €
#
Guitare
#
Anon
#
Keith Terrett
#
Romance Anonimo
#
Keith Terrett
#
SheetMusicPlus
Rumores de la Caleta
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1329558 By Isaac Albeniz. By Isaac…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1329558 By Isaac Albeniz. By Isaac Albeniz. Arranged by Nick Mordal. 20th Century,Classical,Latin,Multicultural,Romantic Period,World. Individual part. 3 pages. Nick Mordal #917541. Published by Nick Mordal (A0.1329558). This brilliantly rhythmic piano piece by Albéniz has been transposed up a fifth for guitar. Albéniz wrote this music with the percussion of a guitar in mind. Like another famous Albéniz guitar transcription, Asturias (Leyenda), it fits very nicely on the classical guitar. It is fairly difficult with some quick position shifts and is worth putting time into. Its' sound is a mix between classical and flamenco guitar. This piece has been done by several classical guitarists like Christopher Parkening, and this is my take on it. It features two contrasting sections. The A section is harsh, percussive and very Spanish. The B section is a melodically driven change of pace, before it finishes in a repeat of the A section.
$5.00
4.49 €
#
Guitare
#
Isaac Albeniz
#
Nick Mordal
#
Rumores de la Caleta
#
Nick Mordal
#
SheetMusicPlus
Passacaglia
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by Eric J Roth (A0.914738). (7 pages. 3 pages of music)This Passacaglia is the first of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming, but the Passacaglia is offered here as a single, standalone work. I have performed the Passacaglia in my own concert programs both on its own and as part of the larger sonata. I believe that it works equally well both ways. The Passacaglia form originated in 17th-century Spain. It started as a series of strummed chords that served as an interlude between dances. The term itself translates as street song. Over time, it evolved to become a series of variations set over an ostinato or ground bass, usually in triple meter. It is often indistinguishable from a Chaconne. In character, the Passacaglia is often serious, or even grave. The Passacaglia offered here adheres to this tradition in most ways, except that it is in 5/4 instead of triple meter. The ostinato phrase is five measures long and set in quarter notes. Variations usually occur in pairs and are distinguished by texture. Beginning simply, the variations build in complexity throughout the piece. The main theme, introduced in the second pair of variations, recurs later in a fuller texture. One final statement of the ostinato in bare octaves ends the piece. The tonality stems from an E harmonic minor scale, although an added B flat serves to blur any sense of strict tonality.Please note that there are some minor differences between the score and the YouTube video of a live performance from 2018.
$2.99
2.68 €
#
Guitare
#
Eric J Roth
#
Passacaglia
#
Eric J Roth
#
SheetMusicPlus
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastia…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander Wilgos #5792131. Published by Aleksander Wilgos (A0.905205). Here is my transcription of Bach's Chorale Prelude BWV 639. The title Ich ruf zu Dir, Herr Jesu Christ means: I call to You, Lord Jesus Christ and is famous for it's simplicity and profoundness. Prelude is composed for organ and it's original tonality in F minor. I transposed it to more guitar friendly tonality D minor.I loved the way Paweł Pawlikowski used the piece in the last scene of his Oscar winning movie Ida, so I took the liberty to transcribe it. It is quite demanding but totally worth an effort. The music is beautiful! Enjoy!Listen my recording of the piece: htpps://www.youtube.com/watch?v=Ep-TqzUGwmACheck out my other transcriptions: htpps://www.youtube.com/user/aleksanderwilgosMore about me: htpps://www.facebook.com/wilgos.guitar/
$6.00
5.39 €
#
Guitare
#
Johann Sebastian Bach
#
Aleksander Wilgos
#
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
#
Aleksander Wilgos
#
SheetMusicPlus
<
1
26
51
....
251
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
