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Non classifié
8143
PIANO & CLAVIERS
Piano seul
11627
Piano, Voix
757
Orgue
436
Accordéon
331
Piano, Voix et Guitare
199
1 Piano, 4 mains
197
2 Pianos, 4 mains
144
Instruments en Do
118
Piano Trio: piano, violon, violoncelle
116
Piano Facile
46
Clavecin
41
Piano Quatuor: piano, violon, alto, violoncelle
37
Piano Quintette: piano, 2 violons, alto, violoncelle
28
Orgue, Trompette (duo)
17
Accompagnement Piano
13
2 Pianos, 8 mains
12
Orgue, Piano (duo)
10
Piano Quatuor: piano, 2 violons, violoncelle
10
Clavier
6
1 Piano, 6 mains
5
Ensemble d'Accordéons
5
Accordéon et Orchestre
3
Accordéon, Corde(s)
2
2 Accordéons
2
Orgue et Orchestre
1
2 Orgues (duo)
1
Concertina
1
Accordéon, Voix
1
Ensemble de Pianos
1
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GUITARES
Guitare
1700
Guitare notes et tablatures
698
Basse electrique
329
2 Guitares (duo)
168
Ukulele
114
4 Guitares (Quatuor)
74
3 Guitares (trio)
35
Ligne De Mélodie, (Paroles) et Accords
24
Ensemble de guitares
23
Piano, Guitare (duo)
17
Mandoline
15
Dulcimer
15
Mandoline, Piano (duo)
14
Mandoline, Guitare (duo)
9
Banjo
7
Orchestre à Plectres
5
Guitare, Orchestre
4
Luth
3
2 Guitares et Orchestre
3
Paroles et Accords
3
Guitare, Flûte, Clarinette
2
Guitare, Quatuor à cordes
2
2 Dulcimers (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Bouzouki
1
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VOIX
Chorale SATB
1562
Chorale TTBB
728
Chorale SSAA
260
Chorale 3 parties
120
Voix Soprano, Piano
88
Voix seule
60
Chorale SSAATTBB
55
Voix haute
55
Chorale
52
Chorale SSATTB
37
Voix Tenor, Piano
35
Voix Baryton, Piano
29
Voix basse, Piano
27
Voix moyenne, Piano
26
Chorale SSATB
22
Chorale 2 parties
22
Voix Mezzo-Soprano, Piano
19
Voix Alto, Piano
18
Voix duo, Piano
14
Voix duo
13
Voix Soprano
6
Chorale Unison
6
Voix, Guitare
5
Voix basse
3
Chorale SSAATB
3
Soli, choeur mixte et accompagnement
3
Voix Tenor
2
Chorale SATBB
2
Chorale SAATB A Cappella
1
Voix Soprano, Orchestre
1
Voix Baryton
1
Voix duo, Orgue
1
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VENTS
Saxophone
3191
Flûte traversière
1575
Clarinette
1446
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
435
Flûte traversière et Piano
404
Saxophone (partie séparée)
361
Quatuor de Saxophones: 4 saxophones
339
Saxophone Alto
323
Clarinette et Piano
241
Saxophone Tenor
226
Quatuor de Clarinettes: 4 clarinettes
186
Ensemble de Clarinettes
181
Saxophone Alto et Piano
178
Flûte, Hautbois, Clarinette, Basson
170
Ensemble de saxophones
163
Clarinette (partie séparée)
162
Hautbois (partie séparée)
150
Hautbois, Piano (duo)
143
Saxophone Soprano
139
Flute (partie séparée)
114
Saxophone Soprano et Piano
109
2 Saxophones (duo)
91
Quintette de Saxophone: 5 saxophones
90
2 Flûtes traversières (duo)
88
Saxophone Tenor et Piano
86
2 Clarinettes (duo)
78
Quintette de Clarinettes: 5 clarinettes
74
Quatuor de Flûtes : 4 flûtes
71
Flûte et Guitare
70
Hautbois
65
Flûte à Bec
61
3 Clarinettes (trio)
58
3 Saxophones (trio)
50
Ensemble de Flûtes
50
Saxophone Baryton, Piano
49
Clarinette Basse, Piano
30
Trio de Flûtes: 3 flûtes
24
2 Flûte à bec (duo)
21
Hautbois, Clarinette, Basson (trio d'anches)
19
Cor anglais, Piano
18
Flûte, Clarinette et Basson
17
Flûte, Clarinette (duo)
17
Flûte, Violon, Piano
16
Quatuor de Flûtes à bec
15
Quintette de Flûte : 5 flûtes
15
Clarinette, Guitare (duo)
14
Flûte, Violoncelle, Piano (trio)
14
Flûte à Bec, Piano
13
Harmonica
12
2 Hautbois (duo)
11
Flûte, Hautbois, Basson
10
Flûte, Violon
10
Flûte, Clarinette, Piano (trio)
10
Flûte à bec Alto, Piano
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
9
Cor Anglais
8
Clarinette, Violoncelle (duo)
8
3 Flûtes à bec (trio)
8
Flûte, Hautbois, Clarinette (trio)
8
Clarinette, Violoncelle, Piano (trio)
7
Clarinette, Basson (duo)
7
Flûte traversière, Orchestre
7
Flûte, Violoncelle
7
Flûte à bec Alto
6
Clarinette, Violon (duo)
6
Hautbois, Basson (duo)
6
Hautbois, Flûte
6
5 Flûtes à bec
6
2 Flûtes traversières, Piano
6
3 Hautbois
5
Ocarina
5
Flûte à bec Alto, Basse continue
5
2 Saxophones, Piano
5
2 Clarinettes, Piano
5
Clarinette, Orchestre
4
Flûte, Violoncelle, Guitare
4
Flûte, Saxophone (duo)
4
Hautbois, Basson et Piano
4
Flûte, Hautbois, Piano (trio)
4
Flûte, Basson et Piano
4
Ensemble à vent
4
Flûte traversière, Orgue (duo)
4
Saxophone, Clarinette (duo)
4
Hautbois, Guitare (duo)
4
Flûte, Violon, Violoncelle et Piano
4
Flûte à bec Tenor
4
Clarinette et Alto
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Flûte à bec Soprano
3
Clarinette, Basson, Piano (trio)
3
Saxophone Baryton
3
Piccolo
3
Saxophone et Guitare
3
4 Hautbois
3
Clarinette Basse
3
Clarinette, Orgue
3
Flûte, Alto et Piano
3
Saxophone et violoncelle
2
Ensemble De Flûte à bec
2
Flûte, alto et harpe
2
Flûte, Violon et Violoncelle
2
Flûte traversière, Basse continue
2
Hautbois, Violoncelle
2
Hautbois et Orchestre
2
Hautbois, Orgue
2
Clarinette, Contrebasse (duo)
2
Saxophone et Orgue
2
Flûte, Alto (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Trombone (duo)
2
Harmonica, Piano
1
Flûte, Hautbois (duo)
1
2 Flûtes à bec, Piano
1
Saxophone, Basson (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Flûtes, Basse continue
1
Flûte, Trompette (duo)
1
2 Clarinettes, Basson
1
Flute, harpe et violon
1
Ensemble de Hautbois
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Clarinette, Violon (trio)
1
Instruments en Mib
1
Cornemuse
1
Flûte irlandaise
1
Clarinette, Trombone (duo)
1
Flûte et Quatuor à Cordes
1
Flûte, Violon, Guitare
1
Flûte, Alto et Violoncelle
1
Flûte et Trio à cordes
1
Flûte à bec Soprano, Piano
1
Flûte, Tuba (duo)
1
Piccolo, Piano
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, trombone (duo)
1
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CUIVRES
Trompette
1345
Trombone
1227
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
688
Trompette (partie séparée)
367
Trombone (partie séparée)
317
Quatuor de Cuivres : 2 trompettes, trombone, tuba
266
Trombone et Piano
218
Cor (partie séparée)
186
Cor
154
Ensemble de Trombones
152
Quatuor de cuivres: 4 trombones
138
Cor et Piano
136
Trompette, Piano
130
Tuba et Piano
119
Euphonium, Piano (duo)
112
Quatuor de cuivres: 4 cors
77
Quatuor de Cuivres
65
Tuba
51
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
2 Trombones (duo)
39
2 Euphoniums et 2 Tubas
32
2 Trompettes (duo)
32
Euphonium
30
Ensemble de Cors
29
2 Cors (duo)
29
Trombone basse
21
4 Tubas
18
Ensemble de Trompettes
18
Cor anglais, Piano
18
Tuba (partie séparée)
17
Trompette, Trombone (duo)
16
Quatuor de cuivres: 4 trompettes
15
3 Trombones (trio)
14
Trombone basse et Piano
12
2 Trompettes, Clavier (piano ou orgue)
10
Trompette, Cor (duo)
9
Cor Anglais
8
Trombone, Tuba (duo)
8
Euphonium, Tuba (duo)
7
Trombone, Orgue
7
Trompette, Orchestre
6
2 Tubas (duo)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Euphonium (partie séparée)
4
Trombone et orchestre
4
3 Cors (trio)
4
Trompette, violon (duo)
3
3 Trompettes (trio)
3
3 Euphoniums
3
Trompette, Tuba (duo)
3
Trompette, Saxophone (duo)
3
Cor, Violoncelle (duo)
2
2 Euphoniums (duo)
2
Instruments en Sib
2
Cor et Orgue
2
Trompette, Trombone, Piano
2
3 Tubas (trio)
2
Cor et Harpe
2
Trombone, Cor (duo)
2
Tuba et Orgue
2
Ensemble de Tubas
1
Trompette, Basson (duo)
1
Clarinette, Cor (duo)
1
Cor et Basson (duo)
1
Trombone, Alto (duo)
1
Trompette, Violoncelle (duo)
1
Cor, Orchestre
1
Trio de Cuivres
1
Trombone, Violon (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1652
Violon
1087
Violon et Piano
768
Violoncelle
620
Alto seul
375
Violoncelle, Piano
363
Violon, Violoncelle (duo)
211
Harpe
187
Alto, Piano
185
Trio à Cordes: violon, alto, violoncelle
173
2 Violons (duo)
107
Violon, Alto (duo)
90
Contre Basse
82
Violon, Guitare (duo)
73
Trio à Cordes: 2 violons, violoncelle
69
Alto (partie séparée)
61
2 Violoncelles (duo)
59
2 Altos (duo)
50
4 Violoncelles
50
Contrebasse, Piano (duo)
47
Violon (partie séparée)
44
Alto, Violoncelle (duo)
38
Violoncelle , Guitare (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Harpe, Violon (duo)
23
Violoncelle, Contrebasse (duo)
22
Trio à cordes: 3 violins
20
Harpe, Flûte (duo)
19
Trio à Cordes: 3 violoncelles
18
Contrebasse (partie séparée)
17
4 Contrebasses
15
Trio à cordes
14
Ensemble de Violoncelles
14
Trio à Cordes: 2 violons, alto
13
Quatuor à cordes: 4 violons
12
Violoncelle (partie séparée)
10
Violoncelle, Orchestre
9
2 Contrebasses (duo)
8
Quatuor à cordes : 4 altos
8
Violoncelle, Orgue
7
Trio à cordes: 3 altos
6
Violon, Orgue
6
Alto et Harpe
5
Alto, Guitare (duo)
5
Piano Trio: Violon, Alto, Piano
5
Alto et orchestre
4
Harpe, Violoncelle (duo)
4
Violon, Clarinette, Piano (trio)
4
2 Violons, Piano
3
Harpe, Quatuor à cordes
3
Flûte, Contrebasse (duo)
2
Ensemble de Violons
2
Violon, Violoncelle, Clarinette
2
Harpe, Orchestre
2
Ensemble d'Altos
2
Harpe, Violon, Violoncelle
2
Violoncelle, Basse continue
1
2 Harpes (duo)
1
Harpe (partie séparée)
1
Violon, Clarinette et Guitare
1
4 Harpes
1
Violon, Basse continue
1
Violon, Basson (duo)
1
3 Harpes
1
Alto, Orgue
1
Harpe et Piano
1
2 Altos, Piano
1
Harpe, Trombone (duo)
1
3 Contrebasses
1
Alto et Basson
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1530
Orchestre
1526
Batterie
1159
Ensemble Jazz
890
Orchestre à Cordes
525
Jazz combo
467
Ensemble de cuivres
420
Orchestre de chambre
415
Fanfare
106
Percussion (partie séparée)
99
Cloches
90
Ensemble de Percussions
87
Marimba
34
Percussion
22
Timbales (partie séparée)
16
Piano et Orchestre
14
Vibraphone
10
Big band
9
Batterie (partie séparée)
8
Orchestre, Violon
8
Quintette à Vent
4
Xylophone
3
Caisse Claire
2
Quintette de Cuivres: autres combinaisons
1
Xylophone (partie séparée)
1
Voix Mezzo-Soprano, Orchestre
1
Quatuor à Vent : 4 instruments à vents
1
Instrumentation Flexible
1
Marimba, Piano (duo)
1
Conga
1
Orchestre Symphonique
1
Marimba et Orgue
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
7
Théorie de la musique
4
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GFA Spotlight Series, vol. 1, compositions
Guitare
Composed by Various. GFA Spotlight Series. Score. 51 pages. Les Productions d'OZ …
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Composed by Various. GFA Spotlight Series. Score. 51 pages. Les Productions d'OZ - Digital #DZ 3764. Published by Les Productions d'OZ - Digital
ISBN 9782897956813.<br> <br> The Guitar Foundation of America (GFA) is committed to cultivating Inclusion, Diversity, Equity and Access in the international guitar community and in the repertoire published for the instrument. Many factors, including a composer's race, gender, and sexual orientation, have historically created a narrow representation of our community in the classical music canon. For this first volume of the GFA Spotlight Series, the GFA commissioned seven new works by composers of color. The second volume of this series will follow with seven transcriptions of existing pieces by composers of color. These commissioned pieces and transcriptions were premiered by students in the GFA Mentorship Program in 2021.<br> With this collection, the guitar takes a step towards a more inclusive and representative repertoire that nurtures creativity and inclusion for generations of guitarists to come. Growing the canon enriches the musical experiences of our entire international guitar community through exposure to diverse perspectives and voices, complementing the invaluable lessons we learn from the existing contributions of pieces that form the canon.ISBN 9782897956813.<br> <br> The Guitar Foundation of America (GFA) is committed to cultivating Inclusion, Diversity, Equity and Access in the international guitar community and in the repertoire published for the instrument. Many factors, including a composer's race, gender, and sexual orientation, have historically created a narrow representation of our community in the classical music canon. For this first volume of the GFA Spotlight Series, the GFA commissioned seven new works by composers of color. The second volume of this series will follow with seven transcriptions of existing pieces by composers of color. These commissioned pieces and transcriptions were premiered by students in the GFA Mentorship Program in 2021.<br> With this collection, the guitar takes a step towards a more inclusive and representative repertoire that nurtures creativity and inclusion for generations of guitarists to come. Growing the canon enriches the musical experiences of our entire international guitar community through exposure to diverse perspectives and voices, complementing the invaluable lessons we learn from the existing contributions of pieces that form the canon.
$15.95
14.52 €
#
Guitare
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Various
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GFA Spotlight Series, vol. 1, compositions
#
SheetMusicPlus
The Complete Studies
Guitare
Guitar - advanced - Digital Download Newly engraved from early editions. Composed by …
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Guitar - advanced - Digital Download Newly engraved from early editions. Composed by Fernando Sor (1778-1839). Arranged by Jan De Kloe and Matanya Ophee. This edition: Sheet music. Downloadable. Chanterelle #Q48853. Published by Chanterelle
NEW REVISED EDITION - NOW AVAILABLE! Our edition of Sor's Complete Studies is the definitive edition, newly revised. The musical text shows the original texts and the editor's suggestions. Full commentaries and historical notes are provided with several illustrations. Cannot be too highly recommended.NEW REVISED EDITION - NOW AVAILABLE! Our edition of Sor's Complete Studies is the definitive edition, newly revised. The musical text shows the original texts and the editor's suggestions. Full commentaries and historical notes are provided with several illustrations. Cannot be too highly recommended.
$23.99
21.84 €
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Guitare
#
Fernando Sor
#
The Complete Studies
#
Chanterelle
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SheetMusicPlus
The Complete Works for Guitar
Guitare
Guitar - advanced - Digital Download Coleccion de Estudios, Nuevo Metodo de Guitarra,…
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Guitar - advanced - Digital Download Coleccion de Estudios, Nuevo Metodo de Guitarra, op.6, Biography and Bibliography. Composed by Dionisio Aguado (1784-1849). This edition: Sheet music. Downloadable. Op. 1. Chanterelle #Q48854. Published by Chanterelle
English.<br> <br> This volume brings together what is known of Aguado's life, and gives full details about the publication of his music. It also includes the full text of Jose Romanillos' article "Dionisio Aguado - the man". Also included are the following two publications: The Coleccion de Estudios of 1820, which contains 46 studies and an explanatory text. Aguado's earliest known work, it is the fruit of his intensive study of the guitar in Spain. It was previously thought lost and has only recently come to light. The Nuevo Metodo de Guitarra, opus 6, which is a much simpler method than the elaborate one which Aguado had previously published. It consists of 70 pages, with short musical passages and explanatory text. This is Volume 1 of the Complete Works of Dionisio Aguado.English.<br> <br> This volume brings together what is known of Aguado's life, and gives full details about the publication of his music. It also includes the full text of Jose Romanillos' article "Dionisio Aguado - the man". Also included are the following two publications: The Coleccion de Estudios of 1820, which contains 46 studies and an explanatory text. Aguado's earliest known work, it is the fruit of his intensive study of the guitar in Spain. It was previously thought lost and has only recently come to light. The Nuevo Metodo de Guitarra, opus 6, which is a much simpler method than the elaborate one which Aguado had previously published. It consists of 70 pages, with short musical passages and explanatory text. This is Volume 1 of the Complete Works of Dionisio Aguado.
$40.99
37.32 €
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Guitare
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Dionisio Aguado (1784-1849)
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The Complete Works for Guitar
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Chanterelle
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SheetMusicPlus
Lua para o Epilogo de Verão (Août)
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. …
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
$5.95
5.42 €
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Guitare
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Louis Trépanier
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Lua para o Epilogo de Verão
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Les Productions d'OZ - Digital
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SheetMusicPlus
Prince : Purple Rain (niveau difficile, guitare d'accomapgnement)
Guitare
Téléchargez la tablature et la partition Guitare Purple Rain (niveau diffici…
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Téléchargez la tablature et la partition Guitare Purple Rain (niveau difficile, guitare d'accomapgnement) de Prince. Tab pour Guitare d'accompagnement -- Pop/rock
5.99 €
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Guitare
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Prince
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Purple Rain
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Tomplay
The Storm Comes
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1412636 By Neal Fitzpatrick. By Ne…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1412636 By Neal Fitzpatrick. By Neal Fitzpatrick. 21st Century,Classical,Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editions #994667. Published by Neal Fitzpatrick Editions (A0.1412636). The Storm Comes by guitarist and composer Neal Fitzpatrick.
$3.99
3.63 €
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Guitare
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Neal Fitzpatrick
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The Storm Comes
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Neal Fitzpatrick Editions
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SheetMusicPlus
Oye Como Va
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1263973 By Santana. By Tito Puente…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1263973 By Santana. By Tito Puente. Arranged by Gabriel Deutsch. Latin,Rock. Individual part. 5 pages. Gabriel Solo Guitar #856881. Published by Gabriel Solo Guitar (A0.1263973). Oye Como Va by Carlos Santana for Fingerstyle Guitar.
$5.00
4.55 €
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Guitare
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Santana
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Gabriel Deutsch
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Oye Como Va
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Gabriel Solo Guitar
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SheetMusicPlus
Royal Winter Music
Guitare
Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Compo…
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Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Guitar Archive. Downloadable. Duration 25 minutes. Schott Music - Digital #Q4978. Published by Schott Music - Digital
My idea of developing music from Richard of Gloucester's monologue 'Now is the winter of our discontent', and of generating more music from that material, was conceived during the 1960s. Ten years later it took a more concrete form, when Julian Bream suggested to me that I should write a substanial new guitar work for him. More time went by, and only having finished 'We Come to the River' could I begin to realise our plan. Then began a collaboration with the instrumentalist that went through various phases, from which I gained a more profound knowledge of the technicalities and of the sound-world of the guitar. I would even go so far as to say that this collaboration gave me a new concept of how to write for an instrument with a rich tradition. The guitar is a 'knowing' or 'knowledgeable' instrument, with many limitations but also many unexplored spaces and depths within these limits. It possesses a richness of sound capable of embracing everything one might find in a gigantic contemporary orchestra. but one has to start from silence in order to notice this: one has to pause, and completely exclude noise.<br> The dramatis personae of this piece enter through the sound of the guitar as if it were curtain. Through masks, voices and gestures, they speak to us of great passion, of tenderness, sadness and comedy: strange events in people's lives. Into this, the whispering voices of spirits are mingled. The epilogue is spoken by Oberon, pacified and reconciled, as though Nature had been subjected to Man.<br> - Hans Werner Henze.My idea of developing music from Richard of Gloucester's monologue 'Now is the winter of our discontent', and of generating more music from that material, was conceived during the 1960s. Ten years later it took a more concrete form, when Julian Bream suggested to me that I should write a substanial new guitar work for him. More time went by, and only having finished 'We Come to the River' could I begin to realise our plan. Then began a collaboration with the instrumentalist that went through various phases, from which I gained a more profound knowledge of the technicalities and of the sound-world of the guitar. I would even go so far as to say that this collaboration gave me a new concept of how to write for an instrument with a rich tradition. The guitar is a 'knowing' or 'knowledgeable' instrument, with many limitations but also many unexplored spaces and depths within these limits. It possesses a richness of sound capable of embracing everything one might find in a gigantic contemporary orchestra. but one has to start from silence in order to notice this: one has to pause, and completely exclude noise.<br> The dramatis personae of this piece enter through the sound of the guitar as if it were curtain. Through masks, voices and gestures, they speak to us of great passion, of tenderness, sadness and comedy: strange events in people's lives. Into this, the whispering voices of spirits are mingled. The epilogue is spoken by Oberon, pacified and reconciled, as though Nature had been subjected to Man.<br> - Hans Werner Henze.
$19.99
18.2 €
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Guitare
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Hans Werner Henze
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Royal Winter Music
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Schott Music - Digital
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SheetMusicPlus
Guitar Sonata on Themes by Thomas Commuck (Guitar Sonata No. 11 in B major)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1452092 Composed by Jeremiah Lawso…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1452092 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 18 pages. Jeremiah Lawson #1031408. Published by Jeremiah Lawson (A0.1452092). Thomas Commuck (1804 to 1855) was a member of the Narragansett tribe and is considered the first NativeAmerican to publish a musical work using Western European notation. The work, Indian Melodies, is a shape‐notehymnal published as a contribution to the hymnody of the Methodist Episcopal Church and was published in 1845.Guitar Sonata on themes by Thomas Commuck is a traditional four‐movement work with an opening sonatamovement (Mooanam); a double variation form (Menominie and Susquehannah); a canonic minuet with trio (Pequot and Missouri; and a closing prelude with fugue (Flathead). The melodies are labeled as they appear throughout the score, though not always with reference to their original forms. I made a few gentle modifications to Commuck’s melodies to better facilitate their use in polyphonic textures.You can hear the second movement herehttps://youtu.be/OR8NMAyXlRkand the third movement herehttps://youtu.be/OjF7SxlQok0I'm publishing this work in June 2024 to commemorate the centennial of the Indian Citizenship Act of 1924.
$5.00
4.55 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata on Themes by Thomas Commuck
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Jeremiah Lawson
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SheetMusicPlus
My Chemical Romance : Welcome to the Black Parade - Version originale (niveau difficile, lead guitar)
Guitare
Téléchargez la tablature et la partition Guitare Welcome to the Black Parade…
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Téléchargez la tablature et la partition Guitare Welcome to the Black Parade - Version originale (niveau difficile, lead guitar) de My Chemical Romance. Tab pour Lead Guitar -- Pop/rock
5.99 €
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Guitare
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My Chemical Romance
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Welcome to the Black Parade
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Tomplay
Pulso de la vida
Guitare
Guitar - Advanced - Digital Download SKU: ZY.DO-1551 Composed by Yorgos Nousis. Sco…
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Guitar - Advanced - Digital Download SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1551). PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar.The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives.Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings.The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme. The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity. Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet à la guitare).Le caractère de la pièce passe de simple et méditatif à rythmique et plein de tension, reflétant les différentes étapes de notre vie.La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes.La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème. La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité. Enfin, la simplicité combinée à un sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice à toute forme d'introspection.
$5.95
5.42 €
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Guitare
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Yorgos Nousis
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Pulso de la vida
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Les Editions Doberman-Yppan
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SheetMusicPlus
Five Comics
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-3823 Composed by Kevin Swierkosz-Le…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-3823 Composed by Kevin Swierkosz-Lenart. Score. 17 pages. Les Productions d'OZ - Digital #DZ 3823. Published by Les Productions d'OZ - Digital (ZZ.DZ-3823). ISBN 9782897957407.
$9.95
9.06 €
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Guitare
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Kevin Swierkosz-Lenart
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Five Comics
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Les Productions d'OZ - Digital
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SheetMusicPlus
Tombeau Sur la Mort de M.ur Comte D'logy
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1215690 Composed by Sylvius Leopol…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1215690 Composed by Sylvius Leopold Weiss. Arranged by Benjamin Grace. Baroque. Individual part. 2 pages. Benjamin Grace #812420. Published by Benjamin Grace (A0.1215690). Notes that are in brackets are optional to play instead of its octave tone. The notes that are bracketed in bars 25 and 28 are optional to play. I hope you enjoy.
$4.99
4.54 €
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Guitare
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Sylvius Leopold Weiss
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Benjamin Grace
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Tombeau Sur la Mort de M.ur Comte D'logy
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Benjamin Grace
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SheetMusicPlus
Locomotivation
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1345698 By Tommy Emmanuel. By Tomm…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1345698 By Tommy Emmanuel. By Tommy Emmanuel. Arranged by Jeff Tincher. Contemporary,Country. Individual part. 5 pages. Jeff Tincher #930579. Published by Jeff Tincher (A0.1345698). This song got me hooked on Tommy Emmanuel. Tommy is a Certified Guitar Player, a designation created by Chet Atkins that is awarded to a guitar player who goes beyond a normal guitar player. Chet only handed out 4 of these designations in his lifetime. This song is a lively country song that many guitarists strived to learn. In the original key, this will get your foot tapping (or your head bobbing as Tommy does when he plays this song). Duration = 3:27. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/sheetmusic, https://www.facebook.com/jefftincherpublishing/.
$5.99
5.45 €
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Guitare
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Tommy Emmanuel
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Jeff Tincher
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Locomotivation
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Jeff Tincher
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SheetMusicPlus
CARMEN SUITE - Classical Guitar Arrangements from Bizet's Opera Carmen
Guitare
Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book.…
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Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book. 21 pages. Mel Bay Publications - Digital Sheet Music #30985EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459752. 8.75x11.75 inches.<br> <br> One might think that it would be impossible to arrange the music of Georges Bizets opera, Carmen, for solo classic guitar, but Nestor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Metodo para Guitarra of 1843, the classic guitars expansive palette of tone color gives it the ability to emulate a miniature orchestra. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizets CarmenAragonaise, Habanera, Seguidillas, and Danse Bohemeas well as Carmens sober Chant de la Mort. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Nestor Ausquis Carmen Suite, the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity. Guillermo Rene? Alvarez Musicologist, Professor at the Instituto Superior de Mu?sica, Universidad Nacional del Litoral-Argentina.ISBN 9781513459752. 8.75x11.75 inches.<br> <br> One might think that it would be impossible to arrange the music of Georges Bizets opera, Carmen, for solo classic guitar, but Nestor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Metodo para Guitarra of 1843, the classic guitars expansive palette of tone color gives it the ability to emulate a miniature orchestra. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizets CarmenAragonaise, Habanera, Seguidillas, and Danse Bohemeas well as Carmens sober Chant de la Mort. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Nestor Ausquis Carmen Suite, the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity. Guillermo Rene? Alvarez Musicologist, Professor at the Instituto Superior de Mu?sica, Universidad Nacional del Litoral-Argentina.
$9.99
9.1 €
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Guitare
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Nestor Ausqui
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CARMEN SUITE - Classical Guitar Arrangements from Bizet's Opera Carmen
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Csardas
Guitare
Guitar - advanced - Digital Download Composed by Vittorio Monti (1868-1922). Arranged…
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Guitar - advanced - Digital Download Composed by Vittorio Monti (1868-1922). Arranged by Dimitri Lavrentiev. This edition: Sheet music. Downloadable. Duration 4 minutes 56 seconds. Chanterelle #Q48113. Published by Chanterelle
German - English.<br> <br> The Hungarian Dance Csardas is the best known work by Vittorio Monti (1868-1922) an Ita - lian composer born in Naples, who worked extensively as a conductor and composer in Paris. Originally written for Violin, or Mandolin, with piano or orchestra accompaniment Csardas was immediately selected by numerous virtuosos who adopted it as a showpiece. Nowadays, it is still widely heard for just about every instrumental combination from various solo instruments, particularly solo violin, to versions for many instrumental combinations from gypsy orchestras through to marching bands. We are proud to publish this fine solo guitar arrangement by the virtuoso Russian guitarist Dimitri Lavrentiev, who resides and teaches in Augsburg, Germany.German - English.<br> <br> The Hungarian Dance Csardas is the best known work by Vittorio Monti (1868-1922) an Ita - lian composer born in Naples, who worked extensively as a conductor and composer in Paris. Originally written for Violin, or Mandolin, with piano or orchestra accompaniment Csardas was immediately selected by numerous virtuosos who adopted it as a showpiece. Nowadays, it is still widely heard for just about every instrumental combination from various solo instruments, particularly solo violin, to versions for many instrumental combinations from gypsy orchestras through to marching bands. We are proud to publish this fine solo guitar arrangement by the virtuoso Russian guitarist Dimitri Lavrentiev, who resides and teaches in Augsburg, Germany.
$9.99
9.1 €
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Guitare
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Vittorio Monti (1868-1922)
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Dimitri Lavrentiev
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Csardas
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Chanterelle
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SheetMusicPlus
Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4262 Composed by Bryan Johanson and…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4262 Composed by Bryan Johanson and Jesse McCann. Method Book. 140 pages. Les Productions d'OZ - Digital #DZ 4262. Published by Les Productions d'OZ - Digital (ZZ.DZ-4262). In this ambitious series, Bryan Johanson and Jesse McCann seek to address this missing element in the study of classical guitar. In light of the sheer volume of guitar music written over the centuries, not to men- tion early works by the guitar’s plucked-string relatives, the authors’ choices were by necessity limited to a select group of standards. These might be considered among the most popular works in the guitar canon, admired over the years by performers, students, and audiences alike for their beauty, musical expression, and idiomatic sonority. There are, of course, other pieces that could have been included. But by choosing works that give a broad survey of styles across musical periods (Renaissance, Baroque, Classical, Romantic, and early 20th century) written by some of the guitar’s most important composers, the authors present a com- prehensive cross-section of the essential repertoire for the instrument.- William KanengiserDans cette série ambitieuse, Bryan Johanson et Jesse McCann cherchent à aborder cet élément manquant dans l'étude de la guitare classique. En raison du volume considérable de musique pour guitare écrite au fil des siècles, sans mentionner les œuvres anciennes des instruments à cordes pincées apparentés à la guitare, les choix des auteurs étaient nécessairement limités à un groupe restreint de « standards ». Ces œuvres peuvent être considérées parmi les plus populaires du répertoire de la guitare, admirées au fil des ans par les interprètes, les étudiants et les auditoires pour leur beauté, leur expression musicale et leur sonorité idiomatique. Il existe, bien sûr, d'autres pièces qui auraient pu être incluses. Mais en choisissant des œuvres qui offrent un large panorama des styles à travers les périodes musicales (Renaissance, Baroque, Classique, Romantique et début du 20e siècle) écrites par certains des compositeurs les plus importants pour la guitare, les auteurs présentent une section transversale complète du répertoire essentiel pour l'instrument.- William Kanengiser.
$42.95
39.11 €
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Guitare
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Bryan Johanson and Jesse McCann
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Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
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Les Productions d'OZ - Digital
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SheetMusicPlus
A Day in May
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4273 Composed by Annette Kruisbrink. Scor…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4273 Composed by Annette Kruisbrink. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4273. Published by Les Productions d'OZ - Digital
Composé à l'occasion de la naissance d'un premier enfant, une fille née au mois de mai. Dédiée à son fier père, le guitariste turc Serhat Bulut. La pièce démarre dans l'expectative, puis se dessine dans des sonorités orientales, suivie d'un passage tendre représentant le berçage d'un enfant. La pièce se termine par un intervalle mélodique dans lequel chaque bébé dit maman et papa pour la première fois. Composed on the occasion of the birth of a first child, a girl born in the month of May. Dedicated to her proud father, the Turkish guitarist Serhat Bulut. The piece starts expectantly, then takes shape in oriental sounds, followed by a tender passage depicting the cradling of a child. The piece ends with a melodic interval in which each baby says mommy and daddy for the first time.Composé à l'occasion de la naissance d'un premier enfant, une fille née au mois de mai. Dédiée à son fier père, le guitariste turc Serhat Bulut. La pièce démarre dans l'expectative, puis se dessine dans des sonorités orientales, suivie d'un passage tendre représentant le berçage d'un enfant. La pièce se termine par un intervalle mélodique dans lequel chaque bébé dit maman et papa pour la première fois. Composed on the occasion of the birth of a first child, a girl born in the month of May. Dedicated to her proud father, the Turkish guitarist Serhat Bulut. The piece starts expectantly, then takes shape in oriental sounds, followed by a tender passage depicting the cradling of a child. The piece ends with a melodic interval in which each baby says mommy and daddy for the first time.
$3.95
3.6 €
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Guitare
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Annette Kruisbrink
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A Day in May
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Les Productions d'OZ - Digital
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SheetMusicPlus
Eugen Sedko - Vals "Alicante" classical guitar composition
Guitare
Guitar - Advanced - Digital Download Composed by Eugen Sedko. Neo- Classical, World, Euro…
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Guitar - Advanced - Digital Download Composed by Eugen Sedko. Neo- Classical, World, European. Score, Sheet Music Single. 2 pages. Published by Eugen Sedko
A classical style composition made for a competition for guitar composers in Ukraine, I became one of winners of this competition with it this year. No video yet, but the audio is made with me and my guitar, hope you will like it.A classical style composition made for a competition for guitar composers in Ukraine, I became one of winners of this competition with it this year. No video yet, but the audio is made with me and my guitar, hope you will like it.
$5.99
5.45 €
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Guitare
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Eugen Sedko
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Eugen Sedko - Vals "Alicante" classical guitar composition
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Eugen Sedko
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SheetMusicPlus
Last Encores (Letzte Zugaben)
Guitare
Guitar - advanced - Digital Download Composed by Georg Schmitz. This edition: Sheet m…
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Guitar - advanced - Digital Download Composed by Georg Schmitz. This edition: Sheet music. Downloadable. Duration 5 minutes 30 seconds. Chanterelle #Q51799. Published by Chanterelle
English - German.<br> <br> Dedicated to Aniello Desiderio and Premeiered by him at the 2009 Coblenz Guitar Festival, here is what Aniello and Classical Guitar Magazine have to say about this work: 'It is always difficult to find the right words to speak about music. Good music, like poetry, communicates with us on a different level to other sounds or words. The best music reaches greater depths with each hearing. This is how I feel about these pieces by Georg Schmitz: they really express something from deep inside, which cannot be expressed with words.' (Aniello Desiderio, Napoli 2009).English - German.<br> <br> Dedicated to Aniello Desiderio and Premeiered by him at the 2009 Coblenz Guitar Festival, here is what Aniello and Classical Guitar Magazine have to say about this work: 'It is always difficult to find the right words to speak about music. Good music, like poetry, communicates with us on a different level to other sounds or words. The best music reaches greater depths with each hearing. This is how I feel about these pieces by Georg Schmitz: they really express something from deep inside, which cannot be expressed with words.' (Aniello Desiderio, Napoli 2009).
$12.99
11.83 €
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Georg Schmitz
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Last Encores
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Chanterelle
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SheetMusicPlus
Complete Works of Agustin Barrios Mangore for Guitar Vol. 1
Guitare
Composed by Agustin Barrios Mangore (1885-1944). Edited by Rico Stover. For Guitar (Classi…
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Composed by Agustin Barrios Mangore (1885-1944). Edited by Rico Stover. For Guitar (Classical). Complete. Classic. Advanced. E-book. 264 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781609741419. The product of decades of scholarly investigation, Volume 1 contains 67 musical works by the virtuoso Paraguayan guitarist Agustin Barrios Mangore (1885-1944). This is the first edition of Barrios music based on all available sources: manuscripts, phonograph recordings and published editions (pre-1970s). Written in standard notation only, the two volumes of this definitive collection are illustrated with period photographs, concert programs and Barrios own drawings. The legacy of Barrios is one of the most important and outstanding contributions ever made to the classic guitar, and it is with great pride that Mel Bay Publications offers here for the first time in one edition the collected works of Agustin Barrios Mangore.ISBN 9781609741419. The product of decades of scholarly investigation, Volume 1 contains 67 musical works by the virtuoso Paraguayan guitarist Agustin Barrios Mangore (1885-1944). This is the first edition of Barrios music based on all available sources: manuscripts, phonograph recordings and published editions (pre-1970s). Written in standard notation only, the two volumes of this definitive collection are illustrated with period photographs, concert programs and Barrios own drawings. The legacy of Barrios is one of the most important and outstanding contributions ever made to the classic guitar, and it is with great pride that Mel Bay Publications offers here for the first time in one edition the collected works of Agustin Barrios Mangore.
$34.99
31.86 €
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Guitare
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Agustin Barrios Mangore
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Complete Works of Agustin Barrios Mangore for Guitar Vol. 1
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
The Complete Works for Solo Guitar
Guitare
Composed by Ernst Bacon (1898- 1990). Edited by Bradley Colten. Arranged by Bradley C…
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Composed by Ernst Bacon (1898- 1990). Edited by Bradley Colten. Arranged by Bradley Colten. Score. 58 pages. Les Productions d\'OZ - Digital #DZ 2550. Published by Les Productions d\'OZ - Digital
$16.95
15.43 €
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Guitare
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Ernst Bacon
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Bradley Colten
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The Complete Works for Solo Guitar
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Les Productions d\'OZ - Digital
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SheetMusicPlus
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